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~ Veröffentlichung von Duke Ellington & His Orchestra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Nr.TitelBewertungLänge
1The Minor Goes Muggin'
recorded in:
New York, New York, Vereinigte Staaten (am 1945-05-14)
alto saxophone:
Gus Bivona (am 1945-05-14), Bruce Branson (am 1945-05-14) und Sid Cooper (flute & clarinet player) (am 1945-05-14)
baritone saxophone:
Bruce Branson (am 1945-05-14)
Bratsche / Viola [2 violas], Cello [2 cellos], Geige / Violine [14 violins] und Harfe:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1945-05-14)
Gitarre:
Bob Bain (guitarist) (am 1945-05-14)
Klarinette und Rohrblattinstrumente:
Gus Bivona (am 1945-05-14)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1945-05-14)
Kontrabass:
Bob Haggart (am 1945-05-14) und Sid Block (Jazz bassist, band leader) (am 1945-05-14)
Posaune:
Tommy Dorsey (swing trombone player & band leader) (am 1945-05-14), Karl de Karske (am 1945-05-14), Dick Noel (trombone) (am 1945-05-14) und Tex Satterwhite (am 1945-05-14)
Schlagzeug:
Buddy Rich (am 1945-05-14)
Tenorsaxophon:
Babe Fresk (am 1945-05-14) und Vido Musso (am 1945-05-14)
Trompete:
Gerry Goff (am 1945-05-14), Mickey Mangano (am 1945-05-14), George Seaberg (am 1945-05-14) und Charlie Shavers (am 1945-05-14)
Tuba:
Joseph Park (am 1945-05-14)
arranger:
Sy Oliver (am 1945-05-14)
recording of:
The Minor Goes Muggin’ (am 1945-05-14)
Komponist(in):
Sy Oliver
3:01
2It Don't Mean a Thing (if it Ain't Got That Swing)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (am 1945-05-14)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:01
3Time's a Waistin'
alto saxophone:
Johnny Hodges (am 1945-07-30)
Gitarre:
Fred Guy (am 1945-07-30)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1945-07-30)
Kontrabass:
Junior Raglin (bass) (am 1945-07-30)
Posaune:
Lawrence Brown (jazz trombonist) (am 1945-07-30), Claude Jones (am 1945-07-30) und Joe "Tricky Sam" Nanton (am 1945-07-30)
Rohrblattinstrumente:
Harry Carney (am 1945-07-30), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1945-07-30) und Otto Hardwick (am 1945-07-30)
Schlagzeug:
Sonny Greer (am 1945-07-30)
Tenorsaxophon:
Al Sears (am 1945-07-30)
Trompete:
William “Cat” Anderson (am 1945-07-30), Shelton "Scad" Hemphill (am 1945-07-30), Taft Jordan (am 1945-07-30), Ray Nance (am 1945-07-30) und Rex Stewart (am 1945-07-30)
recording of:
Things Ain’t What They Used to Be (am 1945-07-30)
Texter:
Ted Persons
Komponist(in):
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
3:06
4Just Squeeze me
3:18
5Midriff
recording of:
Midriff
Komponist(in):
Billy Strayhorn und Gerald Valentine (trombone, aka Jerry Valentine)
3:15
6Long Long Journey
alto saxophone:
Johnny Hodges (am 1946-01-10)
Gitarre:
Remo Palmier (am 1946-01-10)
Klarinette:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1946-01-10)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1946-01-10) und Billy Strayhorn (am 1946-01-10)
Kontrabass:
Chubby Jackson (am 1946-01-10)
Schlagzeug:
Sonny Greer (am 1946-01-10)
Tenorsaxophon:
Don Byas (am 1946-01-10)
Trompete:
Louis Armstrong (am 1946-01-10) und Charlie Shavers (am 1946-01-10)
Sologesang:
Louis Armstrong (am 1946-01-10)
vocals:
Louis Armstrong (am 1946-01-10)
Interpret(in):
Leonard Feather’s Esquire All‐Americans (am 1946-01-10)
recording of:
Long Long Journey (am 1946-01-10)
Texter und Komponist(in):
Leonard Feather
4:30
7Caravan
live recording of:
Caravan (am 1952-03-25)
Texter:
Irving Mills (in 1937)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) und Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony und Lafleur Music Ltd. (vom 1995-12-12 bis heute)
