Classic Artie Shaw Bluebird and Victor Sessions

~ Veröffentlichung von Artie Shaw (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Limited edition of 5,000 sets.

Anmerkung zuletzt geändert am 2022-11-19 06:41 UTC.

Titelliste

1CD
Nr.TitelBewertungLänge
1Begin the Beguine
recorded in:
New York, New York, Vereinigte Staaten (am 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1938-07-24) und Les Robinson (am 1938-07-24)
Gitarre:
Al Avola (am 1938-07-24)
Klarinette:
Artie Shaw (am 1938-07-24)
Klavier:
Les Burness (am 1938-07-24)
Kontrabass:
Sid Weiss (am 1938-07-24)
Posaune:
George Arus (am 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (am 1938-07-24) und Ted Vesely (am 1938-07-24)
Schlagzeug:
Cliff Leeman (am 1938-07-24)
Tenorsaxophon:
Tony Pastor (am 1938-07-24) und Ronnie Perry (am 1938-07-24)
Trompete:
Claude Bowen (am 1938-07-24), John Best (jazz trumpeter) (am 1938-07-24) und Chuck Peterson (trumpet) (am 1938-07-24)
Orchester:
Artie Shaw and His Orchestra (am 1938-07-24)
conductor:
Artie Shaw (am 1938-07-24)
arranger:
Jerry Gray (US big band arranger and conductor)
aufgenommen bei und engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, Vereinigte Staaten (am 1938-07-24)
instrumental recording of:
Begin the Beguine (am 1938-07-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
recording of:
Begin the Beguine (am 1938-07-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
33:16
2Indian Love Call
recorded in:
New York, New York, Vereinigte Staaten (am 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1938-07-24) und Les Robinson (am 1938-07-24)
Gitarre:
Al Avola (am 1938-07-24)
Klarinette:
Artie Shaw (am 1938-07-24)
Klavier:
Les Burness (am 1938-07-24)
Kontrabass:
Sid Weiss (am 1938-07-24)
Posaune:
George Arus (am 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (am 1938-07-24) und Ted Vesely (am 1938-07-24)
Schlagzeug:
Cliff Leeman (am 1938-07-24)
Tenorsaxophon:
Tony Pastor (am 1938-07-24) und Ronnie Perry (am 1938-07-24)
Trompete:
Johnny Best (jazz trumpeter) (am 1938-07-24), Claude Bowen (am 1938-07-24) und Chuck Peterson (trumpet) (am 1938-07-24)
Sologesang [vocal refrain]:
Tony Pastor and chorus
vocals:
Tony Pastor (am 1938-07-24)
Orchester:
Artie Shaw and His Orchestra (am 1938-07-24)
conductor:
Artie Shaw (am 1938-07-24)
engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, Vereinigte Staaten (am 1938-07-24)
recording of:
Indian Love Call (from the 1924/1936 musicals “Rose Marie”) (am 1938-07-24)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) und Otto Harbach
Komponist(in):
Rudolf Friml und Herbert Stothart (composer)
publisher:
Bill-Bob Publ. Company, Chappell Music Ltd. und Harms, Inc. (am 1924-09-02)
Teil von:
Rose-Marie (1924 operetta-style musical)
Teil von:
Rose-Marie (1936 musical film)
3:12
3Comin' On
recorded in:
New York, New York, Vereinigte Staaten (am 1938-07-24)
Bass:
Sid Weiss (am 1938-07-24)
Gitarre:
Al Avola (am 1938-07-24)
Klarinette:
Artie Shaw (am 1938-07-24)
Klavier:
Les Burness (am 1938-07-24)
Posaune:
George Arus (am 1938-07-24), Harry Rodgers (US big-band trombonist and arranger) (am 1938-07-24) und Ted Vesely (am 1938-07-24)
Rohrblattinstrumente:
Hank Freeman (American jazz saxophonist) (am 1938-07-24), Tony Pastor (am 1938-07-24), Ronnie Perry (am 1938-07-24) und Les Robinson (am 1938-07-24)
Schlagzeug:
Cliff Leeman (am 1938-07-24)
Trompete:
Johnny Best (jazz trumpeter) (am 1938-07-24), Claude Bowen (am 1938-07-24) und Chuck Peterson (trumpet) (am 1938-07-24)
Orchester:
Artie Shaw and His Orchestra (am 1938-07-24)
2:49
4Back Bay Shuffle
recorded in:
New York, New York, Vereinigte Staaten (am 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1938-07-24) und Les Robinson (am 1938-07-24)
Gitarre:
Al Avola (am 1938-07-24)
Klarinette:
Artie Shaw (am 1938-07-24)
Klavier:
Les Burness (am 1938-07-24)
Kontrabass:
Sid Weiss (am 1938-07-24)
Posaune:
George Arus (am 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (am 1938-07-24) und Ted Vesely (am 1938-07-24)
Schlagzeug:
Cliff Leeman (am 1938-07-24)
Tenorsaxophon:
Tony Pastor (am 1938-07-24) und Ronnie Perry (am 1938-07-24)
Trompete:
Johnny Best (jazz trumpeter) (am 1938-07-24), Claude Bowen (am 1938-07-24) und Chuck Peterson (trumpet) (am 1938-07-24)
Orchester:
Artie Shaw and His Orchestra (am 1938-07-24)
conductor:
Artie Shaw (am 1938-07-24)
recording of:
Back Bay Shuffle (am 1938-07-24)
Komponist(in):
Teddy McRae und Artie Shaw
3:16
5Any Old Time
recorded in:
New York, New York, Vereinigte Staaten (am 1938-07-24)
Bass:
Sid Weiss (am 1938-07-24)
Gitarre:
Al Avola (am 1938-07-24)
Klarinette:
Artie Shaw (am 1938-07-24)
Klavier:
Les Burness (am 1938-07-24)
Posaune:
George Arus (am 1938-07-24), Harry Rodgers (US big-band trombonist and arranger) (am 1938-07-24) und Ted Vesely (am 1938-07-24)
Rohrblattinstrumente:
Hank Freeman (American jazz saxophonist) (am 1938-07-24), Tony Pastor (am 1938-07-24), Ronnie Perry (am 1938-07-24) und Les Robinson (am 1938-07-24)
Schlagzeug:
Cliff Leeman (am 1938-07-24)
Trompete:
Johnny Best (jazz trumpeter) (am 1938-07-24), Claude Bowen (am 1938-07-24) und Chuck Peterson (trumpet) (am 1938-07-24)
vocals:
Billie Holiday (am 1938-07-24)
Orchester:
Artie Shaw and His Orchestra (am 1938-07-24)
recording of:
Any Old Time (Jazz Song - "any old time you want me...") (am 1938-07-24)
Komponist(in):
Artie Shaw
publisher:
Lincoln Music Corp
3:11
6I Can't Believe That You're in Love With Me
recorded in:
New York, New York, Vereinigte Staaten (am 1938-07-24)
Bass:
Sid Weiss (am 1938-07-24)
Gitarre:
Al Avola (am 1938-07-24)
Klarinette:
Artie Shaw (am 1938-07-24)
Klavier:
Les Burness (am 1938-07-24)
Posaune:
George Arus (am 1938-07-24), Harry Rodgers (US big-band trombonist and arranger) (am 1938-07-24) und Ted Vesely (am 1938-07-24)
Rohrblattinstrumente:
Hank Freeman (American jazz saxophonist) (am 1938-07-24), Tony Pastor (am 1938-07-24), Ronnie Perry (am 1938-07-24) und Les Robinson (am 1938-07-24)
Schlagzeug:
Cliff Leeman (am 1938-07-24)
Trompete:
Johnny Best (jazz trumpeter) (am 1938-07-24), Claude Bowen (am 1938-07-24) und Chuck Peterson (trumpet) (am 1938-07-24)
Orchester:
Artie Shaw and His Orchestra (am 1938-07-24)
recording of:
I Can’t Believe That You’re in Love With Me (am 1938-07-24)
Texter:
Clarence Gaskill
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
3:10
7Nightmare
recorded in:
New York, New York, Vereinigte Staaten (am 1938-09-27)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1938-09-27) und George Koenig (am 1938-09-27)
Gitarre:
Al Avola (am 1938-09-27)
Klarinette:
Artie Shaw (am 1938-09-27)
Klavier:
Les Burness (am 1938-09-27)
Kontrabass:
Sid Weiss (am 1938-09-27)
Posaune:
George Arus (am 1938-09-27), Russell Brown (Swing trombonist) (am 1938-09-27) und Harry Rogers (US big-band trombonist and arranger) (am 1938-09-27)
Schlagzeug:
Cliff Leeman (am 1938-09-27)
Tenorsaxophon:
Tony Pastor (am 1938-09-27) und Ronnie Perry (am 1938-09-27)
Trompete:
Johnny Best (jazz trumpeter) (am 1938-09-27), Claude Bowen (am 1938-09-27) und Chuck Peterson (trumpet) (am 1938-09-27)
Orchester:
Artie Shaw and His Orchestra (am 1938-09-27)
conductor:
Artie Shaw (am 1938-09-27)
recording of:
Nightmare (am 1938-09-27)
Komponist(in):
Artie Shaw
2:51
8Non-Stop Flight
recorded in:
New York, New York, Vereinigte Staaten (am 1938-09-27)
Bass:
Sid Weiss (am 1938-09-27)
Gitarre:
Al Avola (am 1938-09-27)
Klarinette:
Artie Shaw (am 1938-09-27)
Klavier:
Les Burness (am 1938-09-27)
Posaune:
George Arus (am 1938-09-27), Russell Brown (Swing trombonist) (am 1938-09-27) und Harry Rodgers (US big-band trombonist and arranger) (am 1938-09-27)
Rohrblattinstrumente:
Hank Freeman (American jazz saxophonist) (am 1938-09-27), George Koenig (am 1938-09-27), Tony Pastor (am 1938-09-27) und Ronnie Perry (am 1938-09-27)
Schlagzeug:
Cliff Leeman (am 1938-09-27)
Trompete:
Johnny Best (jazz trumpeter) (am 1938-09-27), Claude Bowen (am 1938-09-27) und Chuck Peterson (trumpet) (am 1938-09-27)
Orchester:
Artie Shaw and His Orchestra (am 1938-09-27)
recording of:
Non-Stop Flight (am 1938-09-27)
Komponist(in):
Artie Shaw
2:48
9Yesterdays
recorded in:
New York, New York, Vereinigte Staaten (am 1938-09-27)
Bass:
Sid Weiss (am 1938-09-27)
Gitarre:
Al Avola (am 1938-09-27)
Klarinette:
Artie Shaw (am 1938-09-27)
Klavier:
Les Burness (am 1938-09-27)
Posaune:
George Arus (am 1938-09-27), Russell Brown (Swing trombonist) (am 1938-09-27) und Harry Rodgers (US big-band trombonist and arranger) (am 1938-09-27)
Rohrblattinstrumente:
Hank Freeman (American jazz saxophonist) (am 1938-09-27), George Koenig (am 1938-09-27), Tony Pastor (am 1938-09-27) und Ronnie Perry (am 1938-09-27)
Schlagzeug:
Cliff Leeman (am 1938-09-27)
Trompete:
Johnny Best (jazz trumpeter) (am 1938-09-27), Claude Bowen (am 1938-09-27) und Chuck Peterson (trumpet) (am 1938-09-27)
Orchester:
Artie Shaw and His Orchestra (am 1938-09-27)
recording of:
Yesterdays (am 1938-09-27)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
3:20
10What Is This Thing Called Love?
