C.P.E. Bach Edition (30 CD 2013 Brilliant compilation)

~ Release by Carl Philipp Emanuel Bach (see all versions of this release, 1 available)

Annotation

Liner notes are available for download on the publisher's web site.

Wrong catalogue numbers

The following list contains cases when tracks printed on CD covers reference wrong catalogue numbers. The right catalogue numbers were found by analyzing the catalogue (movement names etc), and by comparing melodies in tracks on physical CD with several recordings done by other artists available on YouTube. Names of all tracks in this release on MusicBrainz contains already corrected catalogue numbers.

* CD 5, tracks 4-6 are wrongly referenced on the CD cover as "Flute Concerto in D minor, Wq.22 (H.425)". These tracks contain a Flute Concerto in D minor, H.484.1. The referenced Wq.22 (H.425) is a Keyboard Concerto in D minor, of which the Flute Concerto is an arrangement.

* CD 7, track 8 is wrongly referenced on the CD cover as "Fantasia and Fugue in C minor, Wq.119:7 (H.103)". This track indeed contains the Fantasia and Fugue in C minor, Wq.119:7, but the Helm catalogue number is wrong. The correct Helm catalogue number is H.75.5. The referenced H.103 is not used in Helm catalogue.

* CD 10, tracks 1-3 are wrongly referenced on the CD cover as "Concerto in D minor Wq.22 (H.425) for recorder (flute) & strings". Wq.22 (H.425) is a concerto for keyboard (harpsichord) and strings. H.484.1 is an arrangement of H.425 for a flute.

* CD 10, tracks 10-12 are wrongly referenced on the CD cover as "Trio in F Wq.159 (H.588) for bass recorder, viola & b.c." The Trio Sonata in F for bass recorder, viola and continuo is indeed H.588, but it is Wq.163. The referenced work Wq.159 is a Trio Sonata in B-flat major Wq. 159 (H.587) for 2 violins and continuo. The error may be caused by the fact that Wq.163 (H.588) is an arrangement of Wq.159 (H.587).

* CD 15, tracks 17-19 are wrongly referenced as "Sonata in G minor for Keyboard (Harpsichord) and Violin, H.524.5". These tracks contain the Sonata in G minor for Keyboard in Violin, H.542.5. The Helm catalogue does not contain a work H.524.5.

* CD 21, tracks 6-8 are wrongly referenced as "Sonata no. 2 in D minor (H.268)". These tracks indeed contain the Sonata no. 2 in D minor, Wq.57:4, but the Helm catalogue number is H.208. The referenced work H.268 is a Rondo in G major, Wq.59:2.

* CD 22, tracks 2-4 are wrongly referenced as "Sonata no. 2 in E minor (H.288)". These tracks indeed contain the Sonata no. 2 in E minor, Wq.58:4, but the Helm catalogue number is H.188. The referenced work H.288 is a Rondo in E-flat major, Wq.61:1.

* CD 24, tracks 10-12 are wrongly referenced as "Keyboard Symphony in E minor, Wq.122:3 (H.653) (arr. Wq.178)". These tracks indeed contain the Keyboard Symphony in E minor, Wq.122:3, but the Helm catalogue number is H.115. Wq.122:3 (H.115) is an arrangement of the referenced work H.653, which is a Symphony in E minor for orchestra, Wq.178 (H.653).

* CD 28, tracks 1-16 are wrongly referenced as "Gnadig und barmherzig ist der Herr, Wq.250 (H.281)". The right Helm catalogue number is H.821l (note the lower-case "l" at the end). The referenced work H.281 is a Sonata in E minor, Wq.59:1.

Wrong work names

The following list contains cases when tracks printed on CD covers reference correct catalogue numbers, but work names are wrong. The right names were found by consulting catalogues. Names of all tracks in this release on MusicBrainz contains already corrected work names.

