| # | Title | Rating | Length |
|---|
| 1 | Fidelio: Overture | | 6:56 |
| 2 | Fidelio: 1. Aufzug: "Jetzt Schätzchen, jetzt sind wir allein" (Jaquino)- recording engineer:
- David Frost , Tony Griffiths and James Lock
- assistant producer:
- Michael Haas
- producer:
- Ray Minshull
- solo soprano vocals [Marzelline]:
- Sona Ghazarian (in 1979-05)
- solo tenor vocals [Jaquino]:
- David Kuebler (in 1979-05)
- orchestra:
- Chicago Symphony Orchestra (in 1979-05)
- conductor:
- Sir Georg Solti (in 1979-05)
- recorded at:
- Medinah Temple in Chicago, Illinois, United States (in 1979-05)
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (in 1979-05)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 1b. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline) (in 1979-05)
- composer:
- Ludwig van Beethoven (in 1814)
- part of:
- Fidelio, op. 72: Akt I
| | 5:18 |
| 3 | Fidelio: 1. Aufzug: "O wär ich schon mit dir vereint" (Marzelline)- recording engineer:
- David Frost , Tony Griffiths and James Lock
- assistant producer:
- Michael Haas
- producer:
- Ray Minshull
- solo bass vocals [Rocco]:
- Hans Sotin (in 1979-05)
- solo soprano vocals [Leonore]:
- Hildegard Behrens (in 1979-05)
- solo soprano vocals [Marzelline]:
- Sona Ghazarian (in 1979-05)
- solo tenor vocals [Jaquino]:
- David Kuebler (in 1979-05)
- orchestra:
- Chicago Symphony Orchestra (in 1979-05)
- conductor:
- Sir Georg Solti (in 1979-05)
- recorded at:
- Medinah Temple in Chicago, Illinois, United States (in 1979-05)
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (in 1979-05)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly and Joseph Sonnleithner
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 2b. Dialog "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) (in 1979-05)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 2c. Dialog "Jaquino!" - "Ja, Meister Rocco?" (Rocco, Jaquino, Marzelline, Leonore) (in 1979-05)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| | 4:39 |
| 4 | Fidelio: 1. Aufzug: "Mir ist so wunderbar" (Marzelline)- recording engineer:
- David Frost , Tony Griffiths and James Lock
- assistant producer:
- Michael Haas
- producer:
- Ray Minshull
- solo bass vocals [Rocco]:
- Hans Sotin (in 1979-05)
- solo soprano vocals [Leonore]:
- Hildegard Behrens (in 1979-05)
- solo soprano vocals [Marzelline]:
- Sona Ghazarian (in 1979-05)
- solo tenor vocals [Jaquino]:
- David Kuebler (in 1979-05)
- orchestra:
- Chicago Symphony Orchestra (in 1979-05)
- conductor:
- Sir Georg Solti (in 1979-05)
- recorded at:
- Medinah Temple in Chicago, Illinois, United States (in 1979-05)
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (in 1979-05)
- composer:
- Ludwig van Beethoven (in 1805)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- revised by:
- Ludwig van Beethoven (in 1814)
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 3b. Dialog "Höre, Fidelio!" (Rocco, Marzelline) (in 1979-05)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| | 5:45 |
| 5 | Fidelio: 1. Aufzug: "Hat nicht auch Gold beineben" (Rocco)- recording engineer:
- David Frost , Tony Griffiths and James Lock
- assistant producer:
- Michael Haas
- producer:
- Ray Minshull
- solo bass vocals [Rocco]:
- Hans Sotin (in 1979-05)
- solo soprano vocals [Leonore]:
- Hildegard Behrens (in 1979-05)
- solo soprano vocals [Marzelline]:
- Sona Ghazarian (in 1979-05)
- orchestra:
- Chicago Symphony Orchestra (in 1979-05)
- conductor:
- Sir Georg Solti (in 1979-05)
- recorded at:
- Medinah Temple in Chicago, Illinois, United States (in 1979-05)
