Fly Me to the Moon

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2018 This Compilation Rhino UK, a division of Warner Music UK Ltd»

Anmerkung zuletzt geändert am 2022-08-26 14:15 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone3.93:35
2Mack the Knife
Produzent(in):
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun und Jerry Wexler
vocals:
Bobby Darin
conductor:
Richard Wess
arranger:
Richard Wess
Teil von:
Grammy Award: Record of the Year nominees (Nummer: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 40) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 251)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:04
3That’s Amore (1998 remastered version)
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1953-08-13)
Orchester:
Dick Stabile and His Orchestra (am 1953-08-13)
conductor:
Dick Stabile (am 1953-08-13)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-08-13)
recording of:
That’s Amore (am 1953-08-13)
Texter:
Jack Brooks (English–American lyricist)
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) und Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) und BMG Unisongs Music Publishers BV
Teil von:
The 26th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.353:08
4How D’Ya Like Your Eggs in the Morning
recording of:
How D’Ya Like Your Eggs in the Morning?
Texter:
Sammy Cahn
Komponist(in):
Nicholas Brodzsky
Helen O’Connell & Dean Martin2:46
5Goldfinger
Techniker(in):
John Richards (engineer)
Produzent(in):
John Barry (English score composer) und George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc. (in 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Goldfinger (in 1964-07)
Texter:
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. und Sony/ATV Songs LLC
Teil von:
James Bond themes
Teil von:
Goldfinger
Shirley Bassey4.252:50
6Mad About the Boy
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1961-12-04)
Klavier:
Jack Wilson (jazz pianist) (am 1961-12-04)
Posaune:
Billy Byers (am 1961-12-04)
Trompete:
Joe Newman (US jazz trumpeter) (am 1961-12-04)
vocals:
Dinah Washington
Orchester:
Quincy Jones and His Orchestra (am 1961-12-04)
arranger:
Quincy Jones (am 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
Texter und Komponist(in):
Noël Coward
publisher:
Chappell & Co. und Chappell Music Ltd.
Teil von:
Words and Music
Dinah Washington52:48
7From Russia With Love (1995 remaster)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Sologesang:
Matt Monro
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
From Russia With Love
Texter und Komponist(in):
Lionel Bart
publisher:
EMI United Partnership Ltd.
Teil von:
James Bond themes
Teil von:
From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)
Matt Monro & Bob Norberg3.352:35
8Alfie
recording of:
Alfie (in 1965)
Texter:
Hal David (in 1965)
Komponist(in):
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell und Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 39th Academy Award for Best Original Song (Nummer: 2)
Cilla Black2:39
9Fly Me to the Moon
Alma Cogan3:49
10Spanish Harlem
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
Cello:
Charles McCracken (cellist) (am 1960-10-27)
Gitarre:
Al Caiola (am 1960-10-27)
Klavier:
Ernie Hayes (American pianist, organist and arranger) (am 1960-10-27)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1960-10-27)
Perkussion:
Phil Kraus (am 1960-10-27)
Rohrblattinstrumente:
Romeo Penque (am 1960-10-27)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1960-10-27)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1960-10-27)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 350)
recording of:
Spanish Harlem (am 1960-10-27)
Texter:
Jerry Leiber
Komponist(in):
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. und Unichappell Music
Ben E. King4.52:52
11Blue Velvet
The Clovers2:38
12These Foolish Things (Remind Me of You)
instrumental recording of:
These Foolish Things (Remind Me of You)
Texter:
Holt Marvell (in 1935)
Komponist(in):
Jack Strachey (in 1935)
zusätzliche(r) Komponist(in):
Harry Link (US vaudeville actor & songwriter)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. und Lafleur Music Ltd.
