Classic Artie Shaw Bluebird and Victor Sessions

~ Release by Artie Shaw (see all versions of this release, 1 available)

Annotation

Limited edition of 5,000 sets.

Annotation last modified on 2022-11-19 06:41 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Begin the Beguine
recorded in:
New York, New York, United States (on 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1938-07-24) and Les Robinson (on 1938-07-24)
clarinet:
Artie Shaw (on 1938-07-24)
double bass:
Sid Weiss (on 1938-07-24)
drums (drum set):
Cliff Leeman (on 1938-07-24)
guitar:
Al Avola (on 1938-07-24)
piano:
Les Burness (on 1938-07-24)
tenor saxophone:
Tony Pastor (on 1938-07-24) and Ronnie Perry (on 1938-07-24)
trombone:
George Arus (on 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (on 1938-07-24) and Ted Vesely (on 1938-07-24)
trumpet:
Claude Bowen (on 1938-07-24), John Best (jazz trumpeter) (on 1938-07-24) and Chuck Peterson (trumpet) (on 1938-07-24)
orchestra:
Artie Shaw and His Orchestra (on 1938-07-24)
conductor:
Artie Shaw (on 1938-07-24)
arranger:
Jerry Gray (US big band arranger and conductor)
recorded at and engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, United States (on 1938-07-24)
instrumental recording of:
Begin the Beguine (on 1938-07-24)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
recording of:
Begin the Beguine (on 1938-07-24)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
33:16
2Indian Love Call
recorded in:
New York, New York, United States (on 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1938-07-24) and Les Robinson (on 1938-07-24)
clarinet:
Artie Shaw (on 1938-07-24)
double bass:
Sid Weiss (on 1938-07-24)
drums (drum set):
Cliff Leeman (on 1938-07-24)
guitar:
Al Avola (on 1938-07-24)
piano:
Les Burness (on 1938-07-24)
tenor saxophone:
Tony Pastor (on 1938-07-24) and Ronnie Perry (on 1938-07-24)
trombone:
George Arus (on 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (on 1938-07-24) and Ted Vesely (on 1938-07-24)
trumpet:
Johnny Best (jazz trumpeter) (on 1938-07-24), Claude Bowen (on 1938-07-24) and Chuck Peterson (trumpet) (on 1938-07-24)
lead vocals [vocal refrain]:
Tony Pastor and chorus
vocals:
Tony Pastor (on 1938-07-24)
orchestra:
Artie Shaw and His Orchestra (on 1938-07-24)
conductor:
Artie Shaw (on 1938-07-24)
engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, United States (on 1938-07-24)
recording of:
Indian Love Call (from the 1924/1936 musicals “Rose Marie”) (on 1938-07-24)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) and Otto Harbach
composer:
Rudolf Friml and Herbert Stothart (composer)
publisher:
Bill-Bob Publ. Company, Chappell Music Ltd. and Harms, Inc. (on 1924-09-02)
part of:
Rose-Marie (1924 operetta-style musical)
part of:
Rose-Marie (1936 musical film)
3:12
3Comin' On
recorded in:
New York, New York, United States (on 1938-07-24)
bass:
Sid Weiss (on 1938-07-24)
clarinet:
Artie Shaw (on 1938-07-24)
drums (drum set):
