Mafia III Soundtrack: Official Soundtrack of New Bordeaux

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Ninety‐Six Tears
? and the Mysterians?:??
2We Gotta Get Out of This Place
Produzent(in):
Mickie Most (English record producer)
vocals:
Eric Burdon
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) und Columbia Pictures Industries, Inc. (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 35), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 233)
recording of:
We Gotta Get Out of This Place
Texter:
Cynthia Weil
Komponist(in):
Barry Mann
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Francis, Day & Hunter (publisher) (in 1979)
sub-publisher:
EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Animals3.8?:??
3Chain of Fools
recorded in:
New York, New York, Vereinigte Staaten
recording engineer und Mix:
Tom Dowd
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-06-23)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-06-23) und Joe South (am 1967-06-23)
Hybrid-Piano:
Spooner Oldham (am 1967-06-23)
Klavier:
Aretha Franklin (am 1967-06-23)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-06-23)
Chorgesang:
Carolyn Franklin (am 1967-06-23), Erma Franklin (am 1967-06-23), Ellie Greenwich (am 1967-06-23) und The Sweet Inspirations (am 1967-06-23)
vocals:
Aretha Franklin (am 1967-06-23)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-06-23)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 249) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 306)
recording of:
Chain of Fools (am 1967-06-23)
Texter und Komponist(in):
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adaptations:
Verlga norih
Aretha Franklin4.25?:??
4Respect
recording engineer:
Tom Dowd (am 1967-02-14)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
conductor:
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin3.9?:??
5Eve of Destruction
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965)
recording of:
Eve of Destruction (in 1965)
Texter und Komponist(in):
P.F. Sloan
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barrie Maguire4.6?:??
6Help Me, Rhonda
Techniker(in):
Chuck Britz
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
Bassgitarre:
Carol Kaye (am 1965-02-24)
Gitarre:
Carl Wilson (Beach Boys) (am 1965-02-24)
Hammond-Orgel [Hammond B3 organ] und Klavier [acoustic piano]:
Brian Wilson (Beach Boys co‐founder) (am 1965-02-24)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1965-02-24)
Hintergrundgesang:
Mike Love (Beach Boys) (am 1965-02-24), Brian Wilson (Beach Boys co‐founder) (am 1965-02-24), Carl Wilson (Beach Boys) (am 1965-02-24) und Dennis Wilson (Beach Boys) (am 1965-02-24)
Sologesang:
Al Jardine (guitarist and singer) (am 1965-02-24)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1965-02-24) und Universal Recording Studios (unidentified, possibly a mix of different studios) (am 1965-02-24)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 16)
recording of:
Help Me, Rhonda (am 1965-02-24)
Texter und Komponist(in):
Brian Wilson (Beach Boys co‐founder)
zusätzlicher Texter:
Mike Love (Beach Boys)
publisher:
Irving Music, Inc. und Rondor Music (London) Ltd.
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4?:??
7Heroes and Villains
Techniker(in):
Jim Lockert (Enginear)
Produzent(in):
The Beach Boys (American rock band)
recording of:
Heroes and Villains
Texter:
Van Dyke Parks
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI)
The Beach Boys2?:??
8Wouldn’t It Be Nice
Techniker(in):
Larry Levine (am 1966-01-22) und Ralph Valentin (von 1966-03 bis 1966-04)
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
accordion:
Carl Fortina (am 1966-01-22) und Frank Marocco (am 1966-01-22)
baritone saxophone:
Jay Migliori (am 1966-01-22)
Bassgitarre:
Lyle Ritz (am 1966-01-22)
E-Bass:
Carol Kaye (am 1966-01-22) und Ray Pohlman (am 1966-01-22)
Gitarre:
Bill Pitman (am 1966-01-22)
Klavier:
Al De Lory (am 1966-01-22)
Klavier [track piano]:
Larry Knechtel (am 1966-01-22)
Mandoline:
Barney Kessel (am 1966-01-22)
Perkussion:
Frank Capp (am 1966-01-22)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1966-01-22)
Tenorsaxophon:
Steve Douglas (American saxophonist, flautist and clarinetist) (am 1966-01-22) und Plas Johnson (am 1966-01-22)
Trompete:
Roy Caton (trumpet player) (am 1966-01-22)
zwölfsaitige Gitarre:
Jerry Cole (am 1966-01-22)
Hintergrundgesang:
Al Jardine (guitarist and singer) (am 1966-01-22), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (am 1966-01-22), Carl Wilson (Beach Boys) (am 1966-01-22) und Dennis Wilson (Beach Boys) (am 1966-01-22)
Sologesang:
Mike Love (Beach Boys) (am 1966-01-22) und Brian Wilson (Beach Boys co‐founder) (am 1966-01-22)
arranger:
Brian Wilson (Beach Boys co‐founder)
aufgenommen bei:
Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-01-22) und Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-01-22)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 297)
recording of:
Wouldn’t It Be Nice (am 1966-01-22)
Texter:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.4?:??
9Dance of the Hours
Beethoven Ben?:??
