100 Greatest Australian Singles of the ’60s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Little Boy Lost
phonographisches Urheberrecht (℗) von:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1960)
recording of:
Little Boy Lost
Verfasser(in):
Johnny Ashcroft und Tony Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Universal/MCA Music Publishing Pty Ltd
Johnny Ashcroft?:??
2Little Boy Sad
phonographisches Urheberrecht (℗) von:
Go!! (in 1965)
recording of:
Little Boy Sad
Verfasser(in):
Wayne Walker
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
M.P.D. Limited?:??
3Living in a Child’s Dream
phonographisches Urheberrecht (℗) von:
Masters Apprentices Pty Limited (in 1967)
recording of:
Living in a Child's Dream
Texter und Komponist(in):
Mick Bower
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
The Master's Apprentices?:??
4Louie Louie
phonographisches Urheberrecht (℗) von:
The Pink Finks (in 1965)
recording of:
Louie Louie
Texter und Komponist(in):
Richard Berry (US singer/songwriter, composed “Louie Louie”)
publisher:
EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Windswept Pacific Music Ltd. und World Wide Music
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Pink Finks?:??
5Love Machine
phonographisches Urheberrecht (℗) von:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1968)
recording of:
Love Machine
Texter und Komponist(in):
Billy Griffin und Warren Moore
Horn und Saiteninstrumente arranger:
Wade Marcus
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Pastoral Symphony?:??
6Magic Eyes
phonographisches Urheberrecht (℗) von:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1967)
recording of:
Magic Eyes
Verfasser(in):
Kevin Peek, Alan Tarney und Robert ‘RJ’ Taylor
publisher:
Mushroom Music Pty. Ltd.
James Taylor Move?:??
7Midnight Bus
phonographisches Urheberrecht (℗) von:
Betty McQuade (in 1961)
recording of:
Midnight Bus
Texter und Komponist(in):
John D. Loudermilk
publisher:
Southern Music Publishing Co. (publishing company) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Betty McQuade?:??
8Minnie the Moocher
phonographisches Urheberrecht (℗) von:
Go!! (in 1967)
recording of:
Minnie the Moocher
Texter und Komponist(in):
Cab Calloway und Irving Mills
publisher:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und J. Albert & Son Pty. Ltd.
basiert auf:
Willie the Weeper
The Cherokees?:??
9Move Baby Move
phonographisches Urheberrecht (℗) von:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 2008)
recording of:
Move Baby Move
Verfasser(in):
Wes Farrell und Matt Maurer
publisher:
EMI Davis Music Australia Pty Limited und Universal/MCA Music Publishing Pty Ltd
Johnny O’Keefe?:??
10Movin’ Man
phonographisches Urheberrecht (℗) von:
Buddy England (UK‐born Australian singer) (in 1967)
recording of:
Movin’ Man
Verfasser(in):
Phil Barr (songwriter) und Billy Meshel (songwriter)
publisher:
Hawk Music Australia
Buddy England?:??
11My Old Man’s a Groovy Old Man
phonographisches Urheberrecht (℗) von:
Fable Records (in 1970)
recording of:
My Old Man's a Groovy Old Man
Verfasser(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
J. Albert & Son Pty. Ltd.
The Valentines?:??
12Needle in a Haystack
phonographisches Urheberrecht (℗) von:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1966)
recording of:
Needle in a Haystack
Verfasser(in):
N. Whitfield und W. Stevenson (Motown songwriter)
publisher:
EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd. und Jobete Music (UK) Ltd.
The Twilights?:??
13Of Hopes and Dreams and Tombstones
phonographisches Urheberrecht (℗) von:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1966)
recording of:
Of Hopes and Dreams and Tombstones
Komponist(in):
Joy Byers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner/Chappell Music Australia Pty. Ltd.
The Purple Hearts?:??
14Oh, Monah
phonographisches Urheberrecht (℗) von:
Go!! (in 1965)
recording of:
Oh! Mo'nah
Verfasser(in):
Country Washburne und Ted Weems
Komponist(in):
Joe Washburne
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner/Chappell Music Australia Pty. Ltd.
The Cherokees?:??
15Ooh La La
phonographisches Urheberrecht (℗) von:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1966)
recording of:
Ooh La La
Verfasser(in):
Mickey Keen und Robin Shaw
publisher:
Southern Music Publ. Co. (A'Asia)
Normie Rowe?:??
16One
phonographisches Urheberrecht (℗) von:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1969)
recording of:
One
Texter und Komponist(in):
Harry Nilsson (US singer-songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (publisher as Warner/Chappell Music) und Warner/Chappell Music Australia Pty. Ltd.
Johnny Farnham?:??
17Over the Rainbow
phonographisches Urheberrecht (℗) von:
J. Albert & Son Pty. Ltd. (in 1964)
recording of:
Over the Rainbow (The Wizard of Oz)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
Billy Thorpe & the Aztecs?:??
18Poison Ivy
phonographisches Urheberrecht (℗) von:
Mushroom Records (in 1994)
recording of:
Poison Ivy
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Carlin Music Corporation, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC und Warner/Chappell Music Ltd. (1996–2019)
Billy Thorpe & the Aztecs?:??
19Pride
phonographisches Urheberrecht (℗) von:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1988)
recording of:
Pride
Verfasser(in):
John Madara und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Wallaby Music Pty. Limited
Ray Brown & the Whispers?:??
20Que sera sera
phonographisches Urheberrecht (℗) von:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1965)
cover recording of:
Que será, será (Whatever Will Be, Will Be)
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1956 winner)
Normie Rowe & The Playboys?:??
21Rachael
phonographisches Urheberrecht (℗) von:
Go!! (in 1966)
recording of:
Rachael
Texter und Komponist(in):
Hans Poulsen
publisher:
Universal/MCA Music Publishing Pty Ltd
18th Century Quartet?:??
22Royal Telephone
phonographisches Urheberrecht (℗) von:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1963)
recording of:
Royal Telephone
Verfasser(in):
Robert H. Iredal (Australian producer), Hal Saunders und Tycho Thomas
publisher:
EMI Belinda Music Australia Pty. Ltd.
Jimmy Little?:??
23Sadie the Cleaning Lady
phonographisches Urheberrecht (℗) von:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 2011)
recording of:
Sadie the Cleaning Lady
Verfasser(in):
Ray Gilmore, John Madara und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Leeds Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal‐MCA Music Publishing (US) und Universal/MCA Music Publishing Pty Ltd
John Farnham?:??
24Shakin’ All Over
phonographisches Urheberrecht (℗) von:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1965)
recording of:
Shakin’ All Over
Texter und Komponist(in):
Frederick Heath und Johnny Kidd
publisher:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
Normie Rowe & The Playboys?:??
25She’s So Fine
phonographisches Urheberrecht (℗) von:
J. Albert & Son Pty. Ltd. (in 1965)
recording of:
She’s So Fine
Verfasser(in):
Stevie Wright und George Young (Australian musician and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), J. Albert & Son P/L und J. Albert & Son Pty. Ltd.
The Easybeats?:??
4▶CD

Nennungen

Veröffentlichung

liner notes:David N. Pepperell
Colin Talbot
Produzent(in):David Laing (album compiler)
mastering:Warren Barnett
Zusammensteller:David N. Pepperell
Colin Talbot
design:Ellen Yan Cheng
hergestellt von und vertrieben von:Warner Music Australia (AU subsidiary of Warner Music International since 1988)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 2015)
vermarkted von:Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited)
produced for:Festival Records (Australian)
Discogs:https://www.discogs.com/release/7824641 [Info]