Spotlight on… Nancy Wilson

~ Veröffentlichung von Nancy Wilson (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1What a Little Moonlight Can Do
Produzent(in):
Brad Benedict
conductor:
Billy May
remixer:
Bob Norberg
cover recording of:
What a Little Moonlight Can Do
Texter und Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) und Warner Brothers Music Inc.
2:27
2Little Girl Blue
Produzent(in):
Brad Benedict
conductor:
Milt Raskin (Milton Raskin)
remixer:
Bob Norberg
Saiteninstrumente arranger:
George Shearing (British jazz pianist)
cover recording of:
Little Girl Blue
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
2:51
3My One and Only Love
Produzent(in):
Brad Benedict
conductor:
Sid Feller
remixer:
Bob Norberg
cover recording of:
My One and Only Love
Texter:
Robert Mellin
Komponist(in):
Robert Mellin und Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. und ミュージカル・ライツ・東京 (Musical Lights Tokyo)
Version von:
Music from Beyond the Moon (My One and Only Love)
3:01
4The Best Is Yet to Come
Produzent(in):
Brad Benedict und Tom Morgan (producer)
Bass:
Jimmy Bond (von 1963-10-08 bis 1963-10-10)
Bassposaune:
Ken Shroyer (trombonist) (von 1963-10-08 bis 1963-10-10)
Gitarre:
Joe Pass (jazz guitarist) (von 1963-10-08 bis 1963-10-10)
Klavier:
Jack Wilson (jazz pianist) (von 1963-10-08 bis 1963-10-10)
membranophone:
Kenny Dennis (von 1963-10-08 bis 1963-10-10)
Posaune:
Bob Edmondson (von 1963-10-08 bis 1963-10-10), John Ewing (jazz trombonist - do not confuse with John Ewing, Jr.) (von 1963-10-08 bis 1963-10-10) und Lester Robertson (jazz trombonist) (von 1963-10-08 bis 1963-10-10)
Rohrblattinstrumente:
Teddy Edwards (jazz saxophonist) (von 1963-10-08 bis 1963-10-10), Paul Horn (von 1963-10-08 bis 1963-10-10), Harold Land (US jazz tenor saxophonist) (von 1963-10-08 bis 1963-10-10), Joe Maini (von 1963-10-08 bis 1963-10-10) und Donald Ruffell (von 1963-10-08 bis 1963-10-10)
Trompete:
Jules Chaikin (von 1963-10-08 bis 1963-10-10), Freddie Hill (trumpet) (von 1963-10-08 bis 1963-10-10), Carmell Jones (von 1963-10-08 bis 1963-10-10) und Al Porcino (von 1963-10-08 bis 1963-10-10)
vocals:
Nancy Wilson (jazz/blues/soul singer) (von 1963-10-08 bis 1963-10-10)
Orchester:
Gerald Wilson Orchestra (von 1963-10-08 bis 1963-10-10)
conductor:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger) (von 1963-10-08 bis 1963-10-10)
remixer:
Malcolm Addey und Bob Norberg
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1963-10-08 bis 1963-10-10)
cover recording of:
The Best Is Yet to Come (von 1963-10-08 bis 1963-10-10)
Texter:
Carolyn Leigh (in 1959)
Komponist(in):
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. und WB Music Corp. (1929–2019)
2:22
5Midnight Sun
Produzent(in):
Brad Benedict
conductor:
Oliver Nelson (saxophone, arranger, composer)
remixer:
Bob Norberg
cover recording of:
Midnight Sun
Texter:
Johnny Mercer (in 1954)
Komponist(in):
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) und Lionel Hampton (in 1947)
3:51
6The Good Life
Produzent(in):
Brad Benedict
conductor:
Kenny Dennis
remixer:
Bob Norberg
cover recording of:
The Good Life
Texter:
Jack Reardon (American songwriter)
Komponist(in):
Sacha Distel (in 1962)
publisher:
Intersong USA, Inc. (publisher) und Prosadis
Version von:
Marina
2:29
7You’d Be So Nice to Come Home To
Produzent(in):
Brad Benedict
conductor:
Jimmy Jones (jazz pianist, active years 1936-1975)
remixer:
Bob Norberg
cover recording of:
You’d Be So Nice to Come Home To
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
2:35
8Time After Time
Produzent(in):
Brad Benedict
conductor:
Sid Feller
remixer:
Bob Norberg
cover recording of:
Time After Time
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Chappell/Morris Ltd. und Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
2:59
9All of You
Produzent(in):
Brad Benedict
conductor:
Billy May
remixer:
Bob Norberg
cover recording of:
All of You (Silk Stockings musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Chappell Music (UK)
Teil von:
Silk Stockings (1957 musical film)
1:48
10The Very Thought of You
Produzent(in):
Brad Benedict und Tom Morgan (producer)
Bass:
Jimmy Bond (von 1963-10-08 bis 1963-10-10)
Celesta und Klavier:
Jack Wilson (jazz pianist) (von 1963-10-08 bis 1963-10-10)
Cello:
Edgar Lustgarten (von 1963-10-08 bis 1963-10-10)
Gitarre:
Joe Pass (jazz guitarist) (von 1963-10-08 bis 1963-10-10)
membranophone:
Kenny Dennis (von 1963-10-08 bis 1963-10-10)
Saiteninstrumente:
George Poole (von 1963-10-08 bis 1963-10-10)
vocals:
Nancy Wilson (jazz/blues/soul singer) (von 1963-10-08 bis 1963-10-10)