Cliff Leeman (on 1938-07-24)
guitar:
Al Avola (on 1938-07-24)
piano:
Les Burness (on 1938-07-24)
reeds:
Hank Freeman (American jazz saxophonist) (on 1938-07-24), Tony Pastor (on 1938-07-24), Ronnie Perry (on 1938-07-24) and Les Robinson (on 1938-07-24)
trombone:
George Arus (on 1938-07-24), Harry Rodgers (US big-band trombonist and arranger) (on 1938-07-24) and Ted Vesely (on 1938-07-24)
trumpet:
Johnny Best (jazz trumpeter) (on 1938-07-24), Claude Bowen (on 1938-07-24) and Chuck Peterson (trumpet) (on 1938-07-24)
orchestra:
Artie Shaw and His Orchestra (on 1938-07-24)
2:49
4Back Bay Shuffle
recorded in:
New York, New York, United States (on 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1938-07-24) and Les Robinson (on 1938-07-24)
clarinet:
Artie Shaw (on 1938-07-24)
double bass:
Sid Weiss (on 1938-07-24)
drums (drum set):
Cliff Leeman (on 1938-07-24)
guitar:
Al Avola (on 1938-07-24)
piano:
Les Burness (on 1938-07-24)
tenor saxophone:
Tony Pastor (on 1938-07-24) and Ronnie Perry (on 1938-07-24)
trombone:
George Arus (on 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (on 1938-07-24) and Ted Vesely (on 1938-07-24)
trumpet:
Johnny Best (jazz trumpeter) (on 1938-07-24), Claude Bowen (on 1938-07-24) and Chuck Peterson (trumpet) (on 1938-07-24)
orchestra:
Artie Shaw and His Orchestra (on 1938-07-24)
conductor:
Artie Shaw (on 1938-07-24)
recording of:
Back Bay Shuffle (on 1938-07-24)
composer:
Teddy McRae and Artie Shaw
3:16
5Any Old Time
recorded in:
New York, New York, United States (on 1938-07-24)
bass:
Sid Weiss (on 1938-07-24)
clarinet:
Artie Shaw (on 1938-07-24)
drums (drum set):
Cliff Leeman (on 1938-07-24)
guitar:
Al Avola (on 1938-07-24)
piano:
Les Burness (on 1938-07-24)
reeds:
Hank Freeman (American jazz saxophonist) (on 1938-07-24), Tony Pastor (on 1938-07-24), Ronnie Perry (on 1938-07-24) and Les Robinson (on 1938-07-24)
trombone:
George Arus (on 1938-07-24), Harry Rodgers (US big-band trombonist and arranger) (on 1938-07-24) and Ted Vesely (on 1938-07-24)
trumpet:
Johnny Best (jazz trumpeter) (on 1938-07-24), Claude Bowen (on 1938-07-24) and Chuck Peterson (trumpet) (on 1938-07-24)
vocals:
Billie Holiday (on 1938-07-24)
orchestra:
Artie Shaw and His Orchestra (on 1938-07-24)
recording of:
Any Old Time (Jazz Song - "any old time you want me...") (on 1938-07-24)
composer:
Artie Shaw
publisher:
Lincoln Music Corp
3:11
6I Can't Believe That You're in Love With Me
recorded in:
New York, New York, United States (on 1938-07-24)
bass:
Sid Weiss (on 1938-07-24)
clarinet:
Artie Shaw (on 1938-07-24)
drums (drum set):
Cliff Leeman (on 1938-07-24)
guitar:
Al Avola (on 1938-07-24)
piano:
Les Burness (on 1938-07-24)
reeds:
Hank Freeman (American jazz saxophonist) (on 1938-07-24), Tony Pastor (on 1938-07-24), Ronnie Perry (on 1938-07-24) and Les Robinson (on 1938-07-24)
trombone:
George Arus (on 1938-07-24), Harry Rodgers (US big-band trombonist and arranger) (on 1938-07-24) and Ted Vesely (on 1938-07-24)
