A Summer Night: Oscar Peterson

~ Pubblicazione di Oscar Peterson & The Oscar Peterson Trio (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Mas Que Nada
basso :
Sam Jones (US jazz bassist) (dal 1966-12-12 al 1966-12-14)
batteria :
Louis Hayes (dal 1966-12-12 al 1966-12-14)
percussione :
Harold Jones (jazz drummer) (dal 1966-12-12 al 1966-12-14)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1966-12-12 al 1966-12-14)
registrata presso:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1966-12-12 al 1966-12-14)
registrazione strumentale di:
Mas, que nada! (nel 1966-12)
paroliere e compositore:
Jorge Ben Jor
2:28
2Orange Colored Sky
2:15
3Carioca
registrazione di:
Carioca (from "Flying Down to Rio")
paroliere:
Edward Eliscu e Gus Kahn
compositore:
Vincent Youmans
parte di:
Academy Award for Best Original Song (numero: 1934 nominee)
2:16
4Cheek To Cheek
registrazione di:
Cheek to Cheek (from “Top Hat”)
paroliere e compositore:
Irving Berlin (nel 1935)
editore:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
Academy Award for Best Original Song (numero: 1935 nominee)
parte di:
Top Hat (1935 film)
2:28
5Do Nothin' Till You Hear From Me
produttore:
Norman Granz
batteria :
Ed Thigpen (dal 1959-07-14 al 1959-08-09)
contrabbasso [bass] :
Ray Brown (jazz bassist) (dal 1959-07-14 al 1959-08-09)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-14 al 1959-08-09)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-14 al 1959-08-09)
registrazione di:
Do Nothin’ Till You Hear From Me (dal 1959-07-14 al 1959-08-09)
paroliere:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (nel 1943)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1943)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e Sony/ATV Harmony
versione di:
Concerto for Cootie
2:15
6Over The Rainbow
produttore:
Norman Granz
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-14 al 1959-08-09)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-14 al 1959-08-09)
registrazione strumentale di:
Over the Rainbow (The Wizard of Oz) (dal 1959-07-14 al 1959-08-09)
paroliere:
Yip Harburg (nel 1938)
compositore:
Harold Arlen (nel 1938)
eseguita per la prima volta da:
Judy Garland (nel 1939)
editore:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 12th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1939 winner)
parte di:
The Wizard of Oz (1942 Arlen/Harburg musical)
parte di:
The Wizard of Oz (1939 film soundtrack)
registrazione di:
Over the Rainbow (The Wizard of Oz)
paroliere:
Yip Harburg (nel 1938)
compositore:
Harold Arlen (nel 1938)
eseguita per la prima volta da:
Judy Garland (nel 1939)
editore:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 12th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1939 winner)
parte di:
The Wizard of Oz (1942 Arlen/Harburg musical)
parte di:
The Wizard of Oz (1939 film soundtrack)
2:15
7I'm In The Mood For Love
registrazione di:
I’m in the Mood for Love
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jimmy McHugh (songwriter)
editore:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (nel 1935, nel 1963) e EMI Music Publishing Ltd. (PRS‐affiliated) (nel 2016)
2:30
8Top Hat, White Tie, And Tails
registrazione di:
Top Hat, White Tie and Tails (from “Top Hat”)
paroliere e compositore:
Irving Berlin (nel 1935)
parte di:
Top Hat (1935 film)
2:16
9Yesterdays
registrata a:
Los Angeles, California, Stati Uniti (il 1953-12-06)
chitarra :
Barney Kessel (il 1953-12-06)
contrabbasso [bass] :
Ray Brown (jazz bassist) (il 1953-12-06)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1953-12-06)
registrazione di:
Yesterdays (il 1953-12-06)
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
2:36
10Let's Fall In Love
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-14 al 1959-08-09)
batteria :
Ed Thigpen (dal 1959-07-14 al 1959-08-09, dal 1959-07-21 al 1959-08-01)
contrabbasso [bass] :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-14 al 1959-08-09, dal 1959-07-21 al 1959-08-01)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-14 al 1959-08-09, dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
Let’s Fall in Love (dal 1959-07-14 al 1959-08-09)
paroliere:
Ted Koehler (nel 1933)
compositore:
Harold Arlen (nel 1933)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Francis, Day & Hunter Ltd.
registrazione di:
Let’s Fall in Love (dal 1959-07-21 al 1959-08-01)
paroliere:
Ted Koehler (nel 1933)
compositore:
Harold Arlen (nel 1933)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Francis, Day & Hunter Ltd.
2:19
11Stella By Starlight
2:04
12The Lady Is A Tramp
registrazione di:
The Lady Is a Tramp (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Babes in Arms (full musical)
parte di:
Pal Joey
2:06
13Moonglow
2:39
14Chattanooga Choo Choo
registrazione di:
Chattanooga Choo Choo
paroliere:
Mack Gordon (nel 1941)
compositore:
Harry Warren (US composer and lyricist) (nel 1941)
editore:
EMI Feist Catalog Inc., Warner Bros., Inc. (Warner Bros. Music Division) e WC Music Corp.
