Meister Singer

~ Release by Reinhard J. Brembeck (see all versions of this release, 1 available)

Annotation

ISBN: 978-3-86615-741-5

Annotation last modified on 2011-09-05 19:39 UTC.

Tracklist

1▶CD: Lebenswelten
2▶CD: Möglichkeiten
3▶CD: Frauenbilder
4▶CD: Leidenschaft
5▶CD: Schurken
6▶CD: Außenseiter
7▶CD: Landschaften
8▶CD: Liebesnächte
9▶CD: Bekenntnisse
10▶CD: Visionen
11▶CD: Todesahnung
12▶CD: Grenzerfahrung
13▶CD: Gegenspieler
14▶CD: Paare
15▶CD: Reisen
16▶CD: Gewässer
17▶CD: Verwirrung
18▼CD: Abschied
#TitleArtistRatingLength
1The First Booke of Songs or Ayres, Nr. 6: "Now, o now I needs must part"
countertenor vocals:
Andreas Scholl (countertenor) (in 2007)
performer:
Concerto di Viole (Swiss early / baroque music ensemble) (in 2007)
recording of:
The First Booke of Songs or Ayres, No. 6: "Now, o now I needs must part" (in 2007)
composer:
John Dowland (English Renaissance composer, lutenist, and singer) (in 1597)
part of:
The First Booke of Songs or Ayres
John Dowland4:28
2Rückert-Lieder: "Ich bin der Welt abhanden gekommen"
producer:
Hans Weber (producer/engineer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1974-05-08 until 1974-10-14)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-05-08 until 1974-10-14)
conductor:
Herbert von Karajan (conductor) (from 1974-05-08 until 1974-10-14)
balance engineer:
Günter Hermanns (producer/engineer) (from 1974-05-08 until 1974-10-14)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-05-08 until 1974-10-14)
recording of:
Rückert Lieder: III. Ich bin der Welt abhanden gekommen (from 1974-05-08 until 1974-10-14)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 41)
part of:
Rückert-Lieder
Gustav Mahler7:02
3La clemenza di Tito, Akt I: "Parto"
sound engineer:
René Möller (in 2005-11)
producer:
Martin Sauer (engineer/producer)
mezzo-soprano vocals:
Bernarda Fink (mezzo-soprano) (in 2005-11)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2005-11)
conductor:
René Jacobs (conductor) (in 2005-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2005-11)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto) (in 2005-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart6:24
4Schwanengesang, Nr. 7: "Abschied"
piano:
András Schiff (pianist) (in 1989)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1989)
recording of:
Schwanengesang, D. 957: VII. Abschied (in 1989)
lyricist:
Ludwig Rellstab
composer:
Franz Schubert (composer) (in 1828)
part of:
Schwanengesang, D. 957
Franz Schubert4:17
5Vier letzte Lieder: "Beim Schlafengehen" (Hesse)
engineer:
Cyril Windebank (in 1953-06)
producer:
Victor Olof
soprano vocals:
Lisa della Casa (soprano) (in 1953-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1953-06)
conductor:
Karl Böhm (Austrian conductor) (in 1953-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1953-06)
recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (Four Last Songs, AV 150: 3. “When You Go to Sleep”) (in 1953-06)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-08-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss5:09
6Vier letzte Lieder: "September" (Hesse)
engineer:
Cyril Windebank (in 1953-06)
producer:
Victor Olof
soprano vocals:
Lisa della Casa (soprano) (in 1953-06)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (in 1953-06)
conductor:
Karl Böhm (Austrian conductor) (in 1953-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1953-06)
recording of:
Vier letzte Lieder, AV 150: II. „September“ (Four Last Songs, AV 150: 2. “September”) (in 1953-06)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-09-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss3:59
7Vier letzte Lieder: "Frühling" (Hesse)
engineer:
Cyril Windebank (in 1953-06)
producer:
Victor Olof
soprano vocals:
Lisa della Casa (soprano) (in 1953-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1953-06)
conductor:
Karl Böhm (Austrian conductor) (in 1953-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1953-06)
recording of:
Vier letzte Lieder, AV 150: I. „Frühling“ (Four Last Songs, AV 150: 1. “Spring”) (in 1953-06)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-07-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss3:16
8Vier letzte Lieder: "Im Abendrot" (Eichendorff)
engineer:
Cyril Windebank (in 1953-06)
producer:
Victor Olof
soprano vocals:
Lisa della Casa (soprano) (in 1953-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1953-06)
conductor:
Karl Böhm (Austrian conductor) (in 1953-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1953-06)
recording of:
Vier letzte Lieder, AV 150: IV. „Im Abendrot“ (Four Last Songs, AV 150: 4. “In the Afterglow”) (in 1953-06)
lyricist:
Joseph von Eichendorff
composer:
Richard Strauss (German composer) (on 1948-05-06)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss6:00
9Dido & Æneas, Akt III: "When I am laid in earth"
producer:
Chris Sayers (producer)
soprano vocals:
Barbara Bonney (soprano) (from 1998-10-03 until 1998-10-05)
orchestra:
Academy of Ancient Music (from 1998-10-03 until 1998-10-05)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1998-10-03 until 1998-10-05)
performer:
Academy of Ancient Music
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-10-03 until 1998-10-05)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (from 1998-10-03 until 1998-10-05)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell24:35
10Winterreise, Nr. 1: "Gute Nacht"
piano:
Eric Schneider (pianist) (in 2003)
soprano vocals:
Christine Schäfer (soprano) (in 2003)
recording of:
Winterreise, op. 89, D. 911: I. Gute Nacht (in 2003)
lyricist:
Wilhelm Müller (German poet)
composer:
Franz Schubert (composer) (in 1827-02)
part of:
Winterreise, op. 89, D. 911
Franz Schubert4:43
11Les Troyens, Nr. 48: "Adieu fière cité"
mezzo-soprano vocals:
Josephine Veasey (mezzo-soprano) (in 1969)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1969)
conductor:
Sir Colin Davis (English conductor) (in 1969)
recording of:
Les Troyens : Acte V, no. 48. Air « Adieu, fière cité » (Didon) (in 1969)
composer:
Hector Berlioz (French composer) (from 1856 until 1858, in 1858)
part of:
Les Troyens : Acte V
Hector Berlioz3:30
12Fünf Lieder, op. 40 Nr. 3: "Der Soldat"
piano:
Gerold Huber (pianist) (in 2007)
baritone vocals:
Christian Gerhaher (baritone) (in 2007)
recording of:
Fünf Lieder, op. 40: Nr. 3. Der Soldat (in 2007)
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Fünf Lieder, op. 40
Robert Schumann3:02
13Don Carlo: "Non pianger"
soprano vocals:
Gré Brouwenstijn (soprano) (in 1958)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958)
conductor:
Carlo Maria Giulini (conductor) (in 1958)
live recording of:
Don Carlo: Atto I, scena 2. N°11 “Non pianger, mia compagna” (Elisabetta, Rodrigo, Coro, Filippo) (in 1958)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:46
14Des Knaben Wunderhorn: "Der Tamboursg’sell"
piano:
Daniel Barenboim (pianist and conductor) (in 1978)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1978)
recording of:
Des Knaben Wunderhorn: Der Tamboursg’sell (in 1978)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 38)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler6:01
15Finalszene, Aïda: "La fatal pietra"
soprano vocals:
Johanna Gadski (German soprano singer) (in 1909)
tenor vocals:
Enrico Caruso (tenor) (in 1909)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (in 1909)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi8:22
16Adiós muchachos
guitar:
Guillermo Barbieri (in 1928) and José Ricardo (in 1928)
other vocals:
Carlos Gardel (in 1928)
recording of:
Adiós, muchachos (tango) (in 1928)
lyricist:
César Vedani (in 1927)
composer:
Julio César Sanders (Lenny Sanders) (in 1927)
Julio César Sanders:2:25

Credits

Release group

creative direction:Stefan Dimitrov (operatic bass)
Eberhard Wolf