trumpet:
Johnny Best (jazz trumpeter) (on 1938-07-24), Claude Bowen (on 1938-07-24) and Chuck Peterson (trumpet) (on 1938-07-24)
orchestra:
Artie Shaw and His Orchestra (on 1938-07-24)
recording of:
I Can’t Believe That You’re in Love With Me (on 1938-07-24)
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
3:10
7Nightmare
recorded in:
New York, New York, United States (on 1938-09-27)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1938-09-27) and George Koenig (on 1938-09-27)
clarinet:
Artie Shaw (on 1938-09-27)
double bass:
Sid Weiss (on 1938-09-27)
drums (drum set):
Cliff Leeman (on 1938-09-27)
guitar:
Al Avola (on 1938-09-27)
piano:
Les Burness (on 1938-09-27)
tenor saxophone:
Tony Pastor (on 1938-09-27) and Ronnie Perry (on 1938-09-27)
trombone:
George Arus (on 1938-09-27), Russell Brown (Swing trombonist) (on 1938-09-27) and Harry Rogers (US big-band trombonist and arranger) (on 1938-09-27)
trumpet:
Johnny Best (jazz trumpeter) (on 1938-09-27), Claude Bowen (on 1938-09-27) and Chuck Peterson (trumpet) (on 1938-09-27)
orchestra:
Artie Shaw and His Orchestra (on 1938-09-27)
conductor:
Artie Shaw (on 1938-09-27)
recording of:
Nightmare (on 1938-09-27)
composer:
Artie Shaw
2:51
8Non-Stop Flight
recorded in:
New York, New York, United States (on 1938-09-27)
bass:
Sid Weiss (on 1938-09-27)
clarinet:
Artie Shaw (on 1938-09-27)
drums (drum set):
Cliff Leeman (on 1938-09-27)
guitar:
Al Avola (on 1938-09-27)
piano:
Les Burness (on 1938-09-27)
reeds:
Hank Freeman (American jazz saxophonist) (on 1938-09-27), George Koenig (on 1938-09-27), Tony Pastor (on 1938-09-27) and Ronnie Perry (on 1938-09-27)
trombone:
George Arus (on 1938-09-27), Russell Brown (Swing trombonist) (on 1938-09-27) and Harry Rodgers (US big-band trombonist and arranger) (on 1938-09-27)
trumpet:
Johnny Best (jazz trumpeter) (on 1938-09-27), Claude Bowen (on 1938-09-27) and Chuck Peterson (trumpet) (on 1938-09-27)
orchestra:
Artie Shaw and His Orchestra (on 1938-09-27)
recording of:
Non-Stop Flight (on 1938-09-27)
composer:
Artie Shaw
2:48
9Yesterdays
recorded in:
New York, New York, United States (on 1938-09-27)
bass:
Sid Weiss (on 1938-09-27)
clarinet:
Artie Shaw (on 1938-09-27)
drums (drum set):
Cliff Leeman (on 1938-09-27)
guitar:
Al Avola (on 1938-09-27)
piano:
Les Burness (on 1938-09-27)
reeds:
Hank Freeman (American jazz saxophonist) (on 1938-09-27), George Koenig (on 1938-09-27), Tony Pastor (on 1938-09-27) and Ronnie Perry (on 1938-09-27)
trombone:
George Arus (on 1938-09-27), Russell Brown (Swing trombonist) (on 1938-09-27) and Harry Rodgers (US big-band trombonist and arranger) (on 1938-09-27)
trumpet:
Johnny Best (jazz trumpeter) (on 1938-09-27), Claude Bowen (on 1938-09-27) and Chuck Peterson (trumpet) (on 1938-09-27)
orchestra:
Artie Shaw and His Orchestra (on 1938-09-27)
recording of:
Yesterdays (on 1938-09-27)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
3:20
10What Is This Thing Called Love?
