100 Greatest Australian Singles of the ’60s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Little Boy Lost
diritti fonografici (℗) detenuti da:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (nel 1960)
registrazione di:
Little Boy Lost
autore:
Johnny Ashcroft e Tony Withers
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Universal/MCA Music Publishing Pty Ltd
Johnny Ashcroft?:??
2Little Boy Sad
diritti fonografici (℗) detenuti da:
Go!! (nel 1965)
registrazione di:
Little Boy Sad
autore:
Wayne Walker
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
M.P.D. Limited?:??
3Living in a Child’s Dream
diritti fonografici (℗) detenuti da:
Masters Apprentices Pty Limited (nel 1967)
registrazione di:
Living in a Child's Dream
paroliere e compositore:
Mick Bower
editore:
Universal Music Publishing (use ONLY if no country‐specific information is available)
The Master's Apprentices?:??
4Louie Louie
diritti fonografici (℗) detenuti da:
The Pink Finks (nel 1965)
registrazione di:
Louie Louie
paroliere e compositore:
Richard Berry (US singer/songwriter, composed “Louie Louie”)
editore:
EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Windswept Pacific Music Ltd. e World Wide Music
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Pink Finks?:??
5Love Machine
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1968)
registrazione di:
Love Machine
paroliere e compositore:
Billy Griffin e Warren Moore
arrangiatore corno e archi :
Wade Marcus
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Pastoral Symphony?:??
6Magic Eyes
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1967)
registrazione di:
Magic Eyes
autore:
Kevin Peek, Alan Tarney e Robert ‘RJ’ Taylor
editore:
Mushroom Music Pty. Ltd.
James Taylor Move?:??
7Midnight Bus
diritti fonografici (℗) detenuti da:
Betty McQuade (nel 1961)
registrazione di:
Midnight Bus
paroliere e compositore:
John D. Loudermilk
editore:
Southern Music Publishing Co. (publishing company) e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Betty McQuade?:??
8Minnie the Moocher
diritti fonografici (℗) detenuti da:
Go!! (nel 1967)
registrazione di:
Minnie the Moocher
paroliere e compositore:
Cab Calloway e Irving Mills
editore:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e J. Albert & Son Pty. Ltd.
si basa su:
Willie the Weeper
The Cherokees?:??
9Move Baby Move
diritti fonografici (℗) detenuti da:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (nel 2008)
registrazione di:
Move Baby Move
autore:
Wes Farrell e Matt Maurer
editore:
EMI Davis Music Australia Pty Limited e Universal/MCA Music Publishing Pty Ltd
Johnny O’Keefe?:??
10Movin’ Man
diritti fonografici (℗) detenuti da:
Buddy England (UK‐born Australian singer) (nel 1967)
registrazione di:
Movin’ Man
autore:
Phil Barr (songwriter) e Billy Meshel (songwriter)
editore:
Hawk Music Australia
Buddy England?:??
11My Old Man’s a Groovy Old Man
diritti fonografici (℗) detenuti da:
Fable Records (nel 1970)
registrazione di:
My Old Man's a Groovy Old Man
autore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
J. Albert & Son Pty. Ltd.
The Valentines?:??
12Needle in a Haystack
diritti fonografici (℗) detenuti da:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (nel 1966)
registrazione di:
Needle in a Haystack
autore:
N. Whitfield e W. Stevenson (Motown songwriter)
editore:
EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd. e Jobete Music (UK) Ltd.
The Twilights?:??
13Of Hopes and Dreams and Tombstones
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1966)
registrazione di:
Of Hopes and Dreams and Tombstones
compositore:
Joy Byers
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner/Chappell Music Australia Pty. Ltd.
The Purple Hearts?:??
14Oh, Monah
diritti fonografici (℗) detenuti da:
Go!! (nel 1965)
registrazione di:
Oh! Mo'nah
autore:
Country Washburne e Ted Weems
compositore:
Joe Washburne
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner/Chappell Music Australia Pty. Ltd.
