Fly Me to the Moon

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

℗ & © «2018 This Compilation Rhino UK, a division of Warner Music UK Ltd»

Annotazione modificata l'ultima volta il 2022-08-26 14:15 UTC.

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#TitoloArtistaValutazioneDurata
1My Baby Just Cares for Me
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
edit di:
My Baby Just Cares for Me (special extended version) di Nina Simone
registrazione cover di:
My Baby Just Cares for Me (nel 1957-12)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone3.93:35
2Mack the Knife
produttore:
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun e Jerry Wexler
voce:
Bobby Darin
direttore d'orchestra:
Richard Wess
arrangiatore:
Richard Wess
parte di:
Grammy Award: Record of the Year nominees (numero: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (numero: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 40) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 251)
registrazione cover di:
Mack the Knife (1954 Blitzstein translation)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (American composer) (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:04
3That’s Amore (1998 remastered version)
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (il 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (il 1953-08-13)
direttore d'orchestra:
Dick Stabile (il 1953-08-13)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1953)
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1953-08-13)
registrazione di:
That’s Amore (il 1953-08-13)
paroliere:
Jack Brooks (English–American lyricist)
compositore:
Harry Warren (US composer and lyricist)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) e Universal Songs (publisher)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!) e BMG Unisongs Music Publishers BV
parte di:
The 26th Academy Award for Best Original Song (numero: 2)
parte di:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.353:08
4How D’Ya Like Your Eggs in the Morning
registrazione di:
How D’Ya Like Your Eggs in the Morning?
paroliere:
Sammy Cahn
compositore:
Nicholas Brodzsky
Helen O’Connell & Dean Martin2:46
5Goldfinger
tecnico:
John Richards (engineer)
produttore:
John Barry (English score composer) e George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
voce:
Shirley Bassey (Welsh singer) (nel 1964-07)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Goldfinger (nel 1964-07)
paroliere:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
compositore:
John Barry (English score composer)
editore:
EMI United Partnership Ltd. e Sony/ATV Songs LLC
parte di:
James Bond themes
parte di:
Goldfinger
Shirley Bassey4.252:50
6Mad About the Boy
registrata a:
Chicago, Illinois, Stati Uniti (il 1961-12-04)
pianoforte :
Jack Wilson (jazz pianist) (il 1961-12-04)
tromba :
Joe Newman (US jazz trumpeter) (il 1961-12-04)
trombone :
Billy Byers (il 1961-12-04)
voce:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (il 1961-12-04)
arrangiatore:
Quincy Jones (il 1961-12-04)
registrazione cover di:
Mad About the Boy (nel 1961)
paroliere e compositore:
Noël Coward
editore:
Chappell & Co. e Chappell Music Ltd.
parte di:
Words and Music
Dinah Washington52:48
7From Russia With Love (1995 remaster)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
voce principale:
Matt Monro
direttore d'orchestra:
John Barry (English score composer)
arrangiatore:
John Barry (English score composer)
registrazione di:
From Russia With Love
paroliere e compositore:
Lionel Bart
editore:
EMI United Partnership Ltd.
parte di:
James Bond themes
parte di:
From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)
Matt Monro & Bob Norberg3.352:35
8Alfie
registrazione di:
Alfie (nel 1965)
paroliere:
Hal David (nel 1965)
compositore:
Burt Bacharach (nel 1965)
editore:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell e Sony/ATV Harmony
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The 39th Academy Award for Best Original Song (numero: 2)
Cilla Black2:39
9Fly Me to the Moon
Alma Cogan3:49
10Spanish Harlem
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
ance :
Romeo Penque (il 1960-10-27)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1960-10-27)
chitarra :
Al Caiola (il 1960-10-27)
contrabbasso [bass] :
Lloyd Trotman (US jazz bassist) (il 1960-10-27)
percussione :
Phil Kraus (il 1960-10-27)
pianoforte :
Ernie Hayes (American pianist, organist and arranger) (il 1960-10-27)
violoncello :
Charles McCracken (cellist) (il 1960-10-27)
voce:
Ben E. King (il 1960-10-27)
voce di accompagnamento:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 350)
registrazione di:
Spanish Harlem (il 1960-10-27)
paroliere:
Jerry Leiber
compositore:
Phil Spector
editore:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. e Unichappell Music
Ben E. King4.52:52
11Blue Velvet
The Clovers2:38
12These Foolish Things (Remind Me of You)
registrazione strumentale di:
These Foolish Things (Remind Me of You)
paroliere:
Holt Marvell (nel 1935)
compositore:
Jack Strachey (nel 1935)
compositore aggiunto:
Harry Link (US vaudeville actor & songwriter)
editore:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. e Lafleur Music Ltd.