* CD 7, tracks 5-7 are wrongly referenced on the CD cover as "Concerto for Organ, Strings and Continuo in B-flat, Wq.35 (H.446)". These tracks indeed contain the Concerto Wq.35 (H.446), but the concerto is in E-flat major, not in B-flat major. The concerto Wq.36 (H.447) is in B-flat major.

* CD 15, tracks 5-7 are wrongly referenced as "Sonata in D for Keyboard (Harpsichord) and Violin, Wq.72 (H.503)". These tracks indeed contain the Sonata for Keyboard and Violin, Wq.72 (H.503), but the sonata is in D minor.

* CD 20, track 11 is wrongly referenced as "Rondo no. 3 in A (H.262)". This track indeed contains the Rondo Wq.56:5 (H.262), but the work is in A minor.

Ambiguous references

* CD 11, tracks 13-15 are ambiguosly referenced on the CD cover as "Sonata in A Wq.146 (H.570/H.542) for traverso, violin, cello & harpsichord". The referenced work Wq.146 (H.570) is a Trio Sonata in A major for flute, violin and b.c. The second referenced work H.542 (not present in the Wotquenne catalogue) is an arrangement of H.570 for violin and keyboard (harpsichord). The performance may be a mix of both, taking into account recording instruments (traverso flute, violin, cello and harpsichord).

Annotation last modified on 2020-09-07 17:10 UTC.