The Cherokees?:??
15Ooh La La
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1966)
registrazione di:
Ooh La La
autore:
Mickey Keen e Robin Shaw
editore:
Southern Music Publ. Co. (A'Asia)
Normie Rowe?:??
16One
diritti fonografici (℗) detenuti da:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (nel 1969)
registrazione di:
One
paroliere e compositore:
Harry Nilsson (US singer-songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (publisher as Warner/Chappell Music) e Warner/Chappell Music Australia Pty. Ltd.
Johnny Farnham?:??
17Over the Rainbow
diritti fonografici (℗) detenuti da:
J. Albert & Son Pty. Ltd. (nel 1964)
registrazione di:
Over the Rainbow (The Wizard of Oz)
paroliere:
Yip Harburg (nel 1938)
compositore:
Harold Arlen (nel 1938)
eseguita per la prima volta da:
Judy Garland (nel 1939)
editore:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 12th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1939 winner)
parte di:
The Wizard of Oz (1942 Arlen/Harburg musical)
parte di:
The Wizard of Oz (1939 film soundtrack)
Billy Thorpe & the Aztecs?:??
18Poison Ivy
diritti fonografici (℗) detenuti da:
Mushroom Records (nel 1994)
registrazione di:
Poison Ivy
autore:
Jerry Leiber e Mike Stoller
editore:
Carlin Music Corporation, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC e Warner/Chappell Music Ltd. (1996–2019)
Billy Thorpe & the Aztecs?:??
19Pride
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1988)
registrazione di:
Pride
autore:
John Madara e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Wallaby Music Pty. Limited
Ray Brown & the Whispers?:??
20Que sera sera
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1965)
registrazione cover di:
Que será, será (Whatever Will Be, Will Be)
paroliere:
Ray Evans (American songwriter)
compositore:
Jay Livingston
editore:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Chappell Music (publisher as Warner/Chappell Music)
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
The 29th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1956 winner)
Normie Rowe & The Playboys?:??
21Rachael
diritti fonografici (℗) detenuti da:
Go!! (nel 1966)
registrazione di:
Rachael
paroliere e compositore:
Hans Poulsen
editore:
Universal/MCA Music Publishing Pty Ltd
18th Century Quartet?:??
22Royal Telephone
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1963)
registrazione di:
Royal Telephone
autore:
Robert H. Iredal (Australian producer), Hal Saunders e Tycho Thomas
editore:
EMI Belinda Music Australia Pty. Ltd.
Jimmy Little?:??
23Sadie the Cleaning Lady
diritti fonografici (℗) detenuti da:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (nel 2011)
registrazione di:
Sadie the Cleaning Lady
autore:
Ray Gilmore, John Madara e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
editore:
Leeds Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal‐MCA Music Publishing (US) e Universal/MCA Music Publishing Pty Ltd
John Farnham?:??
24Shakin’ All Over
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1965)
registrazione di:
Shakin’ All Over
paroliere e compositore:
Frederick Heath e Johnny Kidd
editore:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
Normie Rowe & The Playboys?:??
25She’s So Fine
diritti fonografici (℗) detenuti da:
J. Albert & Son Pty. Ltd. (nel 1965)
registrazione di:
She’s So Fine
autore:
Stevie Wright e George Young (Australian musician and producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), J. Albert & Son P/L e J. Albert & Son Pty. Ltd.
The Easybeats?:??
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Accreditamenti

Pubblicazione

note di libretto:David N. Pepperell
Colin Talbot
produttore:David Laing (album compiler)
tecnico di mastering:Warren Barnett
compilatore:David N. Pepperell
Colin Talbot
design:Ellen Yan Cheng
fabbricata da e distribuito da:Warner Music Australia (AU subsidiary of Warner Music International since 1988)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (nel 2015)
commercializzata da:Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited)
è stato produttore per:Festival Records (Australian)
Discogs:https://www.discogs.com/release/7824641 [info]