recorded in:
New York, New York, United States (on 1938-09-27)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1938-09-27) and George Koenig (on 1938-09-27)
clarinet:
Artie Shaw (on 1938-09-27)
double bass:
Sid Weiss (on 1938-09-27)
drums (drum set):
Cliff Leeman (on 1938-09-27)
guitar:
Al Avola (on 1938-09-27)
piano:
Les Burness (on 1938-09-27)
tenor saxophone:
Tony Pastor (on 1938-09-27) and Ronnie Perry (on 1938-09-27)
trombone:
George Arus (on 1938-09-27), Russell Brown (Swing trombonist) (on 1938-09-27) and Harry Rogers (US big-band trombonist and arranger) (on 1938-09-27)
trumpet:
Johnny Best (jazz trumpeter) (on 1938-09-27), Claude Bowen (on 1938-09-27) and Chuck Peterson (trumpet) (on 1938-09-27)
orchestra:
Artie Shaw and His Orchestra (on 1938-09-27)
conductor:
Artie Shaw (on 1938-09-27)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1938-09-27)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
3:15
11Softly, as in a Morning Sunrise
recorded in:
New York, New York, United States (on 1938-11-17)
alto saxophone:
Les Robinson (on 1938-11-17)
bass:
Sid Weiss (on 1938-11-17)
clarinet:
Artie Shaw (on 1938-11-17)
drums (drum set):
Cliff Leeman (on 1938-11-17)
guitar:
Al Avola (on 1938-11-17)
piano:
Les Burness (on 1938-11-17)
reeds:
Hank Freeman (American jazz saxophonist) (on 1938-11-17), Tony Pastor (on 1938-11-17) and Ronnie Perry (on 1938-11-17)
trombone:
George Arus (on 1938-11-17), Russell Brown (Swing trombonist) (on 1938-11-17) and Harry Rodgers (US big-band trombonist and arranger) (on 1938-11-17)
trumpet:
Johnny Best (jazz trumpeter) (on 1938-11-17), Claude Bowen (on 1938-11-17) and Chuck Peterson (trumpet) (on 1938-11-17)
orchestra:
Artie Shaw and His Orchestra (on 1938-11-17)
recording of:
Softly, as in a Morning Sunrise (The New Moon) (on 1938-11-17)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
3:15
12Copenhagen
recorded in:
New York, New York, United States (on 1938-11-17)
alto saxophone:
Les Robinson (on 1938-11-17)
bass:
Sid Weiss (on 1938-11-17)
clarinet:
Artie Shaw (on 1938-11-17)
drums (drum set):
Cliff Leeman (on 1938-11-17)
guitar:
Al Avola (on 1938-11-17)
piano:
Les Burness (on 1938-11-17)
reeds:
Hank Freeman (American jazz saxophonist) (on 1938-11-17), Tony Pastor (on 1938-11-17) and Ronnie Perry (on 1938-11-17)
trombone:
George Arus (on 1938-11-17), Russell Brown (Swing trombonist) (on 1938-11-17) and Harry Rodgers (US big-band trombonist and arranger) (on 1938-11-17)
trumpet:
Johnny Best (jazz trumpeter) (on 1938-11-17), Claude Bowen (on 1938-11-17) and Chuck Peterson (trumpet) (on 1938-11-17)
orchestra:
Artie Shaw and His Orchestra (on 1938-11-17)
recording of:
Copenhagen (on 1938-11-17)
lyricist:
Walter Melrose
composer:
Charlie Davis (1920's Indianapolis Bandleader)
2:39
13Jungle Drums
recorded in:
New York, New York, United States (on 1938-12-19)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1938-12-19) and Les Robinson (on 1938-12-19)
bass:
Sid Weiss (on 1938-12-19)
clarinet:
Artie Shaw (on 1938-12-19)
drums (drum set):
George Wettling (on 1938-12-19)
guitar:
Al Avola (on 1938-12-19)
piano:
Bob Kitsis (on 1938-12-19)
tenor saxophone:
Georgie Auld (on 1938-12-19) and Tony Pastor (on 1938-12-19)
trombone:
George Arus (on 1938-12-19), Les Jenkins (on 1938-12-19) and Harry Rodgers (US big-band trombonist and arranger) (on 1938-12-19)
trumpet:
Johnny Best (jazz trumpeter) (on 1938-12-19), Chuck Peterson (trumpet) (on 1938-12-19) and Bernie Privin (on 1938-12-19)
orchestra:
Artie Shaw and His Orchestra (on 1938-12-19)
recording of:
Jungle Drums (on 1938-12-19)
lyricist:
Carmen Lombardo and Charles O'Flynn
composer:
Ernesto Lecuona
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:33
14It Had to Be You
recorded in:
New York, New York, United States (on 1938-12-19)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1938-12-19) and Les Robinson (on 1938-12-19)
bass:
Sid Weiss (on 1938-12-19)
clarinet:
Artie Shaw (on 1938-12-19)
drums (drum set):
George Wettling (on 1938-12-19)
guitar:
Al Avola (on 1938-12-19)
piano:
Bob Kitsis (on 1938-12-19)
