Mafia III Soundtrack: Official Soundtrack of New Bordeaux

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Ninety‐Six Tears
? and the Mysterians?:??
2We Gotta Get Out of This Place
produttore:
Mickie Most (English record producer)
voce:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1965) e Columbia Pictures Industries, Inc. (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 35), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 233)
registrazione di:
We Gotta Get Out of This Place
paroliere:
Cynthia Weil
compositore:
Barry Mann
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Francis, Day & Hunter (publisher) (nel 1979)
sub-editore:
EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Animals3.8?:??
3Chain of Fools
registrata a:
New York, New York, Stati Uniti
tecnico di registrazione e tecnico di missaggio:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-06-23)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-06-23) e Joe South (il 1967-06-23)
chitarra basso :
Tommy Cogbill (il 1967-06-23)
pianoforte :
Aretha Franklin (il 1967-06-23)
pianoforte elettrico :
Spooner Oldham (il 1967-06-23)
cori:
Carolyn Franklin (il 1967-06-23), Erma Franklin (il 1967-06-23), Ellie Greenwich (il 1967-06-23) e The Sweet Inspirations (il 1967-06-23)
voce:
Aretha Franklin (il 1967-06-23)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-06-23)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 249) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 306)
registrazione di:
Chain of Fools (il 1967-06-23)
paroliere e compositore:
Don Covay
editore:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adattamenti:
Verlga norih
Aretha Franklin4.25?:??
4Respect
tecnico di registrazione:
Tom Dowd (il 1967-02-14)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin3.9?:??
5Eve of Destruction
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1965)
registrazione di:
Eve of Destruction (nel 1965)
paroliere e compositore:
P.F. Sloan
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barrie Maguire4.6?:??
6Help Me, Rhonda
tecnico:
Chuck Britz
produttore:
Brian Wilson (Beach Boys co‐founder)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1965-02-24)
chitarra :
Carl Wilson (Beach Boys) (il 1965-02-24)
chitarra basso :
Carol Kaye (il 1965-02-24)
organo Hammond [Hammond B3 organ] e pianoforte [acoustic piano] :
Brian Wilson (Beach Boys co‐founder) (il 1965-02-24)
voce di accompagnamento:
Mike Love (Beach Boys) (il 1965-02-24), Brian Wilson (Beach Boys co‐founder) (il 1965-02-24), Carl Wilson (Beach Boys) (il 1965-02-24) e Dennis Wilson (Beach Boys) (il 1965-02-24)
voce principale:
Al Jardine (guitarist and singer) (il 1965-02-24)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1965-02-24) e Universal Recording Studios (unidentified, possibly a mix of different studios) (il 1965-02-24)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 16)
registrazione di:
Help Me, Rhonda (il 1965-02-24)
paroliere e compositore:
Brian Wilson (Beach Boys co‐founder)
paroliere aggiunto:
Mike Love (Beach Boys)
editore:
Irving Music, Inc. e Rondor Music (London) Ltd.
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4?:??
7Heroes and Villains
tecnico:
Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band)
registrazione di:
Heroes and Villains
paroliere:
Van Dyke Parks
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music (BMI)
The Beach Boys2?:??
8Wouldn’t It Be Nice
tecnico:
Larry Levine (il 1966-01-22) e Ralph Valentin (dal 1966-03 al 1966-04)
produttore:
Brian Wilson (Beach Boys co‐founder)
basso elettrico :
Carol Kaye (il 1966-01-22) e Ray Pohlman (il 1966-01-22)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1966-01-22)
chitarra :
Bill Pitman (il 1966-01-22)
chitarra a 12 corde :
Jerry Cole (il 1966-01-22)
chitarra basso :
Lyle Ritz (il 1966-01-22)
chitarra mandolino :
Barney Kessel (il 1966-01-22)
fisarmonica :
Carl Fortina (il 1966-01-22) e Frank Marocco (il 1966-01-22)
percussione :
Frank Capp (il 1966-01-22)
pianoforte :
Al De Lory (il 1966-01-22)
pianoforte [track piano] :
Larry Knechtel (il 1966-01-22)
sassofono baritono :
Jay Migliori (il 1966-01-22)
sassofono tenore :
Steve Douglas (American saxophonist, flautist and clarinetist) (il 1966-01-22) e Plas Johnson (il 1966-01-22)
tromba :
Roy Caton (trumpet player) (il 1966-01-22)
voce di accompagnamento:
Al Jardine (guitarist and singer) (il 1966-01-22), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (il 1966-01-22), Carl Wilson (Beach Boys) (il 1966-01-22) e Dennis Wilson (Beach Boys) (il 1966-01-22)
voce principale:
Mike Love (Beach Boys) (il 1966-01-22) e Brian Wilson (Beach Boys co‐founder) (il 1966-01-22)
arrangiatore:
Brian Wilson (Beach Boys co‐founder)
registrata presso:
Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, Stati Uniti (il 1966-01-22) e Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (il 1966-01-22)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 297)
registrazione di:
Wouldn’t It Be Nice (il 1966-01-22)
paroliere:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.4?:??
9Dance of the Hours
Beethoven Ben?:??
10Piece of My Heart
registrazione cover di:
Piece of My Heart
autore:
Bert Russell e Jerry Ragovoy
editore:
Campbell Connelly, MPL Music Publishing Inc., Sloopy II Music, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Unichappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Web IV Music Inc. e Wren Music Co.
Big Brother & the Holding Company?:??