Charlie Parker3:23
13Save the Last Dance for Me
registrazione di:
Save the Last Dance for Me
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (nel 1974) e Trio Music (publisher) (nel 1974)
The Drifters2:34
14’Round Midnight
batteria :
Milt Turner (il 1963-05-29)
chitarra :
John Collins (US jazz guitarist) (il 1963-05-29)
contrabbasso :
Al McKibbon (double bassist) (il 1963-05-29)
organo :
Ernie Freeman (il 1963-05-29)
sassofono tenore :
Teddy Edwards (jazz saxophonist) (il 1963-05-29)
tromba :
Carmell Jones (il 1963-05-29)
voce:
Sarah Vaughan (il 1963-05-29)
arrangiatore:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
registrata presso:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1963-05-29)
registrazione cover di:
’Round Midnight (il 1963-05-29)
paroliere:
Bernie Hanighen
compositore:
Thelonious Monk e Cootie Williams
editore:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
si basa su:
I Need You So
Sarah Vaughan3:37
15Ramblin’
tecnico di registrazione:
Tom Dowd
produttore:
Tom Dowd e Jerry Wexler
basso :
Ron Carter (US jazz double-bassist) (il 1968-09-24)
batteria :
Bruno Carr (il 1968-09-24)
chitarra :
Kenny Burrell (il 1968-09-24)
legni :
David Newman (American jazz saxophonist) (il 1968-09-24)
pianoforte :
Junior Mance (il 1968-09-24)
sassofono baritono :
Pepper Adams (baritone saxophonist) (il 1968-09-24)
sassofono contralto :
George Dorsey (il 1968-09-24) e Frank Wess (il 1968-09-24)
sassofono tenore :
King Curtis (saxophonist) (il 1968-09-24) e Seldon Powell (il 1968-09-24)
tromba :
Bernie Glow (il 1968-09-24), Joe Newman (US jazz trumpeter) (il 1968-09-24), Ernie Royal (il 1968-09-24), Richard Williams (Richard Gene Williams, jazz trumpeter) (il 1968-09-24) e Snookie Young (il 1968-09-24)
trombone :
Jimmy Cleveland (US jazz trombonist) (il 1968-09-24), Urbie Green (il 1968-09-24), Thomas Mitchell (US rock singer active in the early 60's) (il 1968-09-24) e Benny Powell (jazz trombonist) (il 1968-09-24)
vibrafono :
Jack Jennings (il 1968-09-24)
direttore d'orchestra:
Arif Mardin (il 1968-09-24)
arrangiatore:
Arif Mardin
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-09-24)
registrazione di:
Ramblin’ (il 1968-09-24)
autore:
Maybelle Smith
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Aretha Franklin3:10
16My Favorite Things, Pt. 1 (single version)
batteria :
Elvin Jones (jazz drummer) (il 1960-10-21)
contrabbasso :
Steve Davis (post-bop contrabassist who played with Coltrane) (il 1960-10-21)
pianoforte :
McCoy Tyner (jazz pianist) (il 1960-10-21)
sassofono soprano :
John Coltrane (il 1960-10-21)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2004)
edit di:
My Favorite Things (single version) di John Coltrane
registrazione strumentale cover di:
My Favorite Things (The Sound of Music) (il 1960-10-21)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Williamson Music Company
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
American Splendor
parte di:
The Sound of Music (Rodgers & Hammerstein musical)
John Coltrane2:47
17Fly Me to the Moon
LaVern Baker2:58
18Moonlight in Vermont (2007 remaster stereo; remastered)
registrazione cover di:
Moonlight in Vermont
paroliere:
John Blackburn (songwriter)
compositore:
Karl Suessdorf
editore:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Coasters43:19
19Autumn in New York
Mel Tormé3:23
20Bullitt - Main Title
produttore:
Jimmy Hilliard e Jimmy Hilliard (Credited as Producer Big-band musician who later worked as an A&R executive and producer for Warner Bros. Records. Produced hundreds of recordings and a number of hit singles and albums of varying genres for artists such as Jimmy Durante, Barbara McNair,)
direttore d'orchestra:
Lalo Schifrin (pianist & composer)
registrazione di:
Bullitt
compositore:
Lalo Schifrin (pianist & composer)
Lalo Schifrin42:09
21Cry Me a River
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
chitarra :
Barney Kessel
contrabbasso [bass] :
Ray Leatherwood
voce:
Julie London (nel 1955-08)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1957)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 15)
registrazione di:
Cry Me a River (nel 1955-08)
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:51
22Strange Fruit
registrazione di:
Strange Fruit
paroliere e compositore:
Lewis Allan
editore:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) e Music Sales Corporation (American copyright holder in both popular and classical music)
versione di:
Bitter Fruit
Billie Holiday3:04
23Blackbird
registrazione di:
Blackbird
autore:
Herbert Sacker e Nina Simone
Nina Simone42:04
24These Foolish Things
registrazione cover di:
These Foolish Things (Remind Me of You)
paroliere:
Holt Marvell (nel 1935)
compositore:
Jack Strachey (nel 1935)
compositore aggiunto:
Harry Link (US vaudeville actor & songwriter)
editore:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. e Lafleur Music Ltd.
Dinah Washington3:28
25Black Coffee
registrazione cover di:
Black Coffee (1948 song)
paroliere:
Paul Francis Webster (nel 1948)
compositore:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (nel 1948)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. e Webster Music Co.
Ella Fitzgerald4:28
26The Girl From Ipanema
registrazione di:
The Girl From Ipanema
paroliere:
Vinicius de Moraes (O poetinha)
compositore:
Antônio Carlos Jobim
traduttore:
Norman Gimbel
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. e Words West LLC
sub-editore:
Universal Music Publishing Ltd. (Hong Kong)
versione tradotta di:
Garota de Ipanema
parte di:
The Real Book (compilation of jazz standards, volume I)
Antônio Carlos Jobim4:47
27Crazy He Calls Me
registrazione cover di:
Crazy He Calls Me
paroliere:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
compositore:
Carl Sigman
editore:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Sarah Vaughan3:08
28What a Wonderful World
Matt Monro3:31
29Central Park West
tecnico di registrazione:
Tom Dowd (il 1960-10-24)
produttore:
Nesuhi Ertegun
batteria :
Elvin Jones (jazz drummer) (il 1960-10-24)
contrabbasso :
Steve Davis (post-bop contrabassist who played with Coltrane) (il 1960-10-24)
pianoforte :
McCoy Tyner (jazz pianist) (il 1960-10-24)
sassofono soprano :
John Coltrane (il 1960-10-24)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1960-10-24)
registrazione di:
Central Park West (il 1960-10-24)
compositore:
John Coltrane
editore:
Jowcol Music
John Coltrane4:11
30The Shadow of Your Smile
Eddie Harris5:32
31My Funny Valentine
registrazione di:
My Funny Valentine (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
parte di:
Waiting to Exhale (1995 film)
Gerry Mulligan2:57
32Lullaby of Birdland
registrazione di:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
paroliere:
B. Y. Forster (pseudonym of George David Weiss)
autore:
George David Weiss
compositore:
George Shearing (British jazz pianist)
editore:
EMI Longitude Music, Good Music Limited e Planetary Nom (London) Ltd.
