Late Night Cannonball Adderley

~ Veröffentlichung von Cannonball Adderley (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Lonely Dreams
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Lonely Dreams (am 1955-10-28)
Komponist(in):
Terry Gibbs (jazz vibraphonist)
Cannonball Adderley2:32
2A Sleepin' Bee
recorded in:
New York, New York, Vereinigte Staaten (von 1961-06-27 bis 1961-06-29)
Produzent(in):
Tom Morgan (producer) und Andy Wiswell
alto saxophone:
Cannonball Adderley (von 1961-06-27 bis 1961-06-29)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (von 1961-06-27 bis 1961-06-29)
Kontrabass:
Sam Jones (US jazz bassist) (von 1961-06-27 bis 1961-06-29)
Kornett:
Nat Adderley (von 1961-06-27 bis 1961-06-29)
Schlagzeug:
Louis Hayes (von 1961-06-27 bis 1961-06-29)
vocals:
Nancy Wilson (jazz/blues/soul singer) (von 1961-06-27 bis 1961-06-29)
remixer:
Larry Walsh
phonographisches Urheberrecht (℗) von:
Dobre Records (in 2010)
remixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
A Sleepin’ Bee (House of Flowers)
Texter:
Harold Arlen und Truman Capote
Komponist(in):
Harold Arlen
publisher:
Harwin Music und S.A. Music Co.
Teil von:
House of Flowers
Nancy Wilson2:35
3Street Of Dreams
recorded in:
New York, Vereinigte Staaten (am 1955-10-27)
alto saxophone:
Cannonball Adderley (am 1955-10-27)
conductor:
Richard Hayman (am 1955-10-27)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Street of Dreams (am 1955-10-27)
Texter:
Sam M. Lewis (1930s lyricist) (in 1932)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
publisher:
EMI Miller Catalog, Inc. und Miller Music Corp.
Cannonball Adderley2:16
4I Cover The Waterfront
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I Cover the Waterfront (am 1955-10-28)
Texter:
Edward Heyman
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green) und Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell Music, Inc.
Cannonball Adderley2:29
5I've Never Been In Love Before
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
I’ve Never Been in Love Before (am 1955-10-28)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Guys and Dolls (Broadway musical)
Cannonball Adderley2:23
6Never Will I Marry
recorded in:
New York, New York, Vereinigte Staaten (von 1961-06-27 bis 1961-06-29)
Produzent(in):
Tom Morgan (producer) und Andy Wiswell
alto saxophone:
Cannonball Adderley (von 1961-06-27 bis 1961-06-29)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (von 1961-06-27 bis 1961-06-29)
Kontrabass:
Sam Jones (US jazz bassist) (von 1961-06-27 bis 1961-06-29)
Kornett:
Nat Adderley (von 1961-06-27 bis 1961-06-29)
Schlagzeug:
Louis Hayes (von 1961-06-27 bis 1961-06-29)
vocals:
Nancy Wilson (jazz/blues/soul singer) (von 1961-06-27 bis 1961-06-29)
remixer:
Larry Walsh
phonographisches Urheberrecht (℗) von:
Dobre Records (in 2010)
remixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Never Will I Marry (from “Green Willow”)
Orchestrator(in):
Don Walker (orchestrator)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp.
Cannonball Adderley2:19
7Happy Talk
recorded in:
New York, New York, Vereinigte Staaten (von 1961-06-27 bis 1961-06-29)
Produzent(in):
Tom Morgan (producer) und Andy Wiswell
alto saxophone:
Cannonball Adderley (von 1961-06-27 bis 1961-06-29)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (von 1961-06-27 bis 1961-06-29)
Kontrabass:
Sam Jones (US jazz bassist) (von 1961-06-27 bis 1961-06-29)
Kornett:
Nat Adderley (von 1961-06-27 bis 1961-06-29)
Schlagzeug:
Louis Hayes (von 1961-06-27 bis 1961-06-29)
vocals:
Nancy Wilson (jazz/blues/soul singer) (von 1961-06-27 bis 1961-06-29)
remixer:
Larry Walsh
phonographisches Urheberrecht (℗) von:
Dobre Records (in 2010)
remixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Happy Talk (South Pacific)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd.