recorded in:
New York, New York, Vereinigte Staaten (am 1938-09-27)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1938-09-27) und George Koenig (am 1938-09-27)
Gitarre:
Al Avola (am 1938-09-27)
Klarinette:
Artie Shaw (am 1938-09-27)
Klavier:
Les Burness (am 1938-09-27)
Kontrabass:
Sid Weiss (am 1938-09-27)
Posaune:
George Arus (am 1938-09-27), Russell Brown (Swing trombonist) (am 1938-09-27) und Harry Rogers (US big-band trombonist and arranger) (am 1938-09-27)
Schlagzeug:
Cliff Leeman (am 1938-09-27)
Tenorsaxophon:
Tony Pastor (am 1938-09-27) und Ronnie Perry (am 1938-09-27)
Trompete:
Johnny Best (jazz trumpeter) (am 1938-09-27), Claude Bowen (am 1938-09-27) und Chuck Peterson (trumpet) (am 1938-09-27)
Orchester:
Artie Shaw and His Orchestra (am 1938-09-27)
conductor:
Artie Shaw (am 1938-09-27)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1938-09-27)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
3:15
11Softly, as in a Morning Sunrise
recorded in:
New York, New York, Vereinigte Staaten (am 1938-11-17)
alto saxophone:
Les Robinson (am 1938-11-17)
Bass:
Sid Weiss (am 1938-11-17)
Gitarre:
Al Avola (am 1938-11-17)
Klarinette:
Artie Shaw (am 1938-11-17)
Klavier:
Les Burness (am 1938-11-17)
Posaune:
George Arus (am 1938-11-17), Russell Brown (Swing trombonist) (am 1938-11-17) und Harry Rodgers (US big-band trombonist and arranger) (am 1938-11-17)
Rohrblattinstrumente:
Hank Freeman (American jazz saxophonist) (am 1938-11-17), Tony Pastor (am 1938-11-17) und Ronnie Perry (am 1938-11-17)
Schlagzeug:
Cliff Leeman (am 1938-11-17)
Trompete:
Johnny Best (jazz trumpeter) (am 1938-11-17), Claude Bowen (am 1938-11-17) und Chuck Peterson (trumpet) (am 1938-11-17)
Orchester:
Artie Shaw and His Orchestra (am 1938-11-17)
recording of:
Softly, as in a Morning Sunrise (The New Moon) (am 1938-11-17)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) und Warner Bros., Inc. (not for release label use!)
Teil von:
The New Moon: Act I
3:15
12Copenhagen
recorded in:
New York, New York, Vereinigte Staaten (am 1938-11-17)
alto saxophone:
Les Robinson (am 1938-11-17)
Bass:
Sid Weiss (am 1938-11-17)
Gitarre:
Al Avola (am 1938-11-17)
Klarinette:
Artie Shaw (am 1938-11-17)
Klavier:
Les Burness (am 1938-11-17)
Posaune:
George Arus (am 1938-11-17), Russell Brown (Swing trombonist) (am 1938-11-17) und Harry Rodgers (US big-band trombonist and arranger) (am 1938-11-17)
Rohrblattinstrumente:
Hank Freeman (American jazz saxophonist) (am 1938-11-17), Tony Pastor (am 1938-11-17) und Ronnie Perry (am 1938-11-17)
Schlagzeug:
Cliff Leeman (am 1938-11-17)
Trompete:
Johnny Best (jazz trumpeter) (am 1938-11-17), Claude Bowen (am 1938-11-17) und Chuck Peterson (trumpet) (am 1938-11-17)
Orchester:
Artie Shaw and His Orchestra (am 1938-11-17)
recording of:
Copenhagen (am 1938-11-17)
Texter:
Walter Melrose
Komponist(in):
Charlie Davis (1920's Indianapolis Bandleader)
2:39
13Jungle Drums
recorded in:
New York, New York, Vereinigte Staaten (am 1938-12-19)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1938-12-19) und Les Robinson (am 1938-12-19)
Bass:
Sid Weiss (am 1938-12-19)
Gitarre:
Al Avola (am 1938-12-19)
Klarinette:
Artie Shaw (am 1938-12-19)
Klavier:
Bob Kitsis (am 1938-12-19)
Posaune:
George Arus (am 1938-12-19), Les Jenkins (am 1938-12-19) und Harry Rodgers (US big-band trombonist and arranger) (am 1938-12-19)
Schlagzeug:
George Wettling (am 1938-12-19)
Tenorsaxophon:
Georgie Auld (am 1938-12-19) und Tony Pastor (am 1938-12-19)
Trompete:
Johnny Best (jazz trumpeter) (am 1938-12-19), Chuck Peterson (trumpet) (am 1938-12-19) und Bernie Privin (am 1938-12-19)
Orchester:
Artie Shaw and His Orchestra (am 1938-12-19)
recording of:
Jungle Drums (am 1938-12-19)
Texter:
Carmen Lombardo und Charles O'Flynn
Komponist(in):
Ernesto Lecuona
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:33
14It Had to Be You
recorded in:
New York, New York, Vereinigte Staaten (am 1938-12-19)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1938-12-19) und Les Robinson (am 1938-12-19)
Bass:
Sid Weiss (am 1938-12-19)
Gitarre:
Al Avola (am 1938-12-19)
Klarinette:
Artie Shaw (am 1938-12-19)
Klavier:
Bob Kitsis (am 1938-12-19)
Posaune:
George Arus (am 1938-12-19), Les Jenkins (am 1938-12-19) und Harry Rodgers (US big-band trombonist and arranger) (am 1938-12-19)