sub-editore:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Count Basie Orchestra4:48
33Soultrane
registrata a:
New York, New York, Stati Uniti (nel 1964-06)
produttore:
Michael Cuscuna e Jack Lewis (jazz producer)
ance :
Pino Urso (nel 1964-06)
batteria :
Charlie Rice (US jazz drummer) (nel 1964-06)
contrabbasso :
Jymie Merritt (nel 1964-06)
flicorno soprano :
Chet Baker (American jazz trumpeter and vocalist) (nel 1964-06)
pianoforte :
Hal Galper (nel 1964-06)
registrazione di:
Soultrane (nel 1964-06)
compositore:
Tadd Dameron
Chet Baker24:42
34Manhattan
registrazione di:
Manhattan
paroliere:
Lorenz Hart (nel 1925)
compositore:
Richard Rodgers (composer) (nel 1925)
editore:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company e Williamson Music Company
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bobby Short44:19
35The Meaning of the Blues
tecnico:
Tom Dowd
basso :
Victor Sproles
membranofono :
Curtis Boyd
pianoforte :
Norman Simmons
voce:
Carmen McRae
arrangiatore:
Norman Simmons
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrazione di:
The Meaning of the Blues
paroliere:
Leah Worth
compositore:
Bobby Troup
editore:
Londontown Music, Inc. e Universal Music Corporation (USA, affiliated with ASCAP)
Carmen McRae2:50
36Wednesday Night Prayer Meeting - Pt. I (single edit)
registrazione di:
Wednesday Night Prayer Meeting
compositore:
Charles Mingus
Charles Mingus3:13
37Bag’s Groove
The Modern Jazz Quartet5:42
38’round Midnight
registrazione di:
’Round Midnight
paroliere:
Bernie Hanighen
compositore:
Thelonious Monk e Cootie Williams
editore:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
si basa su:
I Need You So
Betty Carter3:21
39The Inflated Tear
tecnico di registrazione:
Paul Goodman (engineer) (il 1967-11-27)
produttore:
Joel Dorn
basso :
Steve Novosel (il 1967-11-27)
batteria :
Jimmy Hopps (il 1967-11-27)
legni :
Roland Kirk (il 1967-11-27)
pianoforte :
Ron Burton (il 1967-11-27)
diritti fonografici (℗) detenuti da:
WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (nel 2002)
registrata presso:
Webster Hall in East Village, New York, New York, Stati Uniti (il 1967-11-27)
registrazione di:
The Inflated Tear (il 1967-11-27)
compositore:
Rahsaan Roland Kirk
Rahsaan Roland Kirk4:55
40In a Sentimental Mood
registrazione di:
In a Sentimental Mood
paroliere:
Manny Kurtz e Irving Mills
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1935)
editore:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music e Sony/ATV Harmony
Duke Ellington43:47
41I Left My Heart in San Francisco
produttore:
Ernie Altschuler
voce:
Tony Bennett (US jazz/standards vocalist) (il 1962-01-23)
direttore d'orchestra:
Marty Manning
arrangiatore:
Marty Manning
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1962)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 485)
registrazione cover di:
I Left My Heart in San Francisco (il 1962-01-23)
paroliere:
Douglass Cross (US songwriter)
compositore:
George Cory
editore:
Colgems-EMI Music Inc., Dash Music Co. Ltd. e EMI April Music Inc.
Tony Bennett & Ralph Sharon32:52
42The Look of Love
registrazione cover di:
The Look of Love
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Colgems Music Corp., Colgems-EMI Music Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
The 40th Academy Award for Best Original Song (numero: 2)
Dionne Warwick2:51
43My Funny Valentine
registrazione di:
My Funny Valentine (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
parte di:
Waiting to Exhale (1995 film)
Andy Williams3:59
44Beyond the Sea
produttore:
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun e Jerry Wexler
voce:
Bobby Darin (il 1958-08-24)
direttore d'orchestra:
Richard Wess (il 1958-08-24)
arrangiatore:
Richard Wess
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 397)
registrazione cover di:
Beyond the Sea (il 1958-08-24)
paroliere:
Jack Lawrence (US songwriter)
compositore:
Charles Trenet