tenor saxophone:
Georgie Auld (on 1938-12-19) and Tony Pastor (on 1938-12-19)
trombone:
George Arus (on 1938-12-19), Les Jenkins (on 1938-12-19) and Harry Rodgers (US big-band trombonist and arranger) (on 1938-12-19)
trumpet:
Johnny Best (jazz trumpeter) (on 1938-12-19), Chuck Peterson (trumpet) (on 1938-12-19) and Bernie Privin (on 1938-12-19)
orchestra:
Artie Shaw and His Orchestra (on 1938-12-19)
recording of:
It Had to Be You (on 1938-12-19)
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
2:31
15Lover, Come Back to Me
recorded in:
New York, New York, United States (on 1939-01-17)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-01-17) and Les Robinson (on 1939-01-17)
bass:
Sid Weiss (on 1939-01-17)
clarinet:
Artie Shaw (on 1939-01-17)
drums (drum set):
Buddy Rich (on 1939-01-17)
guitar:
Al Avola (on 1939-01-17) and Bob Kitsis (on 1939-01-17)
tenor saxophone:
Georgie Auld (on 1939-01-17) and Tony Pastor (on 1939-01-17)
trombone:
George Arus (on 1939-01-17), Les Jenkins (on 1939-01-17) and Harry Rodgers (US big-band trombonist and arranger) (on 1939-01-17)
trumpet:
Johnny Best (jazz trumpeter) (on 1939-01-17), Chuck Peterson (trumpet) (on 1939-01-17) and Bernie Privin (on 1939-01-17)
orchestra:
Artie Shaw and His Orchestra (on 1939-01-17)
recording of:
Lover, Come Back to Me (from "The New Moon") (on 1939-01-17)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
3:29
16My Heart Stood Still
recorded in:
New York, New York, United States (on 1939-01-17)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-01-17) and Les Robinson (on 1939-01-17)
bass:
Sid Weiss (on 1939-01-17)
clarinet:
Artie Shaw (on 1939-01-17)
drums (drum set):
Buddy Rich (on 1939-01-17)
guitar:
Al Avola (on 1939-01-17) and Bob Kitsis (on 1939-01-17)
tenor saxophone:
Georgie Auld (on 1939-01-17) and Tony Pastor (on 1939-01-17)
trombone:
George Arus (on 1939-01-17), Les Jenkins (on 1939-01-17) and Harry Rodgers (US big-band trombonist and arranger) (on 1939-01-17)
trumpet:
Johnny Best (jazz trumpeter) (on 1939-01-17), Chuck Peterson (trumpet) (on 1939-01-17) and Bernie Privin (on 1939-01-17)
orchestra:
Artie Shaw and His Orchestra (on 1939-01-17)
recording of:
My Heart Stood Still (on 1939-01-17)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
2:48
17Rosalie
recorded in:
New York, New York, United States (on 1939-01-17)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-01-17) and Les Robinson (on 1939-01-17)
bass:
Sid Weiss (on 1939-01-17)
clarinet:
Artie Shaw (on 1939-01-17)
drums (drum set):
Buddy Rich (on 1939-01-17)
guitar:
Al Avola (on 1939-01-17) and Bob Kitsis (on 1939-01-17)
tenor saxophone:
Georgie Auld (on 1939-01-17) and Tony Pastor (on 1939-01-17)
trombone:
George Arus (on 1939-01-17), Les Jenkins (on 1939-01-17) and Harry Rodgers (US big-band trombonist and arranger) (on 1939-01-17)
trumpet:
Johnny Best (jazz trumpeter) (on 1939-01-17), Chuck Peterson (trumpet) (on 1939-01-17) and Bernie Privin (on 1939-01-17)
orchestra:
Artie Shaw and His Orchestra (on 1939-01-17)
recording of:
Rosalie (from “Rosalie”) (on 1939-01-17)
lyricist and composer:
Cole Porter (composer) (in 1937)
2:44
18Vilia
recorded in:
New York, New York, United States (on 1939-01-17)
alto saxophone:
Les Robinson (on 1939-01-17)
alto saxophone and bass clarinet:
Hank Freeman (American jazz saxophonist) (on 1939-01-17)
bass:
Sid Weiss (on 1939-01-17)
clarinet:
Artie Shaw (on 1939-01-17)
drums (drum set):
Buddy Rich (on 1939-01-17)
guitar:
Al Avola (on 1939-01-17) and Bob Kitsis (on 1939-01-17)
tenor saxophone:
Georgie Auld (on 1939-01-17) and Tony Pastor (on 1939-01-17)
trombone:
George Arus (on 1939-01-17), Les Jenkins (on 1939-01-17) and Harry Rodgers (US big-band trombonist and arranger) (on 1939-01-17)
trumpet:
Johnny Best (jazz trumpeter) (on 1939-01-17), Chuck Peterson (trumpet) (on 1939-01-17) and Bernie Privin (on 1939-01-17)
orchestra:
Artie Shaw and His Orchestra (on 1939-01-17)
recording of:
Vilia (The Merry Widow, 1934/1952 film version)
lyricist:
Lorenz Hart and Gus Kahn
composer:
Franz Lehár (composer)
publisher:
Glocken Verlag Ltd.