Tracklist

1CD: Hamburg Symphonies
2CD: Berlin Symphonies
3CD: Six Symphonies
4CD: Oboe Concertos
5CD: Flute Concertos I
6CD: Flute Concertos II
7CD: Organ Concertos
8CD: Cello Concertos
9CD: Haprsichord Concertos
10CD: Concertos - Chamber Music
11CD: Trios - Duet
12CD: Solo Flute Sonatas I
13CD: Solo Flute Sonatas II
14CD: Viola da Gamba Music
15CD: Sonatas for Keyboard and Violin
16CD: Prussian Sonatas
17CD: Württemberg Sonatas I
18CD: Württemberg Sonatas II
19CD: Sonaten ‘für Kenner und Liebhaber’ I
20CD: Sonaten ‘für Kenner und Liebhaber’ II
21CD: Sonaten ‘für Kenner und Liebhaber’ III
22CD: Sonaten ‘für Kenner und Liebhaber’ IV
23CD: Sonaten ‘für Kenner und Liebhaber’ V
24CD: Keyboard Symphonies
25CD: Sacred Songs
#TitleRatingLength
1Die Ehre Gottes aus der Natur, Wq.194:18 (H.686:18)
recording engineer, producer and editor:
Dirk Fischer (German music producer and recording engineer)
harpsichord:
Jörn Boysen (from 2011-06-27 until 2011-06-30)
bass vocals:
Julian Redlin (German bass-bariton) (from 2011-06-27 until 2011-06-30)
recorded at:
St. Katharinenkirche (Kirchbarkau, Germany) in Kirchbarkau, Schleswig-Holstein, Germany (from 2011-06-27 until 2011-06-30)
recording of:
Geistliche Oden und Lieder mit Melodien, Wq. 194, H. 686: 18. Die Ehre Gottes aus der Natur ("Die Himmel rühmen des Ewigen Ehre") (from 2011-06-27 until 2011-06-30)
lyricist:
Christian Fürchtegott Gellert (in 1757)
composer:
Carl Philipp Emanuel Bach (German classical composer) (from 1757 until 1758)
part of:
Geistliche Oden und Lieder mit Melodien, Wq. 194, H. 686
3:32
2Betrachtung des Todes, Wq.194:26 (H.686:26)
recording engineer, producer and editor:
Dirk Fischer (German music producer and recording engineer)
harpsichord:
Jörn Boysen (from 2011-06-27 until 2011-06-30)
bass vocals:
Julian Redlin (German bass-bariton) (from 2011-06-27 until 2011-06-30)
recorded at:
St. Katharinenkirche (Kirchbarkau, Germany) in Kirchbarkau, Schleswig-Holstein, Germany (from 2011-06-27 until 2011-06-30)
recording of:
Geistliche Oden und Lieder mit Melodien, Wq. 194, H. 686: 26. Betrachtung des Todes ("Wie sicher lebt der Mensch, der Staub!") (from 2011-06-27 until 2011-06-30)
lyricist:
Christian Fürchtegott Gellert (in 1757)
composer:
Carl Philipp Emanuel Bach (German classical composer) (from 1757 until 1758)
part of:
Geistliche Oden und Lieder mit Melodien, Wq. 194, H. 686
3:38
3Die Zufriedenheit in Gott, Wq.195:6 (H.696:6)
recording engineer, producer and editor:
Dirk Fischer (German music producer and recording engineer)
harpsichord:
Jörn Boysen (from 2011-06-27 until 2011-06-30)
bass vocals:
Julian Redlin (German bass-bariton) (from 2011-06-27 until 2011-06-30)
recorded at:
St. Katharinenkirche (Kirchbarkau, Germany) in Kirchbarkau, Schleswig-Holstein, Germany (from 2011-06-27 until 2011-06-30)
recording of:
Zwölf geistliche Oden und Lieder, Wq. 195, H. 696: 6. Die Zufriedenheit in Gott ("Was ists, das mein vergnügt Gemüthe") (from 2011-06-27 until 2011-06-30)
composer:
Carl Philipp Emanuel Bach (German classical composer) (in 1764)
part of:
Zwölf geistliche Oden und Lieder als ein Anhang zu Gellerts geistlichen Oden und Liedern mit Melodien, Wq. 195, H. 696
2:24
4Prüfung am Abend, Wq.194:7 (H.686:7)
recording engineer, producer and editor:
Dirk Fischer (German music producer and recording engineer)
harpsichord:
Jörn Boysen (from 2011-06-27 until 2011-06-30)
bass vocals:
Julian Redlin (German bass-bariton) (from 2011-06-27 until 2011-06-30)
recorded at:
St. Katharinenkirche (Kirchbarkau, Germany) in Kirchbarkau, Schleswig-Holstein, Germany (from 2011-06-27 until 2011-06-30)
recording of:
Geistliche Oden und Lieder mit Melodien, Wq. 194, H. 686: 7. Prüfung am Abend ("Der Tag ist wieder hin") (from 2011-06-27 until 2011-06-30)
lyricist:
Christian Fürchtegott Gellert (in 1757)
composer:
Carl Philipp Emanuel Bach (German classical composer) (from 1757 until 1758)
part of:
Geistliche Oden und Lieder mit Melodien, Wq. 194, H. 686
3:43
5Osterlied, Wq.194:10 (H.686:10)
recording engineer, producer and editor:
Dirk Fischer (German music producer and recording engineer)
harpsichord:
Jörn Boysen (from 2011-06-27 until 2011-06-30)
bass vocals:
Julian Redlin (German bass-bariton) (from 2011-06-27 until 2011-06-30)
recorded at:
St. Katharinenkirche (Kirchbarkau, Germany) in Kirchbarkau, Schleswig-Holstein, Germany (from 2011-06-27 until 2011-06-30)
recording of:
Geistliche Oden und Lieder mit Melodien, Wq. 194, H. 686: 10. Osterlied ("Jesus lebt, mit ihm auch ich") (from 2011-06-27 until 2011-06-30)
lyricist:
Christian Fürchtegott Gellert (in 1757)
composer:
Carl Philipp Emanuel Bach (German classical composer) (from 1757 until 1758)
part of:
Geistliche Oden und Lieder mit Melodien, Wq. 194, H. 686
2:00
6Der Unbeständige, Wq.202c:1 (H.709)
recording engineer, producer and editor:
Dirk Fischer (German music producer and recording engineer)
harpsichord:
Jörn Boysen (from 2011-06-27 until 2011-06-30)
bass vocals:
Julian Redlin (German bass-bariton) (from 2011-06-27 until 2011-06-30)
recorded at:
St. Katharinenkirche (Kirchbarkau, Germany) in Kirchbarkau, Schleswig-Holstein, Germany (from 2011-06-27 until 2011-06-30)
recording of:
Der Unberständige ("Verlieben sollt ich mich?"), Wq. 202/C no. 1, H. 709 (from 2011-06-27 until 2011-06-30)
lyricist:
Albrecht Wittenberg (probably)
composer:
Carl Philipp Emanuel Bach (German classical composer) (in 1768)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 709)
part of:
Sammlung von 56 geistlichen und weltlichen Oden und Liedern, Wq. 202
4:08
7Der 8. Psalm, Wq.196:4 (H.733:4)
recording engineer, producer and editor:
Dirk Fischer (German music producer and recording engineer)
harpsichord:
Jörn Boysen (from 2011-06-27 until 2011-06-30)
bass vocals:
Julian Redlin (German bass-bariton) (from 2011-06-27 until 2011-06-30)
recorded at:
St. Katharinenkirche (Kirchbarkau, Germany) in Kirchbarkau, Schleswig-Holstein, Germany (from 2011-06-27 until 2011-06-30)
recording of:
Psalm 8 ("Wer ist so würdig als du, von uns bewundert"), Wq. 196 no. 4, H. 733 no. 4 (from 2011-06-27 until 2011-06-30)
composer:
Carl Philipp Emanuel Bach (German classical composer) (from 1773 until 1774)
translator:
Johann Andreas Cramer
part of:
Cramers übersetzte Psalmen mit Melodien, Wq. 196, H. 733
6:02
8Der 23. Psalm, Wq.196:8 (H.733:8)
recording engineer, producer and editor:
Dirk Fischer (German music producer and recording engineer)
harpsichord:
Jörn Boysen (from 2011-06-27 until 2011-06-30)
bass vocals:
Julian Redlin (German bass-bariton) (from 2011-06-27 until 2011-06-30)
recorded at:
St. Katharinenkirche (Kirchbarkau, Germany) in Kirchbarkau, Schleswig-Holstein, Germany (from 2011-06-27 until 2011-06-30)
recording of:
Psalm 23 ("Gott ist mein Hirt"), Wq. 196 no. 8, H. 733 no. 8 (from 2011-06-27 until 2011-06-30)
composer:
Carl Philipp Emanuel Bach (German classical composer) (from 1773 until 1774)
translator:
Johann Andreas Cramer
part of:
Cramers übersetzte Psalmen mit Melodien, Wq. 196, H. 733
2:31
9Der 86. Psalm, Wq.196:19 (H.733:19)