11Good Times Are So Hard to Find
Blue Cheer?:??
12I Fought the Law
diritti fonografici (℗) detenuti da:
Chess (US label) (nel 1957)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 175)
registrazione cover di:
I Fought the Law
paroliere e compositore:
Sonny Curtis
editore:
Acuff-Rose Publications, Inc. (BMI), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Bobby Fuller Four4.35?:??
13The Letter
produttore:
Dan Penn (songwriter, soul singer)
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1967) e Atoll Music (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 357) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 364)
registrazione di:
The Letter (nel 1967)
paroliere e compositore:
Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Box Tops4.15?:??
14On the Road Again
registrazione dal vivo di:
On the Road Again
paroliere e compositore:
Floyd Jones (blues performer and songwriter) e Alan Wilson (Canned Heat member)
editore:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) e United Partnership Ltd.
Canned Heat4?:??
15I Can’t Turn You Loose
registrazione cover di:
I Can’t Turn You Loose (il 1968-08-14)
paroliere e compositore:
Otis Redding
editore:
Irving Music, Inc., Shapiro Bernstein & Co. Ltd., East/Memphis Music Corp. (dal 1969 al ????) e Time Music (dal 1969 al ????)
The Chambers Brothers?:??
16Slip Away
tecnico di registrazione e produttore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
basso :
David Hood (Muscle Shoals, AL guitarist and trombonist) (il 1968-04-08)
batteria :
Roger Hawkins (drummer and producer) (il 1968-04-08)
chitarra :
Clarence Carter (il 1968-04-08)
organo :
Barry Beckett (il 1968-04-08)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1968-04-08), Andrew Love (il 1968-04-08) e Aaron Varnell (il 1968-04-08)
tromba :
Gene Miller (American trumpeter) (il 1968-04-08) e Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1968-04-08)
voce:
Clarence Carter (il 1968-04-08)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (il 1968-04-08)
registrazione di:
Slip Away (il 1968-04-08)
autore:
William Armstrong, Marcus Daniel e Wilbur Terrell
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Clarence Carter4.5?:??
17Ay‐Tete‐Fee
Clifton Chenier?:??
18Psychotic Reaction
registrata a:
Los Angeles, California, Stati Uniti (nel 1966)
produttore:
Joe Hooven e Hal Winn
armonica (a bocca) :
Kenn Ellner (nel 1966)
basso :
Roy Chaney (nel 1966)
batteria :
Craig “Butch” Atkinson (nel 1966)
chitarra :
John “Sean” Byrne (nel 1966) e John “Mouse” Michalski (nel 1966)
voce principale:
John “Sean” Byrne (nel 1966)
esecutore:
Count Five e The Countdown Singers (sound-alike cover band associated with the Madacy labels)
registrazione di:
Psychotic Reaction (nel 1966)
compositore:
Craig “Butch” Atkinson, John “Sean” Byrne, Roy Chaney, Kenn Ellner e John “Mouse” Michalski
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Lovolar Music
Count Five5?:??
19White Room
tecnico di registrazione:
Adrian Barber (producer/engineer) (dal 1967-07 al 1968-06) e Tom Dowd (dal 1967-07 al 1968-06)
tecnico:
Adrian Barber (producer/engineer) e Tom Dowd
produttore:
Felix Pappalardi
basso :
Jack Bruce (dal 1967-07 al 1968-06)
batteria e percussione e timpani :
Ginger Baker (dal 1967-07 al 1968-06)
chitarra :
Eric Clapton (dal 1967-07 al 1968-06)
viola :
Felix Pappalardi (dal 1967-07 al 1968-06)
voce:
Jack Bruce (dal 1967-07 al 1968-06)
diritti fonografici (℗) detenuti da:
Robert Stigwood Group Ltd. (nel 1968), Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1968) e Robert Stigwood Organisation Ltd. (nel 1969)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (dal 1967-07 al 1967-08) e Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1967-09 al 1967-10, dal 1968-02 al 1968-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 368)
registrazione di:
White Room (dal 1967-07 al 1968-06)
autore:
Pete Brown (UK poet & producer, with Cream and Jack Bruce) e Jack Bruce
editore:
BG Publishing, Casserole Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner Chappell Music, Inc.
sub-editore:
Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Cream4.2?:??
20Proud Mary
produttore:
John Fogerty
batteria :
Doug Clifford (nel 1968)
chitarra :
John Fogerty (nel 1968) e Tom Fogerty (nel 1968)
chitarra basso :
Stu Cook (nel 1968)
voce:
John Fogerty (nel 1968)
arrangiatore:
John Fogerty
diritti fonografici (℗) detenuti da:
Fantasy, Inc. (not for release label use!) (nel 1969) e Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (nel 1976)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 152) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 155)
registrazione di:
Proud Mary (nel 1968)
paroliere e compositore:
John Fogerty
editore:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (il 1968-12-27) e Jondora Musikverlag (publisher) (nel 1970)
Creedence Clearwater Revival4.3?:??
21Fortunate Son
tecnico di registrazione e tecnico di missaggio:
Russ Gary
produttore:
John Fogerty
batteria :
Doug Clifford
chitarra :
John Fogerty e Tom Fogerty
chitarra basso :
Stu Cook
voce di accompagnamento:
Doug Clifford, Stu Cook e Tom Fogerty
voce principale:
John Fogerty
arrangiatore:
John Fogerty
diritti fonografici (℗) detenuti da:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (nel 1976)
registrata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti e Free Trade Hall in Manchester, Greater Manchester, England, Regno Unito (il 1971-09-01)
mixata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 99) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 227)
registrazione di:
Fortunate Son (nel 1969-08)
paroliere e compositore:
John Fogerty
editore:
Cody River Music Company, Jondora Music e Prestige Music ltd.