Charlie Parker3:23
13Save the Last Dance for Me
recording of:
Save the Last Dance for Me
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) und Trio Music (publisher) (in 1974)
The Drifters2:34
14’Round Midnight
Gitarre:
John Collins (US jazz guitarist) (am 1963-05-29)
Kontrabass:
Al McKibbon (double bassist) (am 1963-05-29)
Orgel:
Ernie Freeman (am 1963-05-29)
Schlagzeug:
Milt Turner (am 1963-05-29)
Tenorsaxophon:
Teddy Edwards (jazz saxophonist) (am 1963-05-29)
Trompete:
Carmell Jones (am 1963-05-29)
vocals:
Sarah Vaughan (am 1963-05-29)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-05-29)
cover recording of:
’Round Midnight (am 1963-05-29)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
Sarah Vaughan3:37
15Ramblin’
recording engineer:
Tom Dowd
Produzent(in):
Tom Dowd und Jerry Wexler
alto saxophone:
George Dorsey (am 1968-09-24) und Frank Wess (am 1968-09-24)
baritone saxophone:
Pepper Adams (baritone saxophonist) (am 1968-09-24)
Bass:
Ron Carter (US jazz double-bassist) (am 1968-09-24)
Gitarre:
Kenny Burrell (am 1968-09-24)
Holzblasinstrumente:
David Newman (American jazz saxophonist) (am 1968-09-24)
Klavier:
Junior Mance (am 1968-09-24)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1968-09-24), Urbie Green (am 1968-09-24), Thomas Mitchell (US rock singer active in the early 60's) (am 1968-09-24) und Benny Powell (jazz trombonist) (am 1968-09-24)
Schlagzeug:
Bruno Carr (am 1968-09-24)
Tenorsaxophon:
King Curtis (saxophonist) (am 1968-09-24) und Seldon Powell (am 1968-09-24)
Trompete:
Bernie Glow (am 1968-09-24), Joe Newman (US jazz trumpeter) (am 1968-09-24), Ernie Royal (am 1968-09-24), Richard Williams (Richard Gene Williams, jazz trumpeter) (am 1968-09-24) und Snookie Young (am 1968-09-24)
Vibraphon:
Jack Jennings (am 1968-09-24)
conductor:
Arif Mardin (am 1968-09-24)
arranger:
Arif Mardin
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-09-24)
recording of:
Ramblin’ (am 1968-09-24)
Verfasser(in):
Maybelle Smith
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Aretha Franklin3:10
16My Favorite Things, Pt. 1 (single version)
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-21)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-21)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-21)
Sopransaxophon:
John Coltrane (am 1960-10-21)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
Bearbeitung von:
My Favorite Things (single version) von John Coltrane
instrumental cover recording of:
My Favorite Things (The Sound of Music) (am 1960-10-21)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
American Splendor
Teil von:
The Sound of Music (Rodgers & Hammerstein musical)
John Coltrane2:47
17Fly Me to the Moon
LaVern Baker2:58
18Moonlight in Vermont (2007 remaster stereo; remastered)
cover recording of:
Moonlight in Vermont
Texter:
John Blackburn (songwriter)
Komponist(in):
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Coasters43:19
19Autumn in New York
Mel Tormé3:23
20Bullitt - Main Title
Produzent(in):
Jimmy Hilliard und Jimmy Hilliard (Credited as Producer Big-band musician who later worked as an A&R executive and producer for Warner Bros. Records. Produced hundreds of recordings and a number of hit singles and albums of varying genres for artists such as Jimmy Durante, Barbara McNair,)
conductor:
Lalo Schifrin (pianist & composer)
recording of:
Bullitt
Komponist(in):
Lalo Schifrin (pianist & composer)
Lalo Schifrin42:09
21Cry Me a River
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
recording of:
Cry Me a River (in 1955-08)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:51
22Strange Fruit
recording of:
Strange Fruit
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
Billie Holiday3:04
23Blackbird
recording of:
Blackbird
Verfasser(in):
Herbert Sacker und Nina Simone
Nina Simone42:04
24These Foolish Things
cover recording of:
These Foolish Things (Remind Me of You)
Texter:
Holt Marvell (in 1935)
Komponist(in):
Jack Strachey (in 1935)
zusätzliche(r) Komponist(in):
Harry Link (US vaudeville actor & songwriter)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. und Lafleur Music Ltd.
Dinah Washington3:28
25Black Coffee
cover recording of:
Black Coffee (1948 song)
Texter:
Paul Francis Webster (in 1948)
Komponist(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. und Webster Music Co.
