A Summer Night: Oscar Peterson

~ Veröffentlichung von Oscar Peterson & The Oscar Peterson Trio (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Mas Que Nada
Bass:
Sam Jones (US jazz bassist) (von 1966-12-12 bis 1966-12-14)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1966-12-12 bis 1966-12-14)
Perkussion:
Harold Jones (jazz drummer) (von 1966-12-12 bis 1966-12-14)
Schlagzeug:
Louis Hayes (von 1966-12-12 bis 1966-12-14)
aufgenommen bei:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1966-12-12 bis 1966-12-14)
instrumental recording of:
Mas, que nada! (in 1966-12)
Texter und Komponist(in):
Jorge Ben Jor
2:28
2Orange Colored Sky
2:15
3Carioca
recording of:
Carioca (from "Flying Down to Rio")
Texter:
Edward Eliscu und Gus Kahn
Komponist(in):
Vincent Youmans
Teil von:
Academy Award for Best Original Song (Nummer: 1934 nominee)
2:16
4Cheek To Cheek
recording of:
Cheek to Cheek (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
2:28
5Do Nothin' Till You Hear From Me
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09)
Kontrabass [bass]:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09)
recording of:
Do Nothin’ Till You Hear From Me (von 1959-07-14 bis 1959-08-09)
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Harmony
Version von:
Concerto for Cootie
2:15
6Over The Rainbow
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09)
instrumental recording of:
Over the Rainbow (The Wizard of Oz) (von 1959-07-14 bis 1959-08-09)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
recording of:
Over the Rainbow (The Wizard of Oz)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
2:15
7I'm In The Mood For Love
recording of:
I’m in the Mood for Love
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
2:30
8Top Hat, White Tie, And Tails
recording of:
Top Hat, White Tie and Tails (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
2:16
9Yesterdays
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-06)
Gitarre:
Barney Kessel (am 1953-12-06)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1953-12-06)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1953-12-06)
recording of:
Yesterdays (am 1953-12-06)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
2:36
10Let's Fall In Love
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
Kontrabass [bass]:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Let’s Fall in Love (von 1959-07-14 bis 1959-08-09)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Francis, Day & Hunter Ltd.
recording of:
Let’s Fall in Love (von 1959-07-21 bis 1959-08-01)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Francis, Day & Hunter Ltd.
2:19
11Stella By Starlight
2:04
12The Lady Is A Tramp
recording of:
The Lady Is a Tramp (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
2:06
13Moonglow
2:39
14Chattanooga Choo Choo
recording of:
Chattanooga Choo Choo
Texter:
Mack Gordon (in 1941)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1941)
publisher:
EMI Feist Catalog Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
2:09
15Don Cha Go Way Mad (Live At The Shrine Auditorium,1957)
2:32
16Turtle Neck
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-11-25)
Gitarre:
Barney Kessel (am 1951-11-25)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1951-11-25)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1951-11-25)
2:20
17Stormy Weather
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
Kontrabass [bass]:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Stormy Weather (von 1959-07-14 bis 1959-08-09)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
instrumental recording of:
Stormy Weather (in 1959)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
recording of:
Stormy Weather
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
2:43
18The Way You Look Tonight
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1950-08)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (in 1950-08)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
2:59
19I've Got The World On A String
Bass:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09)
instrumental recording of:
I’ve Got the World on a String (von 1959-07-14 bis 1959-08-09)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
recording of:
I’ve Got the World on a String
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
2:29
20(Ad Lib) Medium Dance
2:03
21It's All Right With Me (Live At The Chicago Opera House,1957)
2:32
22It's Only A Paper Moon
recording of:
It’s Only a Paper Moon
Texter:
E.Y. Harburg (in 1933) und Billy Rose (lyricist and Broadway producer) (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. und Warner Bros. Music (publisher; do NOT use as release label)
2:32
23Sophisticated Lady
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09)
Kontrabass [bass]:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09)
recording of:
Sophisticated Lady (von 1959-07-14 bis 1959-08-09)
Texter:
Mitchell Parish und Irving Mills (in 1932)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (beendet), Mills Music, Inc. (beendet), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (bis 2007-05) und Sony/ATV Harmony (vom 2007-05 bis heute)
Teil von:
Sophisticated Ladies (1981 musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:24
24Thou Swell
recording of:
Thou Swell
Texter:
Lorenz Hart (in 1927)
Komponist(in):
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises und Warner Bros. (holding: file NO releases)
2:29
25The Man That Got Away
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
Kontrabass [bass]:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
instrumental recording of:
The Man That Got Away (A Star Is Born) (von 1959-07-14 bis 1959-08-09)
Texter:
Ira Gershwin (in 1953)
Komponist(in):
Harold Arlen (in 1953)
publisher:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und WB Music Corp. (1929–2019)
Teil von:
The 27th Academy Award for Best Original Song (Nummer: 2)
instrumental recording of:
The Man That Got Away (A Star Is Born) (in 1959)
Texter:
Ira Gershwin (in 1953)
Komponist(in):
Harold Arlen (in 1953)
publisher:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und WB Music Corp. (1929–2019)
Teil von:
The 27th Academy Award for Best Original Song (Nummer: 2)
recording of:
The Man That Got Away (A Star Is Born)
Texter:
Ira Gershwin (in 1953)
Komponist(in):
Harold Arlen (in 1953)
publisher:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und WB Music Corp. (1929–2019)
Teil von:
The 27th Academy Award for Best Original Song (Nummer: 2)
2:39
26Black Coffee
2:17
27A Sunday Kind Of Love
instrumental cover recording of:
A Sunday Kind of Love
Verfasser(in):
Barbara Belle, Anita Leonard (US pianist, composer and lyricist), Louis Prima und Stan Rhodes
publisher:
Leeds Music Inc.
2:33
28I Love You
recorded in:
New York, New York, Vereinigte Staaten (am 1962-06-14)
alto saxophone:
Cannonball Adderley (am 1962-06-14) und Norris Turney (am 1962-06-14)
baritone saxophone:
George Dorsey (am 1962-06-14) und Seldon Powell (am 1962-06-14)
Flügelhorn und Trompete:
Clark Terry (American swing trumpeter) (am 1962-06-14)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1962-06-14)
Kontrabass:
Ray Brown (jazz bassist) (am 1962-06-14)
Kornett:
Nat Adderley (am 1962-06-14)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1962-06-14), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (am 1962-06-14), Slide Hampton (am 1962-06-14), Melba Liston (US jazz trombonist) (am 1962-06-14) und Britt Woodman (am 1962-06-14)
Schlagzeug:
Ed Thigpen (am 1962-06-14)
Tenorsaxophon:
James Moody (jazz saxophonist) (am 1962-06-14) und Jerome Richardson (am 1962-06-14)
Trompete:
Roy Eldridge (am 1962-06-14), Jimmy Nottingham (am 1962-06-14), Ernie Royal (am 1962-06-14) und Snooky Young (am 1962-06-14)
Tuba:
Don Butterfield (am 1962-06-14)
Waldhorn:
Ray Alonge (french horn) (am 1962-06-14), Jim Buffington (US jazz, studio and classical hornist) (am 1962-06-14), Willie Ruff (am 1962-06-14), Morris Secon (am 1962-06-14) und Julius Watkins (am 1962-06-14)
conductor:
Ernie Wilkins (am 1962-06-14)
arranger:
Ernie Wilkins
recording of:
I Love You (Mexican Hayride musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
2:39
29I Get A Kick Out Of You (Run Through)
0:38
30Ac-cent-tchu-ate The Positive
Bass:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09)
instrumental recording of:
Ac‐cent‐tchu‐ate the Positive (von 1959-07-14 bis 1959-08-09)
Texter:
Johnny Mercer (in 1944)
Komponist(in):
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
2:01
31Everytime We Say Goodbye
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:18
32The Boy Next Door
2:20
33I Hear Music
recorded in:
New York, New York, Vereinigte Staaten (am 1953-05-21)
Gitarre:
Barney Kessel (am 1953-05-21)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1953-05-21)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
I Hear Music (Dancing on a Dime) (am 1953-05-21)
Texter:
Frank Loesser
Komponist(in):
Burton Lane
recording of:
I Hear Music (Dancing on a Dime)
Texter:
Frank Loesser
Komponist(in):
Burton Lane
2:28
34Johnny One Note
recording of:
Johnny One Note
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co.