3:06
19The Man I Love
recorded in:
New York, New York, United States (on 1939-01-23)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-01-23) and Les Robinson (on 1939-01-23)
bass:
Sid Weiss (on 1939-01-23)
clarinet:
Artie Shaw (on 1939-01-23)
drums (drum set):
Buddy Rich (on 1939-01-23)
guitar:
Al Avola (on 1939-01-23)
piano:
Bob Kitsis (on 1939-01-23)
tenor saxophone:
Georgie Auld (on 1939-01-23) and Tony Pastor (on 1939-01-23)
trombone:
George Arus (on 1939-01-23), Les Jenkins (on 1939-01-23) and Harry Rodgers (US big-band trombonist and arranger) (on 1939-01-23)
trumpet:
Johnny Best (jazz trumpeter) (on 1939-01-23), Chuck Peterson (trumpet) (on 1939-01-23) and Bernie Privin (on 1939-01-23)
orchestra:
Artie Shaw and His Orchestra (on 1939-01-23)
recording of:
The Man I Love (on 1939-01-23)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
3:13
20The Donkey Serenade
recorded in:
New York, New York, United States (on 1939-01-23)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-01-23) and Les Robinson (on 1939-01-23)
bass:
Sid Weiss (on 1939-01-23)
clarinet:
Artie Shaw (on 1939-01-23)
drums (drum set):
Buddy Rich (on 1939-01-23)
guitar:
Al Avola (on 1939-01-23)
piano:
Bob Kitsis (on 1939-01-23)
tenor saxophone:
Georgie Auld (on 1939-01-23) and Tony Pastor (on 1939-01-23)
trombone:
George Arus (on 1939-01-23), Les Jenkins (on 1939-01-23) and Harry Rodgers (US big-band trombonist and arranger) (on 1939-01-23)
trumpet:
Johnny Best (jazz trumpeter) (on 1939-01-23), Chuck Peterson (trumpet) (on 1939-01-23) and Bernie Privin (on 1939-01-23)
orchestra:
Artie Shaw and His Orchestra (on 1939-01-23)
recording of:
The Donkey Serenade (on 1939-01-23)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
composer:
Rudolf Friml and Herbert Stothart (composer)
part of:
The Firefly (Rudolf Friml operetta)
3:15
21Zigeuner
recorded in:
New York, New York, United States (on 1939-01-23)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-01-23) and Les Robinson (on 1939-01-23)
bass:
Sid Weiss (on 1939-01-23)
clarinet:
Artie Shaw (on 1939-01-23)
drums (drum set):
Buddy Rich (on 1939-01-23)
guitar:
Al Avola (on 1939-01-23)
piano:
Bob Kitsis (on 1939-01-23)
tenor saxophone:
Georgie Auld (on 1939-01-23) and Tony Pastor (on 1939-01-23)
trombone:
George Arus (on 1939-01-23), Les Jenkins (on 1939-01-23) and Harry Rodgers (US big-band trombonist and arranger) (on 1939-01-23)
trumpet:
Johnny Best (jazz trumpeter) (on 1939-01-23), Chuck Peterson (trumpet) (on 1939-01-23) and Bernie Privin (on 1939-01-23)
orchestra:
Artie Shaw and His Orchestra (on 1939-01-23)
recording of:
Zigeuner (on 1939-01-23)
lyricist:
Noël Coward
composer:
Noël Coward (in 1929)
publisher:
Harms, Inc.