Creedence Clearwater Revival4.45?:??
22Bad Moon Rising
produttore:
John Fogerty
batteria :
Doug Clifford (nel 1969-03)
chitarra :
John Fogerty (nel 1969-03) e Tom Fogerty (nel 1969-03)
chitarra acustica e voce principale:
John Fogerty
chitarra basso :
Stu Cook (nel 1969-03)
voce:
John Fogerty (nel 1969-03)
esecutore:
Creedence Clearwater Revival
arrangiatore:
John Fogerty
diritti fonografici (℗) detenuti da:
Fantasy, Inc. (not for release label use!) (nel 1969), Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1991)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 356)
registrazione di:
Bad Moon Rising (nel 1969-03)
paroliere e compositore:
John Fogerty
editore:
Burlington Music Co., Ltd., Jondora Music e Warner/Chappell Music Australia Pty. Ltd.
Creedence Clearwater Revival4.3?:??
23Born on the Bayou
produttore:
John Fogerty
batteria :
Doug Clifford (nel 1968)
campanaccio , chitarra [lead guitar] e congas :
John Fogerty (nel 1968)
chitarra :
Tom Fogerty
chitarra [rhythm guitar] :
Tom Fogerty (nel 1968)
chitarra basso :
Stu Cook (nel 1968)
esecutore:
Creedence Clearwater Revival
arrangiatore:
John Fogerty
diritti fonografici (℗) detenuti da:
Fantasy, Inc. (not for release label use!) (nel 1969)
registrazione di:
Born on the Bayou (nel 1968-12)
paroliere e compositore:
John Fogerty
editore:
Burlington Music Co., Ltd., Cody River Music Company e Jondora Music (il 1968-12-27)
registrazione dal vivo di:
Born on the Bayou (nel 1970)
paroliere e compositore:
John Fogerty
editore:
Burlington Music Co., Ltd., Cody River Music Company e Jondora Music (il 1968-12-27)
Creedence Clearwater Revival4.25?:??
24Runaway
claviolino [musitron] solista :
Max Crook
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 5), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 100) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 466)
registrazione di:
Runaway (il 1961-01-24)
autore:
Max Crook e Del Shannon
editore:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. e Vicki Music
Del Shannon4.4?:??
25Keep Searchin’ (We’ll Follow the Sun)
registrazione di:
Keep Searching (We’ll Follow the Sun)
paroliere e compositore:
Del Shannon
Del Shannon?:??
26Bottom of the River
registrazione di:
Bottom of the River
Delta Rae3.5?:??
27I Let a Good Thing Go By
Dewey Edwards?:??
28Love Child
produttore:
The Clan (Motown composers/producers group)
voce di accompagnamento:
The Andantes
arrangiatore:
Paul Riser
registrazione di:
Love Child (Diana Ross & the Supremes song)
autore:
Deke Richards (American songwriter and record producer), Pam Sawyer (British‐born American lyricist and songwriter), R. Dean Taylor (Canadian singer, songwriter and record producer) e Frank Wilson (Motown singer/songwriter)
editore:
Jobete Music Co., Inc. e Stone Agate Music Division
Diana Ross & The Supremes3.5?:??
29Son of a Preacher Man
tecnico:
Ed Kollis
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
batteria :
Gene Chrisman (nel 1968-09)
chitarra basso :
Tommy Cogbill (nel 1968-09)
chitarra e sitar :
Reggie Young (guitarist and songwriter) (nel 1968-09)
pianoforte elettrico e organo :
Bobby Emmons (nel 1968-09)
voce:
Dusty Springfield (nel 1968-09)
voce di accompagnamento:
The Sweet Inspirations (nel 1968-09)
direttore d'orchestra:
Gene Orloff (nel 1968-09)
arrangiatore ottoni :
Tom Dowd
arrangiatore ottoni e archi :
Arif Mardin
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1968)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 168) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 240)
registrazione di:
Son of a Preacher Man (nel 1968-09)
autore:
John Hurley e Ronnie Wilkins
editore:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Dusty Springfield4.45?:??
30Knock on Wood
registrazione di:
Knock on Wood
autore:
Steve Cropper e Eddie Floyd
editore:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
adattamenti:
Potkraj na les
Eddie Floyd?:??
31A Little Less Conversation
basso :
Charles Berghofer (Jazz bassist) (il 1968-03-07) e Larry Knechtel (il 1968-03-07)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1968-03-07) e Gary Coleman (US percussionist) (il 1968-03-07)
chitarra :
Alvin Casey (US rock & roll/rockabilly/surf guitarist/session musician) (il 1968-03-07), Charles Britz (il 1968-03-07), Joseph Gibbons (guitar player) (il 1968-03-07) e Neil LeVang (il 1968-03-07)
pianoforte :
Don Randi (il 1968-03-07)
voce:
John Bahler (il 1968-03-07), B.J. Baker (singer Betty Jane Baker, Miss Alabama in 1944 as Betty Jane Rase) (il 1968-03-07), Sally Stevens (il 1968-03-07) e Bob Tebow (il 1968-03-07)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1968-03-07)
registrazione cover di:
A Little Less Conversation (il 1968-03-07)
autore:
Mac Davis (US country singer, songwriter & actor) e Billy Strange
editore:
Carlin Music Corporation e Elvis Presley Music
Elvis Presley4?:??