Teil von:
Babes in Arms (full musical)
2:30
35I Can't Get Started (False Start)
recording of:
I Can’t Get Started (am 1952-11-28)
Texter:
Ira Gershwin
Komponist(in):
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
0:52
36Here Come De Honey Man
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-10-12)
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1959-10-12)
Kontrabass:
Ray Brown (jazz bassist) (am 1959-10-12)
Schlagzeug:
Ed Thigpen (am 1959-10-12)
instrumental cover recording of:
Porgy and Bess: Act I, Scene I. “Here Come de Honey Man”
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
Teil von:
Porgy and Bess: Act I, Scene I
1:08
37You Took Advantage Of Me
1:58
38They All Laughed
Bass:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09)
instrumental recording of:
They All Laughed (from “Shall We Dance”) (von 1959-07-14 bis 1959-08-09)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und Gershwin Publishing Corp (in 1937)
Teil von:
Shall We Dance (1937 film soundtrack)
recording of:
They All Laughed (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und Gershwin Publishing Corp (in 1937)
Teil von:
Shall We Dance (1937 film soundtrack)
32:31
39Oh, Lawd, I'm On My Way
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-10-12)
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1959-10-12)
Kontrabass:
Ray Brown (jazz bassist) (am 1959-10-12)
Schlagzeug:
Ed Thigpen (am 1959-10-12)
instrumental cover recording of:
Porgy and Bess: Act III, Scene III. “Oh Lawd, I’m on My Way”
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer) (von 1934 bis 1935)
Teil von:
Porgy and Bess: Act III, Scene III
2:33
40What's New?
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1957-10-14)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-14)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-14)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-10-14)
Schlagzeug:
Louie Bellson (am 1957-10-14)
Trompete:
Louis Armstrong (am 1957-10-14)
vocals:
Louis Armstrong (am 1957-10-14)
recording of:
What’s New? (am 1957-10-14)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Warner Bros., Inc. (not for release label use!)
2:40
41But Not For Me
recording of:
But Not for Me
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
2:28
42Ol' Man River
Bass:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09)
instrumental recording of:
Ol’ Man River (Show Boat) (von 1959-07-14 bis 1959-08-09)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
Komponist(in):
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co. (am 1927-11-30)
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act I
recording of:
Ol’ Man River (Show Boat)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
Komponist(in):
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co. (am 1927-11-30)
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act I
2:35
43Billy Boy (Live At The London House, Chicago, 7/28/1961 (Version 2))
Produzent(in):
Jim Davis (jazz producer)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1961-07-28)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1961-07-28)
Schlagzeug:
Ed Thigpen (am 1961-07-28)
aufgenommen bei:
London House in Chicago, Illinois, Vereinigte Staaten (am 1961-07-28)
live recording of:
Billy Boy (am 1961-07-28)
Verfasser(in):
[traditional] (special purpose artist)
Komponist(in):
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Teil von:
Roud Folk Song Index (Nummer: 326)
2:37
44Night And Day
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
2:31
45Minor Blues
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1950-08)
recording of:
Minor Blues (in 1950-08)
Komponist(in):
Django Reinhardt (French jazz guitarist and composer)
3:39
46Rockin' In Rhythm
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09)
Kontrabass [bass]:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09)
recording of:
Rockin’ in Rhythm (von 1959-07-14 bis 1959-08-09)
Komponist(in):
Harry Carney, Duke Ellington (US composer, pianist & jazz bandleader) und Irving Mills
basiert auf:
Kinda Dukish
2:15
47Stranger On The Shore
2:34
48I Didn't Know What Time It Was
recording of:
I Didn’t Know What Time It Was (Pal Joey)
Texter:
Lorenz Hart (in 1939)
Komponist(in):
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. und Williamson Music Company
Teil von:
Pal Joey
2:38
49A Lot Of Livin To Do
2:28
50I Couldn't Sleep A Wink Last Night
recording of:
I Couldn’t Sleep a Wink Last Night
Texter:
Harold Adamson
Komponist(in):
Jimmy McHugh (songwriter)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Higher and Higher (1944 film)
2:40
51Lullaby Of The Leaves
recording of:
Lullaby of the Leaves
Texter:
Joe Young (US lyricist)
Komponist(in):
Bernice Petkere
2:39
52Goody, Goody (Live At The Chicago Opera House,1957)
1:55
53Look For The Silver Lining
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-07)
Gitarre:
Barney Kessel (am 1953-12-07)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1953-12-07)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1953-12-07)
recording of:
Look for the Silver Lining (am 1953-12-07)
Texter:
Buddy DeSylva
Komponist(in):
Jerome Kern
publisher:
Chappell & Co. und T.B. Harms Co.