Schlagzeug:
George Wettling (am 1938-12-19)
Tenorsaxophon:
Georgie Auld (am 1938-12-19) und Tony Pastor (am 1938-12-19)
Trompete:
Johnny Best (jazz trumpeter) (am 1938-12-19), Chuck Peterson (trumpet) (am 1938-12-19) und Bernie Privin (am 1938-12-19)
Orchester:
Artie Shaw and His Orchestra (am 1938-12-19)
recording of:
It Had to Be You (am 1938-12-19)
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
2:31
15Lover, Come Back to Me
recorded in:
New York, New York, Vereinigte Staaten (am 1939-01-17)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1939-01-17) und Les Robinson (am 1939-01-17)
Bass:
Sid Weiss (am 1939-01-17)
Gitarre:
Al Avola (am 1939-01-17) und Bob Kitsis (am 1939-01-17)
Klarinette:
Artie Shaw (am 1939-01-17)
Posaune:
George Arus (am 1939-01-17), Les Jenkins (am 1939-01-17) und Harry Rodgers (US big-band trombonist and arranger) (am 1939-01-17)
Schlagzeug:
Buddy Rich (am 1939-01-17)
Tenorsaxophon:
Georgie Auld (am 1939-01-17) und Tony Pastor (am 1939-01-17)
Trompete:
Johnny Best (jazz trumpeter) (am 1939-01-17), Chuck Peterson (trumpet) (am 1939-01-17) und Bernie Privin (am 1939-01-17)
Orchester:
Artie Shaw and His Orchestra (am 1939-01-17)
recording of:
Lover, Come Back to Me (from "The New Moon") (am 1939-01-17)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Verfasser(in):
Sigmund Romberg
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The New Moon: Act II
3:29
16My Heart Stood Still
recorded in:
New York, New York, Vereinigte Staaten (am 1939-01-17)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1939-01-17) und Les Robinson (am 1939-01-17)
Bass:
Sid Weiss (am 1939-01-17)
Gitarre:
Al Avola (am 1939-01-17) und Bob Kitsis (am 1939-01-17)
Klarinette:
Artie Shaw (am 1939-01-17)
Posaune:
George Arus (am 1939-01-17), Les Jenkins (am 1939-01-17) und Harry Rodgers (US big-band trombonist and arranger) (am 1939-01-17)
Schlagzeug:
Buddy Rich (am 1939-01-17)
Tenorsaxophon:
Georgie Auld (am 1939-01-17) und Tony Pastor (am 1939-01-17)
Trompete:
Johnny Best (jazz trumpeter) (am 1939-01-17), Chuck Peterson (trumpet) (am 1939-01-17) und Bernie Privin (am 1939-01-17)
Orchester:
Artie Shaw and His Orchestra (am 1939-01-17)
recording of:
My Heart Stood Still (am 1939-01-17)
Texter:
Lorenz Hart (in 1927)
Komponist(in):
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
One Dam Thing After Another
2:48
17Rosalie
recorded in:
New York, New York, Vereinigte Staaten (am 1939-01-17)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1939-01-17) und Les Robinson (am 1939-01-17)
Bass:
Sid Weiss (am 1939-01-17)
Gitarre:
Al Avola (am 1939-01-17) und Bob Kitsis (am 1939-01-17)
Klarinette:
Artie Shaw (am 1939-01-17)
Posaune:
George Arus (am 1939-01-17), Les Jenkins (am 1939-01-17) und Harry Rodgers (US big-band trombonist and arranger) (am 1939-01-17)
Schlagzeug:
Buddy Rich (am 1939-01-17)
Tenorsaxophon:
Georgie Auld (am 1939-01-17) und Tony Pastor (am 1939-01-17)
Trompete:
Johnny Best (jazz trumpeter) (am 1939-01-17), Chuck Peterson (trumpet) (am 1939-01-17) und Bernie Privin (am 1939-01-17)
Orchester:
Artie Shaw and His Orchestra (am 1939-01-17)
recording of:
Rosalie (from “Rosalie”) (am 1939-01-17)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
2:44
18Vilia
recorded in:
New York, New York, Vereinigte Staaten (am 1939-01-17)
alto saxophone:
Les Robinson (am 1939-01-17)
alto saxophone und Bassklarinette:
Hank Freeman (American jazz saxophonist) (am 1939-01-17)
Bass:
Sid Weiss (am 1939-01-17)
Gitarre:
Al Avola (am 1939-01-17) und Bob Kitsis (am 1939-01-17)
Klarinette:
Artie Shaw (am 1939-01-17)
Posaune:
George Arus (am 1939-01-17), Les Jenkins (am 1939-01-17) und Harry Rodgers (US big-band trombonist and arranger) (am 1939-01-17)
Schlagzeug:
Buddy Rich (am 1939-01-17)
Tenorsaxophon:
Georgie Auld (am 1939-01-17) und Tony Pastor (am 1939-01-17)
Trompete:
Johnny Best (jazz trumpeter) (am 1939-01-17), Chuck Peterson (trumpet) (am 1939-01-17) und Bernie Privin (am 1939-01-17)
Orchester:
Artie Shaw and His Orchestra (am 1939-01-17)
recording of:
Vilia (The Merry Widow, 1934/1952 film version)
Texter:
Lorenz Hart und Gus Kahn
Komponist(in):
Franz Lehár (composer)
publisher:
Glocken Verlag Ltd.
