Complete Royal Roost Recordings: Sings for Johnny Smith / Come Swing With Me / Sings with Jimmy Jones and the Basie-ites

~ Release by Beverly Kenney (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Nobody Else but Me
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
double bass:
Eddie Jones (US jazz double bassist) (in 1956)
drums (drum set):
Jo Jones (US jazz drummer) (in 1956, in 1957)
guitar:
Freddie Green (in 1956, in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
trumpet:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
Nobody Else but Me (in 1956)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
Harms, Inc.
cover recording of:
Nobody Else but Me (in 1957)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
Harms, Inc.
3:20
2The More I See You
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
double bass:
Eddie Jones (US jazz double bassist) (in 1956)
drums (drum set):
Jo Jones (US jazz drummer) (in 1956, in 1957)
guitar:
Freddie Green (in 1956, in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
trumpet:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
The More I See You (in 1956)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music International Ltd.
translated version of:
The More I See You (Valli’s version with french lyrics)
cover recording of:
The More I See You (in 1957)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music International Ltd.
translated version of:
The More I See You (Valli’s version with french lyrics)
3:05
3Old Buttermilk Sky
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
double bass:
Eddie Jones (US jazz double bassist) (in 1956)
drums (drum set):
Jo Jones (US jazz drummer) (in 1956, in 1957)
guitar:
Freddie Green (in 1956, in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
trumpet:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
Ole Buttermilk Sky (1946 song) (in 1956)
lyricist:
Jack Brooks (English–American lyricist)
composer:
Hoagy Carmichael
part of:
The 19th Academy Award for Best Original Song (number: 2)
cover recording of:
Ole Buttermilk Sky (1946 song) (in 1957)
lyricist:
Jack Brooks (English–American lyricist)
composer:
Hoagy Carmichael
part of:
The 19th Academy Award for Best Original Song (number: 2)
2:45
4I Never Has Seen Snow
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
double bass:
Eddie Jones (US jazz double bassist) (in 1956)
drums (drum set):
Jo Jones (US jazz drummer) (in 1956, in 1957)
guitar:
Freddie Green (in 1956, in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
trumpet:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
I Never Has Seen Snow (in 1956)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music Corporation and S.A. Music Co.
recording of:
I Never Has Seen Snow (in 1957)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music Corporation and S.A. Music Co.
3:53
5A Fine Romance
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
double bass:
Eddie Jones (US jazz double bassist) (in 1956)
drums (drum set):
Jo Jones (US jazz drummer) (in 1956, in 1957)
guitar:
Freddie Green (in 1956, in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
trumpet:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
A Fine Romance (from “Swing Time”) (in 1956)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
cover recording of:
A Fine Romance (from “Swing Time”) (in 1957)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
2:54
6Who Cares What People Say
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
double bass:
Eddie Jones (US jazz double bassist) (in 1956)
drums (drum set):
Jo Jones (US jazz drummer) (in 1956, in 1957)
guitar:
Freddie Green (in 1956, in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
trumpet:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
Who Cares What People Say? (in 1956)
writer:
M. K. Jerome and Jack Scholl
2:36
7Makin’ Whoopee
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
double bass:
Eddie Jones (US jazz double bassist) (in 1956)
drums (drum set):
Jo Jones (US jazz drummer) (in 1956, in 1957)
guitar:
Freddie Green (in 1956, in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
trumpet:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
Makin’ Whoopee! (in 1956)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
cover recording of:
Makin’ Whoopee! (in 1957)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
2:05
8The Charm of You
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
double bass:
Eddie Jones (US jazz double bassist) (in 1956)
drums (drum set):
Jo Jones (US jazz drummer) (in 1956, in 1957)
guitar:
Freddie Green (in 1956, in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
trumpet:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
The Charm of You (in 1956)
lyricist:
Sammy Cahn
composer:
Jule Styne
2:33
9Isn’t This a Lovely Day
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
double bass:
Eddie Jones (US jazz double bassist) (in 1956)
drums (drum set):
Jo Jones (US jazz drummer) (in 1956, in 1957)
guitar:
Freddie Green (in 1956, in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
trumpet:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
Isn’t This a Lovely Day? (from “Top Hat”) (in 1956)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
cover recording of:
Isn’t This a Lovely Day? (from “Top Hat”) (in 1957)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
3:06
10Mairzy Doats
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
double bass:
Eddie Jones (US jazz double bassist) (in 1956)
drums (drum set):
Jo Jones (US jazz drummer) (in 1956, in 1957)
guitar:
Freddie Green (in 1956, in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
trumpet:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
Mairzy Doats (in 1956)
composer:
Milton Drake, Al Hoffman and Jerry Livingston (songwriter)
publisher:
Al Hoffman Songs Inc., Hallmark Music Co. Inc. (ASCAP affiliated), Milton Music Corp. and Sony/ATV Tunes LLC (ASCAP)
cover recording of:
Mairzy Doats (in 1957)
composer:
Milton Drake, Al Hoffman and Jerry Livingston (songwriter)
publisher:
Al Hoffman Songs Inc., Hallmark Music Co. Inc. (ASCAP affiliated), Milton Music Corp. and Sony/ATV Tunes LLC (ASCAP)
2:48
11My Kind of Love
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
double bass:
Eddie Jones (US jazz double bassist) (in 1956)
drums (drum set):
Jo Jones (US jazz drummer) (in 1956, in 1957)
guitar:
Freddie Green (in 1956, in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
trumpet:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
2:27
12Can’t Get Out of This Mood
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
double bass:
Eddie Jones (US jazz double bassist) (in 1956)
drums (drum set):
Jo Jones (US jazz drummer) (in 1956, in 1957)
guitar:
Freddie Green (in 1956, in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
trumpet:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
Can’t Get Out of This Mood (in 1956)
lyricist:
Frank Loesser
composer:
Jimmy McHugh (songwriter)
publisher:
Peermusic Ltd (UK) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
sub-publisher:
SEMI Société (SEMI Société)
2:48
13Gay Chicks
vocals:
Beverly Kenney
2:25
14Tea for Two
piano:
Tony Tamburello
vocals:
Beverly Kenney
cover recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
2:52
15The Things We Did Last Summer
piano:
Tony Tamburello
vocals:
Beverly Kenney
cover recording of:
The Things We Did Last Summer
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner/Chappell North America Ltd. (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
recording of:
The Things We Did Last Summer
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner/Chappell North America Ltd. (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
2:38
16That’s All
piano:
Tony Tamburello
vocals:
Beverly Kenney
recording of:
That’s All
lyricist:
Alan Brandt
composer:
Alan Brandt and Bob Haymes
publisher:
Mixed Bag Music Inc. and Travis Music
2:41
17A Foggy Day
piano:
Tony Tamburello
vocals:
Beverly Kenney
recording of:
A Foggy Day (in London Town)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
1:57
18The Surrey With the Fringe on Top
piano:
Tony Tamburello
vocals:
Beverly Kenney
cover recording of:
The Surrey With the Fringe on Top
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, volume I)
recording of:
The Surrey With the Fringe on Top
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, volume I)
1:52
19Ball and Chain (Sweet Lorraine)
piano:
Tony Tamburello
vocals:
Beverly Kenney
recording of:
Sweet Lorraine
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
2:07
20There Will Never Be Another You
piano:
Tony Tamburello
vocals:
Beverly Kenney
recording of:
There Will Never Be Another You
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, volume I)
1:37
21Moe’s Blues
piano:
Tony Tamburello
vocals:
Beverly Kenney
1:49
22Snuggled on Your Shoulder
piano:
Tony Tamburello
vocals:
Beverly Kenney
cover recording of:
Snuggled on Your Shoulder (Cuddled in Your Arms)
lyricist:
Joe Young (US lyricist)
composer:
Carmen Lombardo
2:10
23Can’t Get Out of This Mood (False Start)
piano:
Tony Tamburello
vocals:
Beverly Kenney
0:21
24Can’t Get Out of This Mood
piano:
Tony Tamburello
vocals:
Beverly Kenney
2:24
25The Surrey With the Fringe on Top
recorded in:
New York, New York, United States (in 1956)
bass:
Tommy Potter (in 1956)
drums (drum set):
Ron Jefferson (in 1956)
piano:
Gildo Mahones (in 1956)
vocals:
Beverly Kenney (in 1956)
cover recording of:
The Surrey With the Fringe on Top (in 1956)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, volume I)
2:10
26Violets for Your Furs
recorded in:
New York, New York, United States (in 1956)
bass:
Tommy Potter (in 1956)
drums (drum set):
Ron Jefferson (in 1956)
piano:
Gildo Mahones (in 1956)
vocals:
Beverly Kenney (in 1956)
cover recording of:
Violets for Your Furs (in 1956)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
2:24
27Mountain Greenery
recorded in:
New York, New York, United States (in 1956)
bass:
Tommy Potter (in 1956)
drums (drum set):
Ron Jefferson (in 1956)
piano:
Gildo Mahones (in 1956)
vocals:
Beverly Kenney (in 1956)
cover recording of:
Mountain Greenery (in 1956)
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (composer) (in 1926)
1:53
28Almost Like Being in Love
recorded in:
New York, New York, United States (in 1956)
bass:
Tommy Potter (in 1956)
drums (drum set):
Ron Jefferson (in 1956)
piano:
Gildo Mahones (in 1956)
vocals:
Beverly Kenney (in 1956)
cover recording of:
Almost Like Being in Love (from “Brigadoon”) (in 1956)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
2:16