10Piece of My Heart
cover recording of:
Piece of My Heart
Verfasser(in):
Bert Russell und Jerry Ragovoy
publisher:
Campbell Connelly, MPL Music Publishing Inc., Sloopy II Music, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Unichappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Web IV Music Inc. und Wren Music Co.
Big Brother & the Holding Company?:??
11Good Times Are So Hard to Find
Blue Cheer?:??
12I Fought the Law
phonographisches Urheberrecht (℗) von:
Chess (US label) (in 1957)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 175)
cover recording of:
I Fought the Law
Texter und Komponist(in):
Sonny Curtis
publisher:
Acuff-Rose Publications, Inc. (BMI), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Bobby Fuller Four4.35?:??
13The Letter
Produzent(in):
Dan Penn (songwriter, soul singer)
phonographisches Urheberrecht (℗) von:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) und Atoll Music (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 357) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 364)
recording of:
The Letter (in 1967)
Texter und Komponist(in):
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Box Tops4.15?:??
14On the Road Again
live recording of:
On the Road Again
Texter und Komponist(in):
Floyd Jones (blues performer and songwriter) und Alan Wilson (Canned Heat member)
publisher:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) und United Partnership Ltd.
Canned Heat4?:??
15I Can’t Turn You Loose
cover recording of:
I Can’t Turn You Loose (am 1968-08-14)
Texter und Komponist(in):
Otis Redding
publisher:
Irving Music, Inc., Shapiro Bernstein & Co. Ltd., East/Memphis Music Corp. (vom 1969 bis ????) und Time Music (vom 1969 bis ????)
The Chambers Brothers?:??
16Slip Away
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1968-04-08)
Gitarre:
Clarence Carter (am 1968-04-08)
Orgel:
Barry Beckett (am 1968-04-08)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-08)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-08), Andrew Love (am 1968-04-08) und Aaron Varnell (am 1968-04-08)
Trompete:
Gene Miller (American trumpeter) (am 1968-04-08) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1968-04-08)
vocals:
Clarence Carter (am 1968-04-08)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1968-04-08)
recording of:
Slip Away (am 1968-04-08)
Verfasser(in):
William Armstrong, Marcus Daniel und Wilbur Terrell
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Clarence Carter4.5?:??
17Ay‐Tete‐Fee
Clifton Chenier?:??
18Psychotic Reaction
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1966)
Produzent(in):
Joe Hooven und Hal Winn
Bass:
Roy Chaney (in 1966)
Gitarre:
John “Sean” Byrne (in 1966) und John “Mouse” Michalski (in 1966)
Mundharmonika:
Kenn Ellner (in 1966)
Schlagzeug:
Craig “Butch” Atkinson (in 1966)
Sologesang:
John “Sean” Byrne (in 1966)
Interpret(in):
Count Five und The Countdown Singers (sound-alike cover band associated with the Madacy labels)
recording of:
Psychotic Reaction (in 1966)
Komponist(in):
Craig “Butch” Atkinson, John “Sean” Byrne, Roy Chaney, Kenn Ellner und John “Mouse” Michalski
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Lovolar Music
Count Five5?:??
19White Room
recording engineer:
Adrian Barber (producer/engineer) (von 1967-07 bis 1968-06) und Tom Dowd (von 1967-07 bis 1968-06)
Techniker(in):
Adrian Barber (producer/engineer) und Tom Dowd
Produzent(in):
Felix Pappalardi
Bass:
Jack Bruce (von 1967-07 bis 1968-06)
Bratsche / Viola:
Felix Pappalardi (von 1967-07 bis 1968-06)
Gitarre:
Eric Clapton (von 1967-07 bis 1968-06)
Pauke und Schlagzeug und Perkussion:
Ginger Baker (von 1967-07 bis 1968-06)
vocals:
Jack Bruce (von 1967-07 bis 1968-06)
phonographisches Urheberrecht (℗) von:
Robert Stigwood Group Ltd. (in 1968), Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968) und Robert Stigwood Organisation Ltd. (in 1969)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (von 1967-07 bis 1967-08) und Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1967-09 bis 1967-10, von 1968-02 bis 1968-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 368)
recording of:
White Room (von 1967-07 bis 1968-06)
Verfasser(in):
Pete Brown (UK poet & producer, with Cream and Jack Bruce) und Jack Bruce
publisher:
BG Publishing, Casserole Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner Chappell Music, Inc.
sub-publisher:
Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Cream4.2?:??
20Proud Mary
Produzent(in):
John Fogerty
Bassgitarre:
Stu Cook (in 1968)
Gitarre:
John Fogerty (in 1968) und Tom Fogerty (in 1968)
Schlagzeug:
Doug Clifford (in 1968)
vocals:
John Fogerty (in 1968)
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 1969) und Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 152) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 155)
recording of:
Proud Mary (in 1968)
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (am 1968-12-27) und Jondora Musikverlag (publisher) (in 1970)
Creedence Clearwater Revival4.3?:??