Teil von:
Sally (1920 musical)
2:30
54On The Outside Looking In
2:32
55Let's Call The Whole Thing Off
Bass:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09)
instrumental recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (von 1959-07-14 bis 1959-08-09)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
2:20
56Taking A Chance On Love
2:23
57You're Laughing At Me
instrumental recording of:
You’re Laughing at Me
Texter und Komponist(in):
Irving Berlin (in 1937)
recording of:
You’re Laughing at Me
Texter und Komponist(in):
Irving Berlin (in 1937)
2:21
58Makin' Whoopee (Breakdown)
1:16
59'S Wonderful
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1952-11 bis 1952-12)
Gitarre:
Barney Kessel (in 1952)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1952)
instrumental recording of:
’S Wonderful (in 1952)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
recording of:
’S Wonderful
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
42:38
60Them There Eyes
2:36
61Drums In My Heart
1:43
62Between The Devil And The Deep Blue Sea
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
Kontrabass [bass]:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Between the Devil and the Deep Blue Sea (von 1959-07-14 bis 1959-08-09)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
publisher:
Mills Music, S.A. Music Co. und Ted Koehler Music Co.
recording of:
Between the Devil and the Deep Blue Sea (von 1959-07-21 bis 1959-08-01)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
publisher:
Mills Music, S.A. Music Co. und Ted Koehler Music Co.
2:42
63Come Dance With Me
recorded in:
Paris, Île-de-France, Frankreich (am 1959-05-18)
Gast-Kontrabass und Kontrabass:
Ray Brown (jazz bassist) (am 1959-05-18)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1959-05-18)
Schlagzeug:
Ed Thigpen (am 1959-05-18)
instrumental recording of:
Come Dance With Me (am 1959-05-18)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. und フジパシフィックミュージック (Fujipacific Music, Inc.)
recording of:
Come Dance With Me
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. und フジパシフィックミュージック (Fujipacific Music, Inc.)