4:15
8Come Sunday
recording engineer:
Ed Begley (sound engineer in RCA Victor)
Produzent(in):
Brad McCuen (producer)
alto saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1965-12-26), Johnny Hodges (am 1965-12-26) und Russell Procope (am 1965-12-26)
baritone saxophone:
Harry Carney (am 1965-12-26)
Klarinette und Rohrblattinstrumente:
Harry Carney (am 1965-12-26), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1965-12-26) und Russell Procope (am 1965-12-26)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1965-12-26)
Kontrabass:
John Lamb (bass) (am 1965-12-26)
Posaune:
Lawrence Brown (jazz trombonist) (am 1965-12-26), Charles Connors (trombonist) (am 1965-12-26), Buster Cooper (am 1965-12-26) und Quentin Jackson (am 1965-12-26)
Saxophon:
Harry Carney (am 1965-12-26), Paul Gonsalves (am 1965-12-26), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1965-12-26), Johnny Hodges (am 1965-12-26) und Russell Procope (am 1965-12-26)
Schlagzeug:
Louie Bellson (am 1965-12-26)
Tenorsaxophon:
Paul Gonsalves (am 1965-12-26)
Trompete:
William “Cat” Anderson (am 1965-12-26), Mercer Ellington (am 1965-12-26), Herbie Jones (am 1965-12-26) und Cootie Williams (am 1965-12-26)
vocals:
Esther Marrow (am 1965-12-26)
Orchester:
Duke Ellington and His Orchestra (am 1965-12-26)
aufgenommen bei:
Fifth Avenue Presbyterian Church in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1965-12-26)
recording of:
Come Sunday (1958 revision with lyrics) (am 1965-12-26)
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Version von:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
Teil von:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
3:56
9The Brotherhood
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1973-10-24)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1973-10-24)
Posaune:
Art Baron (am 1973-10-24), Chuck Connors (trombonist) (am 1973-10-24) und Vince Prudente (am 1973-10-24)
Saxophon:
Harold Ashby (am 1973-10-24), Harry Carney (am 1973-10-24), Percy Marion (am 1973-10-24), Harold "Geezil" Minerve (am 1973-10-24) und Russell Procope (am 1973-10-24)
Schlagzeug:
Quentin White (am 1973-10-24)
Trompete:
Johnny Coles (US jazz trumpeter) (am 1973-10-24), Mercer Ellington (am 1973-10-24), Barry Lee Hall (American Jazz Trumpet player) (am 1973-10-24) und Harold Johnson (US jazz trumpeter aka "Money") (am 1973-10-24)
Chorgesang:
The John Alldis Choir (am 1973-10-24)
aufgenommen bei:
Westminster Abbey in London (Greater London), England, Vereinigtes Königreich (am 1973-10-24)
5:33
10Ain't Nobody Nowhere Nothin' Without God
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1973-10-24)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1973-10-24)
Posaune:
Art Baron (am 1973-10-24), Chuck Connors (trombonist) (am 1973-10-24) und Vince Prudente (am 1973-10-24)
Saxophon:
Harold Ashby (am 1973-10-24), Harry Carney (am 1973-10-24), Percy Marion (am 1973-10-24), Harold "Geezil" Minerve (am 1973-10-24) und Russell Procope (am 1973-10-24)
Schlagzeug:
Quentin White (am 1973-10-24)
Trompete:
Johnny Coles (US jazz trumpeter) (am 1973-10-24), Mercer Ellington (am 1973-10-24), Barry Lee Hall (American Jazz Trumpet player) (am 1973-10-24) und Harold Johnson (US jazz trumpeter aka "Money") (am 1973-10-24)
Chorgesang:
The John Alldis Choir (am 1973-10-24)
aufgenommen bei:
Westminster Abbey in London (Greater London), England, Vereinigtes Königreich (am 1973-10-24)
4:15
11Isfahan
Techniker(in):
Ed Begley (sound engineer in RCA Victor) (am 1966-12-20)
Produzent(in):
Brad McCuen (producer)