Ella Fitzgerald4:28
26The Girl From Ipanema
recording of:
The Girl From Ipanema
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, volume I)
Antônio Carlos Jobim4:47
27Crazy He Calls Me
cover recording of:
Crazy He Calls Me
Texter:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
Komponist(in):
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Sarah Vaughan3:08
28What a Wonderful World
Matt Monro3:31
29Central Park West
recording engineer:
Tom Dowd (am 1960-10-24)
Produzent(in):
Nesuhi Ertegun
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-24)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-24)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-24)
Sopransaxophon:
John Coltrane (am 1960-10-24)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-24)
recording of:
Central Park West (am 1960-10-24)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
John Coltrane4:11
30The Shadow of Your Smile
Eddie Harris5:32
31My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Gerry Mulligan2:57
32Lullaby of Birdland
recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
Texter:
B. Y. Forster (pseudonym of George David Weiss)
Verfasser(in):
George David Weiss
Komponist(in):
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited und Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Count Basie Orchestra4:48
33Soultrane
recorded in:
New York, New York, Vereinigte Staaten (in 1964-06)
Produzent(in):
Michael Cuscuna und Jack Lewis (jazz producer)
Flügelhorn:
Chet Baker (American jazz trumpeter and vocalist) (in 1964-06)
Klavier:
Hal Galper (in 1964-06)
Kontrabass:
Jymie Merritt (in 1964-06)
Rohrblattinstrumente:
Pino Urso (in 1964-06)
Schlagzeug:
Charlie Rice (US jazz drummer) (in 1964-06)
recording of:
Soultrane (in 1964-06)
Komponist(in):
Tadd Dameron
Chet Baker24:42
34Manhattan
recording of:
Manhattan
Texter:
Lorenz Hart (in 1925)
Komponist(in):
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company und Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bobby Short44:19
35The Meaning of the Blues
Techniker(in):
Tom Dowd
Bass:
Victor Sproles
Klavier:
Norman Simmons
membranophone:
Curtis Boyd
vocals:
Carmen McRae
arranger:
Norman Simmons
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recording of:
The Meaning of the Blues
Texter:
Leah Worth
Komponist(in):
Bobby Troup
publisher:
Londontown Music, Inc. und Universal Music Corporation (USA, affiliated with ASCAP)
Carmen McRae2:50
36Wednesday Night Prayer Meeting - Pt. I (single edit)
recording of:
Wednesday Night Prayer Meeting
Komponist(in):
Charles Mingus
Charles Mingus3:13
37Bag’s Groove
The Modern Jazz Quartet5:42
38’round Midnight
recording of:
’Round Midnight
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
Betty Carter3:21
39The Inflated Tear
recording engineer:
Paul Goodman (engineer) (am 1967-11-27)
Produzent(in):
Joel Dorn
Bass:
Steve Novosel (am 1967-11-27)
Holzblasinstrumente:
Roland Kirk (am 1967-11-27)
Klavier:
Ron Burton (am 1967-11-27)
Schlagzeug:
Jimmy Hopps (am 1967-11-27)
phonographisches Urheberrecht (℗) von:
WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 2002)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1967-11-27)
recording of:
The Inflated Tear (am 1967-11-27)
Komponist(in):
Rahsaan Roland Kirk
Rahsaan Roland Kirk4:55
40In a Sentimental Mood
recording of:
In a Sentimental Mood
Texter:
Manny Kurtz und Irving Mills
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music und Sony/ATV Harmony
Duke Ellington43:47
41I Left My Heart in San Francisco
Produzent(in):
Ernie Altschuler
vocals:
Tony Bennett (US jazz/standards vocalist) (am 1962-01-23)
conductor:
Marty Manning
arranger:
Marty Manning
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 485)
cover recording of:
I Left My Heart in San Francisco (am 1962-01-23)
Texter:
Douglass Cross (US songwriter)
Komponist(in):
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. und EMI April Music Inc.