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The 14th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1941 nominee)
2:09
15Don Cha Go Way Mad (Live At The Shrine Auditorium,1957)
2:32
16Turtle Neck
registrata a:
Los Angeles, California, Stati Uniti (il 1951-11-25)
chitarra :
Barney Kessel (il 1951-11-25)
contrabbasso [bass] :
Ray Brown (jazz bassist) (il 1951-11-25)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1951-11-25)
2:20
17Stormy Weather
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-14 al 1959-08-09)
batteria :
Ed Thigpen (dal 1959-07-14 al 1959-08-09, dal 1959-07-21 al 1959-08-01)
contrabbasso [bass] :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-14 al 1959-08-09, dal 1959-07-21 al 1959-08-01)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-14 al 1959-08-09, dal 1959-07-21 al 1959-08-01)
registrazione strumentale cover di:
Stormy Weather (dal 1959-07-14 al 1959-08-09)
paroliere:
Ted Koehler (nel 1933)
compositore:
Harold Arlen (nel 1933)
editore:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. e The Songwriters Guild
2:43
18The Way You Look Tonight
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1950-08)
registrazione strumentale di:
The Way You Look Tonight (from “Swing Time”) (nel 1950-08)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (nel 1936)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 9th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1936 winner)
parte di:
Swing Time (film)
registrazione di:
The Way You Look Tonight (from “Swing Time”)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (nel 1936)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 9th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1936 winner)
parte di:
Swing Time (film)
2:59
19I've Got The World On A String
basso :
Ray Brown (jazz bassist) (dal 1959-07-14 al 1959-08-09)
batteria :
Ed Thigpen (dal 1959-07-14 al 1959-08-09)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-14 al 1959-08-09)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-14 al 1959-08-09)
registrazione strumentale di:
I’ve Got the World on a String (dal 1959-07-14 al 1959-08-09)
paroliere:
Ted Koehler (nel 1932)
compositore:
Harold Arlen (nel 1932)
editore:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) e S.A. Music Co.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
registrazione di:
I’ve Got the World on a String
paroliere:
Ted Koehler (nel 1932)
compositore:
Harold Arlen (nel 1932)
editore:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) e S.A. Music Co.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
2:29
20(Ad Lib) Medium Dance
2:03
21It's All Right With Me (Live At The Chicago Opera House,1957)
2:32
22It's Only A Paper Moon
registrazione di:
It’s Only a Paper Moon
paroliere:
E.Y. Harburg (nel 1933) e Billy Rose (lyricist and Broadway producer) (nel 1933)
compositore:
Harold Arlen (nel 1933)
editore:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. e Warner Bros. Music (publisher; do NOT use as release label)
2:32
23Sophisticated Lady
produttore:
Norman Granz
batteria :
Ed Thigpen (dal 1959-07-14 al 1959-08-09)
contrabbasso [bass] :
Ray Brown (jazz bassist) (dal 1959-07-14 al 1959-08-09)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-14 al 1959-08-09)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-14 al 1959-08-09)
registrazione di:
Sophisticated Lady (dal 1959-07-14 al 1959-08-09)
paroliere:
Mitchell Parish e Irving Mills (nel 1932)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1932)
editore:
Duke Ellington Music (conclusa), Mills Music, Inc. (conclusa), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (fino al 2007-05) e Sony/ATV Harmony (dal 2007-05 a oggi)
parte di:
Sophisticated Ladies (1981 musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
2:24
24Thou Swell
registrazione di:
Thou Swell
paroliere:
Lorenz Hart (nel 1927)
compositore:
Richard Rodgers (composer) (nel 1927)
editore:
Marlin Enterprises e Warner Bros. (holding: file NO releases)
2:29
25The Man That Got Away
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-14 al 1959-08-09)
batteria :
Ed Thigpen (dal 1959-07-14 al 1959-08-09, dal 1959-07-21 al 1959-08-01)
contrabbasso [bass] :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-14 al 1959-08-09, dal 1959-07-21 al 1959-08-01)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-14 al 1959-08-09, dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
The Man That Got Away (A Star Is Born) (dal 1959-07-14 al 1959-08-09)
paroliere:
Ira Gershwin (nel 1953)
compositore:
Harold Arlen (nel 1953)
editore:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) e WB Music Corp. (1929–2019)
parte di:
The 27th Academy Award for Best Original Song (numero: 2)
registrazione strumentale di:
The Man That Got Away (A Star Is Born) (nel 1959)
paroliere:
Ira Gershwin (nel 1953)
compositore:
Harold Arlen (nel 1953)
editore:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) e WB Music Corp. (1929–2019)
parte di:
The 27th Academy Award for Best Original Song (numero: 2)
registrazione di:
The Man That Got Away (A Star Is Born)
paroliere:
Ira Gershwin (nel 1953)
compositore:
Harold Arlen (nel 1953)
editore:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) e WB Music Corp. (1929–2019)
parte di:
The 27th Academy Award for Best Original Song (numero: 2)
2:39
26Black Coffee
2:17
27A Sunday Kind Of Love
registrazione strumentale cover di:
A Sunday Kind of Love
autore:
Barbara Belle, Anita Leonard (US pianist, composer and lyricist), Louis Prima e Stan Rhodes
editore:
Leeds Music Inc.