Teil von:
South Pacific (Rodgers & Hammerstein musical)
Nancy Wilson2:26
8Minha Saudades (24-Bit Mastering)
Cannonball Adderley2:23
9Hoppin' John
recorded in:
New York, New York, Vereinigte Staaten (am 1956-07-12)
alto saxophone:
Julian Cannonball Adderley (am 1956-07-12)
Klavier:
Junior Mance (am 1956-07-12)
Kontrabass:
Sam Jones (US jazz bassist) (am 1956-07-12)
Kornett:
Nat Adderley (am 1956-07-12)
Schlagzeug:
Charles “Specs” Wright (am 1956-07-12)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recording of:
Filet of Soul (a.k.a. Hoppin' John) (am 1956-07-12)
Komponist(in):
Lee Morgan (jazz trumpeter / composer)
Nat Adderley2:18
10Island Blues (Remastered)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003)
Cannonball Adderley2:24
11I'm Glad There Is You
recorded in:
New York, New York, Vereinigte Staaten (am 1956-06-18)
alto saxophone:
Julian “Cannonball” Adderley (am 1956-06-18)
baritone saxophone:
Danny Bank (reeds) (am 1956-06-18)
flute und Tenorsaxophon:
Jerome Richardson (am 1956-06-18)
Klavier:
Junior Mance (am 1956-06-18)
Kontrabass:
Keeter Betts (am 1956-06-18)
Kornett:
Nat Adderley (am 1956-06-18)
Posaune:
Bobby Byrne (am 1956-06-18) und Jimmy Cleveland (US jazz trombonist) (am 1956-06-18)
Schlagzeug:
Specs Wright (am 1956-06-18)
Trompete:
Ernie Royal (am 1956-06-18)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1956-06-18)
instrumental cover recording of:
I’m Glad There Is You (am 1956-06-18)
Verfasser(in):
Jimmy Dorsey und Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. und Mayfair Music Corp.
Cannonball Adderley2:35
12I Got It Bad (And That Ain't Good)
recorded in:
New York, New York, Vereinigte Staaten (am 1958-08-20)
alto saxophone:
Cannonball Adderley (am 1958-08-20)
Bratsche / Viola:
Dave Schwartz (violist) (am 1958-08-20)
Cello:
George Ricci (am 1958-08-20)
Geige / Violine:
Leo Kruczek (am 1958-08-20) und Gene Orloff (am 1958-08-20)
Gitarre:
Barry Galbraith (am 1958-08-20)
Klavier:
Bill Evans (pianist) (am 1958-08-20)
Kontrabass [bass]:
Milt Hinton (am 1958-08-20)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-08-20)
Trompete:
Emmett Berry (am 1958-08-20)
arranger:
Bill Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I Got It Bad (and That Ain’t Good) (am 1958-08-20)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Cannonball Adderley2:39
13Little Unhappy Boy
recorded in:
New York, New York, Vereinigte Staaten (von 1961-06-27 bis 1961-06-29)
Produzent(in):
Tom Morgan (producer) und Andy Wiswell
vocals:
Nancy Wilson (jazz/blues/soul singer)
remixer:
Larry Walsh
phonographisches Urheberrecht (℗) von:
Dobre Records (in 2010)
remixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Little Unhappy Boy
Texter und Komponist(in):
Curtis Lewis (US songwriter)
Nancy Wilson2:16
14Chocolate Shake
recorded in:
New York, New York, Vereinigte Staaten (am 1958-08-21)
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1958-08-21)
Bratsche / Viola:
Dave Schwartz (violist) (am 1958-08-21)
Cello:
George Ricci (am 1958-08-21)
Geige / Violine:
Leo Kruczek (am 1958-08-21) und Gene Orloff (am 1958-08-21)
Gitarre:
Barry Galbraith (am 1958-08-21)
Klavier:
Bill Evans (pianist) (am 1958-08-21)
Kontrabass [bass]:
Milt Hinton (am 1958-08-21)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-08-21)
Trompete:
Emmett Berry (am 1958-08-21)
conductor:
William Russo (am 1958-08-21)
arranger:
Bill Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recording of:
Chocolate Shake (am 1958-08-21)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Paul Francis Webster
Cannonball Adderley2:43
15Little Girl Blue
alto saxophone:
Julian “Cannonball” Adderley (am 1956-06-08)
baritone saxophone:
Danny Bank (reeds) (am 1956-06-08)
flute und Tenorsaxophon:
Jerome Richardson (am 1956-06-08)
Klavier:
Junior Mance (am 1956-06-08)
Kontrabass:
Keeter Betts (am 1956-06-08)
Kornett:
Nat Adderley (am 1956-06-08)
Posaune:
Bobby Byrne (am 1956-06-08) und Jimmy Cleveland (US jazz trombonist) (am 1956-06-08)
Schlagzeug:
Specs Wright (am 1956-06-08)
Trompete:
Ernie Royal (am 1956-06-08)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999) und Monaco Entertainment Corporation (in 2010)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1956-06-08)
instrumental cover recording of:
Little Girl Blue (am 1956-06-08)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
instrumental recording of:
Little Girl Blue
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
Cannonball Adderley2:42
16A Foggy Day
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
A Foggy Day (in London Town) (am 1955-10-28)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
Cannonball Adderley2:44
17Falling In Love With Love
recorded in:
New York, Vereinigte Staaten (am 1955-10-27)
alto saxophone:
Cannonball Adderley (am 1955-10-27)
conductor:
Richard Hayman (am 1955-10-27)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Falling in Love With Love (am 1955-10-27)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
The Boys From Syracuse
Teil von:
The Real Book (compilation of jazz standards, volume I)
Cannonball Adderley2:34
18Save Your Love For Me
recorded in:
New York, New York, Vereinigte Staaten (von 1961-06-27 bis 1961-06-29)
Produzent(in):
Tom Morgan (producer) und Andy Wiswell
alto saxophone:
Cannonball Adderley (von 1961-06-27 bis 1961-06-29)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (von 1961-06-27 bis 1961-06-29)
Kontrabass:
Sam Jones (US jazz bassist) (von 1961-06-27 bis 1961-06-29)
Kornett:
Nat Adderley (von 1961-06-27 bis 1961-06-29)
Schlagzeug:
Louis Hayes (von 1961-06-27 bis 1961-06-29)
vocals:
Nancy Wilson (jazz/blues/soul singer) (von 1961-06-27 bis 1961-06-29)
remixer:
Larry Walsh
phonographisches Urheberrecht (℗) von:
Dobre Records (in 2010)
remixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Save Your Love for Me
Texter:
Buddy Johnson
Komponist(in):
Woodrow Buddy Johnson
publisher:
Embassy Music Corporation und Lou Levy Music Co.
Nancy Wilson2:45
19I'll Never Stop Loving You
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
I’ll Never Stop Loving You (am 1955-10-28)
Texter:
Sammy Cahn
Komponist(in):
Nicholas Brodzsky
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
Cannonball Adderley2:44
20Walk Tall (Live In Hollywood, CA/1967)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-06-12)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1991)
recording of:
Walk Tall
Komponist(in):
Queen Esther Marrow, James Rein und Joe Zawinul (jazz and fusion keyboard player)
The Cannonball Adderley Quintet2:37
21Walk Tall (Baby, That's What I Need) (Remastered 2008)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-06-12)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1991)
recording of:
Walk Tall
Komponist(in):
Queen Esther Marrow, James Rein und Joe Zawinul (jazz and fusion keyboard player)
The Cannonball Adderley Quintet2:40
22Cancer (Remastered)
flute und Tenorsaxophon:
Ernie Watts (jazz and blues saxophonist) (in 1972)
Gitarre:
Mike Deasy (in 1972)
Hybrid-Piano:
George Duke (in 1972)
Kontrabass:
Walter Booker (in 1972)
Kornett:
Nat Adderley (in 1972)
Schlagzeug:
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1972)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2008)
Cannonball Adderley2:48
23I Don't Care
recorded in:
New York, New York, Vereinigte Staaten (am 1956-06-18)
alto saxophone:
Julian “Cannonball” Adderley (am 1956-06-18)
baritone saxophone:
Danny Bank (reeds) (am 1956-06-18)
flute und Tenorsaxophon:
Jerome Richardson (am 1956-06-18)
Klavier:
Junior Mance (am 1956-06-18)
Kontrabass:
Keeter Betts (am 1956-06-18)
Kornett:
Nat Adderley (am 1956-06-18)
Posaune:
Bobby Byrne (am 1956-06-18) und Jimmy Cleveland (US jazz trombonist) (am 1956-06-18)
Schlagzeug:
Specs Wright (am 1956-06-18)
Trompete:
Ernie Royal (am 1956-06-18)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2001) und Monaco Entertainment Corporation (in 2010)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1956-06-18)
cover recording of:
I Don't Care (am 1956-06-18)
Komponist(in):
Ray Bryant (US jazz pianist, composer, and arranger)
recording of:
I Don't Care
Komponist(in):
Ray Bryant (US jazz pianist, composer, and arranger)
Cannonball Adderley2:44
24Room #251
recorded in:
New York, New York, Vereinigte Staaten (am 1956-07-18)
alto saxophone:
Julian Cannonball Adderley (am 1956-07-18)
Klavier:
Junior Mance (am 1956-07-18)
Kontrabass:
Al McKibbon (double bassist) (am 1956-07-18)
Kornett:
Nat Adderley (am 1956-07-18)
Schlagzeug:
Charles Wright (am 1956-07-18)
arranger:
Ernie Wilkins
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