part of:
Bitter Sweet (Noel Coward operetta)
2:52
22Carioca
recorded in:
New York, New York, United States (on 1939-01-23)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-01-23) and Les Robinson (on 1939-01-23)
bass:
Sid Weiss (on 1939-01-23)
clarinet:
Artie Shaw (on 1939-01-23)
drums (drum set):
Buddy Rich (on 1939-01-23)
guitar:
Al Avola (on 1939-01-23)
piano:
Bob Kitsis (on 1939-01-23)
tenor saxophone:
Georgie Auld (on 1939-01-23) and Tony Pastor (on 1939-01-23)
trombone:
George Arus (on 1939-01-23), Les Jenkins (on 1939-01-23) and Harry Rodgers (US big-band trombonist and arranger) (on 1939-01-23)
trumpet:
Johnny Best (jazz trumpeter) (on 1939-01-23), Chuck Peterson (trumpet) (on 1939-01-23) and Bernie Privin (on 1939-01-23)
orchestra:
Artie Shaw and His Orchestra (on 1939-01-23)
recording of:
Carioca (from "Flying Down to Rio") (on 1939-01-23)
lyricist:
Edward Eliscu and Gus Kahn
composer:
Vincent Youmans
part of:
Academy Award for Best Original Song (number: 1934 nominee)
3:09
23I Can't Believe That Your're in Love With Me (ALT TK -2)
recorded in:
New York, New York, United States (on 1938-07-24)
bass:
Sid Weiss (on 1938-07-24)
clarinet:
Artie Shaw (on 1938-07-24)
drums (drum set):
Cliff Leeman (on 1938-07-24)
guitar:
Al Avola (on 1938-07-24)
piano:
Les Burness (on 1938-07-24)
reeds:
Hank Freeman (American jazz saxophonist) (on 1938-07-24), Tony Pastor (on 1938-07-24), Ronnie Perry (on 1938-07-24) and Les Robinson (on 1938-07-24)
trombone:
George Arus (on 1938-07-24), Harry Rodgers (US big-band trombonist and arranger) (on 1938-07-24) and Ted Vesely (on 1938-07-24)
trumpet:
Johnny Best (jazz trumpeter) (on 1938-07-24), Claude Bowen (on 1938-07-24) and Chuck Peterson (trumpet) (on 1938-07-24)
orchestra:
Artie Shaw and His Orchestra (on 1938-07-24)
3:07
24Yesterdays (ALT TK -1A)
recorded in:
New York, New York, United States (on 1938-09-27)
bass:
Sid Weiss (on 1938-09-27)
clarinet:
Artie Shaw (on 1938-09-27)
drums (drum set):
Cliff Leeman (on 1938-09-27)
guitar:
Al Avola (on 1938-09-27)
piano:
Les Burness (on 1938-09-27)
reeds:
Hank Freeman (American jazz saxophonist) (on 1938-09-27), George Koenig (on 1938-09-27), Tony Pastor (on 1938-09-27) and Ronnie Perry (on 1938-09-27)
trombone:
George Arus (on 1938-09-27), Russell Brown (Swing trombonist) (on 1938-09-27) and Harry Rodgers (US big-band trombonist and arranger) (on 1938-09-27)
trumpet:
Johnny Best (jazz trumpeter) (on 1938-09-27), Claude Bowen (on 1938-09-27) and Chuck Peterson (trumpet) (on 1938-09-27)
orchestra:
Artie Shaw and His Orchestra (on 1938-09-27)
3:17
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