2:33
28I Love You
registrata a:
New York, New York, Stati Uniti (il 1962-06-14)
batteria :
Ed Thigpen (il 1962-06-14)
contrabbasso :
Ray Brown (jazz bassist) (il 1962-06-14)
cornetta :
Nat Adderley (il 1962-06-14)
corno francese :
Ray Alonge (french horn) (il 1962-06-14), Jim Buffington (US jazz, studio and classical hornist) (il 1962-06-14), Willie Ruff (il 1962-06-14), Morris Secon (il 1962-06-14) e Julius Watkins (il 1962-06-14)
flicorno soprano e tromba :
Clark Terry (American swing trumpeter) (il 1962-06-14)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1962-06-14)
sassofono baritono :
George Dorsey (il 1962-06-14) e Seldon Powell (il 1962-06-14)
sassofono contralto :
Cannonball Adderley (il 1962-06-14) e Norris Turney (il 1962-06-14)
sassofono tenore :
James Moody (jazz saxophonist) (il 1962-06-14) e Jerome Richardson (il 1962-06-14)
tromba :
Roy Eldridge (il 1962-06-14), Jimmy Nottingham (il 1962-06-14), Ernie Royal (il 1962-06-14) e Snooky Young (il 1962-06-14)
trombone :
Jimmy Cleveland (US jazz trombonist) (il 1962-06-14), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (il 1962-06-14), Slide Hampton (il 1962-06-14), Melba Liston (US jazz trombonist) (il 1962-06-14) e Britt Woodman (il 1962-06-14)
tuba :
Don Butterfield (il 1962-06-14)
direttore d'orchestra:
Ernie Wilkins (il 1962-06-14)
arrangiatore:
Ernie Wilkins
registrazione di:
I Love You (Mexican Hayride musical)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
2:39
29I Get A Kick Out Of You (Run Through)
0:38
30Ac-cent-tchu-ate The Positive
basso :
Ray Brown (jazz bassist) (dal 1959-07-14 al 1959-08-09)
batteria :
Ed Thigpen (dal 1959-07-14 al 1959-08-09)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-14 al 1959-08-09)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-14 al 1959-08-09)
registrazione strumentale di:
Ac‐cent‐tchu‐ate the Positive (dal 1959-07-14 al 1959-08-09)
paroliere:
Johnny Mercer (nel 1944)
compositore:
Harold Arlen (nel 1944)
editore:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The 18th Academy Award for Best Original Song (numero: 2)
2:01
31Everytime We Say Goodbye
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
batteria :
Ed Thigpen (dal 1959-07-21 al 1959-08-01)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-21 al 1959-08-01)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (dal 1959-07-21 al 1959-08-01)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
registrazione di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:18
32The Boy Next Door
2:20
33I Hear Music
registrata a:
New York, New York, Stati Uniti (il 1953-05-21)
chitarra :
Barney Kessel (il 1953-05-21)
contrabbasso [bass] :
Ray Brown (jazz bassist) (il 1953-05-21)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1953-05-21)
voce:
Oscar Peterson (Canadian jazz pianist and composer)
registrazione strumentale di:
I Hear Music (Dancing on a Dime) (il 1953-05-21)
paroliere:
Frank Loesser
compositore:
Burton Lane
editore:
Sony/ATV Harmony
sub-editore:
Sony Music Publishing France
registrazione di:
I Hear Music (Dancing on a Dime)
paroliere:
Frank Loesser
compositore:
Burton Lane
editore:
Sony/ATV Harmony
sub-editore:
Sony Music Publishing France
2:28
34Johnny One Note
registrazione di:
Johnny One Note
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co.