32Don’t Go to Strangers
Etta James?:??
33Reach Out, I’ll Be There
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
strumenti:
The Funk Brothers (nel 1966)
voce di accompagnamento:
The Andantes (nel 1966), Marlene Barrow (nel 1966), Renaldo Benson (nel 1966), Louvain Demps (nel 1966), Abdul “Duke” Fakir (nel 1966), Jackie Hicks (nel 1966) e Lawrence Payton (nel 1966)
voce principale:
Levi Stubbs (nel 1966)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1966)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 78) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 206)
registrazione di:
Reach Out, I’ll Be There (nel 1966)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Four Tops4?:??
34Palisades Park
produttore:
Bob Crewe e Frank Slay Jr.
registrazione di:
Palisades Park
paroliere e compositore:
Chuck Barris
editore:
MPL Music Publishing Inc.
Freddy Cannon?:??
35In a Gadda da Vida
diritti fonografici (℗) detenuti da:
ATCO Records (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrazione di:
In‐A‐Gadda‐Da‐Vida
paroliere e compositore:
Douglas Lloyd Ingle
editore:
Ten East‐Cotillion‐Itasca
Iron Butterfly4?:??
36I Got You (I Feel Good)
registrata a:
Miami, Florida, Stati Uniti (il 1965-05-06)
produttore:
James Brown (The Godfather of Soul)
basso :
Bernard Odum (il 1965-05-06)
batteria :
Melvin Parker (il 1965-05-06)
chitarra :
Alphonso "Country" Kellum (il 1965-05-06) e Jimmy Nolen (il 1965-05-06)
organo :
Nat Jones (Saxophonist and organist, worked with James Brown) (il 1965-05-06)
sassofono contralto :
Nat Jones (Saxophonist and organist, worked with James Brown) (il 1965-05-06) e Maceo Parker (US funk/jazz saxophonist) (il 1965-05-06)
sassofono tenore :
Al "Brisco" Clark (il 1965-05-06), St. Clair Pinckney (il 1965-05-06) e Eldee Williams (il 1965-05-06)
tromba :
Joe Dupars (il 1965-05-06), Mike Ridley (il 1965-05-06) e Ron Tooley (American trumpeter) (il 1965-05-06)
trombone :
Levi Rasbury (il 1965-05-06)
voce principale:
James Brown (The Godfather of Soul) (il 1965-05-06)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (nel 1965) e PolyGram Inc. (1978–1990) (nel 1988)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1965-05-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 359)
registrazione cover di:
I Found You (a.k.a. I Got You (I Feel Good)) (il 1965-05-06)
paroliere e compositore:
James Brown (The Godfather of Soul)
editore:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. e Try Me Inc.
James Brown4.55?:??
37Somebody to Love
tecnico di registrazione:
David Hassinger
produttore:
Rick Jarrard
registrazione di:
Somebody to Love (Jefferson Airplane song)
paroliere e compositore:
Darby Slick
editore:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane?:??
38White Rabbit
registrata a:
San Francisco, California, Stati Uniti (dal 1969-05-07 a oggi)
tecnico di registrazione:
David Hassinger (il 1966-11-03)
produttore:
Rick Jarrard (dal 1966-10-31 al 1966-11-22)
basso :
Jack Casady (dal 1966-10-31 al 1966-11-22)
batteria :
Spencer Dryden (dal 1966-10-31 al 1966-11-22)
chitarra [lead guitar] :
Jorma Kaukonen (American blues, folk, and rock guitarist) (dal 1966-10-31 al 1966-11-22)
chitarra [rhythm guitar] :
Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce principale:
Grace Slick (dal 1966-10-31 al 1966-11-22)
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (nel 1967)
registrata presso:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-10-31 al 1966-11-22)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 455) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 478)
registrazione di:
White Rabbit (dal 1966-10-31 al 1966-11-22)
paroliere e compositore:
Grace Slick
editore:
Irving Music, Inc. e Rondor Music (London) Ltd.
si basa su:
Alice’s Adventures in Wonderland (novel)
si basa su:
Through the Looking‐Glass, and What Alice Found There (novel)
Jefferson Airplane4.35?:??
39One Bourbon, One Scotch, One Beer
registrata a:
Chicago, Illinois, Stati Uniti (nel 1966)
produttore:
Ralph Bass
produttore esecutivo:
Marshall Chess
editor:
Ron Malo
chitarra :
Eddie Burns (American Detroit blues guitarist) e John Lee Hooker (US blues singer, songwriter & guitarist)
strumenti:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
voce principale:
John Lee Hooker (US blues singer, songwriter & guitarist)
registrata presso:
Chess Studios in Chicago, Illinois, Stati Uniti (nel 1966)
registrazione di:
One Bourbon, One Scotch, One Beer
paroliere:
John Lee Hooker (US blues singer, songwriter & guitarist)
compositore:
Rudolph Toombs
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Tristan Music Ltd.
si basa su:
House Rent Boogie
John Lee Hooker3.5?:??
