Funky Midnight Mover: The Atlantic Studio Recordings 1962-1978

~ Release by Wilson Pickett (see all versions of this release, 1 available)

Tracklist

1CD
2CD
3CD
#TitleRatingLength
1I’ve Come a Long Way
recording of:
I’ve Come a Long Way
lyricist and composer:
Bobby Womack
publisher:
Cotillion Music Inc. (BMI) and Tracebob Music Co.
3:13
2I’m in Love
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
I’m in Love (from 1967-07-01 until 1967-07-03)
lyricist and composer:
Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Pronto Music (publisher) and Tracebob Music Co.
2:33
3Jealous Love
recording of:
Jealous Love
writer:
King Curtis (saxophonist) and Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Cotillion Music Inc. (BMI), Tracebob Music Co. and Warner/Chappell Music Ltd. (1996–2019)
2:48
4Don’t Cry No More
2:16
5That Kind of Love
2:20
6Bring It on Home to Me
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
cover recording of:
Bring It On Home to Me (from 1967-07-01 until 1967-07-03)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
3:09
7Stagger Lee
cover recording of:
Stagger Lee (Lloyd Price version)
writer:
Harold Logan and Lloyd Price (US R&B/soul singer)
publisher:
EMI Catalogue Partnership, Irving Music (BMI) and Travis Music Co.
version of:
Stagger Lee (“Stackolee” etc., traditional)
2:22
8Hello Sunshine
recording of:
Hello Sunshine
writer:
King Curtis (saxophonist) and Ron Miller (Motown songwriter Ronald Norman Miller)
2:34
9Deborah
3:09
10Down by the Sea
recorded in:
New York, New York, United States (on 1968-01-04)
producer:
Nesuhi Ertegun
baritone saxophone:
Joe Grimaldi (on 1968-01-04)
bass [electric bass]:
Jerry Jemmott (on 1968-01-04)
drums (drum set):
Bernard Purdie (on 1968-01-04)
guitar:
Carl Lynch (on 1968-01-04) and Ronald Miller (on 1968-01-04)
keyboard [piano, organ]:
Arif Mardin (on 1968-01-04)
tenor saxophone:
King Curtis (saxophonist) (on 1968-01-04)
trumpet:
Melvin Lastie (on 1968-01-04) and Joe Newman (US jazz trumpeter) (on 1968-01-04)
vocals:
Wilson Pickett (on 1968-01-04)
arranger:
Arif Mardin
2:57
11I Found a True Love
recorded in:
Memphis, Tennessee, United States (on 1968-03-04)
producer:
Tom Dowd
vocals:
Wilson Pickett (on 1968-03-04)
arranger:
Tom Dowd
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
I Found a True Love (on 1968-03-04)
writer:
Bobby Womack and Reggie Young (guitarist and songwriter)
publisher:
Cotillion Music Inc. (BMI), Erva Music Publishing (BMI) and Tracebob Music Co.
2:25
12Remember, I Been Good to You
recorded in:
Memphis, Tennessee, United States (on 1968-03-04)
producer:
Tom Dowd
vocals:
Wilson Pickett (on 1968-03-04)
arranger:
Tom Dowd
3:00
13Let’s Get an Understanding
recorded in:
Memphis, Tennessee, United States (on 1968-03-04)
producer:
Tom Dowd
vocals:
Wilson Pickett (on 1968-03-04)
arranger:
Tom Dowd
2:12
14I’m a Midnight Mover
recorded in:
Memphis, Tennessee, United States (on 1968-03-04)
producer:
Tom Dowd
vocals:
Wilson Pickett (on 1968-03-04)
arranger:
Tom Dowd
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
I’m a Midnight Mover (on 1968-03-04)
writer:
Wilson Pickett and Bobby Womack
publisher:
Cotillion Music Inc. (BMI), Erva Music Publishing (BMI) and Tracebob Music Co.
2:26
15Trust Me
recorded in:
Memphis, Tennessee, United States (on 1968-03-04)
producer:
Tom Dowd
vocals:
Wilson Pickett (on 1968-03-04)
arranger:
Tom Dowd
3:12
16It’s a Groove
recorded in:
Memphis, Tennessee, United States (on 1968-03-04)
producer:
Tom Dowd
vocals:
Wilson Pickett (on 1968-03-04)
arranger:
Tom Dowd
2:52
17A Man and a Half
recorded in:
Memphis, Tennessee, United States (on 1968-09-19)
bass [electric bass]:
Jerry Jemmott (on 1968-09-19)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-09-19)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1968) and Duane Allman (on 1968-09-19)
piano:
Barry Beckett (on 1968-09-19)
tenor saxophone:
Andrew Love (on 1968-09-19) and James Mitchell (US saxophonist/arranger) (on 1968-09-19)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (on 1968-09-19)
vocals:
Wilson Pickett (on 1968-09-19)
conductor:
Tom Dowd (on 1968-09-19)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-09-19)
recording of:
A Man and a Half (on 1968-09-19)
writer:
Larry Chambers, George Jackson (US soul songwriter/vocalist), Melvin Leakes and Raymond Moore (US songwriter)
publisher:
Screen Gems-EMI
2:51
18Woman Likes to Hear That
2:54
19Night Owl
2:23
20Sit Down and Talk This Over
2:21
21People Make the World
2:49
22Hey Jude
engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-11-27)
electric bass guitar [electric bass]:
Jerry Jemmott (on 1968-11-27)
electric guitar:
Duane Allman (on 1968-11-27) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-11-27)
piano:
Barry Beckett (on 1968-11-27)
saxophone:
Floyd Newman (on 1968-11-27)
tenor saxophone:
Andrew Love (on 1968-11-27) and James Mitchell (US saxophonist/arranger) (on 1968-11-27)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (on 1968-11-27)
lead vocals:
Wilson Pickett (on 1968-11-27)
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-11-27)
cover recording of:
Hey Jude (on 1968-11-27)
written in:
England, United Kingdom (in 1968-06)
writer:
John Lennon (The Beatles) (in 1968-06) and Paul McCartney (The Beatles) (in 1968-06)
publisher:
Maclen (Music) Ltd. (U.K. based publisher for Lennon-McCartney), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
written at:
Cavendish Avenue (Paul McCartney’s house c. 1969) in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-06 until 1968-07-26)
4:09
23Search Your Heart
2:46
24Mini‐Skirt Minnie
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-12-03)
recording of:
Mini-Skirt Minnie (on 1968-12-03)
writer:
Earl Cage (American songwriter, producer and arranger), Lindell Hill and George Jackson (US soul songwriter/vocalist)
publisher:
New Research Publishing
3:00
25Back in Your Arms
2:57
26Save Me
recording of:
Save Me
writer:
Dan Greer (Southern soul singer-songwriter, 60s/70s) and George Jackson (US soul songwriter/vocalist)
2:37
27Toe Hold
recording of:
Toe Hold
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Irving Music (BMI)
2:49
28My Own Style of Loving
recording of:
My Own Style of Loving
writer:
George Jackson (US soul songwriter/vocalist), Melvin Leakes and Raymond Moore (US songwriter)
2:40
4CD
5CD
6CD

Credits

Release

art direction:Jeff Lyons (Art director/designer)
additional producer:Bill Inglot (archival music producer/remastering engineer)
producer:Bill Dahl
Michael Johnson (UK recording engineer and producer)
assistant mastering:Ryan Powell (Ryan Powell, American dnb producer)
Mike Wilson (recording engineer)
mastering:Dan Hersch (mastering engineer)
Bill Inglot (archival music producer/remastering engineer)
mastered at:DigiPrep in Los Angeles, California, United States
Discogs:https://www.discogs.com/release/3845785 [info]