Tony Bennett & Ralph Sharon32:52
42The Look of Love
cover recording of:
The Look of Love
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 40th Academy Award for Best Original Song (Nummer: 2)
Dionne Warwick2:51
43My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Andy Williams3:59
44Beyond the Sea
Produzent(in):
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun und Jerry Wexler
vocals:
Bobby Darin (am 1958-08-24)
conductor:
Richard Wess (am 1958-08-24)
arranger:
Richard Wess
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 397)
cover recording of:
Beyond the Sea (am 1958-08-24)
Texter:
Jack Lawrence (US songwriter)
Komponist(in):
Charles Trenet
publisher:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., Warner/Chappell Music International, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
übersetzte Version von:
La Mer
Bobby Darin52:52
45Big Spender
Produzent(in):
Kenneth Hume und Norman Newell
Sologesang:
Shirley Bassey (Welsh singer)
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Alyn Ainsworth and His Orchestra
conductor:
Ernest Freeman
arranger:
Ernest Freeman
recording of:
Big Spender
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Cy Coleman
publisher:
Campbell Connelly & Co. Ltd. und WB Music Corp. (1929–2019)
Teil von:
Overture (Sweet Charity)
Teil von:
Sweet Charity
Shirley Bassey4.51:50
46Can’t Take My Eyes Off You
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 151)
recording of:
Can’t Take My Eyes Off You (1967 song)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. und Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Frankie Valli3.753:24
47Moon River (from ’’Breakfast at Tiffany’s’’)
vocals:
Danny Williams
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
Moon River
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
recording of:
Moon River
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
Danny Williams3.52:36
48Bye Bye Blackbird
Bass:
Ike Isaacs (bassist) (am 1970-01-31)
Bass [electric bass]:
Chuck Rainey (American bassist) (am 1970-01-31)
Klavier [piano, electric piano]:
Jack Wilson (jazz pianist) (am 1970-01-31)
Schlagzeug:
Donald Bailey (drummer and harmonica player) (am 1970-01-31)
vocals:
Esther Phillips (Little Esther) (am 1970-01-31)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Freddie Jett's Pied Piper Club in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-01-31)
cover recording of:
Bye Bye Blackbird
Texter:
Mort Dixon (in 1926)
Komponist(in):
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) und Warner Bros., Inc. (not for release label use!)
Esther Phillips4:50
49What a Difference a Day Made
recorded in:
New York, New York, Vereinigte Staaten (in 1997)
Techniker(in):
Joe Ferla
Produzent(in):
Sandy Jackson
Bass:
Bob Cranshaw (in 1997)
Klavier:
Mike LeDonne (in 1997)
Schlagzeug:
Mickey Roker (Drummer) (in 1997)
Vibraphon:
Milt Jackson (in 1997)
instrumental recording of:
What a Diff’rence a Day Made (in 1997)
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
Milt Jackson4:41
50Summertime
recording engineer:
Vince McGarry
Produzent(in):
Joel Dorn
Bass:
Arvell Shaw (in 1977)
Gitarre:
Tiny Grimes (US jazz/R&B guitarist) (in 1977)
Klavier:
Sammy Price (jazz/blues/boogie pianist) (in 1977)
Mundharmonika:
Rahsaan Roland Kirk (in 1977)
Schlagzeug:
Gifford McDonald (in 1977)
remixer:
Vince McGarry
arranger:
Rahsaan Roland Kirk
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
aufgenommen bei:
Regent Sound Studios in New York, New York, Vereinigte Staaten (in 1977)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (in 1977)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Rahsaan Roland Kirk1:41
51On the Sunny Side of the Street
Coleman Hawkins3:54
52Open Your Window
cover recording of:
Open Your Window
Texter und Komponist(in):
Harry Nilsson (US singer-songwriter)
publisher:
Dunbar Music, Inc.