40Folsom Prison Blues (live)
produttore:
Bob Johnston (US record producer and early rockebilly singer)
produttore aggiunto:
Bob Irwin
basso :
Marshall Grant (il 1968-01-13)
batteria :
W.S. Holland (il 1968-01-13)
chitarra :
Johnny Cash (country music legend) (il 1968-01-13)
chitarra elettrica :
Carl Perkins (American pioneer of rockabilly music) (il 1968-01-13) e Luther Perkins (il 1968-01-13)
voce:
Johnny Cash (country music legend) (il 1968-01-13)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1968)
registrata presso:
Folsom State Prison in Folsom, California, Stati Uniti (il 1968-01-13)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 54) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 164)
registrazione dal vivo di:
Folsom Prison Blues (il 1968-01-13)
paroliere e compositore:
Johnny Cash (country music legend)
editore:
Aberbach (London) (publisher), Carlin Music Corporation e Hi Lo Music
si basa su:
Crescent City Blues
Johnny Cash4.85?:??
41Ring of Fire
registrazione cover di:
Ring of Fire
autore:
June Carter Cash (American Country singer and songwriter) e Merle Kilgore
editore:
Painted Desert Music Corporation
Johnny Cash?:??
42Shotgun
produttore:
Berry Gordy e Lawrence T. Horn
registrazione di:
Shotgun
autore:
Autry De Walt
compositore:
Autry De Walt e Junior Walker
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK), Jobete Music Co. e What Does It Take Publishing (BMI-affiliated)
Jr. Walker & the All Stars2.75?:??
43Take Me for What I Am
registrazione di:
Take Me For What I Am
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
L.C. Cooke?:??
44Black Ghost Blues
Lightnin’ Hopkins?:??
45Sinner’s Prayer
Lightnin’ Hopkins?:??
46The Howling Wolf
Lightnin’ Hopkins?:??
47G.I. Blues
Lightnin’ Slim?:??
48Long Tall Sally
registrazione di:
Long Tall Sally
autore:
Enotris Johnson (il 1955-11-29), Richard Wayne Penniman (il 1955-11-29) e Robert Alexander Blackwell (il 1955-11-29)
editore:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music e Venice Music
Little Richard?:??
49Go Go Shoes
Lonnie Youngblood?:??
50Nowhere to Run
Martha Reeves and the Vandellas?:??
51You
produttore:
Ivy Jo Hunter
registrazione di:
You
paroliere:
Jack Goga
autore:
Jeffrey Bowen, Jack Goga e Ivy Jo Hunter
compositore:
Ivy Jo Hunter
editore:
Jobete Music Co., Inc. (il 1967-06-15)
sub-editore:
EMI Music Publishing France e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye2.65?:??
52Five Card Hand
Mercy Dee Walton?:??
53You Belong to Me
tecnico:
Jesse Cannon (US engineer, producer and founder of the Cannon Found Soundation), Anthony Esposito e Tim Hatfield
produttore:
John Cafiero
produttore aggiunto:
Marky Ramone (Marc Bell)
tecnico di missaggio:
Alan Douches
batteria [drums] e percussione :
Marky Ramone (Marc Bell)
chitarra [guitars] :
Dez Cadena
chitarra basso [bass] e voce principale:
Jerry Only
voce ospite:
Ronnie Spector
registrata presso:
Schoolhouse Studios (New York, NY) in New York, New York, Stati Uniti e West West Side Music (second location 2005–2017) in New Windsor, New York, Stati Uniti
mixata presso:
West West Side Music (second location 2005–2017) in New Windsor, New York, Stati Uniti
registrazione cover di:
You Belong to Me
autore:
Pee Wee King, Chilton Price (country music songwriter) e Redd Stewart
editore:
Hill & Range Inc. (publisher) e Ridgeway Music Co, Inc.
Misfits?:??
54Bad Moon Rising
produttore:
Mischa "Book" Chillak
tecnico di missaggio:
Jack Trammell (production music)
chitarra :
Clay Jones (producer/engineer/mixer from Oxford, MS, USA)
voce:
Peter Dreimanis
registrazione cover di:
Bad Moon Rising
paroliere e compositore:
John Fogerty
editore:
Burlington Music Co., Ltd., Jondora Music e Warner/Chappell Music Australia Pty. Ltd.
Mourning Ritual featuring Peter Dreimanis?:??
55Sitting on the Dock of the Bay
registrazione di:
(Sittin’ on) the Dock of the Bay
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding?:??
56Hard to Handle
produttore:
Steve Cropper
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer)
chitarra :
Steve Cropper
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
voce:
Otis Redding
registrazione di:
Hard to Handle
autore:
Allen Jones (producer/songwriter/musician/engineer), Alvertis Isbell e Otis Redding
editore:
Irving Music (BMI), Carlin Music Corporation (nel 1968) e Irving Music, Inc. (nel 1968)
Otis Redding4.15?:??
57Tramp
registrata a:
Memphis, Tennessee, Stati Uniti (dal 1967-01 al 1967-02)
produttore:
Steve Cropper e Jim Stewart (US producer, founder for Stax & Volt Records)
basso elettrico [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-01 al 1967-02)
batteria :
Al Jackson (Booker T & The MGs drummer) (dal 1967-01 al 1967-02)
chitarra :
Steve Cropper (dal 1967-01 al 1967-02)
pianoforte :
Booker T. Jones (dal 1967-01 al 1967-02)
sassofono tenore :
Joe Arnold (dal 1967-01 al 1967-02) e Andrew Love (dal 1967-01 al 1967-02)
tastiera :
Isaac Hayes (dal 1967-01 al 1967-02) e Booker T. Jones (dal 1967-01 al 1967-02)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-01 al 1967-02)
voce:
Otis Redding (dal 1967-01 al 1967-02) e Carla Thomas (dal 1967-01 al 1967-02)
voce di accompagnamento:
Carla Thomas (dal 1967-01 al 1967-02)
esecutore:
Carla Thomas (dal 1967-01 al 1967-02)
registrazione cover di:
Tramp (dal 1967-01 al 1967-02)
autore:
Lowell Fulson e Jimmy McCracklin (blues singer, songwriter)
editore:
Budget Music, Careers–BMG Music Publishing, Inc. e Powerforce Music
Otis Redding & Carla Thomas3.85?:??