21Fortunate Son
recording engineer und Mix:
Russ Gary
Produzent(in):
John Fogerty
Bassgitarre:
Stu Cook
Gitarre:
John Fogerty und Tom Fogerty
Schlagzeug:
Doug Clifford
Hintergrundgesang:
Doug Clifford, Stu Cook und Tom Fogerty
Sologesang:
John Fogerty
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten und Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (am 1971-09-01)
mixed at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 99) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 227)
recording of:
Fortunate Son (in 1969-08)
Texter und Komponist(in):
John Fogerty
publisher:
Cody River Music Company, Jondora Music und Prestige Music ltd.
Creedence Clearwater Revival4.45?:??
22Bad Moon Rising
Produzent(in):
John Fogerty
Akustikgitarre und Sologesang:
John Fogerty
Bassgitarre:
Stu Cook (in 1969-03)
Gitarre:
John Fogerty (in 1969-03) und Tom Fogerty (in 1969-03)
Schlagzeug:
Doug Clifford (in 1969-03)
vocals:
John Fogerty (in 1969-03)
Interpret(in):
Creedence Clearwater Revival
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 1969), Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 356)
recording of:
Bad Moon Rising (in 1969-03)
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Jondora Music und Warner/Chappell Music Australia Pty. Ltd.
Creedence Clearwater Revival4.3?:??
23Born on the Bayou
Produzent(in):
John Fogerty
Bassgitarre:
Stu Cook (in 1968)
Conga, cowbell und Gitarre [lead guitar]:
John Fogerty (in 1968)
Gitarre:
Tom Fogerty
Gitarre [rhythm guitar]:
Tom Fogerty (in 1968)
Schlagzeug:
Doug Clifford (in 1968)
Interpret(in):
Creedence Clearwater Revival
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 1969)
recording of:
Born on the Bayou (in 1968-12)
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Cody River Music Company und Jondora Music (am 1968-12-27)
live recording of:
Born on the Bayou (in 1970)
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Cody River Music Company und Jondora Music (am 1968-12-27)
Creedence Clearwater Revival4.25?:??
24Runaway
Solo-Clavioline [musitron]:
Max Crook
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 5), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 100) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 466)
recording of:
Runaway (am 1961-01-24)
Verfasser(in):
Max Crook und Del Shannon
publisher:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. und Vicki Music
Del Shannon4.4?:??
25Keep Searchin’ (We’ll Follow the Sun)
recording of:
Keep Searching (We’ll Follow the Sun)
Texter und Komponist(in):
Del Shannon
Del Shannon?:??
26Bottom of the River
recording of:
Bottom of the River
Delta Rae3.5?:??
27I Let a Good Thing Go By
Dewey Edwards?:??
28Love Child
Produzent(in):
The Clan (Motown composers/producers group)
Hintergrundgesang:
The Andantes
arranger:
Paul Riser
recording of:
Love Child (Diana Ross & the Supremes song)
Verfasser(in):
Deke Richards (American songwriter and record producer), Pam Sawyer (British‐born American lyricist and songwriter), R. Dean Taylor (Canadian singer, songwriter and record producer) und Frank Wilson (Motown singer/songwriter)
publisher:
Jobete Music Co., Inc. und Stone Agate Music Division
Diana Ross & The Supremes3.5?:??
29Son of a Preacher Man
Techniker(in):
Ed Kollis
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bassgitarre:
Tommy Cogbill (in 1968-09)
Gitarre und Sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
Hybrid-Piano und Orgel:
Bobby Emmons (in 1968-09)
Schlagzeug:
Gene Chrisman (in 1968-09)
Hintergrundgesang:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
Blechblasinstrumente arranger:
Tom Dowd
Blechblasinstrumente und Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1968)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 168) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 240)
recording of:
Son of a Preacher Man (in 1968-09)
Verfasser(in):
John Hurley und Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Dusty Springfield4.45?:??
30Knock on Wood
recording of:
Knock on Wood
Verfasser(in):
Steve Cropper und Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
adaptations:
Potkraj na les
Eddie Floyd?:??
31A Little Less Conversation
Bass:
Charles Berghofer (Jazz bassist) (am 1968-03-07) und Larry Knechtel (am 1968-03-07)
Gitarre:
Alvin Casey (US rock & roll/rockabilly/surf guitarist/session musician) (am 1968-03-07), Charles Britz (am 1968-03-07), Joseph Gibbons (guitar player) (am 1968-03-07) und Neil LeVang (am 1968-03-07)
Klavier:
Don Randi (am 1968-03-07)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1968-03-07) und Gary Coleman (US percussionist) (am 1968-03-07)
vocals:
John Bahler (am 1968-03-07), B.J. Baker (singer Betty Jane Baker, Miss Alabama in 1944 as Betty Jane Rase) (am 1968-03-07), Sally Stevens (am 1968-03-07) und Bob Tebow (am 1968-03-07)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-03-07)
cover recording of:
A Little Less Conversation (am 1968-03-07)
Verfasser(in):
Mac Davis (US country singer, songwriter & actor) und Billy Strange
publisher:
Carlin Music Corporation und Elvis Presley Music
Elvis Presley4?:??
32Don’t Go to Strangers
Etta James?:??