editore:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., Warner/Chappell Music International, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
versione tradotta di:
La Mer
Bobby Darin52:52
45Big Spender
produttore:
Kenneth Hume e Norman Newell
voce:
Shirley Bassey (Welsh singer)
voce principale:
Shirley Bassey (Welsh singer)
orchestra:
Alyn Ainsworth and His Orchestra
direttore d'orchestra:
Ernest Freeman
arrangiatore:
Ernest Freeman
registrazione di:
Big Spender
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Cy Coleman
editore:
Campbell Connelly & Co. Ltd. e WB Music Corp. (1929–2019)
parte di:
Overture (Sweet Charity)
parte di:
Sweet Charity
Shirley Bassey4.51:50
46Can’t Take My Eyes Off You
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 151)
registrazione di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Frankie Valli3.753:24
47Moon River (from ’’Breakfast at Tiffany’s’’)
voce:
Danny Williams
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1961)
registrazione cover di:
Moon River
paroliere:
Johnny Mercer
compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1961) e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1989)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The 34th Academy Award for Best Original Song (numero: 1), Grammy Award: Song of the Year nominees (numero: 1962 winner) e Academy Award for Best Original Song (numero: 1961 winner)
registrazione di:
Moon River
paroliere:
Johnny Mercer
compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1961) e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1989)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The 34th Academy Award for Best Original Song (numero: 1), Grammy Award: Song of the Year nominees (numero: 1962 winner) e Academy Award for Best Original Song (numero: 1961 winner)
Danny Williams3.52:36
48Bye Bye Blackbird
basso :
Ike Isaacs (bassist) (il 1970-01-31)
basso [electric bass] :
Chuck Rainey (American bassist) (il 1970-01-31)
batteria :
Donald Bailey (drummer and harmonica player) (il 1970-01-31)
pianoforte [piano, electric piano] :
Jack Wilson (jazz pianist) (il 1970-01-31)
voce:
Esther Phillips (Little Esther) (il 1970-01-31)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrata presso:
Freddie Jett's Pied Piper Club in Los Angeles, California, Stati Uniti (il 1970-01-31)
registrazione cover di:
Bye Bye Blackbird
paroliere:
Mort Dixon (nel 1926)
compositore:
Ray Henderson (nel 1926)
editore:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) e Warner Bros., Inc. (not for release label use!)
Esther Phillips4:50
49What a Difference a Day Made
registrata a:
New York, New York, Stati Uniti (nel 1997)
tecnico:
Joe Ferla
produttore:
Sandy Jackson
basso :
Bob Cranshaw (nel 1997)
batteria :
Mickey Roker (Drummer) (nel 1997)
pianoforte :
Mike LeDonne (nel 1997)
vibrafono :
Milt Jackson (nel 1997)
registrazione strumentale di:
What a Diff’rence a Day Made (nel 1997)
paroliere:
Stanley Adams (US lyricist & songwriter)
compositore:
María Grever
editore:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC e Zomba Golden Sands Enterprises, Inc.
si basa su:
Cuando vuelva a tu lado
Milt Jackson4:41
50Summertime
tecnico di registrazione:
Vince McGarry
produttore:
Joel Dorn
armonica (a bocca) :
Rahsaan Roland Kirk (nel 1977)
basso :
Arvell Shaw (nel 1977)
batteria :
Gifford McDonald (nel 1977)
chitarra :
Tiny Grimes (US jazz/R&B guitarist) (nel 1977)
pianoforte :
Sammy Price (jazz/blues/boogie pianist) (nel 1977)
remixer:
Vince McGarry
arrangiatore:
Rahsaan Roland Kirk
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Regent Sound Studios in New York, New York, Stati Uniti (nel 1977)
registrazione strumentale cover di:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (nel 1977)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Rahsaan Roland Kirk1:41
51On the Sunny Side of the Street
Coleman Hawkins3:54
52Open Your Window
registrazione cover di:
Open Your Window
paroliere e compositore:
Harry Nilsson (US singer-songwriter)
editore:
Dunbar Music, Inc.