58Must Have Been the Devil
tecnico:
George Piros
produttore:
Nat Hentoff
registrata presso:
Fine Recording Studios in Manhattan, New York, New York, Stati Uniti (il 1960-08-23)
Otis Spann?:??
59Crazy
produttore:
Owen Bradley
voce:
Patsy Cline
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1961)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 85) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 195)
registrazione di:
Crazy (Willie Nelson song) (il 1961-08-21)
paroliere e compositore:
Willie Nelson
editore:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tree Publishing
Patsy Cline4.15?:??
60Kicks
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 400)
registrazione di:
Kicks
paroliere:
Cynthia Weil
compositore:
Barry Mann
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Paul Revere and the Raiders?:??
61Palisades Park
assistente tecnico di registrazione:
Judy Kirschner e Robbie Norris
tecnico di registrazione:
Martin Bisi e Robert Musso (musician, producer and engineer)
assistente tecnico:
Oz Fritz (sound engineer)
produttore:
Bill Laswell (US bass guitarist and record producer)
tecnico di missaggio:
Jason Corsaro (U.S. music engineer, and record producer) e Robert Musso (musician, producer and engineer)
registrata in aggiunta presso:
B.C. Studios in Brooklyn, New York, New York, Stati Uniti
registrata presso:
Sorcerer Sound in New York, New York, Stati Uniti
mixata presso:
Platinum Island Studios in New York, New York, Stati Uniti
registrazione cover di:
Palisades Park
paroliere e compositore:
Chuck Barris
editore:
MPL Music Publishing Inc.
Ramones3.5?:??
62King of the Road
registrata a:
Tennessee, Stati Uniti (il 1964-11-03)
produttore:
Jerry Kennedy
voce:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (il 1964-11-03)
diritti fonografici (℗) detenuti da:
Smash (nel 1965)
registrazione di:
King of the Road (il 1964-11-03)
paroliere:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
compositore:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (nel 1964)
editore:
Burlington Music Co., Ltd.
Roger Miller4.5?:??
63Hey Big Momma
Roosevelt Sykes?:??
64Running Scared
registrata a:
Nashville, Tennessee, Stati Uniti (il 1961-02-27)
produttore:
Fred Foster (il 1961-02-27)
voce:
Roy Orbison (il 1961-02-27)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 4)
registrazione di:
Running Scared (il 1961-02-27)
paroliere:
Joe Melson (nel 1961) e Roy Orbison (nel 1961)
compositore:
Joe Melson e Roy Orbison
editore:
Barbara Orbison Music Company, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1961-04-10)
Roy Orbison3.25?:??
65Walking the Dog
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
voce:
Rufus Thomas (US blues & funk singer & songwriter)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 24)
registrazione di:
Walking the Dog (nel 1963)
paroliere e compositore:
Rufus Thomas (US blues & funk singer & songwriter)
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e East/Memphis Music
Rufus Thomas3?:??
66Hold On, I’m Comin’
registrata a:
Memphis, Tennessee, Stati Uniti (il 1966-03-08)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
voce:
Sam & Dave (il 1966-03-08)
registrazione di:
Hold On, I’m Comin’ (il 1966-03-08)
autore:
Isaac Hayes, Hayes, Porter e David Porter (US soul musician, producer & songwriter)
editore:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave5?:??
67Soul Man
registrazione di:
Soul Man
autore:
Isaac Hayes (nel 1967) e David Porter (US soul musician, producer & songwriter) (nel 1967)
editore:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (nel 1986) e Walden Music Corp. (publisher) (nel 1986)
Sam & Dave?:??
68Chain Gang
produttore:
Sam Cooke (American singer and songwriter, “King of Soul”), Luigi Creatore e Hugo Peretti
chitarra :
Clifton White
voce principale:
Sam Cooke (American singer and songwriter, “King of Soul”)
direttore d'orchestra:
Glenn Osser
registrata in aggiunta presso:
RCA Studios in Hollywood, Los Angeles, California, Stati Uniti (il 1960-04-13)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 37)
registrazione di:
Chain Gang (Sam Cooke song)
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
Sam Cooke3?:??
69Wonderful World
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 374)
registrazione di:
Wonderful World
autore:
Lou Adler, Herb Alpert e Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Ardmore and Beechwood Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Ltd. e 日本アブコ音楽出版 (ABKCO Japan Publishing)
Sam Cooke?:??
70Bring It On Home to Me
tecnico:
Al Schmitt
produttore:
Sam Cooke (American singer and songwriter, “King of Soul”), Luigi Creatore e Hugo Peretti
basso :
Ray Pohlman
batteria e percussione :
Frank Capp
chitarra :
Clifton White, René Hall e Tommy Tedesco (guitar)
pianoforte :
Ernest Freeman
sassofono :
William Green (woodwind)
viola :
Wilbert Nuttycombe (strings) e Irving Weinper
violino :
Elliott Fisher, Marvin Limonick, Myron Sandler, Joseph Saxon, Ralph Schaeffer e Marshall Sosson
violoncello :
Cecil Figelski (String player) e Armand Kaproff
voce aggiuntiva:
Lou Rawls
voce principale:
Sam Cooke (American singer and songwriter, “King of Soul”)
direttore d'orchestra:
René Hall
arrangiatore:
René Hall
registrata presso:
RCA Studios in Hollywood, Los Angeles, California, Stati Uniti (il 1962-04-26)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 16)
registrazione cover di:
Bring It On Home to Me (il 1962-04-26)
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Kags Music Corp.