33Reach Out, I’ll Be There
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Instrumente:
The Funk Brothers (in 1966)
Hintergrundgesang:
The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) und Lawrence Payton (in 1966)
Sologesang:
Levi Stubbs (in 1966)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1966)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 78) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 206)
recording of:
Reach Out, I’ll Be There (in 1966)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Four Tops4?:??
34Palisades Park
Produzent(in):
Bob Crewe und Frank Slay Jr.
recording of:
Palisades Park
Texter und Komponist(in):
Chuck Barris
publisher:
MPL Music Publishing Inc.
Freddy Cannon?:??
35In a Gadda da Vida
phonographisches Urheberrecht (℗) von:
ATCO Records (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recording of:
In‐A‐Gadda‐Da‐Vida
Texter und Komponist(in):
Douglas Lloyd Ingle
publisher:
Ten East‐Cotillion‐Itasca
Iron Butterfly4?:??
36I Got You (I Feel Good)
recorded in:
Miami, Florida, Vereinigte Staaten (am 1965-05-06)
Produzent(in):
James Brown (The Godfather of Soul)
alto saxophone:
Nat Jones (Saxophonist and organist, worked with James Brown) (am 1965-05-06) und Maceo Parker (US funk/jazz saxophonist) (am 1965-05-06)
Bass:
Bernard Odum (am 1965-05-06)
Gitarre:
Alphonso "Country" Kellum (am 1965-05-06) und Jimmy Nolen (am 1965-05-06)
Orgel:
Nat Jones (Saxophonist and organist, worked with James Brown) (am 1965-05-06)
Posaune:
Levi Rasbury (am 1965-05-06)
Schlagzeug:
Melvin Parker (am 1965-05-06)
Tenorsaxophon:
Al "Brisco" Clark (am 1965-05-06), St. Clair Pinckney (am 1965-05-06) und Eldee Williams (am 1965-05-06)
Trompete:
Joe Dupars (am 1965-05-06), Mike Ridley (am 1965-05-06) und Ron Tooley (American trumpeter) (am 1965-05-06)
Sologesang:
James Brown (The Godfather of Soul) (am 1965-05-06)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) und PolyGram Inc. (1978–1990) (in 1988)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1965-05-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 359)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (am 1965-05-06)
Texter und Komponist(in):
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. und Try Me Inc.
James Brown4.55?:??
37Somebody to Love
recording engineer:
David Hassinger
Produzent(in):
Rick Jarrard
recording of:
Somebody to Love (Jefferson Airplane song)
Texter und Komponist(in):
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane?:??
38White Rabbit
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (vom 1969-05-07 bis heute)
recording engineer:
David Hassinger (am 1966-11-03)
Produzent(in):
Rick Jarrard (von 1966-10-31 bis 1966-11-22)
Bass:
Jack Casady (von 1966-10-31 bis 1966-11-22)
Gitarre [lead guitar]:
Jorma Kaukonen (American blues, folk, and rock guitarist) (von 1966-10-31 bis 1966-11-22)
Gitarre [rhythm guitar]:
Paul Kantner (von 1966-10-31 bis 1966-11-22)
Schlagzeug:
Spencer Dryden (von 1966-10-31 bis 1966-11-22)
Sologesang:
Grace Slick (von 1966-10-31 bis 1966-11-22)
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1967)
aufgenommen bei:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-10-31 bis 1966-11-22)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 455) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 478)
recording of:
White Rabbit (von 1966-10-31 bis 1966-11-22)
Texter und Komponist(in):
Grace Slick
publisher:
Irving Music, Inc. und Rondor Music (London) Ltd.
basiert auf:
Alice’s Adventures in Wonderland (novel)
basiert auf:
Through the Looking‐Glass, and What Alice Found There (novel)
Jefferson Airplane4.35?:??
39One Bourbon, One Scotch, One Beer
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1966)
leitende(r) Produzent(in):
Marshall Chess
Produzent(in):
Ralph Bass
Editing:
Ron Malo
Gitarre:
Eddie Burns (American Detroit blues guitarist) und John Lee Hooker (US blues singer, songwriter & guitarist)
Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Sologesang:
John Lee Hooker (US blues singer, songwriter & guitarist)
aufgenommen bei:
Chess Studios in Chicago, Illinois, Vereinigte Staaten (in 1966)
recording of:
One Bourbon, One Scotch, One Beer
Texter:
John Lee Hooker (US blues singer, songwriter & guitarist)
Komponist(in):
Rudolph Toombs
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Tristan Music Ltd.
basiert auf:
House Rent Boogie
John Lee Hooker3.5?:??
40Folsom Prison Blues (live)
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
zusätzliche(r) Produzent(in):
Bob Irwin
Bass:
Marshall Grant (am 1968-01-13)
E-Gitarre:
Carl Perkins (American pioneer of rockabilly music) (am 1968-01-13) und Luther Perkins (am 1968-01-13)
Gitarre:
Johnny Cash (country music legend) (am 1968-01-13)
Schlagzeug:
W.S. Holland (am 1968-01-13)
vocals:
Johnny Cash (country music legend) (am 1968-01-13)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
aufgenommen bei:
Folsom State Prison in Folsom, California (Kalifornien), Vereinigte Staaten (am 1968-01-13)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 54) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 164)
live recording of:
Folsom Prison Blues (am 1968-01-13)
Texter und Komponist(in):
Johnny Cash (country music legend)
publisher:
Aberbach (London) (publisher), Carlin Music Corporation und Hi Lo Music
basiert auf:
Crescent City Blues
Johnny Cash4.85?:??