Ella Fitzgerald2:49
53Moody’s Mood for Love
registrazione di:
Moody’s Mood for Love (1949 jazz instrumental)
compositore:
Dorothy Fields (American librettist and lyricist), Jimmy McHugh (songwriter) e James Moody (jazz saxophonist)
editore:
EMI Hastings Catalog Inc, EMI Robbins Catalog Inc. (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
si basa su:
I’m in the Mood for Love
James Moody2:53
54Moanin’ (mono audio)
tecnico di registrazione:
Tom Dowd (il 1959-02-04)
produttore:
Nesuhi Ertegun
batteria :
Dannie Richmond (drummer) (il 1959-02-04)
contrabbasso :
Charles Mingus (il 1959-02-04)
pianoforte :
Horace Parlan (American‐Danish jazz pianist) (il 1959-02-04)
sassofono baritono :
Pepper Adams (baritone saxophonist) (il 1959-02-04)
sassofono contralto :
John Handy (US jazz alto saxophonist, born 1933) (il 1959-02-04) e Jackie McLean (jazz saxophonist) (il 1959-02-04)
sassofono tenore :
Booker Ervin (tenor saxophonist) (il 1959-02-04)
trombone :
Willie Dennis (il 1959-02-04) e Jimmy Knepper (trombonist) (il 1959-02-04)
arrangiatore contrabbasso :
Charles Mingus
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1959-02-04)
registrazione di:
Moanin' (il 1959-02-04)
compositore:
Charles Mingus
Charles Mingus7:59
55Baby Won’t You Please Come Home
registrazione cover di:
Baby Won’t You Please Come Home
autore:
Charles Warfield e Clarence Williams (US jazz pianist, composer, singer and bandleader)
editore:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) e Universal/MCA Music Ltd. (not for release label use!)
Dinah Washington2:09
56I Got It Bad and That Ain’t Good
tecnico di registrazione e tecnico:
Andy Richardson (engineer)
produttore:
Nesuhi Ertegun
archi :
unidentified 16 strings ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1968-06-26)
basso :
Joe Comfort (il 1968-06-26)
batteria :
John Collins (drums) (il 1968-06-26)
chitarra :
Francois Vaz (il 1968-06-26)
corno francese :
Vincent DeRosa (il 1968-06-26)
percussione :
Larry Bunker (il 1968-06-26)
pianoforte :
Norman Simmons (il 1968-06-26)
sassofono :
Gene Cipriano (il 1968-06-26)
voce:
Carmen McRae (il 1968-06-26)
direttore d'orchestra:
Jimmy Jones (jazz pianist, active years 1936-1975) (il 1968-06-26)
arrangiatore:
Jimmy Jones (jazz pianist, active years 1936-1975) e Shorty Rogers (trumpet)
primo violino:
Lou Raderman (il 1968-06-26)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1968-06-26)
registrazione di:
I Got It Bad (and That Ain’t Good) (il 1968-06-26)
paroliere:
Paul Francis Webster (nel 1941)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1941)
editore:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony e Webster Music Co.
parte di:
The Real Book (compilation of jazz standards, volume I)
Carmen McRae3:28
57Our Love Is Here to Stay
Dizzy Gillespie2:45
58In the Evening
Yusef Lateef36:41
59Our Day Will Come
Jimmy Scott33:50
60Can’t Take My Eyes Off of You
registrazione di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Brook Benton4:22
61It’s Beginning to Look Like Christmas
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1963)
parte di:
Billboard Hot 100: 2026-01-03 (numero: 18), Billboard Hot 100: 2025-12-20 (numero: 22), Billboard Hot 100: 2025-12-27 (numero: 23), Billboard Hot 100: 2025-12-13 (numero: 24) e Billboard Hot 100: 2025-12-06 (numero: 38)
registrazione di:
It’s Beginning to Look a Lot Like Christmas (il 1951-09-10)
paroliere e compositore:
Meredith Willson (nel 1951)
editore:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, Meredith Willson Music LLC, MPL Communications Australia e MPL Music Publishing
Perry Como & Fontane Sisters32:35
62Let It Snow! Let It Snow! Let It Snow! (1999 remaster)
voce:
Bing Crosby (il 1962-10-05)
orchestra:
Peter Matz and his Orchestra (il 1962-10-05)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1962-10-05)
registrazione di:
Let It Snow! Let It Snow! Let It Snow! (il 1962-10-05)
paroliere:
Sammy Cahn (nel 1945-07)
compositore:
Jule Styne (nel 1945-07)
editore:
Cahn Music Company, Chappell & Co., Chappell/Morris Ltd., Cherry Lane Music Ltd., Imagen Music, J. Albert & Son Pty. Ltd., Producers Music Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e WB Music Corp. (1929–2019)
Bing Crosby42:04
63Rockin’ Around the Christmas Tree
produttore:
Owen Bradley
voce:
Brenda Lee (1960s American singer) (il 1958-10-19)
parte di:
Billboard Hot 100: 2025-12-20 (numero: 2), Billboard Hot 100: 2026-01-03 (numero: 2), Billboard Hot 100: 2025-12-13 (numero: 3), Billboard Hot 100: 2025-12-27 (numero: 3), Billboard Hot 100: 2025-12-06 (numero: 7), Billboard Hot 100: 2025-11-29 (numero: 13), Billboard Hot 100: 2025-11-22 (numero: 19), Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 33), Billboard Year-End Hot 100 singles of 2024 (numero: 59), Billboard Year-End Hot 100 singles of 2023 (numero: 60), Billboard Year-End Hot 100 singles of 2025 (numero: 67), Offizielle deutsche Charts – Single-Jahrescharts 2025 (numero: 70), Billboard Year-End Hot 100 singles of 2022 (numero: 80), Billboard Year-End Hot 100 singles of 2021 (numero: 92) e BILLIONS CLUB
registrazione di:
Rockin’ Around the Christmas Tree (il 1958-10-19)
paroliere e compositore:
Johnny Marks (American songwriter)
editore:
Chappell, D. Davis & Co. Pty Ltd, EMI Davis Music Australia Pty Limited e St. Nicholas Music
Brenda Lee42:06
64First Snow in Kokomo
tecnico di registrazione:
Ron Albert (il 1971-01-27)
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
basso :
Chuck Rainey (American bassist) (il 1971-01-27)
chitarra :
Cornell Dupree (il 1971-01-27)
organo :
Donny Hathaway (il 1971-01-27)
pianoforte e voce principale:
Aretha Franklin (il 1971-01-27)
tromba solista :
Neil Rosengarden
voce di accompagnamento:
Margaret Branch (il 1971-01-27), Ann S. Clark (il 1971-01-27), Carolyn Franklin (il 1971-01-27), Erma Franklin (il 1971-01-27) e Pat Smith (soul vocalist) (il 1971-01-27)
arrangiatore corno :
Arif Mardin
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1971-01-27)
registrazione di:
First Snow in Kokomo (il 1971-01-27)
paroliere e compositore:
Aretha Franklin (dal 1970 al 1971)
Aretha Franklin4:04
65O Come All Ye Faithful
Bobby Darin2:22
66Santa Claus Is Coming to Town
tecnico:
Gordon Clark (recording engineer)
produttore:
Bob Crewe
direttore d'orchestra:
Sid Bass
arrangiatore voci:
Nick Massi
orchestratore:
Sid Bass
lavorazione tecnica effettuata presso:
Stea-Phillips in New York, New York, Stati Uniti
registrazione cover di:
Santa Claus Is Coming to Town
paroliere:
Haven Gillespie (nel 1932)
compositore:
J. Fred Coots (nel 1932)
editore:
EMI Allans Music Australia Pty Ltd, EMI Feist Catalog Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Francis, Day & Hunter Ltd., Haven Gillespie Music Publishing, Jobete Music Co., Inc., Leo Feist Ltd, Leo Feist, Inc., SBK United Partnership e The Songwriters Guild
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Frankie Valli & The Four Seasons1:51
67Merry Christmas Baby
registrazione cover di:
Merry Christmas Baby
autore:
Lou Baxter e Johnny Moore (US blues guitarist, Three Blazers)
editore:
Anne-Rachel Music Corp., St. Louis Music Corp., Unichappell Music, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music, Inc.
registrazione di:
Merry Christmas Baby
autore:
Lou Baxter e Johnny Moore (US blues guitarist, Three Blazers)
editore:
Anne-Rachel Music Corp., St. Louis Music Corp., Unichappell Music, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music, Inc.