conductor:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger) (von 1963-10-08 bis 1963-10-10)
remixer:
Malcolm Addey und Bob Norberg
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1963-10-08 bis 1963-10-10)
cover recording of:
The Very Thought of You (von 1963-10-08 bis 1963-10-10)
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
2:53
11Back in Your Own Back Yard
Produzent(in):
Brad Benedict
conductor:
Milt Raskin (Milton Raskin)
remixer:
Bob Norberg
Saiteninstrumente arranger:
George Shearing (British jazz pianist)
cover recording of:
Back in Your Own Back Yard
Texter:
Billy Rose (lyricist and Broadway producer)
zusätzlicher Texter:
Al Jolson
Komponist(in):
Dave Dreyer
publisher:
Bourne Co. (not for release label use, this is a music publisher)
2:53
12When the Sun Comes Out
Produzent(in):
Brad Benedict
conductor:
Jimmy Jones (jazz pianist, active years 1936-1975)
remixer:
Bob Norberg
cover recording of:
When the Sun Comes Out
Texter:
Ted Koehler (in 1941)
Komponist(in):
Harold Arlen (in 1941)
publisher:
S.A. Music Co. und Ted Koehler Music Co.
3:51
13At Long Last Love
Produzent(in):
Brad Benedict
conductor:
Sid Feller
remixer:
Bob Norberg
cover recording of:
At Long Last Love
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
You Never Know
2:33
14You’ve Changed
Produzent(in):
Brad Benedict
conductor:
Billy May
remixer:
Bob Norberg
cover recording of:
You’ve Changed
Texter:
Bill Carey (US songwriter)
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Peer International (BMI; Peer Int'l or Peer-International) und Southern Music Publishing Company
2:49
15Someone to Watch Over Me
Produzent(in):
Brad Benedict und Tom Morgan (producer)
Bass:
Jimmy Bond (von 1963-10-08 bis 1963-10-10)
Celesta und Klavier:
Jack Wilson (jazz pianist) (von 1963-10-08 bis 1963-10-10)
Cello:
Edgar Lustgarten (von 1963-10-08 bis 1963-10-10)
Gitarre:
Joe Pass (jazz guitarist) (von 1963-10-08 bis 1963-10-10)
membranophone:
Kenny Dennis (von 1963-10-08 bis 1963-10-10)
Saiteninstrumente:
George Poole (von 1963-10-08 bis 1963-10-10)
vocals:
Nancy Wilson (jazz/blues/soul singer) (von 1963-10-08 bis 1963-10-10)
conductor:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger) (von 1963-10-08 bis 1963-10-10)
remixer:
Malcolm Addey und Bob Norberg
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1963-10-08 bis 1963-10-10)
cover recording of:
Someone to Watch Over Me (Oh, Kay!) (von 1963-10-08 bis 1963-10-10)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
2:33
16I Wish You Love
Produzent(in):
Brad Benedict
conductor:
Billy May
remixer:
Bob Norberg
cover recording of:
I Wish You Love
Texter:
Charles Trenet
Verfasser(in) und Übersetzer:
Albert Beach
Komponist(in):
Léo Chauliac und Charles Trenet
publisher:
Éditions Salabert France, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music, Inc., Leeds Music, MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), On Backstreet Music Inc. und Universal Music Publishing Group
sub-publisher:
Universal Music Publishing MGB Hong Kong Ltd. Taiwan Branch und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
übersetzte Version von:
Que reste-t-il de nos amours ?
2:01
17Angel Eyes
Produzent(in):
Brad Benedict
conductor:
Oliver Nelson (saxophone, arranger, composer)
remixer:
Bob Norberg
cover recording of:
Angel Eyes (1946 jazz standard)
Texter:
Earl Brent (in 1946)
Komponist(in):
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) und Onyx Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
2:52
18Here’s That Rainy Day
Produzent(in):
Brad Benedict
conductor:
Sid Feller
remixer:
Bob Norberg
cover recording of:
Here’s That Rainy Day
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:28
19The Song Is You
Produzent(in):
Brad Benedict
conductor:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
remixer:
Bob Norberg
cover recording of:
The Song Is You
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co.
2:00
20Miss Otis Regrets (She’s Unable to Lunch Today)
Produzent(in):
Brad Benedict
Cembalo:
George Shearing (British jazz pianist)
conductor:
Milt Raskin (Milton Raskin)
remixer:
Bob Norberg
Saiteninstrumente arranger:
George Shearing (British jazz pianist)
cover recording of:
Miss Otis Regrets
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1934)
3:28

Nennungen

Veröffentlichung

art direction:Tommy Steele (Creative Director (EMI/Capitol, Workbook))
Design/Illustrationen:Vrontikis Design Office
Fotografie:Brad Benedict
Capitol Photo Archives
liner notes:Joseph F. Laredo
mastering:Bob Norberg
Zusammensteller:Brad Benedict

Veröffentlichungsgruppe

Teil von:Great Ladies of Song (Nummer: 8) (Reihenfolge: 1)