The Box Set Series

~ Veröffentlichung von Luther Vandross (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▶CD
3▶CD
4▼CD
Nr.TitelBewertungLänge
1I'm Gonna Start Today
Synthesizer-Programmierung:
Jason Miles (jazz producer/keyboardist) und Marcus Miller (jazz musician)
Techniker(in) und Mix:
Ray Bardani
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Bassgitarre und Keyboard:
Marcus Miller (jazz musician)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Hintergrundgesang:
Tawatha Agee, Cissy Houston, Paulette McWilliams und Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I’m Gonna Start Today
Verfasser(in):
Marcus Miller (jazz musician) und Luther Vandross
publisher:
EMI April Music Inc. (in 1991), Thriller Miller Music (in 1991) und Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
2How Do I Tell Her
recording engineer:
Paul J. Falcone
drum machine und Keyboard-Programmierung:
Ron Lawrence (US hip-hop producer aka Amen-Ra)
Produzent(in):
Ron Lawrence (US hip-hop producer aka Amen-Ra)
Mix:
Prince Charles Alexander (American record producer, audio engineer, educator and recording artist)
Bass:
Fred Cash (bass)
Gitarre:
Ricky Kenyarnz und Ira Siegel
Hintergrundgesang:
Tawatha Agee, Robin Clark (soul vocalist), Cindy Mizelle, Kevin Owens und Brenda White‐King
recording of:
How Do I Tell Her
Verfasser(in):
Ron Lawrence (US hip-hop producer aka Amen-Ra) und Brook Richardson
?:??
3Right in the Middle
recording engineer und Mix:
Ray Bardani
leitende(r) Produzent(in):
Luther Vandross
Produzent(in):
Luther Vandross
zusätzlich Keyboard:
John “Skip” Anderson (funk/soul producer and songwriter)
Hintergrundgesang:
Tawatha Agee, Baaj, Cissy Houston, Cindy Mizelle, Khadijah Mohammed (American vocalist and songwriter) und Brenda White‐King
arranger:
Reed Vertelney
vocals arranger:
Luther Vandross
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Right in the Middle
Verfasser(in):
Luther Vandross und Reed Vertelney
?:??
4Any Day Now
recording engineer:
Stan Wallace
zusätzlich recording engineer:
Ray Bardani
Techniker(in):
Paul J. Falcone
Produzent(in):
Nat Adderley, Jr.
Mix:
Ray Bardani
Bass:
Marcus Miller (jazz musician)
E-Gitarre:
Phil Hamilton
Klavier:
Nat Adderley, Jr.
Schlagzeug:
Ivan Hampden
zusätzlich Keyboard:
John “Skip” Anderson (funk/soul producer and songwriter)
Hintergrundgesang:
Tawatha Agee, Cissy Houston, Paulette McWilliams, Cindy Mizelle und Brenda White‐King
arranger:
Nat Adderley, Jr.
vocals arranger:
Luther Vandross
cover recording of:
Any Day Now
Texter:
Bob Hilliard
Komponist(in):
Burt Bacharach
publisher:
Anne-Rachel Music Corp., Bourne Music Co., Hee Bee Dooinit Music, Plan Two Music Inc. und WB Music Corp. (1929–2019)
?:??
5My Favorite Things
recording engineer:
Ray Bardani (Sologesang), Paul Brown (smooth jazz performer/producer) und Stanley Wallace
Synthesizer-Programmierung:
Eric Caudieux
leitende(r) Produzent(in):
Luther Vandross
Produzent(in):
Nat Adderley, Jr.
Mix:
Ray Bardani
Editing:
Eric Caudieux und Max Risenhoover
Bass:
Luico Hopper
Gitarre:
Phil Hamilton und Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Keyboard und Klavier:
Nat Adderley, Jr.
Perkussion:
Errol "Crusher" Bennett
Schlagzeug:
Ivan Hampden
Solo-Saxophon:
Dick Oatts
Sologesang:
Luther Vandross
arranger:
Nat Adderley, Jr.
Orchestrator(in):
Earl McIntyre
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1995)
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
My Favorite Things (The Sound of Music)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
American Splendor
Teil von:
The Sound of Music (Rodgers & Hammerstein musical)
?:??
6Never Let Me Go
Programmierung:
Eric Persing
assistierende(r) Techniker(in):
Jim Labinski und Chad Munsey
Techniker(in):
Ray Bardani, Mike Morongell und Shelly Yakus