41Ring of Fire
cover recording of:
Ring of Fire
Verfasser(in):
June Carter Cash (American Country singer and songwriter) und Merle Kilgore
publisher:
Painted Desert Music Corporation
Johnny Cash?:??
42Shotgun
Produzent(in):
Berry Gordy und Lawrence T. Horn
recording of:
Shotgun
Verfasser(in):
Autry De Walt
Komponist(in):
Autry De Walt und Junior Walker
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK), Jobete Music Co. und What Does It Take Publishing (BMI-affiliated)
Jr. Walker & the All Stars2.75?:??
43Take Me for What I Am
recording of:
Take Me For What I Am
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
L.C. Cooke?:??
44Black Ghost Blues
Lightnin’ Hopkins?:??
45Sinner’s Prayer
Lightnin’ Hopkins?:??
46The Howling Wolf
Lightnin’ Hopkins?:??
47G.I. Blues
Lightnin’ Slim?:??
48Long Tall Sally
recording of:
Long Tall Sally
Verfasser(in):
Enotris Johnson (am 1955-11-29), Richard Wayne Penniman (am 1955-11-29) und Robert Alexander Blackwell (am 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music und Venice Music
Little Richard?:??
49Go Go Shoes
Lonnie Youngblood?:??
50Nowhere to Run
Martha Reeves and the Vandellas?:??
51You
Produzent(in):
Ivy Jo Hunter
recording of:
You
Texter:
Jack Goga
Verfasser(in):
Jeffrey Bowen, Jack Goga und Ivy Jo Hunter
Komponist(in):
Ivy Jo Hunter
publisher:
Jobete Music Co., Inc. (am 1967-06-15)
sub-publisher:
EMI Music Publishing France und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye2.65?:??
52Five Card Hand
Mercy Dee Walton?:??
53You Belong to Me
Techniker(in):
Jesse Cannon (US engineer, producer and founder of the Cannon Found Soundation), Anthony Esposito und Tim Hatfield
Produzent(in):
John Cafiero
zusätzliche(r) Produzent(in):
Marky Ramone (Marc Bell)
Mix:
Alan Douches
Bassgitarre [bass] und Sologesang:
Jerry Only
Gitarre [guitars]:
Dez Cadena
Perkussion und Schlagzeug [drums]:
Marky Ramone (Marc Bell)
Gast vocals:
Ronnie Spector
aufgenommen bei:
Schoolhouse Studios (New York, NY) in New York, New York, Vereinigte Staaten und West West Side Music (second location 2005–2017) in New Windsor, New York, Vereinigte Staaten
mixed at:
West West Side Music (second location 2005–2017) in New Windsor, New York, Vereinigte Staaten
cover recording of:
You Belong to Me
Verfasser(in):
Pee Wee King, Chilton Price (country music songwriter) und Redd Stewart
publisher:
Hill & Range Inc. (publisher) und Ridgeway Music Co, Inc.
Misfits?:??
54Bad Moon Rising
Produzent(in):
Mischa "Book" Chillak
Mix:
Jack Trammell (production music)
Gitarre:
Clay Jones (producer/engineer/mixer from Oxford, MS, USA)
vocals:
Peter Dreimanis
cover recording of:
Bad Moon Rising
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Jondora Music und Warner/Chappell Music Australia Pty. Ltd.
Mourning Ritual featuring Peter Dreimanis?:??
55Sitting on the Dock of the Bay
recording of:
(Sittin’ on) the Dock of the Bay
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding?:??
56Hard to Handle
Produzent(in):
Steve Cropper
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
Gitarre:
Steve Cropper
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer)
vocals:
Otis Redding
recording of:
Hard to Handle
Verfasser(in):
Allen Jones (producer/songwriter/musician/engineer), Alvertis Isbell und Otis Redding
publisher:
Irving Music (BMI), Carlin Music Corporation (in 1968) und Irving Music, Inc. (in 1968)
Otis Redding4.15?:??
57Tramp
recorded in:
Memphis, Tennessee, Vereinigte Staaten (von 1967-01 bis 1967-02)
Produzent(in):
Steve Cropper und Jim Stewart (US producer, founder for Stax & Volt Records)
E-Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-01 bis 1967-02)
Gitarre:
Steve Cropper (von 1967-01 bis 1967-02)
Keyboard:
Isaac Hayes (von 1967-01 bis 1967-02) und Booker T. Jones (von 1967-01 bis 1967-02)
Klavier:
Booker T. Jones (von 1967-01 bis 1967-02)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (von 1967-01 bis 1967-02)
Tenorsaxophon:
Joe Arnold (von 1967-01 bis 1967-02) und Andrew Love (von 1967-01 bis 1967-02)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-01 bis 1967-02)
Hintergrundgesang:
Carla Thomas (von 1967-01 bis 1967-02)
vocals:
Otis Redding (von 1967-01 bis 1967-02) und Carla Thomas (von 1967-01 bis 1967-02)
Interpret(in):
Carla Thomas (von 1967-01 bis 1967-02)
cover recording of:
Tramp (von 1967-01 bis 1967-02)
Verfasser(in):
Lowell Fulson und Jimmy McCracklin (blues singer, songwriter)
publisher:
Budget Music, Careers–BMG Music Publishing, Inc. und Powerforce Music
Otis Redding & Carla Thomas3.85?:??