Cannonball Adderley2:43
25Clouds (Single Version/24-Bit Mastering)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999)
Cannonball Adderley2:42
26Cobbweb
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-06)
Klavier:
Junior Mance (am 1957-02-06)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-06)
Kornett:
Nat Adderley (am 1957-02-06)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1957-02-06)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-02-06)
Cannonball Adderley2:42
27Surrey With The Fringe On Top
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
The Surrey With the Fringe on Top (am 1955-10-28)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Williamson Music Company (vom 1943 bis heute)
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Cannonball Adderley2:34
28Somewhere
alto saxophone:
Cannonball Adderley (am 1966-04-06)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (am 1966-04-06)
Kontrabass:
Herbie Lewis (am 1966-04-06)
Kornett:
Nat Adderley (am 1966-04-06)
Schlagzeug:
Roy McCurdy (jazz drummer for Cannonball Adderly) (am 1966-04-06)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1966-04-06)
arranger:
Ray Ellis (US producer, arranger and conductor)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1966-04-06)
instrumental recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (am 1966-04-06)
Texter:
Stephen Sondheim
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Teil von:
West Side Story: Ballet Sequence
The Cannonball Adderley Quintet2:55
29Polka Dots And Moonbeams (Around A Pug-Nosed Dream)
recorded in:
New York, Vereinigte Staaten (am 1955-10-27)
alto saxophone:
Cannonball Adderley (am 1955-10-27)
conductor:
Richard Hayman (am 1955-10-27)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
Polka Dots and Moonbeams (am 1955-10-27)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher und Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Cannonball Adderley3:07
30You Are Too Beautiful
recorded in:
New York, Vereinigte Staaten (am 1955-10-27)
alto saxophone:
Cannonball Adderley (am 1955-10-27)
conductor:
Richard Hayman (am 1955-10-27)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
You Are Too Beautiful (am 1955-10-27)
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Cannonball Adderley2:59
31Two Sleepy People
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Two Sleepy People (from the 1938 film "Thanks for the Memory") (am 1955-10-28)
Texter:
Frank Loesser
Komponist(in):
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK und Sony/ATV Music Publishing LLC (1995–2020)
Cannonball Adderley3:04
32Leo (Remastered)
flute und Tenorsaxophon:
Ernie Watts (jazz and blues saxophonist) (in 1972)
Gitarre:
Mike Deasy (in 1972)
Hybrid-Piano:
George Duke (in 1972)
Kontrabass:
Walter Booker (in 1972)
Kornett:
Nat Adderley (in 1972)
Schlagzeug:
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1972)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2008)
Cannonball Adderley2:59
33Marabi
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-06-14)
Orchester:
H.B. Barnum's Orchestra
conductor:
H.B. Barnum
arranger:
H.B. Barnum
The Cannonball Adderley Quintet2:45
34The Old Country
recorded in:
New York, New York, Vereinigte Staaten (von 1961-06-27 bis 1961-06-29)
Produzent(in):
Tom Morgan (producer) und Andy Wiswell
alto saxophone:
Cannonball Adderley (von 1961-06-27 bis 1961-06-29)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (von 1961-06-27 bis 1961-06-29)
Kontrabass:
Sam Jones (US jazz bassist) (von 1961-06-27 bis 1961-06-29)
Kornett:
Nat Adderley (von 1961-06-27 bis 1961-06-29)
Schlagzeug:
Louis Hayes (von 1961-06-27 bis 1961-06-29)
vocals:
Nancy Wilson (jazz/blues/soul singer) (von 1961-06-27 bis 1961-06-29)
remixer:
Larry Walsh
remixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
The Old Country
Verfasser(in):
Nat Adderley und Curtis Lewis (US songwriter)
recording of:
The Old Country
Verfasser(in):
Nat Adderley und Curtis Lewis (US songwriter)
Nancy Wilson3:01
35Yesterdays
recorded in:
New York, New York, Vereinigte Staaten (am 1956-07-23)
alto saxophone:
Julian Cannonball Adderley (am 1956-07-23)
Klavier:
Junior Mance (am 1956-07-23)
Kontrabass:
Al McKibbon (double bassist) (am 1956-07-23)
Kornett:
Nat Adderley (am 1956-07-23)
Schlagzeug:
Charles Wright (am 1956-07-23)
arranger:
Ernie Wilkins
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
Yesterdays (am 1956-07-23)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Nat Adderley2:48
36Brown-Skin Gal In The Calico Gown
recorded in:
New York, New York, Vereinigte Staaten (am 1958-08-20)
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1958-08-20)
Bratsche / Viola:
Dave Schwartz (violist) (am 1958-08-20)
Cello:
George Ricci (am 1958-08-20)
Geige / Violine:
Leo Kruczek (am 1958-08-20) und Gene Orloff (am 1958-08-20)
Gitarre:
Barry Galbraith (am 1958-08-20)
Klavier:
Bill Evans (pianist) (am 1958-08-20)
Kontrabass [bass]:
Milt Hinton (am 1958-08-20)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-08-20)
Trompete:
Emmett Berry (am 1958-08-20)
conductor:
William Russo (am 1958-08-20)
arranger:
Bill Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
The Brown-Skin Gal (in the Calico Gown) (am 1958-08-20)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Paul Francis Webster
Cannonball Adderley2:52
37It Happened In Monterey
alto saxophone:
Cannonball Adderley (am 1962-01-22) und Earle Warren (am 1962-01-22)
baritone saxophone:
Jerome Richardson (am 1962-01-22)
Bass:
Ray Brown (jazz bassist) (am 1962-01-22)
flute:
Yusef Lateef (am 1962-01-22) und Jerome Richardson (am 1962-01-22)
Klavier:
Tommy Flanagan (am 1962-01-22)
Kornett:
Nat Adderley (am 1962-01-22)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1962-01-22), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (am 1962-01-22), Melba Liston (US jazz trombonist) (am 1962-01-22) und Britt Woodman (am 1962-01-22)
Schlagzeug:
Osie Johnson (am 1962-01-22)
Tenorsaxophon:
Budd Johnson (am 1962-01-22), Yusef Lateef (am 1962-01-22) und Seldon Powell (am 1962-01-22)
Trompete:
Joe Newman (US jazz trumpeter) (am 1962-01-22), Ernie Royal (am 1962-01-22) und Clark Terry (American swing trumpeter) (am 1962-01-22)
Vibraphon:
Milt Jackson (am 1962-01-22)
conductor:
Ernie Wilkins (am 1962-01-22)
arranger:
Ernie Wilkins
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1962-01-22)
live instrumental recording of:
It Happened in Monterey (am 1962-01-22)
Texter:
Billy Rose (lyricist and Broadway producer)
Komponist(in):
Mabel Wayne
publisher:
CBS Feist Catalog, Inc. und EMI United Partnership Ltd.
Ray Brown All‐Star Big Band3:06
38Casa De Marcel
recorded in:
New York, New York, Vereinigte Staaten (am 1956-06-18)
alto saxophone:
Julian “Cannonball” Adderley (am 1956-06-18)
baritone saxophone:
Danny Bank (reeds) (am 1956-06-18)
flute und Tenorsaxophon:
Jerome Richardson (am 1956-06-18)
Klavier:
Junior Mance (am 1956-06-18)
Kontrabass:
Keeter Betts (am 1956-06-18)
Kornett:
Nat Adderley (am 1956-06-18)
Posaune:
Bobby Byrne (am 1956-06-18) und Jimmy Cleveland (US jazz trombonist) (am 1956-06-18)
Schlagzeug:
Specs Wright (am 1956-06-18)
Trompete:
Ernie Royal (am 1956-06-18)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999) und Monaco Entertainment Corporation (in 2010)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1956-06-18)
Cannonball Adderley2:51
39Day In, Day Out
alto saxophone:
Cannonball Adderley (am 1962-01-22) und Earle Warren (am 1962-01-22)
baritone saxophone:
Jerome Richardson (am 1962-01-22)
Bass:
Ray Brown (jazz bassist) (am 1962-01-22)
flute:
Yusef Lateef (am 1962-01-22) und Jerome Richardson (am 1962-01-22)
Klavier:
Tommy Flanagan (am 1962-01-22)
Kornett:
Nat Adderley (am 1962-01-22)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1962-01-22), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (am 1962-01-22), Melba Liston (US jazz trombonist) (am 1962-01-22) und Britt Woodman (am 1962-01-22)
Schlagzeug:
Osie Johnson (am 1962-01-22)
Tenorsaxophon:
Budd Johnson (am 1962-01-22), Yusef Lateef (am 1962-01-22) und Seldon Powell (am 1962-01-22)
Trompete:
Joe Newman (US jazz trumpeter) (am 1962-01-22), Ernie Royal (am 1962-01-22) und Clark Terry (American swing trumpeter) (am 1962-01-22)
Vibraphon:
Milt Jackson (am 1962-01-22)
conductor:
Ernie Wilkins (am 1962-01-22)
arranger:
Ernie Wilkins
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1962-01-22)
instrumental recording of:
Day In, Day Out (am 1962-01-22)
Texter:
Johnny Mercer (in 1939)
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