Otis Redding32:36
68Snowbound
registrazione di:
Snowbound
autore:
Clarence Keltner e Russell Faith (co-songwriter with Pal Rakes)
editore:
Universal/MCA Music (music publisher; do not use as release label!) (conclusa) e Universal Music Corp. (USA, affiliated with ASCAP)
Sarah Vaughan3:06
69White Christmas
produttore:
Ahmet Ertegun (US songwriter/producer) e Jerry Wexler
basso , batteria , pianoforte , sassofono tenore e vibrafono :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1954-02-04)
chitarra :
Jimmy Oliver (guitar, Drifters) (il 1954-02-04)
voce di baritono:
Andrew Thrasher (il 1954-02-04)
voce di basso:
Bill Pinkney (il 1954-02-04)
voce di tenore:
Clyde McPhatter (il 1954-02-04) e Gerhart Thrasher (il 1954-02-04)
voce principale:
Clyde McPhatter (il 1954-02-04) e Bill Pinkney (il 1954-02-04)
esecutore:
The Drifters (US doo wop/R&B vocal group)
registrata presso:
Fulton Recording Studio in New York, New York, Stati Uniti (il 1954-02-04)
registrazione cover di:
White Christmas (vocal quartet arrangement, made popular by The Drifters) (il 1954-02-04)
paroliere e compositore:
Irving Berlin (dal 1938 al 1940)
arrangiamento di:
White Christmas
cita i testi di:
Jingle Bells
The Drifters4.52:39
70This Christmas (single edit)
Donny Hathaway3:32
71Mary’s Boy Child
voce principale:
Matt Monro
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1977)
registrazione cover di:
Mary’s Boy Child
paroliere e compositore:
Jester Hairston
editore:
Bourne Music Ltd. e J. Albert & Son Pty. Ltd.
Matt Monro3:22
72Christmas Wish (2000 remaster)
registrazione di:
Christmas Wish (aka My Christmas Wish for You)
autore:
Howard Evans e William Jenkins
Percy Sledge2:40
73Gee Whiz, It’s Christmas
registrazione di:
Gee Whiz, It’s Christmas
autore:
Steve Cropper, Carla Thomas e Vinnie Trauth
editore:
Irving Music, Inc.
Carla Thomas2:47
74White Christmas
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
archi [guitar, electric bass] :
Steve Cropper (il 1966-10-28)
basso [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1966-10-28)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (il 1966-10-28)
organo :
Booker T. Jones (il 1966-10-28)
registrazione cover di:
White Christmas (il 1966-10-28)
paroliere e compositore:
Irving Berlin (dal 1938 al 1940)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Berlin Music Corp., Williamson Music Company e Irving Berlin Music Company (dal 1940 a oggi)
sub-editore:
EMI Allans Music Australia Pty Ltd, Irving Berlin Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 15th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1942 winner)
Booker T. & the M.G.’s3:05
75Silent Night
registrazione cover di:
Silent Night (Christmas carol, English translation)
paroliere:
Josef Mohr (composer/author) (nel 1816)
compositore:
Franz Xaver Gruber (composer/author) (nel 1818)
traduttore:
John Freeman Young (nel 1859)
parte di:
Roud Folk Song Index (numero: 27088)
versione tradotta di:
Stille Nacht, heilige Nacht
The Everly Brothers2:46
76Christmas Cards
esecutore:
Alma Cogan
registrazione di:
Christmas Cards
autore:
Jack Fishman
Alma Cogan2:49
77Merry Christmas Baby (45 version)
registrazione strumentale di:
Merry Christmas Baby
autore:
Lou Baxter e Johnny Moore (US blues guitarist, Three Blazers)
editore:
Anne-Rachel Music Corp., St. Louis Music Corp., Unichappell Music, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music, Inc.
Hank Crawford2:41
78The First Snowfall
Lalo Schifrin3:04
79England’s Carol
tecnico di registrazione:
Lewis Hahn (il 1971-05-24)
produttore:
Arif Mardin
basso :
Percy Heath (il 1971-05-24)
percussione [drums, percussion] :
Connie Kay (il 1971-05-24)
tastiera [piano, harpsichord] :
John Lewis (pianist, member of Modern Jazz Quartet) (il 1971-05-24)
vibrafono :
Milt Jackson (il 1971-05-24)
remixer:
Ed Barton (engineer)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1971-05-24)
remixata presso:
Wally Heider Recording Studio, Los Angeles (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, Stati Uniti
The Modern Jazz Quartet5:21
80Christmas Song
Rahsaan Roland Kirk3:46

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