Ella Fitzgerald2:49
53Moody’s Mood for Love
recording of:
Moody’s Mood for Love (1949 jazz instrumental)
Komponist(in):
Dorothy Fields (American librettist and lyricist), Jimmy McHugh (songwriter) und James Moody (jazz saxophonist)
publisher:
EMI Hastings Catalog Inc, EMI Robbins Catalog Inc. (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
basiert auf:
I’m in the Mood for Love
James Moody2:53
54Moanin’ (mono audio)
recording engineer:
Tom Dowd (am 1959-02-04)
Produzent(in):
Nesuhi Ertegun
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (am 1959-02-04) und Jackie McLean (jazz saxophonist) (am 1959-02-04)
baritone saxophone:
Pepper Adams (baritone saxophonist) (am 1959-02-04)
Klavier:
Horace Parlan (American‐Danish jazz pianist) (am 1959-02-04)
Kontrabass:
Charles Mingus (am 1959-02-04)
Posaune:
Willie Dennis (am 1959-02-04) und Jimmy Knepper (trombonist) (am 1959-02-04)
Schlagzeug:
Dannie Richmond (drummer) (am 1959-02-04)
Tenorsaxophon:
Booker Ervin (tenor saxophonist) (am 1959-02-04)
Kontrabass arranger:
Charles Mingus
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-02-04)
recording of:
Moanin' (am 1959-02-04)
Komponist(in):
Charles Mingus
Charles Mingus7:59
55Baby Won’t You Please Come Home
cover recording of:
Baby Won’t You Please Come Home
Verfasser(in):
Charles Warfield und Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
Dinah Washington2:09
56I Got It Bad and That Ain’t Good
recording engineer und Techniker(in):
Andy Richardson (engineer)
Produzent(in):
Nesuhi Ertegun
Bass:
Joe Comfort (am 1968-06-26)
Gitarre:
Francois Vaz (am 1968-06-26)
Klavier:
Norman Simmons (am 1968-06-26)
Perkussion:
Larry Bunker (am 1968-06-26)
Saiteninstrumente:
unidentified 16 strings ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1968-06-26)
Saxophon:
Gene Cipriano (am 1968-06-26)
Schlagzeug:
John Collins (drums) (am 1968-06-26)
Waldhorn:
Vincent DeRosa (am 1968-06-26)
vocals:
Carmen McRae (am 1968-06-26)
conductor:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1968-06-26)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975) und Shorty Rogers (trumpet)
concertmaster:
Lou Raderman (am 1968-06-26)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-06-26)
recording of:
I Got It Bad (and That Ain’t Good) (am 1968-06-26)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Carmen McRae3:28
57Our Love Is Here to Stay
Dizzy Gillespie2:45
58In the Evening
Yusef Lateef36:41
59Our Day Will Come
Jimmy Scott33:50
60Can’t Take My Eyes Off of You
recording of:
Can’t Take My Eyes Off You (1967 song)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. und Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Brook Benton4:22
61It’s Beginning to Look Like Christmas
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1963)
Teil von:
Billboard Hot 100: 2026-01-03 (Nummer: 18), Billboard Hot 100: 2025-12-20 (Nummer: 22), Billboard Hot 100: 2025-12-27 (Nummer: 23), Billboard Hot 100: 2025-12-13 (Nummer: 24) und Billboard Hot 100: 2025-12-06 (Nummer: 38)
recording of:
It’s Beginning to Look a Lot Like Christmas (am 1951-09-10)
Texter und Komponist(in):
Meredith Willson (in 1951)
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, Meredith Willson Music LLC, MPL Communications Australia und MPL Music Publishing
Perry Como & Fontane Sisters32:35
62Let It Snow! Let It Snow! Let It Snow! (1999 remaster)
vocals:
Bing Crosby (am 1962-10-05)
Orchester:
Peter Matz and his Orchestra (am 1962-10-05)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1962-10-05)
recording of:
Let It Snow! Let It Snow! Let It Snow! (am 1962-10-05)
Texter:
Sammy Cahn (in 1945-07)
Komponist(in):
Jule Styne (in 1945-07)
publisher:
Cahn Music Company, Chappell & Co., Chappell/Morris Ltd., Cherry Lane Music Ltd., Imagen Music, J. Albert & Son Pty. Ltd., Producers Music Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und WB Music Corp. (1929–2019)
Bing Crosby42:04
63Rockin’ Around the Christmas Tree
Produzent(in):
Owen Bradley
vocals:
Brenda Lee (1960s American singer) (am 1958-10-19)
Teil von:
Billboard Hot 100: 2025-12-20 (Nummer: 2), Billboard Hot 100: 2026-01-03 (Nummer: 2), Billboard Hot 100: 2025-12-13 (Nummer: 3), Billboard Hot 100: 2025-12-27 (Nummer: 3), Billboard Hot 100: 2025-12-06 (Nummer: 7), Billboard Hot 100: 2025-11-29 (Nummer: 13), Billboard Hot 100: 2025-11-22 (Nummer: 19), Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 33), Billboard Year-End Hot 100 singles of 2024 (Nummer: 59), Billboard Year-End Hot 100 singles of 2023 (Nummer: 60), Billboard Year-End Hot 100 singles of 2025 (Nummer: 67), Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 70), Billboard Year-End Hot 100 singles of 2022 (Nummer: 80), Billboard Year-End Hot 100 singles of 2021 (Nummer: 92) und BILLIONS CLUB
recording of:
Rockin’ Around the Christmas Tree (am 1958-10-19)
Texter und Komponist(in):
Johnny Marks (American songwriter)
publisher:
Chappell, D. Davis & Co. Pty Ltd, EMI Davis Music Australia Pty Limited und St. Nicholas Music
Brenda Lee42:06
64First Snow in Kokomo
recording engineer:
Ron Albert (am 1971-01-27)
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bass:
Chuck Rainey (American bassist) (am 1971-01-27)
Gitarre:
Cornell Dupree (am 1971-01-27)
Klavier und Sologesang:
Aretha Franklin (am 1971-01-27)
Orgel:
Donny Hathaway (am 1971-01-27)
Solo-Trompete:
Neil Rosengarden
Hintergrundgesang:
Margaret Branch (am 1971-01-27), Ann S. Clark (am 1971-01-27), Carolyn Franklin (am 1971-01-27), Erma Franklin (am 1971-01-27) und Pat Smith (soul vocalist) (am 1971-01-27)
Horn arranger:
Arif Mardin
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1971-01-27)
recording of:
First Snow in Kokomo (am 1971-01-27)
Texter und Komponist(in):
Aretha Franklin (von 1970 bis 1971)
Aretha Franklin4:04
65O Come All Ye Faithful
Bobby Darin2:22
66Santa Claus Is Coming to Town
Techniker(in):
Gordon Clark (recording engineer)
Produzent(in):
Bob Crewe
conductor:
Sid Bass
vocals arranger:
Nick Massi
Orchestrator(in):
Sid Bass
engineered at:
Stea-Phillips in New York, New York, Vereinigte Staaten
cover recording of:
Santa Claus Is Coming to Town
Texter:
Haven Gillespie (in 1932)
Komponist(in):
J. Fred Coots (in 1932)
publisher:
EMI Allans Music Australia Pty Ltd, EMI Feist Catalog Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Francis, Day & Hunter Ltd., Haven Gillespie Music Publishing, Jobete Music Co., Inc., Leo Feist Ltd, Leo Feist, Inc., SBK United Partnership und The Songwriters Guild
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Frankie Valli & The Four Seasons1:51
67Merry Christmas Baby
cover recording of:
Merry Christmas Baby
Verfasser(in):
Lou Baxter und Johnny Moore (US blues guitarist, Three Blazers)
publisher:
Anne-Rachel Music Corp., St. Louis Music Corp., Unichappell Music, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music, Inc.
recording of:
Merry Christmas Baby
Verfasser(in):
Lou Baxter und Johnny Moore (US blues guitarist, Three Blazers)
publisher:
Anne-Rachel Music Corp., St. Louis Music Corp., Unichappell Music, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music, Inc.