Ray Brown All‐Star Big Band2:49
40Hayseed
recorded in:
New York, New York, Vereinigte Staaten (am 1956-07-12)
alto saxophone:
Julian Cannonball Adderley (am 1956-07-12)
Klavier:
Junior Mance (am 1956-07-12)
Kontrabass:
Sam Jones (US jazz bassist) (am 1956-07-12)
Kornett:
Nat Adderley (am 1956-07-12)
Schlagzeug:
Charles Wright (am 1956-07-12)
arranger:
Ernie Wilkins
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
Nat Adderley3:03
41Stella By Starlight
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-11)
Klavier:
Junior Mance (am 1957-02-11)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-11)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1957-02-11)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-02-11)
instrumental recording of:
Stella by Starlight (am 1957-02-11)
Texter:
Ned Washington (in 1946)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Cannonball Adderley3:18
42Cynthia's In Love
recorded in:
New York, New York, Vereinigte Staaten (am 1955-07-21)
alto saxophone:
Julian “Cannonball” Adderley (am 1955-07-21)
baritone saxophone:
Cecil Payne (am 1955-07-21)
flute und Tenorsaxophon:
Jerome Richardson (am 1955-07-21)
Klavier:
John Williams (American jazz pianist) (am 1955-07-21)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1955-07-21)
Kornett:
Nat Adderley (am 1955-07-21)
Posaune:
James Cleveland (US jazz trombonist) (am 1955-07-21)
Schlagzeug:
Kenny Clarke (am 1955-07-21)
arranger:
Quincy Jones
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
cover recording of:
Cynthia’s in Love (am 1955-07-21)
Verfasser(in):
Billy Gish, Jack Owens (singer/songwriter "The Cruising Crooner") und Earl White (US songwriter)
Cannonball Adderley3:10
43The Masquerade Is Over
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I’m Afraid the Masquerade Is Over (am 1955-10-28)
Texter:
Herb Magidson
Komponist(in):
Allie Wrubel (US composer and songwriter)
publisher:
Chappell Morris Ltd. und Crawford Music Corp.
Cannonball Adderley3:14
44Libra (Remastered)
flute und Tenorsaxophon:
Ernie Watts (jazz and blues saxophonist) (in 1972)
Gitarre:
Mike Deasy (in 1972)
Hybrid-Piano:
George Duke (in 1972)
Kontrabass:
Walter Booker (in 1972)
Kornett:
Nat Adderley (in 1972)
Schlagzeug:
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1972)
Sopransaxophon:
Cannonball Adderley (in 1972)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2008)
Cannonball Adderley3:22
45T's Tune
recorded in:
New York, New York, Vereinigte Staaten (am 1956-06-18)
alto saxophone:
Julian “Cannonball” Adderley (am 1956-06-18)
baritone saxophone:
Danny Bank (reeds) (am 1956-06-18)
flute und Tenorsaxophon:
Jerome Richardson (am 1956-06-18)
Klavier:
Junior Mance (am 1956-06-18)
Kontrabass:
Keeter Betts (am 1956-06-18)
Kornett:
Nat Adderley (am 1956-06-18)
Posaune:
Bobby Byrne (am 1956-06-18) und Jimmy Cleveland (US jazz trombonist) (am 1956-06-18)
Schlagzeug:
Specs Wright (am 1956-06-18)
Trompete:
Ernie Royal (am 1956-06-18)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2001) und Monaco Entertainment Corporation (in 2010)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1956-06-18)
Cannonball Adderley3:19
46Just Squeeze Me (But Don't Tease Me)
recorded in:
New York, New York, Vereinigte Staaten (am 1958-08-21)
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1958-08-21)
Bratsche / Viola:
Dave Schwartz (violist) (am 1958-08-21)
Cello:
George Ricci (am 1958-08-21)
Geige / Violine:
Leo Kruczek (am 1958-08-21) und Gene Orloff (am 1958-08-21)
Gitarre:
Barry Galbraith (am 1958-08-21)
Klavier:
Bill Evans (pianist) (am 1958-08-21)
Kontrabass [bass]:
Milt Hinton (am 1958-08-21)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-08-21)
Trompete:
Emmett Berry (am 1958-08-21)
conductor:
William Russo (am 1958-08-21)
arranger:
Bill Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
Just Squeeze Me (but Don’t Tease Me) (am 1958-08-21)
Texter:
Lee Gaines (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
Cannonball Adderley3:19
47Jump For Joy
recorded in:
New York, New York, Vereinigte Staaten (am 1958-08-20)
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1958-08-20)
Bass und Kontrabass [bass]:
Milt Hinton (am 1958-08-20)
Bratsche / Viola:
Dave Schwartz (violist) (am 1958-08-20)
Cello:
George Ricci (am 1958-08-20)
Geige / Violine:
Leo Kruczek (am 1958-08-20) und Gene Orloff (am 1958-08-20)
Gitarre:
Barry Galbraith (am 1958-08-20)
Klavier:
Bill Evans (pianist) (am 1958-08-20)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-08-20)
Trompete:
Emmett Berry (am 1958-08-20)
conductor:
William Russo (am 1958-08-20)
arranger:
Bill Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001)
instrumental recording of:
Jump for Joy (am 1958-08-20)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader), Sid Kuller und Paul Francis Webster
cover recording of:
Jump for Joy (am 1958-08-20)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader), Sid Kuller und Paul Francis Webster
Cannonball Adderley3:23
48Joyce's Samba (24-Bit Mastering)
recorded in:
New York, New York, Vereinigte Staaten (am 1962-12-11)
alto saxophone:
Cannonball Adderley (am 1962-12-11) und Paulo Moura (am 1962-12-11)
Gitarre:
Durval Ferreira (am 1962-12-11)
Klavier:
Sérgio Mendes (am 1962-12-11)
Kontrabass:
Octavio Bailly Jr. (am 1962-12-11)
membranophone:
Dom Um Romão (am 1962-12-11)
Trompete:
Pedro Paulo (am 1962-12-11)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999) und Essential Media Group LLC (in 2009)
Cannonball Adderley3:13
49Two Left Feet
recorded in:
New York, New York, Vereinigte Staaten (am 1958-08-21)
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1958-08-21)
Bratsche / Viola:
Dave Schwartz (violist) (am 1958-08-21)
Cello:
George Ricci (am 1958-08-21)
Geige / Violine:
Leo Kruczek (am 1958-08-21) und Gene Orloff (am 1958-08-21)
Gitarre:
Barry Galbraith (am 1958-08-21)
Klavier:
Bill Evans (pianist) (am 1958-08-21)
Kontrabass [bass]:
Milt Hinton (am 1958-08-21)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-08-21)
Trompete:
Emmett Berry (am 1958-08-21)
conductor:
William Russo (am 1958-08-21)
arranger:
Bill Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
cover recording of:
Two Left Feet (am 1958-08-21)
Verfasser(in):
Hal Borne und Paul Francis Webster
Cannonball Adderley3:15
50Tribute To Brownie
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-06)
Klavier:
Junior Mance (am 1957-02-06)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-06)
Kornett:
Nat Adderley (am 1957-02-06)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1957-02-06)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Gralin Music (in 2012)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-02-06)
Cannonball Adderley3:32
51Jeannie
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-08)
Klavier:
Junior Mance (am 1957-02-08)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-08)
Kornett:
Nat Adderley (am 1957-02-08)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1957-02-08)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-02-08)
recording of:
Jeannine
Verfasser(in):
Oscar Brown Jr. (US jazz singer-songwriter from Chicago) und Duke Pearson
Cannonball Adderley3:29
52Rattler's Groove
recorded in:
New York, New York, Vereinigte Staaten (am 1956-07-18)
alto saxophone:
Julian Cannonball Adderley (am 1956-07-18)
Klavier:
Junior Mance (am 1956-07-18)
Kontrabass:
Sam Jones (US jazz bassist) (am 1956-07-18)
Kornett:
Nat Adderley (am 1956-07-18)
Schlagzeug:
Charles Wright (am 1956-07-18)
arranger:
Ernie Wilkins
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
Cannonball Adderley3:26
53Tune Of The Hickory Stick
recorded in:
New York, New York, Vereinigte Staaten (am 1958-08-21)
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1958-08-21)
Bratsche / Viola:
Dave Schwartz (violist) (am 1958-08-21)
Cello:
George Ricci (am 1958-08-21)
Geige / Violine:
Leo Kruczek (am 1958-08-21) und Gene Orloff (am 1958-08-21)
Gitarre:
Barry Galbraith (am 1958-08-21)
Klavier:
Bill Evans (pianist) (am 1958-08-21)
Kontrabass [bass]:
Milt Hinton (am 1958-08-21)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-08-21)
Trompete:
Emmett Berry (am 1958-08-21)
conductor:
Bill Russo (am 1958-08-21)
arranger:
Bill Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
cover recording of:
The Tune of the Hickory Stick (am 1958-08-21)
Verfasser(in):
Hal Borne und Paul Francis Webster
Cannonball Adderley3:24
54Sam's Tune
recorded in:
New York, New York, Vereinigte Staaten (am 1956-07-23)
alto saxophone:
Julian Cannonball Adderley (am 1956-07-23)
Klavier:
Junior Mance (am 1956-07-23)