alto saxophone:
Johnny Hodges (am 1966-12-20)
baritone saxophone:
Harry Carney (am 1966-12-20)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1966-12-20)
Kontrabass:
John Lamb (bass) (am 1966-12-20)
Posaune:
Lawrence Brown (jazz trombonist) (am 1966-12-20), Chuck Connors (trombonist) (am 1966-12-20) und Buster Cooper (am 1966-12-20)
Rohrblattinstrumente:
Paul Gonsalves (am 1966-12-20), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1966-12-20) und Russell Procope (am 1966-12-20)
Schlagzeug:
Rufus "Speedy" Jones (drums, aka Speedy Jones) (am 1966-12-20)
Trompete:
Cat Anderson (am 1966-12-20), Mercer Ellington (am 1966-12-20), Herbie Jones (am 1966-12-20) und Cootie Williams (am 1966-12-20)
aufgenommen bei:
RCA Studio A (New York) in New York, New York, Vereinigte Staaten (am 1966-12-20)
recording of:
Isfahan (am 1966-12-20)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
4:12
12Blue Pepper (Far East of The Blues)
13:01
13Take the "A" Train
recording of:
Take the “A” Train (version with lyrics by Sherrill) (am 1966-05-09)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
4:38
14Sophisticated Lady
alto saxophone:
Otto Hardwick (am 1933-05-16) und Johnny Hodges (am 1933-05-16)
Gitarre:
Fred Guy (am 1933-05-16)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1933-05-16)
Kontrabass und Kontrabass [bass]:
Wellman Braud (am 1933-05-16)
Posaune:
Lawrence Brown (jazz trombonist) (am 1933-05-16) und Joe "Tricky Sam" Nanton (am 1933-05-16)
Rohrblattinstrumente:
Barney Bigard (am 1933-05-16), Harry Carney (am 1933-05-16), Otto Hardwick (am 1933-05-16) und Johnny Hodges (am 1933-05-16)
Saxophon:
Harry Carney (am 1933-05-16)
Schlagzeug:
Sonny Greer (am 1933-05-16)
Trompete:
Freddy Jenkins (am 1933-05-16), Arthur Whetsel (am 1933-05-16) und Cootie Williams (am 1933-05-16)
Ventilposaune:
Juan Tizol (am 1933-05-16)
Orchester:
Duke Ellington and His Orchestra (am 1933-05-16)
aufgenommen bei:
American Record Corporation Studios in New York, New York, Vereinigte Staaten (am 1933-05-16)
instrumental recording of:
Sophisticated Lady (am 1933-05-16)
Texter:
Mitchell Parish und Irving Mills (in 1932)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (beendet), Mills Music, Inc. (beendet), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (bis 2007-05) und Sony/ATV Harmony (vom 2007-05 bis heute)
Teil von:
Sophisticated Ladies (1981 musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:15
15Blood Count
Produzent(in):
Brad McCuen (producer)
alto saxophone:
Johnny Hodges (am 1967-09-01) und Russell Procope (am 1967-09-01)
Bassposaune:
Chuck Connors (trombonist) (am 1967-09-01)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1967-09-01)
Kontrabass:
Aaron Bell (jazz double bassist) (am 1967-09-01)
Posaune:
Lawrence Brown (jazz trombonist) (am 1967-09-01) und Buster Cooper (am 1967-09-01)
Rohrblattinstrumente:
Harry Carney (am 1967-09-01), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1967-09-01) und Russell Procope (am 1967-09-01)
Schlagzeug:
Steve Little (am 1967-09-01)
Tenorsaxophon:
Paul Gonsalves (am 1967-09-01)
Trompete:
Cat Anderson (am 1967-09-01), Mercer Ellington (am 1967-09-01), Herbie Jones (am 1967-09-01) und Cootie Williams (am 1967-09-01)
DJ-Mixer:
Ray Hall (engineer)
recording of:
Blood Count (am 1967-09-01)
Komponist(in):
Billy Strayhorn (in 1967)
14:17
16Raincheck
recording of:
Raincheck
Komponist(in):
Billy Strayhorn
4:37
17Basin Street Blues
recording of:
Carnegie Blues
Komponist(in):
Bennie R. Crawford, Jr
2:50
4▶CD

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Veröffentlichung

ASIN:FR: B0002KP4ZE [Info]