The Life of Riley: The Soundtrack

~ Release by B.B. King (see all versions of this release, 2 available)

Annotation

2 Disc Collectors Set

Annotation last modified on 2014-09-14 01:24 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Walking Dr. Bill (live on “GTK” Australia, March 18, 1974)
recorded in:
Australia (on 1974-03-18)
live cover recording of:
Walking Dr. Bill (on 1974-03-18)
writer:
Doctor Clayton
publisher:
Universal/MCA Music Ltd. (not for release label use!)
B.B. King5:21
2Nobody Loves Me but My Mother
assistant engineer:
John Henning, Llyllianne Douma and Mike D. Stone
engineer:
Gary Kellgren and Bill Szymczyk
producer:
Bill Szymczyk
piano:
B.B. King (from 1970-05 until 1970-06)
vocals:
B.B. King (from 1970-05 until 1970-06)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1970-05 until 1970-06)
recording of:
Nobody Loves Me but My Mother (from 1970-05 until 1970-06)
writer:
B.B. King
publisher:
Pamco Music Inc.
B.B. King21:27
3I’ll Survive
recording of:
I’ll Survive
writer:
B.B. King and Sam Ling
publisher:
BMG Music Publishing Ltd.
B.B. King2:42
4To Know You Is to Love You
keyboard:
Stevie Wonder
cover recording of:
To Know You Is to Love You (1970s song written by Stevie Wonder and Syreeta Wright)
writer:
Syreeta Wright (US singer‐songwriter active 1970s–80s) and Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc. and 大洋音楽 (Taiyō Music)
B.B. King48:37
5Paying the Cost to Be the Boss
recorded in:
Chicago, Illinois, United States (on 1967-09-14)
producer:
Quincy Jones, Johnny Pate and Louis Zito (producer)
alto saxophone:
Lawrence Burdine (on 1967-09-14)
baritone saxophone:
Barney Hubert (on 1967-09-14)
bass:
Leo Lauchie (on 1967-09-14)
drums (drum set):
Sonny Freeman (on 1967-09-14)
guitar:
Billy Butler (jazz guitarist) (on 1967-09-14) and B.B. King (on 1967-09-14)
keyboard and organ:
Duke Jethro (on 1967-09-14)
tenor saxophone:
Johnny Board (on 1967-09-14)
trombone:
Pluma Davis (on 1967-09-14)
trumpet:
Henry Boozier (on 1967-09-14), John Browning (trumpet player) (on 1967-09-14) and Hobart Dotson (on 1967-09-14)
vocals:
B.B. King (on 1967-09-14)
arranger:
Johnny Pate
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
recording of:
Paying the Cost to Be the Boss (on 1967-09-14)
lyricist and composer:
B.B. King
publisher:
Duchess Music Corporation (BMI-affiliated), Songs of Universal, Inc. (BMI) and Universal Music Careers
B.B. King2.52:35
6Miss Martha King
recording of:
Miss Martha King
writer:
B.B. King
B.B. King & Ms. Martha King2:44
73 O’Clock Blues
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2020/2021)
cover recording of:
Three O’Clock Blues (First recorded in 1946)
writer:
Lowell Fulson
publisher:
Careers–BMG Music Publishing, Inc. and Powerforce Music
B.B. King2.53:02
8You Know I Love You
recording of:
Darlin’ You Know I Love You
writer:
B.B. King and Jules Taub
publisher:
BMG Music Publishing Ltd., Modern Music Publishing Co., Inc. and Sounds Of Lucille, Inc.
B.B. King3:07
9Sweet Little Angel
recording of:
Sweet Little Angel
writer:
Jules Bihari and B.B. King
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Powerforce Music, Sounds Of Lucille, Inc. and Universal/MCA Music Ltd. (not for release label use!)
is based on:
Black Angel Blues
B.B. King3:15
10Catfish Blues (Fishin’ After Me)
recorded in:
Los Angeles, California, United States (from 1958 until 1960-03-03)
bass:
Billy Hadnott (from 1958 until 1960-03-03)
drums (drum set):
Jesse Sailes (from 1958 until 1960-03-03)
guitar:
B.B. King (from 1958 until 1960-03-03)
piano:
Lloyd Glenn (from 1958 until 1960-03-03)
vocals:
B.B. King (from 1958 until 1960-03-03)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1960) and P‐VINE RECORDS (record label — add releases here) (in 1960)
cover recording of:
Catfish Blues (Robert Petway) (from 1958 until 1960-03-03)
lyricist and composer:
Robert Petway
publisher:
MCA Music Ltd., Songs of Universal, Inc. (BMI) and Wabash Music Company (BMI-affiliated)
B.B. King2:34
11Every Day I Have the Blues (recorded live at the Regal Theatre)
recorded at:
Regal Theater in Chicago, Illinois, United States (on 1964-11-21)
live cover recording of:
Everyday I Have the Blues (on 1964-11-21)
lyricist, composer and revised by:
Peter Chatman
writer:
Memphis Slim, Aaron ‘Pinetop’ Sparks (1930s blues & boogie-woogie pianist) (in 1935) and Milton Sparks (in 1935)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label), Trio Music Co., Inc., Trio Music Company and Tristan Music Ltd.
B.B. King2:39
12How Blue Can You Get (recorded live at the Regal Theatre)
recorded at:
Regal Theater in Chicago, Illinois, United States (on 1964-11-21)
live cover recording of:
How Blue Can You Get? (on 1964-11-21)
writer:
Jane Feather
composer:
Leonard Feather
publisher:
Burlington Music Co., Ltd., Melva Pub. Co. and Modern Age Music
B.B. King3:39
13Chains and Things
assistant engineer:
John Henning, Llyllianne Douma and Mike D. Stone
engineer:
Gary Kellgren and Bill Szymczyk
producer:
Bill Szymczyk
bass:
Bryan Garofalo (from 1970-05 until 1970-06)
drums (drum set):
Russ Kunkel (session drummer) (from 1970-05 until 1970-06)
electric piano:
Carole King (from 1970-05 until 1970-06)
guitar:
B.B. King (from 1970-05 until 1970-06)
vocals:
B.B. King (from 1970-05 until 1970-06)
strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1970)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1970-05 until 1970-06)
recording of:
Chains and Things (from 1970-05 until 1970-06)
writer:
Dave Clark (record promoter and musical consultant who worked with B.B. King) and B.B. King
publisher:
Duchess Music Corporation (BMI-affiliated), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Pamco Music Inc. and Sounds Of Lucille, Inc.
B.B. King14:56
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