3:06
19The Man I Love
recorded in:
New York, New York, Vereinigte Staaten (am 1939-01-23)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1939-01-23) und Les Robinson (am 1939-01-23)
Bass:
Sid Weiss (am 1939-01-23)
Gitarre:
Al Avola (am 1939-01-23)
Klarinette:
Artie Shaw (am 1939-01-23)
Klavier:
Bob Kitsis (am 1939-01-23)
Posaune:
George Arus (am 1939-01-23), Les Jenkins (am 1939-01-23) und Harry Rodgers (US big-band trombonist and arranger) (am 1939-01-23)
Schlagzeug:
Buddy Rich (am 1939-01-23)
Tenorsaxophon:
Georgie Auld (am 1939-01-23) und Tony Pastor (am 1939-01-23)
Trompete:
Johnny Best (jazz trumpeter) (am 1939-01-23), Chuck Peterson (trumpet) (am 1939-01-23) und Bernie Privin (am 1939-01-23)
Orchester:
Artie Shaw and His Orchestra (am 1939-01-23)
recording of:
The Man I Love (am 1939-01-23)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
3:13
20The Donkey Serenade
recorded in:
New York, New York, Vereinigte Staaten (am 1939-01-23)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1939-01-23) und Les Robinson (am 1939-01-23)
Bass:
Sid Weiss (am 1939-01-23)
Gitarre:
Al Avola (am 1939-01-23)
Klarinette:
Artie Shaw (am 1939-01-23)
Klavier:
Bob Kitsis (am 1939-01-23)
Posaune:
George Arus (am 1939-01-23), Les Jenkins (am 1939-01-23) und Harry Rodgers (US big-band trombonist and arranger) (am 1939-01-23)
Schlagzeug:
Buddy Rich (am 1939-01-23)
Tenorsaxophon:
Georgie Auld (am 1939-01-23) und Tony Pastor (am 1939-01-23)
Trompete:
Johnny Best (jazz trumpeter) (am 1939-01-23), Chuck Peterson (trumpet) (am 1939-01-23) und Bernie Privin (am 1939-01-23)
Orchester:
Artie Shaw and His Orchestra (am 1939-01-23)
recording of:
The Donkey Serenade (am 1939-01-23)
Verfasser(in):
George Forrest (American composer and lyricist) und Robert Wright (US stage & screen composer & lyricist)
Komponist(in):
Rudolf Friml und Herbert Stothart (composer)
Teil von:
The Firefly (Rudolf Friml operetta)
3:15
21Zigeuner
recorded in:
New York, New York, Vereinigte Staaten (am 1939-01-23)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1939-01-23) und Les Robinson (am 1939-01-23)
Bass:
Sid Weiss (am 1939-01-23)
Gitarre:
Al Avola (am 1939-01-23)
Klarinette:
Artie Shaw (am 1939-01-23)
Klavier:
Bob Kitsis (am 1939-01-23)
Posaune:
George Arus (am 1939-01-23), Les Jenkins (am 1939-01-23) und Harry Rodgers (US big-band trombonist and arranger) (am 1939-01-23)
Schlagzeug:
Buddy Rich (am 1939-01-23)
Tenorsaxophon:
Georgie Auld (am 1939-01-23) und Tony Pastor (am 1939-01-23)
Trompete:
Johnny Best (jazz trumpeter) (am 1939-01-23), Chuck Peterson (trumpet) (am 1939-01-23) und Bernie Privin (am 1939-01-23)
Orchester:
Artie Shaw and His Orchestra (am 1939-01-23)
recording of:
Zigeuner (am 1939-01-23)
Texter:
Noël Coward
Komponist(in):
Noël Coward (in 1929)
publisher:
Harms, Inc.