42:19
64Honey Dripper
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-12-15, von 1962-12-15 bis 1962-12-16)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1962-12-15, von 1962-12-15 bis 1962-12-16)
Kontrabass:
Ray Brown (jazz bassist) (am 1962-12-15, von 1962-12-15 bis 1962-12-16)
Schlagzeug:
Ed Thigpen (am 1962-12-15, von 1962-12-15 bis 1962-12-16)
instrumental recording of:
The Honeydripper (am 1962-12-15)
Texter und Komponist(in):
Joe Liggins
recording of:
The Honeydripper (von 1962-12-15 bis 1962-12-16)
Texter und Komponist(in):
Joe Liggins
2:22
65I Feel A Song Coming On
2:29
66There's A Small Hotel
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-01-26)
Gitarre:
Irving Ashby (am 1952-01-26)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-01-26)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1952-01-26)
instrumental recording of:
There’s a Small Hotel (from “On Your Toes”) (am 1952-01-26)
Texter:
Lorenz Hart (in 1936)
Komponist(in):
Richard Rodgers (composer) (in 1936)
Teil von:
On Your Toes
Teil von:
Pal Joey
recording of:
There’s a Small Hotel (from “On Your Toes”)
Texter:
Lorenz Hart (in 1936)
Komponist(in):
Richard Rodgers (composer) (in 1936)
Teil von:
On Your Toes
Teil von:
Pal Joey
2:26
67Night Train (Partial Take/Breakdown)
recording of:
Night Train (Jimmy Forrest’s original instrumental version)
Komponist(in):
Jimmy Forrest
basiert auf:
Happy Go Lucky Local
1:28
68I Love Paris
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
I Love Paris (Can-Can [Pistache, Company]) (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Can‐Can
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
recording of:
I Love Paris (Can-Can [Pistache, Company])
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Can‐Can
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
2:09
69I Won't Dance
Bass:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09)
instrumental recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (von 1959-07-14 bis 1959-08-09)
Texter:
Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
basiert auf:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
Texter:
Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
basiert auf:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
2:29
70Prelude To A Kiss
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09)
Kontrabass [bass]:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09)
recording of:
Prelude to a Kiss (von 1959-07-14 bis 1959-08-09)
Texter:
Irving Gordon (US songwriter) (in 1938) und Irving Mills (in 1938)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. und Lafleur Music Ltd.
2:31
71Love Me Or Leave Me
2:32
72Oh Dey's So Fresh And Fine (Strawberry Woman)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-10-12)
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1959-10-12)
Kontrabass:
Ray Brown (jazz bassist) (am 1959-10-12)
Schlagzeug:
Ed Thigpen (am 1959-10-12)
instrumental cover recording of:
Porgy and Bess: Act II, Scene III. “Oh dey’s so fresh an’ fine”
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
Teil von:
Porgy and Bess: Act II, Scene III
0:53
73Change Partners
instrumental recording of:
Change Partners (from “Carefree”)
Texter und Komponist(in):
Irving Berlin (in 1938)
publisher:
Irving Berlin Music Corp. und Williamson Music Company
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
recording of:
Change Partners (from “Carefree”)
Texter und Komponist(in):
Irving Berlin (in 1938)
publisher:
Irving Berlin Music Corp. und Williamson Music Company
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
2:25
74This Can't Be Love
recording of:
This Can’t Be Love
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Warner/Chappell (Warner/Chappell Music, Inc.)
2:33
75Gravy Waltz
2:22
76Lover
recording of:
Lover
Texter:
Lorenz Hart (in 1932)
Komponist(in):
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:03
77John Hardy's Wife
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09)
Kontrabass [bass]:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09)
recording of:
John Hardy's Wife (von 1959-07-14 bis 1959-08-09)
Komponist(in):
Mercer Ellington
2:34
78I Used To Be Color Blind
recording of:
I Used to Be Color Blind (from "Carefree")
Texter und Komponist(in):
Irving Berlin (in 1938)
2:18
79Just In Time
recorded in:
Paris, Île-de-France, Frankreich (am 1959-05-18)
Gast-Bass und Kontrabass:
Ray Brown (jazz bassist) (am 1959-05-18)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1959-05-18)
Schlagzeug:
Ed Thigpen (am 1959-05-18)
instrumental recording of:
Just in Time (Bells Are Ringing) (am 1959-05-18)
Texter:
Betty Comden (in 1956) und Adolph Green (in 1956)
Komponist(in):
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Bells Are Ringing (stage musical)
recording of:
Just in Time (Bells Are Ringing)
Texter:
Betty Comden (in 1956) und Adolph Green (in 1956)
Komponist(in):
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Bells Are Ringing (stage musical)
1:49
80Shall We Dance?