parte di:
Babes in Arms (full musical)
2:30
35I Can't Get Started (False Start)
registrazione di:
I Can’t Get Started (il 1952-11-28)
paroliere:
Ira Gershwin
compositore:
Vernon Duke
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) e Universal Music Corp. (USA, affiliated with ASCAP)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
0:52
36Here Come De Honey Man
registrata a:
Los Angeles, California, Stati Uniti (il 1959-10-12)
produttore:
Norman Granz
batteria :
Ed Thigpen (il 1959-10-12)
contrabbasso :
Ray Brown (jazz bassist) (il 1959-10-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1959-10-12)
registrazione strumentale cover di:
Porgy and Bess: Act I, Scene I. “Here Come de Honey Man”
paroliere:
Ira Gershwin e DuBose Heyward
compositore:
George Gershwin (composer)
parte di:
Porgy and Bess: Act I, Scene I
1:08
37You Took Advantage Of Me
1:58
38They All Laughed
basso :
Ray Brown (jazz bassist) (dal 1959-07-14 al 1959-08-09)
batteria :
Ed Thigpen (dal 1959-07-14 al 1959-08-09)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-14 al 1959-08-09)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-14 al 1959-08-09)
registrazione strumentale di:
They All Laughed (from “Shall We Dance”) (dal 1959-07-14 al 1959-08-09)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK) e Gershwin Publishing Corp (nel 1937)
parte di:
Shall We Dance (1937 film soundtrack)
registrazione di:
They All Laughed (from “Shall We Dance”)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK) e Gershwin Publishing Corp (nel 1937)
parte di:
Shall We Dance (1937 film soundtrack)
32:31
39Oh, Lawd, I'm On My Way
registrata a:
Los Angeles, California, Stati Uniti (il 1959-10-12)
produttore:
Norman Granz
batteria :
Ed Thigpen (il 1959-10-12)
contrabbasso :
Ray Brown (jazz bassist) (il 1959-10-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1959-10-12)
registrazione strumentale cover di:
Porgy and Bess: Act III, Scene III. “Oh Lawd, I’m on My Way”
paroliere:
Ira Gershwin e DuBose Heyward
compositore:
George Gershwin (composer) (dal 1934 al 1935)
parte di:
Porgy and Bess: Act III, Scene III
2:33
40What's New?
registrata a:
Chicago, Illinois, Stati Uniti (il 1957-10-14)
tecnico:
Val Valentin
produttore:
Norman Granz
batteria :
Louie Bellson (il 1957-10-14)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-10-14)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-10-14)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-10-14)
tromba :
Louis Armstrong (il 1957-10-14)
voce:
Louis Armstrong (il 1957-10-14)
registrazione di:
What’s New? (il 1957-10-14)
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Bob Haggart
editore:
B. Feldman & Co. Ltd. (publisher est. 1946) e Warner Bros., Inc. (not for release label use!)
2:40
41But Not For Me
registrazione di:
But Not for Me
paroliere:
Ira Gershwin (nel 1930)
compositore:
George Gershwin (composer) (nel 1930)
editore:
WB Music Corp. (1929–2019) (fino al 2019-05-28), New World Music Co. (nel 1930) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Girl Crazy (1930 Musical)
parte di:
When the Boys Meet the Girls (1965 film)
2:28
42Ol' Man River
basso :
Ray Brown (jazz bassist) (dal 1959-07-14 al 1959-08-09)
batteria :
Ed Thigpen (dal 1959-07-14 al 1959-08-09)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-14 al 1959-08-09)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-14 al 1959-08-09)
registrazione strumentale di:
Ol’ Man River (Show Boat) (dal 1959-07-14 al 1959-08-09)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1927)
compositore:
Jerome Kern (nel 1927)
editore:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) e T.B. Harms Co. (il 1927-11-30)
parte di:
Show Boat (1951 film)
parte di:
Show Boat: Act I
registrazione di:
Ol’ Man River (Show Boat)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1927)
compositore:
Jerome Kern (nel 1927)
editore:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) e T.B. Harms Co. (il 1927-11-30)
parte di:
Show Boat (1951 film)
parte di:
Show Boat: Act I
2:35
43Billy Boy (Live At The London House, Chicago, 7/28/1961 (Version 2))
produttore:
Jim Davis (jazz producer)
batteria :
Ed Thigpen (il 1961-07-28)
contrabbasso [bass] :
Ray Brown (jazz bassist) (il 1961-07-28)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1961-07-28)
registrata presso:
London House in Chicago, Illinois, Stati Uniti (il 1961-07-28)
registrazione dal vivo di:
Billy Boy (il 1961-07-28)
autore:
[traditional] (special purpose artist)
compositore:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
parte di:
Roud Folk Song Index (numero: 326)
2:37
44Night And Day
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
batteria :
Ed Thigpen (dal 1959-07-21 al 1959-08-01)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-21 al 1959-08-01)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
Night and Day (Cole Porter; from “The Gay Divorce”) (dal 1959-07-21 al 1959-08-01)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
registrazione di:
Night and Day (Cole Porter; from “The Gay Divorce”)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
2:31
45Minor Blues
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1950-08)
registrazione di:
Minor Blues (nel 1950-08)
compositore:
Django Reinhardt (French jazz guitarist and composer)
3:39
46Rockin' In Rhythm
produttore:
Norman Granz
batteria :
Ed Thigpen (dal 1959-07-14 al 1959-08-09)
contrabbasso [bass] :
Ray Brown (jazz bassist) (dal 1959-07-14 al 1959-08-09)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-14 al 1959-08-09)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-14 al 1959-08-09)
registrazione di:
Rockin’ in Rhythm (dal 1959-07-14 al 1959-08-09)
compositore:
Harry Carney, Duke Ellington (US composer, pianist & jazz bandleader) e Irving Mills
si basa su:
Kinda Dukish
2:15
47Stranger On The Shore
2:34
48I Didn't Know What Time It Was
registrazione di:
I Didn’t Know What Time It Was (Pal Joey)
paroliere:
Lorenz Hart (nel 1939)
compositore:
Richard Rodgers (composer) (nel 1939)
editore:
Lorenz Hart Publishing Co. e Williamson Music Company
parte di:
Pal Joey
2:38
49A Lot Of Livin To Do
2:28
50I Couldn't Sleep A Wink Last Night
registrazione di:
I Couldn’t Sleep a Wink Last Night
paroliere:
Harold Adamson
compositore:
Jimmy McHugh (songwriter)
parte di:
The 17th Academy Award for Best Original Song (numero: 2)
parte di:
Higher and Higher (1944 film)
2:40
51Lullaby Of The Leaves
registrazione di:
Lullaby of the Leaves
paroliere:
Joe Young (US lyricist)
compositore:
Bernice Petkere
2:39
52Goody, Goody (Live At The Chicago Opera House,1957)
1:55
53Look For The Silver Lining
registrata a:
Los Angeles, California, Stati Uniti (il 1953-12-07)
chitarra :
Barney Kessel (il 1953-12-07)
contrabbasso [bass] :
Ray Brown (jazz bassist) (il 1953-12-07)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1953-12-07)
registrazione di:
Look for the Silver Lining (il 1953-12-07)
paroliere:
Buddy DeSylva
compositore:
Jerome Kern
editore:
Chappell & Co. e T.B. Harms Co.
parte di:
Sally (1920 musical)
2:30
54On The Outside Looking In
2:32
55Let's Call The Whole Thing Off
basso :
Ray Brown (jazz bassist) (dal 1959-07-14 al 1959-08-09)
batteria :
Ed Thigpen (dal 1959-07-14 al 1959-08-09)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-14 al 1959-08-09)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-14 al 1959-08-09)
registrazione strumentale di:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (dal 1959-07-14 al 1959-08-09)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Gershwin Publishing Corp (nel 1937)
versione tradotta di:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
parte di:
Shall We Dance (1937 film soundtrack)
registrazione di:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Gershwin Publishing Corp (nel 1937)
versione tradotta di:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
parte di:
Shall We Dance (1937 film soundtrack)
2:20
56Taking A Chance On Love
2:23
57You're Laughing At Me
registrazione strumentale di:
You’re Laughing at Me
paroliere e compositore:
Irving Berlin (nel 1937)
registrazione di:
You’re Laughing at Me
paroliere e compositore:
Irving Berlin (nel 1937)
2:21
58Makin' Whoopee (Breakdown)
1:16
59'S Wonderful
registrata a:
Los Angeles, California, Stati Uniti (dal 1952-11 al 1952-12)
chitarra :
Barney Kessel (nel 1952)
contrabbasso [bass] :
Ray Brown (jazz bassist) (nel 1952)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952)
registrazione strumentale di:
’S Wonderful (nel 1952)
paroliere:
Ira Gershwin (nel 1927)
compositore:
George Gershwin (composer) (nel 1927)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e WB Music Corp. (1929–2019)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Funny Face (1927 musical)
parte di:
My One and Only (1983 Broadway musical)
registrazione di:
’S Wonderful
paroliere:
Ira Gershwin (nel 1927)
compositore:
George Gershwin (composer) (nel 1927)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e WB Music Corp. (1929–2019)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Funny Face (1927 musical)
parte di:
My One and Only (1983 Broadway musical)
42:38
60Them There Eyes
2:36
61Drums In My Heart
1:43
62Between The Devil And The Deep Blue Sea
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-14 al 1959-08-09)
batteria :
Ed Thigpen (dal 1959-07-14 al 1959-08-09, dal 1959-07-21 al 1959-08-01)
contrabbasso [bass] :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-14 al 1959-08-09, dal 1959-07-21 al 1959-08-01)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-14 al 1959-08-09, dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
Between the Devil and the Deep Blue Sea (dal 1959-07-14 al 1959-08-09)
paroliere:
Ted Koehler
compositore:
Harold Arlen
editore:
Mills Music, S.A. Music Co. e Ted Koehler Music Co.
registrazione di:
Between the Devil and the Deep Blue Sea (dal 1959-07-21 al 1959-08-01)
paroliere:
Ted Koehler
compositore:
Harold Arlen
editore:
Mills Music, S.A. Music Co. e Ted Koehler Music Co.