Teil von:
Bitter Sweet (Noel Coward operetta)
2:52
22Carioca
recorded in:
New York, New York, Vereinigte Staaten (am 1939-01-23)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1939-01-23) und Les Robinson (am 1939-01-23)
Bass:
Sid Weiss (am 1939-01-23)
Gitarre:
Al Avola (am 1939-01-23)
Klarinette:
Artie Shaw (am 1939-01-23)
Klavier:
Bob Kitsis (am 1939-01-23)
Posaune:
George Arus (am 1939-01-23), Les Jenkins (am 1939-01-23) und Harry Rodgers (US big-band trombonist and arranger) (am 1939-01-23)
Schlagzeug:
Buddy Rich (am 1939-01-23)
Tenorsaxophon:
Georgie Auld (am 1939-01-23) und Tony Pastor (am 1939-01-23)
Trompete:
Johnny Best (jazz trumpeter) (am 1939-01-23), Chuck Peterson (trumpet) (am 1939-01-23) und Bernie Privin (am 1939-01-23)
Orchester:
Artie Shaw and His Orchestra (am 1939-01-23)
recording of:
Carioca (from "Flying Down to Rio") (am 1939-01-23)
Texter:
Edward Eliscu und Gus Kahn
Komponist(in):
Vincent Youmans
Teil von:
Academy Award for Best Original Song (Nummer: 1934 nominee)
3:09
23I Can't Believe That Your're in Love With Me (ALT TK -2)
recorded in:
New York, New York, Vereinigte Staaten (am 1938-07-24)
Bass:
Sid Weiss (am 1938-07-24)
Gitarre:
Al Avola (am 1938-07-24)
Klarinette:
Artie Shaw (am 1938-07-24)
Klavier:
Les Burness (am 1938-07-24)
Posaune:
George Arus (am 1938-07-24), Harry Rodgers (US big-band trombonist and arranger) (am 1938-07-24) und Ted Vesely (am 1938-07-24)
Rohrblattinstrumente:
Hank Freeman (American jazz saxophonist) (am 1938-07-24), Tony Pastor (am 1938-07-24), Ronnie Perry (am 1938-07-24) und Les Robinson (am 1938-07-24)
Schlagzeug:
Cliff Leeman (am 1938-07-24)
Trompete:
Johnny Best (jazz trumpeter) (am 1938-07-24), Claude Bowen (am 1938-07-24) und Chuck Peterson (trumpet) (am 1938-07-24)
Orchester:
Artie Shaw and His Orchestra (am 1938-07-24)
3:07
24Yesterdays (ALT TK -1A)
recorded in:
New York, New York, Vereinigte Staaten (am 1938-09-27)
Bass:
Sid Weiss (am 1938-09-27)
Gitarre:
Al Avola (am 1938-09-27)
Klarinette:
Artie Shaw (am 1938-09-27)
Klavier:
Les Burness (am 1938-09-27)
Posaune:
George Arus (am 1938-09-27), Russell Brown (Swing trombonist) (am 1938-09-27) und Harry Rodgers (US big-band trombonist and arranger) (am 1938-09-27)
Rohrblattinstrumente:
Hank Freeman (American jazz saxophonist) (am 1938-09-27), George Koenig (am 1938-09-27), Tony Pastor (am 1938-09-27) und Ronnie Perry (am 1938-09-27)
Schlagzeug:
Cliff Leeman (am 1938-09-27)
Trompete:
Johnny Best (jazz trumpeter) (am 1938-09-27), Claude Bowen (am 1938-09-27) und Chuck Peterson (trumpet) (am 1938-09-27)
Orchester:
Artie Shaw and His Orchestra (am 1938-09-27)
3:17
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