Sam Cooke3.65?:??
71Another Saturday Night
tecnico:
Dave Hassinger
produttore:
Sam Cooke (American singer and songwriter, “King of Soul”), Luigi Creatore e Hugo Peretti
basso :
Clifford Hils (bass)
batteria e percussione :
Hal Blaine (U.S. studio drummer and percussionist)
chitarra :
Clifton White, René Hall e Barney Kessel
pianoforte :
Raymond Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader)
sassofono :
Jewell Grant (US saxophonist) e Plas Johnson
tromba :
John Anderson (trumpet)
trombone :
John Ewing (jazz trombonist - do not confuse with John Ewing, Jr.)
voce principale:
Sam Cooke (American singer and songwriter, “King of Soul”)
direttore d'orchestra:
René Hall
arrangiatore:
René Hall
registrata presso:
RCA Studios in Hollywood, Los Angeles, California, Stati Uniti (il 1963-02-28)
registrazione di:
Another Saturday Night
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Essex Music International e Kags Music Corp.
Sam Cooke3.65?:??
72I’m Gonna Forget About You
registrazione di:
I’m Gonna Forget About You
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
Sam Cooke1.5?:??
73Lil’ Red Riding Hood
registrazione di:
Li’l Red Riding Hood
paroliere e compositore:
Ronald Blackwell
Sam the Sham & the Pharaohs4?:??
74You Better Stop
Sonny Rhodes?:??
75Pictures of Matchstick Men
tecnico:
Alan Florence
produttore:
John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
basso elettrico e chitarra basso :
Alan Lancaster
batteria :
John Coghlan
chitarra e chitarra elettrica :
Rick Parfitt (UK guitarist for Status Quo) e Francis Rossi
organo e organo elettrico :
Roy Lynes
voce:
Alan Lancaster, Roy Lynes, Rick Parfitt (UK guitarist for Status Quo) e Francis Rossi
diritti fonografici (℗) detenuti da:
Castle Communications Ltd. (nel 1968), Pye Records Ltd. (company owning the label Pye Records) (nel 1968) e Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1968)
registrazione di:
Pictures of Matchstick Men
paroliere e compositore:
Francis Rossi
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Valley Music Ltd (publisher)
Status Quo3.5?:??
76Desperation
registrazione di:
Desperation
paroliere e compositore:
John Kay (lead singer of Steppenwolf)
editore:
ABC/Dunhill Music, Inc.
sub-editore:
Universal Music Publishing France (not for release label use!)
Steppenwolf5?:??
77Born to Be Wild
produttore:
Gabriel Mekler
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 53) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 129)
registrazione di:
Born to Be Wild
paroliere e compositore:
Mars Bonfire
editore:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.15?:??
78You Keep Me Hangin’ On
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione di:
You Keep Me Hangin’ On
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division e Jobete Music Co., Inc. (nel 1986)
sub-editore:
EMI Music Publishing Japan C.F. division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Supremes?:??
79I Wish It Would Rain
registrazione di:
I Wish It Would Rain (nel 1967)
paroliere:
Roger Penzabene (songwriter, who worked mainly at Motown) (nel 1967)
compositore:
Barrett Strong (nel 1967) e Norman Whitfield (nel 1967)
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Agate Music e Stone Agate Music Division
The Temptations?:??
80House of the Rising Sun
produttore:
Mickie Most (English record producer)
batteria :
John Steel (English musician)
chitarra basso :
Chas Chandler
chitarra elettrica :
Hilton Valentine
organo :
Alan Price
voce principale:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1964), Columbia Pictures Industries, Inc. (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964, nel 2002)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 122), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 471)
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4.2?:??
81Paint It Black
registrazione cover di:
Paint It Black
autore:
Mick Jagger (The Rolling Stones) e Keith Richards (Rolling Stones guitarist)
editore:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Essex Music International, Onward Music Ltd., Promopub. B.V. e Westminster Music Ltd.
Avengers?:??
82The Weight
tecnico:
Don Hahn (engineer) e Tony May (engineer)
produttore:
The Band (Canadian-American rock band) e John Simon (US producer, arranger, composer, songwriter and musician)
batteria :
Levon Helm (il 1968-01-12)
chitarra acustica :
Robbie Robertson (il 1968-01-12)
chitarra basso :
Rick Danko (il 1968-01-12)
pianoforte :
Garth Hudson (il 1968-01-12)
voce di accompagnamento:
Rick Danko (il 1968-01-12), Levon Helm (il 1968-01-12) e Richard Manuel (il 1968-01-12)
voce principale:
Rick Danko (il 1968-01-12) e Levon Helm (il 1968-01-12)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1968, nel 2005)
registrata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti (il 1968-01-12)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 41), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 58), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 80) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
The Weight (il 1968-01-12)
paroliere e compositore:
Robbie Robertson
editore:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Band4.15?:??