2:42
63Come Dance With Me
registrata a:
Paris, Île-de-France, Francia (il 1959-05-18)
batteria :
Ed Thigpen (il 1959-05-18)
contrabbasso e contrabbasso ospite :
Ray Brown (jazz bassist) (il 1959-05-18)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1959-05-18)
registrazione strumentale di:
Come Dance With Me (il 1959-05-18)
paroliere:
Sammy Cahn
compositore:
Jimmy Van Heusen
editore:
Cahn Music Company, Maraville Music Corp., PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. e フジパシフィックミュージック (Fujipacific Music, Inc.)
registrazione di:
Come Dance With Me
paroliere:
Sammy Cahn
compositore:
Jimmy Van Heusen
editore:
Cahn Music Company, Maraville Music Corp., PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. e フジパシフィックミュージック (Fujipacific Music, Inc.)
42:19
64Honey Dripper
registrata a:
Los Angeles, California, Stati Uniti (il 1962-12-15, dal 1962-12-15 al 1962-12-16)
tecnico:
Val Valentin
produttore:
Norman Granz
batteria :
Ed Thigpen (il 1962-12-15, dal 1962-12-15 al 1962-12-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1962-12-15, dal 1962-12-15 al 1962-12-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1962-12-15, dal 1962-12-15 al 1962-12-16)
registrazione strumentale di:
The Honeydripper (il 1962-12-15)
paroliere e compositore:
Joe Liggins
registrazione di:
The Honeydripper (dal 1962-12-15 al 1962-12-16)
paroliere e compositore:
Joe Liggins
2:22
65I Feel A Song Coming On
2:29
66There's A Small Hotel
registrata a:
Los Angeles, California, Stati Uniti (il 1952-01-26)
chitarra :
Irving Ashby (il 1952-01-26)
contrabbasso [bass] :
Ray Brown (jazz bassist) (il 1952-01-26)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1952-01-26)
registrazione strumentale di:
There’s a Small Hotel (from “On Your Toes”) (il 1952-01-26)
paroliere:
Lorenz Hart (nel 1936)
compositore:
Richard Rodgers (composer) (nel 1936)
parte di:
On Your Toes
parte di:
Pal Joey
registrazione di:
There’s a Small Hotel (from “On Your Toes”)
paroliere:
Lorenz Hart (nel 1936)
compositore:
Richard Rodgers (composer) (nel 1936)
parte di:
On Your Toes
parte di:
Pal Joey
2:26
67Night Train (Partial Take/Breakdown)
registrazione di:
Night Train (Jimmy Forrest’s original instrumental version)
compositore:
Jimmy Forrest
si basa su:
Happy Go Lucky Local
1:28
68I Love Paris
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
batteria :
Ed Thigpen (dal 1959-07-21 al 1959-08-01)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-21 al 1959-08-01)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
I Love Paris (Can-Can [Pistache, Company]) (dal 1959-07-21 al 1959-08-01)
paroliere e compositore:
Cole Porter (composer) (nel 1953)
editore:
Chappell (library/production music), Chappell & Co., Inc. (USA) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
Can‐Can
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
registrazione di:
I Love Paris (Can-Can [Pistache, Company])
paroliere e compositore:
Cole Porter (composer) (nel 1953)
editore:
Chappell (library/production music), Chappell & Co., Inc. (USA) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
Can‐Can
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
2:09
69I Won't Dance
basso :
Ray Brown (jazz bassist) (dal 1959-07-14 al 1959-08-09)
batteria :
Ed Thigpen (dal 1959-07-14 al 1959-08-09)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-14 al 1959-08-09)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-14 al 1959-08-09)
registrazione strumentale di:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (dal 1959-07-14 al 1959-08-09)
paroliere:
Jimmy McHugh (songwriter) e Dorothy Fields (American librettist and lyricist) (nel 1935)
compositore:
Jerome Kern
editore:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
si basa su:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
registrazione di:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
paroliere:
Jimmy McHugh (songwriter) e Dorothy Fields (American librettist and lyricist) (nel 1935)
compositore:
Jerome Kern
editore:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
si basa su:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
2:29
70Prelude To A Kiss
produttore:
Norman Granz
batteria :
Ed Thigpen (dal 1959-07-14 al 1959-08-09)
contrabbasso [bass] :
Ray Brown (jazz bassist) (dal 1959-07-14 al 1959-08-09)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-14 al 1959-08-09)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-14 al 1959-08-09)
registrazione di:
Prelude to a Kiss (dal 1959-07-14 al 1959-08-09)
paroliere:
Irving Gordon (US songwriter) (nel 1938) e Irving Mills (nel 1938)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1938)
editore:
J. R. Lafleur & Son Ltd. e Lafleur Music Ltd.
2:31
71Love Me Or Leave Me
2:32
72Oh Dey's So Fresh And Fine (Strawberry Woman)
registrata a:
Los Angeles, California, Stati Uniti (il 1959-10-12)
produttore:
Norman Granz
batteria :
Ed Thigpen (il 1959-10-12)
contrabbasso :
Ray Brown (jazz bassist) (il 1959-10-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1959-10-12)
registrazione strumentale cover di:
Porgy and Bess: Act II, Scene III. “Oh dey’s so fresh an’ fine”
paroliere:
Ira Gershwin e DuBose Heyward
compositore:
George Gershwin (composer)
parte di:
Porgy and Bess: Act II, Scene III
0:53
73Change Partners
registrazione strumentale di:
Change Partners (from “Carefree”)
paroliere e compositore:
Irving Berlin (nel 1938)
editore:
Irving Berlin Music Corp. e Williamson Music Company
parte di:
The 11th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1938 nominee)
registrazione di:
Change Partners (from “Carefree”)
paroliere e compositore:
Irving Berlin (nel 1938)
editore:
Irving Berlin Music Corp. e Williamson Music Company
parte di:
The 11th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1938 nominee)
2:25
74This Can't Be Love
registrazione di:
This Can’t Be Love
paroliere:
Lorenz Hart (nel 1938)
compositore:
Richard Rodgers (composer) (nel 1938)
editore:
Chappell & Co. e Warner/Chappell (Warner/Chappell Music, Inc.)
2:33
75Gravy Waltz
2:22
76Lover
registrazione di:
Lover
paroliere:
Lorenz Hart (nel 1932)
compositore:
Richard Rodgers (composer) (nel 1932)
editore:
Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:03
77John Hardy's Wife
produttore:
Norman Granz
batteria :
Ed Thigpen (dal 1959-07-14 al 1959-08-09)
contrabbasso [bass] :
Ray Brown (jazz bassist) (dal 1959-07-14 al 1959-08-09)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-14 al 1959-08-09)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-14 al 1959-08-09)
registrazione di:
John Hardy's Wife (dal 1959-07-14 al 1959-08-09)
compositore:
Mercer Ellington
2:34
78I Used To Be Color Blind
registrazione di:
I Used to Be Color Blind (from "Carefree")
paroliere e compositore:
Irving Berlin (nel 1938)
2:18
79Just In Time
registrata a:
Paris, Île-de-France, Francia (il 1959-05-18)
basso ospite e contrabbasso :
Ray Brown (jazz bassist) (il 1959-05-18)
batteria :
Ed Thigpen (il 1959-05-18)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1959-05-18)
registrazione strumentale di:
Just in Time (Bells Are Ringing) (il 1959-05-18)
paroliere:
Betty Comden (nel 1956) e Adolph Green (nel 1956)
compositore:
Jule Styne (nel 1956)
editore:
Chappell Music (UK), Stratford Music Corporation e Warner/Chappell North America
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Bells Are Ringing (stage musical)
registrazione di:
Just in Time (Bells Are Ringing)
paroliere:
Betty Comden (nel 1956) e Adolph Green (nel 1956)
compositore:
Jule Styne (nel 1956)
editore:
Chappell Music (UK), Stratford Music Corporation e Warner/Chappell North America
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Bells Are Ringing (stage musical)
1:49
80Shall We Dance?
basso :
Ray Brown (jazz bassist) (dal 1959-07-14 al 1959-08-09)
batteria :
Ed Thigpen (dal 1959-07-14 al 1959-08-09)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-14 al 1959-08-09)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-14 al 1959-08-09)
registrazione strumentale di:
Shall We Dance (dal 1959-07-14 al 1959-08-09)
paroliere:
Ira Gershwin
compositore:
George Gershwin (composer)
editore:
Gershwin Publishing Corp (nel 1937)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Shall We Dance (1937 film soundtrack)
registrazione di:
Shall We Dance
paroliere:
Ira Gershwin
compositore:
George Gershwin (composer)
editore:
Gershwin Publishing Corp (nel 1937)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Shall We Dance (1937 film soundtrack)
registrazione strumentale di:
Shall We Dance? (The King and I)
orchestratore:
Robert Russell Bennett (American composer and arranger)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Rodgers & Hammerstein Theatrical Europe Ltd. e Williamson Music Company
parte di:
The King and I (Rodgers & Hammerstein musical)
42:16
81Chanel
2:38
82We'll Be Together Again (Live At Civic Opera House, Chicago)
2:33
83Happiness Is A Thing Called Joe
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-14 al 1959-08-09)
batteria :
Ed Thigpen (dal 1959-07-14 al 1959-08-09, dal 1959-07-21 al 1959-08-01)
contrabbasso [bass] :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-14 al 1959-08-09, dal 1959-07-21 al 1959-08-01)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-14 al 1959-08-09, dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
Happiness Is a Thing Called Joe (dal 1959-07-14 al 1959-08-09)
paroliere:
Yip Harburg (nel 1940)
compositore:
Harold Arlen (nel 1940)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