Otis Redding32:36
68Snowbound
recording of:
Snowbound
Verfasser(in):
Clarence Keltner und Russell Faith (co-songwriter with Pal Rakes)
publisher:
Universal/MCA Music (music publisher; do not use as release label!) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
Sarah Vaughan3:06
69White Christmas
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Bass, Klavier, Schlagzeug, Tenorsaxophon und Vibraphon:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1954-02-04)
Gitarre:
Jimmy Oliver (guitar, Drifters) (am 1954-02-04)
Baritongesang:
Andrew Thrasher (am 1954-02-04)
Bass-Gesang:
Bill Pinkney (am 1954-02-04)
Sologesang:
Clyde McPhatter (am 1954-02-04) und Bill Pinkney (am 1954-02-04)
Tenor-Gesang:
Clyde McPhatter (am 1954-02-04) und Gerhart Thrasher (am 1954-02-04)
Interpret(in):
The Drifters (US doo wop/R&B vocal group)
aufgenommen bei:
Fulton Recording Studio in New York, New York, Vereinigte Staaten (am 1954-02-04)
cover recording of:
White Christmas (vocal quartet arrangement, made popular by The Drifters) (am 1954-02-04)
Texter und Komponist(in):
Irving Berlin (von 1938 bis 1940)
Arrangement von:
White Christmas
quotes lyrics from:
Jingle Bells
The Drifters4.52:39
70This Christmas (single edit)
Donny Hathaway3:32
71Mary’s Boy Child
Sologesang:
Matt Monro
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1977)
cover recording of:
Mary’s Boy Child
Texter und Komponist(in):
Jester Hairston
publisher:
Bourne Music Ltd. und J. Albert & Son Pty. Ltd.
Matt Monro3:22
72Christmas Wish (2000 remaster)
recording of:
Christmas Wish (aka My Christmas Wish for You)
Verfasser(in):
Howard Evans und William Jenkins
Percy Sledge2:40
73Gee Whiz, It’s Christmas
recording of:
Gee Whiz, It’s Christmas
Verfasser(in):
Steve Cropper, Carla Thomas und Vinnie Trauth
publisher:
Irving Music, Inc.
Carla Thomas2:47
74White Christmas
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1966-10-28)
Orgel:
Booker T. Jones (am 1966-10-28)
Saiteninstrumente [guitar, electric bass]:
Steve Cropper (am 1966-10-28)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (am 1966-10-28)
cover recording of:
White Christmas (am 1966-10-28)
Texter und Komponist(in):
Irving Berlin (von 1938 bis 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Berlin Music Corp., Williamson Music Company und Irving Berlin Music Company (vom 1940 bis heute)
sub-publisher:
EMI Allans Music Australia Pty Ltd, Irving Berlin Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1942 winner)
Booker T. & the M.G.’s3:05
75Silent Night
cover recording of:
Silent Night (Christmas carol, English translation)
Texter:
Josef Mohr (composer/author) (in 1816)
Komponist(in):
Franz Xaver Gruber (composer/author) (in 1818)
Übersetzer:
John Freeman Young (in 1859)
Teil von:
Roud Folk Song Index (Nummer: 27088)
übersetzte Version von:
Stille Nacht, heilige Nacht
The Everly Brothers2:46
76Christmas Cards
Interpret(in):
Alma Cogan
recording of:
Christmas Cards
Verfasser(in):
Jack Fishman
Alma Cogan2:49
77Merry Christmas Baby (45 version)
instrumental recording of:
Merry Christmas Baby
Verfasser(in):
Lou Baxter und Johnny Moore (US blues guitarist, Three Blazers)
publisher:
Anne-Rachel Music Corp., St. Louis Music Corp., Unichappell Music, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music, Inc.
Hank Crawford2:41
78The First Snowfall
Lalo Schifrin3:04
79England’s Carol
recording engineer:
Lewis Hahn (am 1971-05-24)
Produzent(in):
Arif Mardin
Bass:
Percy Heath (am 1971-05-24)
Keyboard [piano, harpsichord]:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1971-05-24)
Perkussion [drums, percussion]:
Connie Kay (am 1971-05-24)
Vibraphon:
Milt Jackson (am 1971-05-24)
remixer:
Ed Barton (engineer)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1971-05-24)
remixed at:
Wally Heider Recording Studio, Los Angeles (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
The Modern Jazz Quartet5:21
80Christmas Song
Rahsaan Roland Kirk3:46

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