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Mix:
Ray Bardani
Bass und zusätzlich Keyboard:
Marcus Miller (jazz musician)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) und Doc Powell
Keyboard:
Nat Adderley, Jr.
Schlagzeug:
Ivan Hampden
Solo-Saxophon:
Kirk Whalum
arranger:
Nat Adderley, Jr.
vocals arranger:
Luther Vandross
aufgenommen bei und mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Never Let Me Go
Texter und Komponist(in):
Joseph Scott (Joseph Wade Scott)
publisher:
Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!) und Duchess Music Corporation (BMI-affiliated) (in 1954)
?:??
7Love Won't Me Wait
drum machine-Programmierung:
Nat Adderley, Jr. und Marcus Miller (jazz musician)
Synthesizer-Programmierung:
Jason Miles (jazz producer/keyboardist)
Techniker(in) und Mix:
Ray Bardani
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
assistierende(r) Mix:
Marc DeSisto
Bass:
Marcus Miller (jazz musician)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) und William "Doc" Powell
Keyboard und Synthesizer:
Nat Adderley, Jr.
Pauke:
Amy Knoles
Perkussion:
Paulinho DaCosta (Brazilian percussionist)
Schlagzeug:
Buddy Williams (drummer)
Sopransaxophon:
Kirk Whalum
Hintergrundgesang:
Brenda White, Cissy Houston, Lisa Fisher (American vocalist) und Paulette McWilliams
Sologesang:
Luther Vandross
Saiteninstrumente arranger und Synthesizer arranger:
Nat Adderley, Jr.
arranger:
Nat Adderley, Jr.
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Love Won’t Let Me Wait
Verfasser(in):
Vinnie Barrett und Bobby Eli
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Mighty Three Music, Prestige Music Co. (US, affiliated with BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Winot Music
?:??
8Once We're Lovers
recording engineer und Mix:
Ray Bardani
membranophone-Programmierung:
Rex Rideout
leitende(r) Produzent(in):
Luther Vandross
Produzent(in):
Luther Vandross
Keyboard:
Rex Rideout
Solo-Mundharmonika:
Stevie Wonder
Hintergrundgesang:
Tawatha Agee, Sharon Bryant und Brenda White‐King
zusätzlich Hintergrundgesang:
Fonzi Thornton
arranger:
Rex Rideout
vocals arranger:
Luther Vandross
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Once Were Lovers
Verfasser(in):
Rex Rideout, Fonzi Thornton und Luther Vandross
?:??
9Creepin' (live)
Mix:
Frank Filipetti
aufgenommen bei:
Radio City Music Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 2003-02-12)
live cover recording of:
Creepin’ (am 2003-02-12)
Komponist(in):
Stevie Wonder
?:??
10Stop to Love (live)
Mix:
Frank Filipetti
aufgenommen bei:
Radio City Music Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 2003-02-12)
live recording of:
Stop to Love (am 2003-02-12)
Texter und Komponist(in):
Nat Adderley, Jr. und Luther Vandross
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd., SBK Songs (publisher), April Music Inc. (in 1986), Dillard Music (in 1986) und Uncle Ronnie's Music Co. Inc. (in 1986)
?:??
11The Glow of Love (live)
Mix:
Frank Filipetti
aufgenommen bei:
Radio City Music Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 2003-02-11 bis 2003-02-12)
recording of:
Glow of Love (von 2003-02-11 bis 2003-02-12)
Verfasser(in):
Wayne Garfield, Mauro Malavasi und Davide Romani
publisher:
Little Macho Music und Spirit Two Music Inc.
?:??

Nennungen

Veröffentlichung

Produzent(in):Ray Bardani
Leo Sacks
mastering:Joseph M. Palmaccio
Mark Wilder (US recording/mastering engineer)
Zusammensteller:Ray Bardani
Leo Sacks
vertrieben von:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2009, in 2013)
mastered at:Battery Studios (mastering/archival/digitization studio located at 321 W 44th Street, NYC) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Discogs:https://www.discogs.com/release/13387174 [Info]