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (in 1979-05)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 4b. Dialog "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) (in 1979-05)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 4c. Dialog "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| | 4:22 |
| 6 | Fidelio: 1. Aufzug: "Gut, Söhnchen, gut" (Rocco)- recording engineer:
- David Frost , Tony Griffiths and James Lock
- assistant producer:
- Michael Haas
- producer:
- Ray Minshull
- solo bass vocals [Rocco]:
- Hans Sotin (in 1979-05)
- solo soprano vocals [Leonore]:
- Hildegard Behrens (in 1979-05)
- solo soprano vocals [Marzelline]:
- Sona Ghazarian (in 1979-05)
- orchestra:
- Chicago Symphony Orchestra (in 1979-05)
- conductor:
- Sir Georg Solti (in 1979-05)
- recorded at:
- Medinah Temple in Chicago, Illinois, United States (in 1979-05)
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (in 1979-05)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| | 6:41 |
| 7 | Fidelio: 1. Aufzug: March- recording engineer:
- David Frost , Tony Griffiths and James Lock
- assistant producer:
- Michael Haas
- producer:
- Ray Minshull
- solo bass vocals [Don Pizarro]:
- Theo Adam (in 1979-05)
- solo bass vocals [Rocco]:
- Hans Sotin (in 1979-05)
- orchestra:
- Chicago Symphony Orchestra (in 1979-05)
- conductor:
- Sir Georg Solti (in 1979-05)
- recorded at:
- Medinah Temple in Chicago, Illinois, United States (in 1979-05)
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (in 1979-05)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 6b. Dialog "Drei Schildwachen auf den Wall" (Pizarro, Rocco) (in 1979-05)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| | 2:51 |
| 8 | Fidelio: 1. Aufzug: "Ha! Ha! Ha! Welch' ein Augenblick" (Pizarro) | | 3:43 |
| 9 | Fidelio: 1. Aufzug: "Jetzt Alter, Alter, jetzt hat es Eile!" (Pizarro)- recording engineer:
- David Frost , Tony Griffiths and James Lock
- assistant producer:
- Michael Haas
- producer:
- Ray Minshull
- solo bass vocals [Don Pizarro]:
- Theo Adam (in 1979-05)
- solo bass vocals [Rocco]:
- Hans Sotin (in 1979-05)
- orchestra:
- Chicago Symphony Orchestra (in 1979-05)
- conductor:
- Sir Georg Solti (in 1979-05)
- recorded at:
- Medinah Temple in Chicago, Illinois, United States (in 1979-05)
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (in 1979-05)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| | 4:47 |
| 10 | Fidelio: 1. Aufzug: "Abscheulicher! Wo eilst du hin?" (Leonore) | | 2:18 |
| 11 | Fidelio: 1. Aufzug: "Komm.Hoffnung, lass' den letzten Stern" (Leonore)- recording engineer:
- David Frost , Tony Griffiths and James Lock
- assistant producer:
- Michael Haas
- producer:
- Ray Minshull
- solo bass vocals [Rocco]:
- Hans Sotin (in 1979-05)
- solo soprano vocals [Leonore]:
- Hildegard Behrens (in 1979-05)
- solo soprano vocals [Marzelline]:
- Sona Ghazarian (in 1979-05)
- orchestra:
- Chicago Symphony Orchestra (in 1979-05)
- conductor:
- Sir Georg Solti (in 1979-05)
- recorded at:
- Medinah Temple in Chicago, Illinois, United States (in 1979-05)
- partial recording of:
- Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (in 1979-05)
- composer:
- Ludwig van Beethoven (in 1814)
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 9b. Dialog "Marzelline!" - "Nein, ich will nicht..." (Jaquino, Marzelline, Rocco, Leonore) (in 1979-05)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| | 5:42 |
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