58Must Have Been the Devil
Techniker(in):
George Piros
Produzent(in):
Nat Hentoff
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1960-08-23)
Otis Spann?:??
59Crazy
Produzent(in):
Owen Bradley
vocals:
Patsy Cline
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1961)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 85) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 195)
recording of:
Crazy (Willie Nelson song) (am 1961-08-21)
Texter und Komponist(in):
Willie Nelson
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tree Publishing
Patsy Cline4.15?:??
60Kicks
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 400)
recording of:
Kicks
Texter:
Cynthia Weil
Komponist(in):
Barry Mann
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Paul Revere and the Raiders?:??
61Palisades Park
Assistent recording engineer:
Judy Kirschner und Robbie Norris
recording engineer:
Martin Bisi und Robert Musso (musician, producer and engineer)
assistierende(r) Techniker(in):
Oz Fritz (sound engineer)
Produzent(in):
Bill Laswell (US bass guitarist and record producer)
Mix:
Jason Corsaro (U.S. music engineer, and record producer) und Robert Musso (musician, producer and engineer)
aufgenommen bei:
Sorcerer Sound in New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
B.C. Studios in Brooklyn, New York, New York, Vereinigte Staaten
mixed at:
Platinum Island Studios in New York, New York, Vereinigte Staaten
cover recording of:
Palisades Park
Texter und Komponist(in):
Chuck Barris
publisher:
MPL Music Publishing Inc.
Ramones3.5?:??
62King of the Road
recorded in:
Tennessee, Vereinigte Staaten (am 1964-11-03)
Produzent(in):
Jerry Kennedy
vocals:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (am 1964-11-03)
phonographisches Urheberrecht (℗) von:
Smash (in 1965)
recording of:
King of the Road (am 1964-11-03)
Texter:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
Komponist(in):
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964)
publisher:
Burlington Music Co., Ltd.
Roger Miller4.5?:??
63Hey Big Momma
Roosevelt Sykes?:??
64Running Scared
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1961-02-27)
Produzent(in):
Fred Foster (am 1961-02-27)
vocals:
Roy Orbison (am 1961-02-27)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 4)
recording of:
Running Scared (am 1961-02-27)
Texter:
Joe Melson (in 1961) und Roy Orbison (in 1961)
Komponist(in):
Joe Melson und Roy Orbison
publisher:
Barbara Orbison Music Company, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1961-04-10)
Roy Orbison3.25?:??
65Walking the Dog
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Rufus Thomas (US blues & funk singer & songwriter)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 24)
recording of:
Walking the Dog (in 1963)
Texter und Komponist(in):
Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und East/Memphis Music
Rufus Thomas3?:??
66Hold On, I’m Comin’
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-03-08)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Sam & Dave (am 1966-03-08)
recording of:
Hold On, I’m Comin’ (am 1966-03-08)
Verfasser(in):
Isaac Hayes, Hayes, Porter und David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) und Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave5?:??
67Soul Man
recording of:
Soul Man
Verfasser(in):
Isaac Hayes (in 1967) und David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) und Walden Music Corp. (publisher) (in 1986)
Sam & Dave?:??
68Chain Gang
Produzent(in):
Sam Cooke (American singer and songwriter, “King of Soul”), Luigi Creatore und Hugo Peretti
Gitarre:
Clifton White
Sologesang:
Sam Cooke (American singer and songwriter, “King of Soul”)
conductor:
Glenn Osser
zusätzlich aufgenommen bei:
RCA Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-04-13)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 37)
recording of:
Chain Gang (Sam Cooke song)
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
Sam Cooke3?:??
69Wonderful World
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 374)
recording of:
Wonderful World
Verfasser(in):
Lou Adler, Herb Alpert und Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Ardmore and Beechwood Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Ltd. und 日本アブコ音楽出版 (ABKCO Japan Publishing)
Sam Cooke?:??
