Complete Royal Roost Recordings: Sings for Johnny Smith / Come Swing With Me / Sings with Jimmy Jones and the Basie-ites

~ Veröffentlichung von Beverly Kenney (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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2▼CD
Nr.TitelBewertungLänge
1Nobody Else but Me
recorded in:
New York, New York, Vereinigte Staaten (in 1957)
Bass:
Eddie Jones (US jazz double bassist) (in 1957)
Gitarre:
Freddie Green (in 1956, in 1957)
Holzblasinstrumente:
Frank Wess (in 1957)
Instrumente:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
Kontrabass:
Eddie Jones (US jazz double bassist) (in 1956)
Schlagzeug:
Jo Jones (US jazz drummer) (in 1956, in 1957)
Trompete:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
Nobody Else but Me (in 1956)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
Harms, Inc.
cover recording of:
Nobody Else but Me (in 1957)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
Harms, Inc.
3:20
2The More I See You
recorded in:
New York, New York, Vereinigte Staaten (in 1957)
Bass:
Eddie Jones (US jazz double bassist) (in 1957)
Gitarre:
Freddie Green (in 1956, in 1957)
Holzblasinstrumente:
Frank Wess (in 1957)
Instrumente:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
Kontrabass:
Eddie Jones (US jazz double bassist) (in 1956)
Schlagzeug:
Jo Jones (US jazz drummer) (in 1956, in 1957)
Trompete:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
The More I See You (in 1956)
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) und Warner/Chappell Music International Ltd.
übersetzte Version von:
The More I See You (Valli’s version with french lyrics)
cover recording of:
The More I See You (in 1957)
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) und Warner/Chappell Music International Ltd.
übersetzte Version von:
The More I See You (Valli’s version with french lyrics)
3:05
3Old Buttermilk Sky
recorded in:
New York, New York, Vereinigte Staaten (in 1957)
Bass:
Eddie Jones (US jazz double bassist) (in 1957)
Gitarre:
Freddie Green (in 1956, in 1957)
Holzblasinstrumente:
Frank Wess (in 1957)
Instrumente:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
Kontrabass:
Eddie Jones (US jazz double bassist) (in 1956)
Schlagzeug:
Jo Jones (US jazz drummer) (in 1956, in 1957)
Trompete:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
Ole Buttermilk Sky (1946 song) (in 1956)
Texter:
Jack Brooks (English–American lyricist)
Komponist(in):
Hoagy Carmichael
Teil von:
The 19th Academy Award for Best Original Song (Nummer: 2)
cover recording of:
Ole Buttermilk Sky (1946 song) (in 1957)
Texter:
Jack Brooks (English–American lyricist)
Komponist(in):
Hoagy Carmichael
Teil von:
The 19th Academy Award for Best Original Song (Nummer: 2)
2:45
4I Never Has Seen Snow
recorded in:
New York, New York, Vereinigte Staaten (in 1957)
Bass:
Eddie Jones (US jazz double bassist) (in 1957)
Gitarre:
Freddie Green (in 1956, in 1957)
Holzblasinstrumente:
Frank Wess (in 1957)
Instrumente:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
Kontrabass:
Eddie Jones (US jazz double bassist) (in 1956)
Schlagzeug:
Jo Jones (US jazz drummer) (in 1956, in 1957)
Trompete:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
I Never Has Seen Snow (in 1956)
Texter:
Harold Arlen und Truman Capote
Komponist(in):
Harold Arlen
publisher:
Harwin Music Corporation und S.A. Music Co.
recording of:
I Never Has Seen Snow (in 1957)
Texter:
Harold Arlen und Truman Capote
Komponist(in):
Harold Arlen
publisher:
Harwin Music Corporation und S.A. Music Co.
