The Box Set Series

~ Release by Luther Vandross (see all versions of this release, 1 available)

Tracklist

1CD
2CD
3CD
4CD
#TitleRatingLength
1I'm Gonna Start Today
synthesizer programming:
Jason Miles (jazz producer/keyboardist) and Marcus Miller (jazz musician)
engineer and mixer:
Ray Bardani
producer:
Marcus Miller (jazz musician) and Luther Vandross
bass guitar and keyboard:
Marcus Miller (jazz musician)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
background vocals:
Tawatha Agee, Cissy Houston, Paulette McWilliams and Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
I’m Gonna Start Today
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
EMI April Music Inc. (in 1991), Thriller Miller Music (in 1991) and Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
2How Do I Tell Her
recording engineer:
Paul J. Falcone
drum machine and keyboard programming:
Ron Lawrence (US hip-hop producer aka Amen-Ra)
producer:
Ron Lawrence (US hip-hop producer aka Amen-Ra)
mixer:
Prince Charles Alexander (American record producer, audio engineer, educator and recording artist)
bass:
Fred Cash (bass)
guitar:
Ricky Kenyarnz and Ira Siegel
background vocals:
Tawatha Agee, Robin Clark (soul vocalist), Cindy Mizelle, Kevin Owens and Brenda White‐King
recording of:
How Do I Tell Her
writer:
Ron Lawrence (US hip-hop producer aka Amen-Ra) and Brook Richardson
?:??
3Right in the Middle
recording engineer and mixer:
Ray Bardani
executive producer:
Luther Vandross
producer:
Luther Vandross
additional keyboard:
John “Skip” Anderson (funk/soul producer and songwriter)
background vocals:
Tawatha Agee, Baaj, Cissy Houston, Cindy Mizelle, Khadijah Mohammed (American vocalist and songwriter) and Brenda White‐King
arranger:
Reed Vertelney
vocals arranger:
Luther Vandross
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
Right in the Middle
writer:
Luther Vandross and Reed Vertelney
?:??
4Any Day Now?:??
5My Favorite Things
recording engineer:
Ray Bardani (lead vocals), Paul Brown (smooth jazz performer/producer) and Stanley Wallace
synthesizer programming:
Eric Caudieux
executive producer:
Luther Vandross
producer:
Nat Adderley, Jr.
mixer:
Ray Bardani
editor:
Eric Caudieux and Max Risenhoover
bass:
Luico Hopper
drums (drum set):
Ivan Hampden
guitar:
Phil Hamilton and Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
keyboard and piano:
Nat Adderley, Jr.
percussion:
Errol "Crusher" Bennett
solo saxophone:
Dick Oatts
lead vocals:
Luther Vandross
arranger:
Nat Adderley, Jr.
orchestrator:
Earl McIntyre
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1995)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
My Favorite Things (The Sound of Music)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
?:??
6Never Let Me Go
programming:
Eric Persing
assistant engineer:
Jim Labinski and Chad Munsey
engineer:
Ray Bardani, Mike Morongell and Shelly Yakus
producer:
Marcus Miller (jazz musician) and Luther Vandross
mixer:
Ray Bardani
additional keyboard and bass:
Marcus Miller (jazz musician)
drums (drum set):
Ivan Hampden
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) and Doc Powell
keyboard:
Nat Adderley, Jr.
solo saxophone:
Kirk Whalum
arranger:
Nat Adderley, Jr.
vocals arranger:
Luther Vandross
recorded at and mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
cover recording of:
Never Let Me Go
lyricist and composer:
Joseph Scott (Joseph Wade Scott)
publisher:
Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!) and Duchess Music Corporation (BMI-affiliated) (in 1954)
?:??
7Love Won't Me Wait
drum machine programming:
Nat Adderley, Jr. and Marcus Miller (jazz musician)
synthesizer programming:
Jason Miles (jazz producer/keyboardist)
engineer and mixer:
Ray Bardani
producer:
Marcus Miller (jazz musician) and Luther Vandross
assistant mixer:
Marc DeSisto
bass:
Marcus Miller (jazz musician)
drums (drum set):
Buddy Williams (drummer)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) and William "Doc" Powell
keyboard and synthesizer:
Nat Adderley, Jr.
percussion:
Paulinho DaCosta (Brazilian percussionist)
soprano saxophone:
Kirk Whalum
timpani:
Amy Knoles
background vocals:
Brenda White, Cissy Houston, Lisa Fisher (American vocalist) and Paulette McWilliams
lead vocals:
Luther Vandross
strings arranger and synthesizer arranger:
Nat Adderley, Jr.
arranger:
Nat Adderley, Jr.
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Love Won’t Let Me Wait
writer:
Vinnie Barrett and Bobby Eli
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Mighty Three Music, Prestige Music Co. (US, affiliated with BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Winot Music
?:??
8Once We're Lovers
recording engineer and mixer:
Ray Bardani
membranophone programming:
Rex Rideout
executive producer:
Luther Vandross
producer:
Luther Vandross
keyboard:
Rex Rideout
solo harmonica:
Stevie Wonder
additional background vocals:
Fonzi Thornton
background vocals:
Tawatha Agee, Sharon Bryant and Brenda White‐King
arranger:
Rex Rideout
vocals arranger:
Luther Vandross
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
Once Were Lovers
writer:
Rex Rideout, Fonzi Thornton and Luther Vandross
?:??
9Creepin' (live)
mixer:
Frank Filipetti
recorded at:
Radio City Music Hall in Midtown Manhattan, New York, New York, United States (on 2003-02-12)
live cover recording of:
Creepin’ (on 2003-02-12)
composer:
Stevie Wonder
?:??
10Stop to Love (live)?:??
11The Glow of Love (live)
mixer:
Frank Filipetti
recorded at:
Radio City Music Hall in Midtown Manhattan, New York, New York, United States (from 2003-02-11 until 2003-02-12)
recording of:
Glow of Love (from 2003-02-11 until 2003-02-12)
writer:
Wayne Garfield, Mauro Malavasi and Davide Romani
publisher:
Little Macho Music and Spirit Two Music Inc.
?:??

Credits

Release

producer:Ray Bardani
Leo Sacks
mastering:Joseph M. Palmaccio
Mark Wilder (US recording/mastering engineer)
compiler:Ray Bardani
Leo Sacks
distributed by:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
copyrighted (©) by and phonographic copyright (℗) by:Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2009, in 2013)
mastered at:Battery Studios (mastering/archival/digitization studio located at 321 W 44th Street, NYC) in Midtown Manhattan, New York, New York, United States
Discogs:https://www.discogs.com/release/13387174 [info]