70Bring It On Home to Me
Techniker(in):
Al Schmitt
Produzent(in):
Sam Cooke (American singer and songwriter, “King of Soul”), Luigi Creatore und Hugo Peretti
Bass:
Ray Pohlman
Bratsche / Viola:
Wilbert Nuttycombe (strings) und Irving Weinper
Cello:
Cecil Figelski (String player) und Armand Kaproff
Geige / Violine:
Elliott Fisher, Marvin Limonick, Myron Sandler, Joseph Saxon, Ralph Schaeffer und Marshall Sosson
Gitarre:
Clifton White, René Hall und Tommy Tedesco (guitar)
Klavier:
Ernest Freeman
Perkussion und Schlagzeug:
Frank Capp
Saxophon:
William Green (woodwind)
Sologesang:
Sam Cooke (American singer and songwriter, “King of Soul”)
zusätzlich vocals:
Lou Rawls
conductor:
René Hall
arranger:
René Hall
aufgenommen bei:
RCA Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-26)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 16)
cover recording of:
Bring It On Home to Me (am 1962-04-26)
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und Kags Music Corp.
Sam Cooke3.65?:??
71Another Saturday Night
Techniker(in):
Dave Hassinger
Produzent(in):
Sam Cooke (American singer and songwriter, “King of Soul”), Luigi Creatore und Hugo Peretti
Bass:
Clifford Hils (bass)
Gitarre:
Clifton White, René Hall und Barney Kessel
Klavier:
Raymond Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader)
Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Posaune:
John Ewing (jazz trombonist - do not confuse with John Ewing, Jr.)
Saxophon:
Jewell Grant (US saxophonist) und Plas Johnson
Trompete:
John Anderson (trumpet)
Sologesang:
Sam Cooke (American singer and songwriter, “King of Soul”)
conductor:
René Hall
arranger:
René Hall
aufgenommen bei:
RCA Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-02-28)
recording of:
Another Saturday Night
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Essex Music International und Kags Music Corp.
Sam Cooke3.65?:??
72I’m Gonna Forget About You
recording of:
I’m Gonna Forget About You
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
Sam Cooke1.5?:??
73Lil’ Red Riding Hood
recording of:
Li’l Red Riding Hood
Texter und Komponist(in):
Ronald Blackwell
Sam the Sham & the Pharaohs4?:??
74You Better Stop
Sonny Rhodes?:??
75Pictures of Matchstick Men
Techniker(in):
Alan Florence
Produzent(in):
John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
Bassgitarre und E-Bass:
Alan Lancaster
E-Gitarre und Gitarre:
Rick Parfitt (UK guitarist for Status Quo) und Francis Rossi
elektronische Orgel und Orgel:
Roy Lynes
Schlagzeug:
John Coghlan
vocals:
Alan Lancaster, Roy Lynes, Rick Parfitt (UK guitarist for Status Quo) und Francis Rossi
phonographisches Urheberrecht (℗) von:
Castle Communications Ltd. (in 1968), Pye Records Ltd. (company owning the label Pye Records) (in 1968) und Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recording of:
Pictures of Matchstick Men
Texter und Komponist(in):
Francis Rossi
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Valley Music Ltd (publisher)
Status Quo3.5?:??
76Desperation
recording of:
Desperation
Texter und Komponist(in):
John Kay (lead singer of Steppenwolf)
publisher:
ABC/Dunhill Music, Inc.
sub-publisher:
Universal Music Publishing France (not for release label use!)
Steppenwolf5?:??
77Born to Be Wild
Produzent(in):
Gabriel Mekler
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 53) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 129)
recording of:
Born to Be Wild
Texter und Komponist(in):
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.15?:??
78You Keep Me Hangin’ On
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
recording of:
You Keep Me Hangin’ On
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Supremes?:??
79I Wish It Would Rain
recording of:
I Wish It Would Rain (in 1967)
Texter:
Roger Penzabene (songwriter, who worked mainly at Motown) (in 1967)
Komponist(in):
Barrett Strong (in 1967) und Norman Whitfield (in 1967)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Agate Music und Stone Agate Music Division
The Temptations?:??
80House of the Rising Sun
Produzent(in):
Mickie Most (English record producer)
Bassgitarre:
Chas Chandler
E-Gitarre:
Hilton Valentine
Orgel:
Alan Price
Schlagzeug:
John Steel (English musician)
Sologesang:
Eric Burdon
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964), Columbia Pictures Industries, Inc. (in 1964) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 122), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. und Universal/MCA Music Ltd. (not for release label use!)
Arrangement von:
House of the Rising Sun
The Animals4.2?:??
81Paint It Black
cover recording of:
Paint It Black
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Essex Music International, Onward Music Ltd., Promopub. B.V. und Westminster Music Ltd.
Avengers?:??
82The Weight
Techniker(in):
Don Hahn (engineer) und Tony May (engineer)
Produzent(in):
The Band (Canadian-American rock band) und John Simon (US producer, arranger, composer, songwriter and musician)
Akustikgitarre:
Robbie Robertson (am 1968-01-12)
Bassgitarre:
Rick Danko (am 1968-01-12)
Klavier:
Garth Hudson (am 1968-01-12)
Schlagzeug:
Levon Helm (am 1968-01-12)
Hintergrundgesang:
Rick Danko (am 1968-01-12), Levon Helm (am 1968-01-12) und Richard Manuel (am 1968-01-12)
Sologesang:
Rick Danko (am 1968-01-12) und Levon Helm (am 1968-01-12)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968, in 2005)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (am 1968-01-12)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 41), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 58), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 80) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
The Weight (am 1968-01-12)
Texter und Komponist(in):
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Band4.15?:??