83Time Has Come Today
produttore:
David Rubinson
esecutore:
The Chambers Brothers
diritti fonografici (℗) detenuti da:
IDOL (Independent Distribution On Line) (nel 2013)
edit di:
Time Has Come Today (original unedited studio mix) di The Chambers Brothers
registrazione di:
Time Has Come Today (il 1967-08-09)
autore:
Joseph Chambers (The Chambers Brothers) e Willie Chambers
The Chambers Brothers4?:??
84Get Up and Get Down
registrazione di:
Get Up & Get Down
compositore:
Tony Hester
editore:
Groovesville Music (publishing) (conclusa) e EMI Longitude Music
The Dramatics?:??
85You Belong to Me
The Duprees?:??
86Hang Ten
The Fun Sons?:??
87You’ve Really Got a Hold on Me
registrazione di:
You’ve Really Got a Hold on Me
paroliere e compositore:
Smokey Robinson (nel 1962-10)
editore:
Dominion Music, Jobete Music (UK), Jobete Music Co., Inc., United Partnership Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Miracles?:??
88Mother’s Little Helper
tecnico:
David Hassinger
produttore:
Andrew Loog Oldham
percussione ospite :
Luís Jardim
diritti fonografici (℗) detenuti da:
ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (nel 1966)
registrazione di:
Mother’s Little Helper
autore:
Mick Jagger (The Rolling Stones) e Keith Richards (Rolling Stones guitarist)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Mirage Music Ltd.
The Rolling Stones3.75?:??
89Paint It Black
produttore:
Andrew Loog Oldham
sitar :
Brian Jones (Rolling Stones member)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 174) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 213)
registrazione di:
Paint It Black
autore:
Mick Jagger (The Rolling Stones) e Keith Richards (Rolling Stones guitarist)
editore:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Essex Music International, Onward Music Ltd., Promopub. B.V. e Westminster Music Ltd.
The Rolling Stones3.75?:??
90Sympathy for the Devil
registrazione di:
Sympathy for the Devil
autore:
Mick Jagger (The Rolling Stones) e Keith Richards (Rolling Stones guitarist)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Essex Music International e Westminster Music Ltd.
The Rolling Stones?:??
91Street Fighting Man
registrazione dal vivo di:
Street Fighting Man
autore:
Keith Richards (Rolling Stones guitarist) e Mick Jagger (The Rolling Stones) (dal 1968-05 al 1968-06)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
The Rolling Stones?:??
92Take Me for What I’m Worth
registrazione di:
Take Me for What I’m Worth
paroliere e compositore:
P.F. Sloan
The Searchers?:??
93Needles & Pins
diritti fonografici (℗) detenuti da:
Pye International (nel 1964)
registrazione cover di:
Needles and Pins
paroliere:
Sonny Bono
compositore:
Sonny Bono e Jack Nitzsche (American musician and score composer)
editore:
EMI Catalogue, EMI Catalogue Partnership, EMI Unart Catalog Inc., EMI United Partnership Ltd. e Metric Music
The Searchers4?:??
94I Got My Mojo Working
registrazione cover di:
Got My Mojo Working (original version)
paroliere e compositore:
Preston Foster
editore:
Dare Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Shadows of Knight?:??
95Baby Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione di:
Baby Love
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd. e Stone Agate Music Division
The Supremes?:??
96What Kind of Fool (Do You Think I Am)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 33)
registrazione di:
What Kind of Fool (Do You Think I Am)
paroliere e compositore:
Ray Whitley (60s/70s songwriter)
The Tams?:??
97Ain’t Too Proud to Beg
produttore:
Norman Whitfield
strumenti:
The Funk Brothers (dal 1966-01-04 al 1966-01-11)
voce di accompagnamento:
Melvin Franklin (dal 1966-01-04 al 1966-01-11), Eddie Kendricks (dal 1966-01-04 al 1966-01-11), Otis Williams (US baritone singer, member of The Temptations & The Distants) (dal 1966-01-04 al 1966-01-11) e Paul Williams (member of The Temptations) (dal 1966-01-04 al 1966-01-11)
voce principale:
David Ruffin (soul singer, member of The Temptations) (dal 1966-01-04 al 1966-01-11)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1966)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1966-01-04 al 1966-01-11)
registrazione di:
Ain’t Too Proud to Beg (dal 1966-01-04 al 1966-01-11)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team) e Norman Whitfield
compositore:
Norman Whitfield
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Agate Music e Stone Agate Music Division
registrazione cover di:
Ain’t Too Proud to Beg
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team) e Norman Whitfield
compositore:
Norman Whitfield
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Agate Music e Stone Agate Music Division
The Temptations4.35?:??
98Wild Thing
produttore:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
batteria :
Ronnie Bond (The Troggs) (nel 1966)
chitarra elettrica :
Chris Britton (The Troggs) (nel 1966)
ocarina e voce principale:
Reg Presley (nel 1966)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 257)
registrazione cover di:
Wild Thing (nel 1966)
paroliere e compositore:
Chip Taylor (US singer/songwriter)
editore:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH e April Music (nel 1981)
The Troggs4.4?:??
99One
registrazione cover di:
One
paroliere e compositore:
Harry Nilsson (US singer-songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Australia Pty. Ltd.
Three Dog Night4.75?:??
100You Keep Me Hangin’ On
registrazione cover di:
You Keep Me Hangin’ On (nel 1967)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division e Jobete Music Co., Inc. (nel 1986)
sub-editore:
EMI Music Publishing Japan C.F. division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Vanilla Fudge3.5?:??