registrazione strumentale di:
Happiness Is a Thing Called Joe (nel 1959)
paroliere:
Yip Harburg (nel 1940)
compositore:
Harold Arlen (nel 1940)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
registrazione di:
Happiness Is a Thing Called Joe
paroliere:
Yip Harburg (nel 1940)
compositore:
Harold Arlen (nel 1940)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
2:14
84Echoes
2:37
85I've Got You Under My Skin
registrata a:
Los Angeles, California, Stati Uniti (dal 1952-11 al 1952-12, nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952, nel 1952-12)
contrabbasso [bass] :
Ray Brown (jazz bassist) (nel 1952)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952, nel 1952-12)
registrazione strumentale di:
I’ve Got You Under My Skin (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
registrazione strumentale di:
I’ve Got You Under My Skin (nel 1952)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
registrazione di:
I’ve Got You Under My Skin
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
2:30
86Blue And Sentimental
batteria :
Buddy Rich (il 1955-12-27)
chitarra :
Herb Ellis (jazz guitarist) (il 1955-12-27)
contrabbasso :
Ray Brown (jazz bassist) (il 1955-12-27)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1955-12-27)
registrazione di:
Blue and Sentimental (il 1955-12-27)
compositore:
Count Basie (pianist), Mack David (American lyricist and songwriter) e Jerry Livingston (songwriter)
2:26
87Now's The Time
2:34
88Don't Get Around Much Anymore
produttore:
Norman Granz
batteria :
Ed Thigpen (dal 1959-07-14 al 1959-08-09)
contrabbasso [bass] :
Ray Brown (jazz bassist) (dal 1959-07-14 al 1959-08-09)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-14 al 1959-08-09)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-14 al 1959-08-09)
registrazione di:
Don’t Get Around Much Anymore (dal 1959-07-14 al 1959-08-09)
paroliere:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (nel 1942)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1940)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. e Sony/ATV Harmony
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
versione di:
Never No Lament
2:33
89Just One Of Those Things
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
batteria :
Ed Thigpen (nel 1959, dal 1959-07-21 al 1959-08-01)
contrabbasso :
Ray Brown (jazz bassist) (nel 1959)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1959, dal 1959-07-21 al 1959-08-01)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
Just One of Those Things (dal 1959-07-21 al 1959-08-01)
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
registrazione strumentale di:
Just One of Those Things (nel 1959)
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
registrazione di:
Just One of Those Things
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
2:22
90You Make Me Feel So Young
registrata a:
Paris, Île-de-France, Francia (il 1959-05-18)
basso ospite e contrabbasso :
Ray Brown (jazz bassist) (il 1959-05-18)
batteria :
Ed Thigpen (il 1959-05-18)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1959-05-18)
registrazione strumentale di:
You Make Me Feel So Young (il 1959-05-18)
paroliere:
Mack Gordon
compositore:
Josef Myrow
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
versione di:
E bi eit barn med deg
registrazione di:
You Make Me Feel So Young
paroliere:
Mack Gordon
compositore:
Josef Myrow
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
versione di:
E bi eit barn med deg
42:37
91Soft Sands
2:18
92Long Ago (And Far Away)
basso :
Ray Brown (jazz bassist) (dal 1959-07-14 al 1959-08-09)
batteria :
Ed Thigpen (dal 1959-07-14 al 1959-08-09)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-14 al 1959-08-09)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-14 al 1959-08-09)
registrazione strumentale di:
Long Ago (and Far Away) (dal 1959-07-14 al 1959-08-09)
paroliere:
Ira Gershwin
compositore:
Jerome Kern
editore:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) e T.B. Harms Co. (nel 1944)
parte di:
The 17th Academy Award for Best Original Song (numero: 2)
compresa in:
Cover Girl (1944)
2:32
93Hallelujah!
registrata a:
Los Angeles, California, Stati Uniti (il 1953-12-06)
chitarra :
Barney Kessel (il 1953-12-06)
contrabbasso [bass] :
Ray Brown (jazz bassist) (il 1953-12-06)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1953-12-06)
registrazione di:
Hallelujah!
paroliere:
Clifford Grey (nel 1927) e Leo Robin (US composer, lyricist & songwriter) (nel 1927)
compositore:
Vincent Youmans (nel 1927)
parte di:
Hit the Deck (1955 movie)
2:30

Accreditamenti

Pubblicazione

scaricare a pagamento:https://music.apple.com/us/album/1760329319 [info]
pagina di streaming:Amazon Music US [info]

Gruppo di pubblicazioni

Allmusic:https://www.allmusic.com/album/mw0004348407 [info]