Bass:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09)
instrumental recording of:
Shall We Dance (von 1959-07-14 bis 1959-08-09)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Gershwin Publishing Corp (in 1937)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
recording of:
Shall We Dance
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Gershwin Publishing Corp (in 1937)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
instrumental recording of:
Shall We Dance? (The King and I)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd. und Williamson Music Company
Teil von:
The King and I (Rodgers & Hammerstein musical)
42:16
81Chanel
2:38
82We'll Be Together Again (Live At Civic Opera House, Chicago)
2:33
83Happiness Is A Thing Called Joe
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
Kontrabass [bass]:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09, von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Happiness Is a Thing Called Joe (von 1959-07-14 bis 1959-08-09)
Texter:
Yip Harburg (in 1940)
Komponist(in):
Harold Arlen (in 1940)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
instrumental recording of:
Happiness Is a Thing Called Joe (in 1959)
Texter:
Yip Harburg (in 1940)
Komponist(in):
Harold Arlen (in 1940)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
recording of:
Happiness Is a Thing Called Joe
Texter:
Yip Harburg (in 1940)
Komponist(in):
Harold Arlen (in 1940)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
2:14
84Echoes
2:37
85I've Got You Under My Skin
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1952-11 bis 1952-12, in 1952-12)
Bass:
Ray Brown (jazz bassist) (in 1952-12)
Gitarre:
Barney Kessel (in 1952, in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952, in 1952-12)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1952)
instrumental recording of:
I’ve Got You Under My Skin (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
instrumental recording of:
I’ve Got You Under My Skin (in 1952)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
2:30
86Blue And Sentimental
Gitarre:
Herb Ellis (jazz guitarist) (am 1955-12-27)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1955-12-27)
Kontrabass:
Ray Brown (jazz bassist) (am 1955-12-27)
Schlagzeug:
Buddy Rich (am 1955-12-27)
recording of:
Blue and Sentimental (am 1955-12-27)
Komponist(in):
Count Basie (pianist), Mack David (American lyricist and songwriter) und Jerry Livingston (songwriter)
2:26
87Now's The Time
2:34
88Don't Get Around Much Anymore
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09)
Kontrabass [bass]:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09)
recording of:
Don’t Get Around Much Anymore (von 1959-07-14 bis 1959-08-09)
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
2:33
89Just One Of Those Things
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1959, von 1959-07-21 bis 1959-08-01)
Kontrabass:
Ray Brown (jazz bassist) (in 1959)
Schlagzeug:
Ed Thigpen (in 1959, von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Just One of Those Things (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
instrumental recording of:
Just One of Those Things (in 1959)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
recording of:
Just One of Those Things
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
2:22
90You Make Me Feel So Young
recorded in:
Paris, Île-de-France, Frankreich (am 1959-05-18)
Gast-Bass und Kontrabass:
Ray Brown (jazz bassist) (am 1959-05-18)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1959-05-18)
Schlagzeug:
Ed Thigpen (am 1959-05-18)
instrumental recording of:
You Make Me Feel So Young (am 1959-05-18)
Texter:
Mack Gordon
Komponist(in):
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Version von:
E bi eit barn med deg
recording of:
You Make Me Feel So Young
Texter:
Mack Gordon
Komponist(in):
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Version von:
E bi eit barn med deg
42:37
91Soft Sands
2:18
92Long Ago (And Far Away)
Bass:
Ray Brown (jazz bassist) (von 1959-07-14 bis 1959-08-09)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-14 bis 1959-08-09)
Schlagzeug:
Ed Thigpen (von 1959-07-14 bis 1959-08-09)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-14 bis 1959-08-09)
instrumental recording of:
Long Ago (and Far Away) (von 1959-07-14 bis 1959-08-09)
Texter:
Ira Gershwin
Komponist(in):
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und T.B. Harms Co. (in 1944)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
enthalten in:
Cover Girl (1944)
2:32
93Hallelujah!
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-06)
Gitarre:
Barney Kessel (am 1953-12-06)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1953-12-06)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1953-12-06)
recording of:
Hallelujah!
Texter:
Clifford Grey (in 1927) und Leo Robin (US composer, lyricist & songwriter) (in 1927)
Komponist(in):
Vincent Youmans (in 1927)
Teil von:
Hit the Deck (1955 movie)
2:30

Nennungen

Veröffentlichung

zum Herunterladen kaufen:https://music.apple.com/us/album/1760329319 [Info]
Streaming-Seite:Amazon Music US [Info]

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0004348407 [Info]