recording engineer, producer and editor:
Dirk Fischer (German music producer and recording engineer)
harpsichord:
Jörn Boysen (from 2011-06-27 until 2011-06-30)
bass vocals:
Julian Redlin (German bass-bariton) (from 2011-06-27 until 2011-06-30)
recorded at:
St. Katharinenkirche (Kirchbarkau, Germany) in Kirchbarkau, Schleswig-Holstein, Germany (from 2011-06-27 until 2011-06-30)
recording of:
Psalm 86 ("Herr, erhöre meine Klagen!"), Wq. 196 no. 19, H. 733 no. 19 (from 2011-06-27 until 2011-06-30)
composer:
Carl Philipp Emanuel Bach (German classical composer) (from 1773 until 1774)
translator:
Johann Andreas Cramer
part of:
Cramers übersetzte Psalmen mit Melodien, Wq. 196, H. 733
2:44
10Der 67. Psalm, Wq.196:18 (H.733:18)
recording engineer, producer and editor:
Dirk Fischer (German music producer and recording engineer)
harpsichord:
Jörn Boysen (from 2011-06-27 until 2011-06-30)
bass vocals:
Julian Redlin (German bass-bariton) (from 2011-06-27 until 2011-06-30)
recorded at:
St. Katharinenkirche (Kirchbarkau, Germany) in Kirchbarkau, Schleswig-Holstein, Germany (from 2011-06-27 until 2011-06-30)
recording of:
Psalm 67 ("Herr, unser Gott, dem wir vertrauen"), Wq. 196 no. 18, H. 733 no. 18 (from 2011-06-27 until 2011-06-30)
composer:
Carl Philipp Emanuel Bach (German classical composer) (from 1773 until 1774)
translator:
Johann Andreas Cramer
part of:
Cramers übersetzte Psalmen mit Melodien, Wq. 196, H. 733
4:26
11Das Privilegium, Wq.202b:1 (H.693)
recording engineer, producer and editor:
Dirk Fischer (German music producer and recording engineer)
harpsichord:
Jörn Boysen (from 2011-06-27 until 2011-06-30)
bass vocals:
Julian Redlin (German bass-bariton) (from 2011-06-27 until 2011-06-30)
recorded at:
St. Katharinenkirche (Kirchbarkau, Germany) in Kirchbarkau, Schleswig-Holstein, Germany (from 2011-06-27 until 2011-06-30)
recording of:
Sing-Ode: Das Privilegium ("Ihr Brüder, zankt nicht mit den Thoren"), Wq. 112 no. 6, Wq. 202/B no. 1, H. 693 (from 2011-06-27 until 2011-06-30)
lyricist:
Nikolaus Dietrich Giseke
composer:
Carl Philipp Emanuel Bach (German classical composer) (from 1762 until 1765)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 693)
part of:
Sammlung von 56 geistlichen und weltlichen Oden und Liedern, Wq. 202
2:41
12Der Tag des Weltgerichts, Wq.197:13 (H.749:13)
recording engineer, producer and editor:
Dirk Fischer (German music producer and recording engineer)
harpsichord:
Jörn Boysen (from 2011-06-27 until 2011-06-30)
bass vocals:
Julian Redlin (German bass-bariton) (from 2011-06-27 until 2011-06-30)
recorded at:
St. Katharinenkirche (Kirchbarkau, Germany) in Kirchbarkau, Schleswig-Holstein, Germany (from 2011-06-27 until 2011-06-30)
recording of:
Der Tag des Weltgerichts ("Wann der Erde Gründe beben"), Wq. 197 no. 13, H. 749 no. 13 (from 2011-06-27 until 2011-06-30)
lyricist:
Christoph Christian Sturm
composer:
Carl Philipp Emanuel Bach (German classical composer) (in 1780)
part of:
Sturms geistliche Gesänge mit Melodien, Erste Sammlung, Wq. 197, H. 749
3:07
13Der Frühling, Wq.197:14 (H.749:14)
recording engineer, producer and editor:
Dirk Fischer (German music producer and recording engineer)
harpsichord:
Jörn Boysen (from 2011-06-27 until 2011-06-30)
bass vocals:
Julian Redlin (German bass-bariton) (from 2011-06-27 until 2011-06-30)
recorded at:
St. Katharinenkirche (Kirchbarkau, Germany) in Kirchbarkau, Schleswig-Holstein, Germany (from 2011-06-27 until 2011-06-30)
recording of:
Der Frühling ("Erwacht zum neuen Leben"), Wq. 197 no. 14, H. 749 no. 14 (from 2011-06-27 until 2011-06-30)
lyricist:
Christoph Christian Sturm
composer:
Carl Philipp Emanuel Bach (German classical composer) (in 1780)
part of:
Sturms geistliche Gesänge mit Melodien, Erste Sammlung, Wq. 197, H. 749
3:11
14Die Fortdauer der Lehre Jesu, Wq.197:21 (H.749:21)
recording engineer, producer and editor:
Dirk Fischer (German music producer and recording engineer)
harpsichord:
Jörn Boysen (from 2011-06-27 until 2011-06-30)
bass vocals:
Julian Redlin (German bass-bariton) (from 2011-06-27 until 2011-06-30)
recorded at:
St. Katharinenkirche (Kirchbarkau, Germany) in Kirchbarkau, Schleswig-Holstein, Germany (from 2011-06-27 until 2011-06-30)
recording of:
Die Fortdauer der Lehre Jesu ("Umsonst empört die Hölle sich Mit ihrem"), Wq. 197 no. 21, H. 749 no. 21 (from 2011-06-27 until 2011-06-30)
lyricist:
Christoph Christian Sturm
composer:
Carl Philipp Emanuel Bach (German classical composer) (in 1780)
part of:
Sturms geistliche Gesänge mit Melodien, Erste Sammlung, Wq. 197, H. 749
2:34
15Andenken an den Tod, Wq.198:12 (H.752:12)
recording engineer, producer and editor:
Dirk Fischer (German music producer and recording engineer)
harpsichord:
Jörn Boysen (from 2011-06-27 until 2011-06-30)
bass vocals:
Julian Redlin (German bass-bariton) (from 2011-06-27 until 2011-06-30)
recorded at:
St. Katharinenkirche (Kirchbarkau, Germany) in Kirchbarkau, Schleswig-Holstein, Germany (from 2011-06-27 until 2011-06-30)
recording of:
Andenken an den Tod ("Wer weiß, wie nah der Tod mir ist?"), Wq. 198 no. 12, H. 752 no. 12 (from 2011-06-27 until 2011-06-30)
lyricist:
Christoph Christian Sturm
composer:
Carl Philipp Emanuel Bach (German classical composer) (in 1781)
part of:
Sturms geistliche Gesänge mit Melodien, Zweite Sammlung, Wq. 198, H. 752
4:40
16Die Küsse, Wq.199:4 (H.673)
recording engineer, producer and editor:
Dirk Fischer (German music producer and recording engineer)
harpsichord:
Jörn Boysen (from 2011-06-27 until 2011-06-30)
bass vocals:
Julian Redlin (German bass-bariton) (from 2011-06-27 until 2011-06-30)
recorded at:
St. Katharinenkirche (Kirchbarkau, Germany) in Kirchbarkau, Schleswig-Holstein, Germany (from 2011-06-27 until 2011-06-30)
recording of:
Die Küsse ("Daß ich, bey meiner Lust, durch keinen Zwang"), Wq. 199 no. 4, H. 673 (from 2011-06-27 until 2011-06-30)
lyricist:
Nikolaus Dietrich Giseke
composer:
Carl Philipp Emanuel Bach (German classical composer) (from 1750 until 1753)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 673)
part of:
Oden mit Melodien, Wq. 199
3:02
17Belinde, Wq.202b:3 (H.695)
recording engineer, producer and editor:
Dirk Fischer (German music producer and recording engineer)
harpsichord:
Jörn Boysen (from 2011-06-27 until 2011-06-30)
bass vocals:
Julian Redlin (German bass-bariton) (from 2011-06-27 until 2011-06-30)
recorded at:
St. Katharinenkirche (Kirchbarkau, Germany) in Kirchbarkau, Schleswig-Holstein, Germany (from 2011-06-27 until 2011-06-30)
recording of:
Sing-Ode: Belinde ("Das Damon nie Belinden rühret"), Wq. 112 no. 14, Wq. 202/B no. 3, H. 695 (from 2011-06-27 until 2011-06-30)
lyricist:
Carl Wilhelm Müller
composer:
Carl Philipp Emanuel Bach (German classical composer) (from 1762 until 1765)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 695)
part of:
Sammlung von 56 geistlichen und weltlichen Oden und Liedern, Wq. 202
1:38
26CD: Symphonies - Magnificat
27CD: Sacred Choral Music I
28CD: Sacred Choral Music II
29CD: Sacred Choral Music III
30CD: Sacred Choral Music IV