3:53
5A Fine Romance
recorded in:
New York, New York, Vereinigte Staaten (in 1957)
Bass:
Eddie Jones (US jazz double bassist) (in 1957)
Gitarre:
Freddie Green (in 1956, in 1957)
Holzblasinstrumente:
Frank Wess (in 1957)
Instrumente:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
Kontrabass:
Eddie Jones (US jazz double bassist) (in 1956)
Schlagzeug:
Jo Jones (US jazz drummer) (in 1956, in 1957)
Trompete:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
A Fine Romance (from “Swing Time”) (in 1956)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
cover recording of:
A Fine Romance (from “Swing Time”) (in 1957)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
2:54
6Who Cares What People Say
recorded in:
New York, New York, Vereinigte Staaten (in 1957)
Bass:
Eddie Jones (US jazz double bassist) (in 1957)
Gitarre:
Freddie Green (in 1956, in 1957)
Holzblasinstrumente:
Frank Wess (in 1957)
Instrumente:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
Kontrabass:
Eddie Jones (US jazz double bassist) (in 1956)
Schlagzeug:
Jo Jones (US jazz drummer) (in 1956, in 1957)
Trompete:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
Who Cares What People Say? (in 1956)
Verfasser(in):
M. K. Jerome und Jack Scholl
2:36
7Makin’ Whoopee
recorded in:
New York, New York, Vereinigte Staaten (in 1957)
Bass:
Eddie Jones (US jazz double bassist) (in 1957)
Gitarre:
Freddie Green (in 1956, in 1957)
Holzblasinstrumente:
Frank Wess (in 1957)
Instrumente:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
Kontrabass:
Eddie Jones (US jazz double bassist) (in 1956)
Schlagzeug:
Jo Jones (US jazz drummer) (in 1956, in 1957)
Trompete:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
Makin’ Whoopee! (in 1956)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
cover recording of:
Makin’ Whoopee! (in 1957)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
2:05
8The Charm of You
recorded in:
New York, New York, Vereinigte Staaten (in 1957)
Bass:
Eddie Jones (US jazz double bassist) (in 1957)
Gitarre:
Freddie Green (in 1956, in 1957)
Holzblasinstrumente:
Frank Wess (in 1957)
Instrumente:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
Kontrabass:
Eddie Jones (US jazz double bassist) (in 1956)
Schlagzeug:
Jo Jones (US jazz drummer) (in 1956, in 1957)
Trompete:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
The Charm of You (in 1956)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
2:33
9Isn’t This a Lovely Day
recorded in:
New York, New York, Vereinigte Staaten (in 1957)
Bass:
Eddie Jones (US jazz double bassist) (in 1957)
Gitarre:
Freddie Green (in 1956, in 1957)
Holzblasinstrumente:
Frank Wess (in 1957)
Instrumente:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
Kontrabass:
Eddie Jones (US jazz double bassist) (in 1956)
Schlagzeug:
Jo Jones (US jazz drummer) (in 1956, in 1957)
Trompete:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
Isn’t This a Lovely Day? (from “Top Hat”) (in 1956)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
cover recording of:
Isn’t This a Lovely Day? (from “Top Hat”) (in 1957)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
3:06
10Mairzy Doats
recorded in:
New York, New York, Vereinigte Staaten (in 1957)
Bass:
Eddie Jones (US jazz double bassist) (in 1957)
Gitarre:
Freddie Green (in 1956, in 1957)
Holzblasinstrumente:
Frank Wess (in 1957)
Instrumente:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
Kontrabass:
Eddie Jones (US jazz double bassist) (in 1956)
Schlagzeug:
Jo Jones (US jazz drummer) (in 1956, in 1957)
Trompete:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
Mairzy Doats (in 1956)
Komponist(in):
Milton Drake, Al Hoffman und Jerry Livingston (songwriter)
publisher:
Al Hoffman Songs Inc., Hallmark Music Co. Inc. (ASCAP affiliated), Milton Music Corp. und Sony/ATV Tunes LLC (ASCAP)
cover recording of:
Mairzy Doats (in 1957)
Komponist(in):
Milton Drake, Al Hoffman und Jerry Livingston (songwriter)
publisher:
Al Hoffman Songs Inc., Hallmark Music Co. Inc. (ASCAP affiliated), Milton Music Corp. und Sony/ATV Tunes LLC (ASCAP)
2:48
11My Kind of Love
recorded in:
New York, New York, Vereinigte Staaten (in 1957)
Bass:
Eddie Jones (US jazz double bassist) (in 1957)
Gitarre:
Freddie Green (in 1956, in 1957)
Holzblasinstrumente:
Frank Wess (in 1957)
Instrumente:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
Kontrabass:
Eddie Jones (US jazz double bassist) (in 1956)
Schlagzeug:
Jo Jones (US jazz drummer) (in 1956, in 1957)
Trompete:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
2:27
12Can’t Get Out of This Mood
recorded in:
New York, New York, Vereinigte Staaten (in 1957)
Bass:
Eddie Jones (US jazz double bassist) (in 1957)
Gitarre:
Freddie Green (in 1956, in 1957)
Holzblasinstrumente:
Frank Wess (in 1957)
Instrumente:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1956)
Kontrabass:
Eddie Jones (US jazz double bassist) (in 1956)
Schlagzeug:
Jo Jones (US jazz drummer) (in 1956, in 1957)
Trompete:
Joe Newman (US jazz trumpeter) (in 1956, in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
Can’t Get Out of This Mood (in 1956)
Texter:
Frank Loesser
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Peermusic Ltd (UK) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
sub-publisher:
SEMI Société (SEMI Société)
2:48
13Gay Chicks
vocals:
Beverly Kenney
2:25
14Tea for Two
Klavier:
Tony Tamburello
vocals:
Beverly Kenney
cover recording of:
Tea for Two (No, No, Nanette)
Texter:
Irving Caesar
Komponist(in):
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
No, No, Nanette
recording of:
Tea for Two (No, No, Nanette)
Texter:
Irving Caesar
Komponist(in):
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
No, No, Nanette
2:52
15The Things We Did Last Summer
Klavier:
Tony Tamburello
vocals:
Beverly Kenney
cover recording of:
The Things We Did Last Summer
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Warner/Chappell North America Ltd. (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
recording of:
The Things We Did Last Summer
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Warner/Chappell North America Ltd. (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
2:38
16That’s All
Klavier:
Tony Tamburello
vocals:
Beverly Kenney
recording of:
That’s All
Texter:
Alan Brandt
Komponist(in):
Alan Brandt und Bob Haymes
publisher:
Mixed Bag Music Inc. und Travis Music
2:41
17A Foggy Day
Klavier:
Tony Tamburello
vocals:
Beverly Kenney
recording of:
A Foggy Day (in London Town)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
1:57
18The Surrey With the Fringe on Top
Klavier:
Tony Tamburello
vocals:
Beverly Kenney
cover recording of:
The Surrey With the Fringe on Top
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Williamson Music Company (vom 1943 bis heute)
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
recording of:
The Surrey With the Fringe on Top
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Williamson Music Company (vom 1943 bis heute)
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
1:52
19Ball and Chain (Sweet Lorraine)
Klavier:
Tony Tamburello
vocals:
Beverly Kenney
recording of:
Sweet Lorraine
Texter:
Mitchell Parish (in 1928)
Komponist(in):
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. und Mills Music, Inc.
2:07
20There Will Never Be Another You
Klavier:
Tony Tamburello
vocals:
Beverly Kenney
recording of:
There Will Never Be Another You
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
Teil von:
The Real Book (compilation of jazz standards, volume I)
1:37
21Moe’s Blues
Klavier:
Tony Tamburello
vocals:
Beverly Kenney
1:49
22Snuggled on Your Shoulder
Klavier:
Tony Tamburello
vocals:
Beverly Kenney
cover recording of:
Snuggled on Your Shoulder (Cuddled in Your Arms)
Texter:
Joe Young (US lyricist)
Komponist(in):
Carmen Lombardo
2:10
23Can’t Get Out of This Mood (False Start)
Klavier:
Tony Tamburello
vocals:
Beverly Kenney
0:21
24Can’t Get Out of This Mood
Klavier:
Tony Tamburello
vocals:
Beverly Kenney
2:24
25The Surrey With the Fringe on Top
recorded in:
New York, New York, Vereinigte Staaten (in 1956)
Bass:
Tommy Potter (in 1956)
Klavier:
Gildo Mahones (in 1956)
Schlagzeug:
Ron Jefferson (in 1956)
vocals:
Beverly Kenney (in 1956)
cover recording of:
The Surrey With the Fringe on Top (in 1956)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Williamson Music Company (vom 1943 bis heute)
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:10
26Violets for Your Furs
recorded in:
New York, New York, Vereinigte Staaten (in 1956)
Bass:
Tommy Potter (in 1956)
Klavier:
Gildo Mahones (in 1956)
Schlagzeug:
Ron Jefferson (in 1956)
vocals:
Beverly Kenney (in 1956)
cover recording of:
Violets for Your Furs (in 1956)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
2:24
27Mountain Greenery
recorded in:
New York, New York, Vereinigte Staaten (in 1956)
Bass:
Tommy Potter (in 1956)
Klavier:
Gildo Mahones (in 1956)
Schlagzeug:
Ron Jefferson (in 1956)
vocals:
Beverly Kenney (in 1956)
cover recording of:
Mountain Greenery (in 1956)
Texter:
Lorenz Hart (in 1926)
Komponist(in):
Richard Rodgers (composer) (in 1926)
1:53
28Almost Like Being in Love
recorded in:
New York, New York, Vereinigte Staaten (in 1956)
Bass:
Tommy Potter (in 1956)
Klavier:
Gildo Mahones (in 1956)
Schlagzeug:
Ron Jefferson (in 1956)
vocals:
Beverly Kenney (in 1956)
cover recording of:
Almost Like Being in Love (from “Brigadoon”) (in 1956)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
Brigadoon (complete musical)
2:16