83Time Has Come Today
Produzent(in):
David Rubinson
Interpret(in):
The Chambers Brothers
phonographisches Urheberrecht (℗) von:
IDOL (Independent Distribution On Line) (in 2013)
Bearbeitung von:
Time Has Come Today (original unedited studio mix) von The Chambers Brothers
recording of:
Time Has Come Today (am 1967-08-09)
Verfasser(in):
Joseph Chambers (The Chambers Brothers) und Willie Chambers
The Chambers Brothers4?:??
84Get Up and Get Down
recording of:
Get Up & Get Down
Komponist(in):
Tony Hester
publisher:
Groovesville Music (publishing) (beendet) und EMI Longitude Music
The Dramatics?:??
85You Belong to Me
The Duprees?:??
86Hang Ten
The Fun Sons?:??
87You’ve Really Got a Hold on Me
recording of:
You’ve Really Got a Hold on Me
Texter und Komponist(in):
Smokey Robinson (in 1962-10)
publisher:
Dominion Music, Jobete Music (UK), Jobete Music Co., Inc., United Partnership Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Miracles?:??
88Mother’s Little Helper
Techniker(in):
David Hassinger
Produzent(in):
Andrew Loog Oldham
Gast-Perkussion:
Luís Jardim
phonographisches Urheberrecht (℗) von:
ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (in 1966)
recording of:
Mother’s Little Helper
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und Mirage Music Ltd.
The Rolling Stones3.75?:??
89Paint It Black
Produzent(in):
Andrew Loog Oldham
Sitar:
Brian Jones (Rolling Stones member)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 174) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 213)
recording of:
Paint It Black
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Essex Music International, Onward Music Ltd., Promopub. B.V. und Westminster Music Ltd.
The Rolling Stones3.75?:??
90Sympathy for the Devil
recording of:
Sympathy for the Devil
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Essex Music International und Westminster Music Ltd.
The Rolling Stones?:??
91Street Fighting Man
live recording of:
Street Fighting Man
Verfasser(in):
Keith Richards (Rolling Stones guitarist) und Mick Jagger (The Rolling Stones) (von 1968-05 bis 1968-06)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
The Rolling Stones?:??
92Take Me for What I’m Worth
recording of:
Take Me for What I’m Worth
Texter und Komponist(in):
P.F. Sloan
The Searchers?:??
93Needles & Pins
phonographisches Urheberrecht (℗) von:
Pye International (in 1964)
cover recording of:
Needles and Pins
Texter:
Sonny Bono
Komponist(in):
Sonny Bono und Jack Nitzsche (American musician and score composer)
publisher:
EMI Catalogue, EMI Catalogue Partnership, EMI Unart Catalog Inc., EMI United Partnership Ltd. und Metric Music
The Searchers4?:??
94I Got My Mojo Working
cover recording of:
Got My Mojo Working (original version)
Texter und Komponist(in):
Preston Foster
publisher:
Dare Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Shadows of Knight?:??
95Baby Love
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
recording of:
Baby Love
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music Division
The Supremes?:??
96What Kind of Fool (Do You Think I Am)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 33)
recording of:
What Kind of Fool (Do You Think I Am)
Texter und Komponist(in):
Ray Whitley (60s/70s songwriter)
The Tams?:??
97Ain’t Too Proud to Beg
Produzent(in):
Norman Whitfield
Instrumente:
The Funk Brothers (von 1966-01-04 bis 1966-01-11)
Hintergrundgesang:
Melvin Franklin (von 1966-01-04 bis 1966-01-11), Eddie Kendricks (von 1966-01-04 bis 1966-01-11), Otis Williams (US baritone singer, member of The Temptations & The Distants) (von 1966-01-04 bis 1966-01-11) und Paul Williams (member of The Temptations) (von 1966-01-04 bis 1966-01-11)
Sologesang:
David Ruffin (soul singer, member of The Temptations) (von 1966-01-04 bis 1966-01-11)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1966-01-04 bis 1966-01-11)
recording of:
Ain’t Too Proud to Beg (von 1966-01-04 bis 1966-01-11)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team) und Norman Whitfield
Komponist(in):
Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Agate Music und Stone Agate Music Division
cover recording of:
Ain’t Too Proud to Beg
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team) und Norman Whitfield
Komponist(in):
Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Agate Music und Stone Agate Music Division
The Temptations4.35?:??
98Wild Thing
Produzent(in):
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
E-Gitarre:
Chris Britton (The Troggs) (in 1966)
Okarina und Sologesang:
Reg Presley (in 1966)
Schlagzeug:
Ronnie Bond (The Troggs) (in 1966)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 257)
cover recording of:
Wild Thing (in 1966)
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH und April Music (in 1981)
The Troggs4.4?:??
99One
cover recording of:
One
Texter und Komponist(in):
Harry Nilsson (US singer-songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music Australia Pty. Ltd.
Three Dog Night4.75?:??
100You Keep Me Hangin’ On
cover recording of:
You Keep Me Hangin’ On (in 1967)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Vanilla Fudge3.5?:??