Kontrabass:
Al McKibbon (double bassist) (am 1956-07-23)
Kornett:
Nat Adderley (am 1956-07-23)
Schlagzeug:
Charles Wright (am 1956-07-23)
arranger:
Ernie Wilkins
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
Nat Adderley3:08
55Purple Shades
recorded in:
New York, New York, Vereinigte Staaten (am 1955-07-21)
alto saxophone:
Julian “Cannonball” Adderley (am 1955-07-21)
baritone saxophone:
Cecil Payne (am 1955-07-21)
flute und Tenorsaxophon:
Jerome Richardson (am 1955-07-21)
Klavier:
John Williams (American jazz pianist) (am 1955-07-21)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1955-07-21)
Kornett:
Nat Adderley (am 1955-07-21)
Posaune:
James Cleveland (US jazz trombonist) (am 1955-07-21)
Schlagzeug:
Kenny Clarke (am 1955-07-21)
arranger:
Quincy Jones
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
recording of:
Purple Shades (am 1955-07-21)
Verfasser(in):
Phil Dooley, Lew Douglas und Frank LaVere
Cannonball Adderley3:32
56Batida Diferente
recorded in:
New York, New York, Vereinigte Staaten (am 1962-12-11)
alto saxophone:
Cannonball Adderley (am 1962-12-11) und Paulo Moura (am 1962-12-11)
Gitarre:
Durval Ferreira (am 1962-12-11)
Klavier:
Sérgio Mendes (am 1962-12-11)
Kontrabass:
Octavio Bailly Jr. (am 1962-12-11)
membranophone:
Dom Um Romão (am 1962-12-11)
Trompete:
Pedro Paulo (am 1962-12-11)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999) und Essential Media Group LLC (in 2009)
Cannonball Adderley3:27
57The Fat Man
recorded in:
New York, New York, Vereinigte Staaten (am 1956-07-23)
alto saxophone:
Julian Cannonball Adderley (am 1956-07-23)
Klavier:
Junior Mance (am 1956-07-23)
Kontrabass:
Al McKibbon (double bassist) (am 1956-07-23)
Kornett:
Nat Adderley (am 1956-07-23)
Schlagzeug:
Charles Wright (am 1956-07-23)
arranger:
Ernie Wilkins
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
Cannonball Adderley3:28
58Sambop
recorded in:
New York, New York, Vereinigte Staaten (am 1962-12-10)
alto saxophone:
Cannonball Adderley (am 1962-12-10) und Paulo Moura (am 1962-12-10)
Gitarre:
Durval Ferreira (am 1962-12-10)
Klavier:
Sérgio Mendes (am 1962-12-10)
Kontrabass:
Octavio Bailly Jr. (am 1962-12-10)
membranophone:
Dom Um Romão (am 1962-12-10)
Trompete:
Pedro Paulo (am 1962-12-10)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999) und Essential Media Group LLC (in 2009)
Cannonball Adderley3:34
59Hamba Nami
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-06-14)
Orchester:
H.B. Barnum's Orchestra
conductor:
H.B. Barnum
arranger:
H.B. Barnum
The Cannonball Adderley Quintet3:31
60Sermonette
recorded in:
New York, New York, Vereinigte Staaten (am 1956-07-12)
alto saxophone:
Julian Cannonball Adderley (am 1956-07-12)
Klavier:
Junior Mance (am 1956-07-12)
Kontrabass:
Sam Jones (US jazz bassist) (am 1956-07-12)
Kornett:
Nat Adderley (am 1956-07-12)
Schlagzeug:
Charles Wright (am 1956-07-12)
arranger:
Ernie Wilkins
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
Sermonette (am 1956-07-12)
Texter:
Jon Hendricks
Komponist(in):
Julian Adderley
Nat Adderley3:38
61Up And At It
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-06-13)
Orchester:
H.B. Barnum's Orchestra
conductor:
H.B. Barnum
arranger:
H.B. Barnum
The Cannonball Adderley Quintet3:40
62Lehadima
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-06-13)
Orchester:
H.B. Barnum's Orchestra
conductor:
H.B. Barnum
arranger:
H.B. Barnum
The Cannonball Adderley Quintet3:37
63Between The Devil And The Deep Blue Sea
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
recording of:
Between the Devil and the Deep Blue Sea
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
publisher:
Mills Music, S.A. Music Co. und Ted Koehler Music Co.
Cannonball Adderley3:30
64Cannon Bilt
alto saxophone:
Cannonball Adderley (am 1962-01-22) und Earle Warren (am 1962-01-22)
baritone saxophone:
Jerome Richardson (am 1962-01-22)
Bass:
Ray Brown (jazz bassist) (am 1962-01-22)
flute:
Yusef Lateef (am 1962-01-22) und Jerome Richardson (am 1962-01-22)
Klavier:
Tommy Flanagan (am 1962-01-22)
Kornett:
Nat Adderley (am 1962-01-22)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1962-01-22), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (am 1962-01-22), Melba Liston (US jazz trombonist) (am 1962-01-22) und Britt Woodman (am 1962-01-22)
Schlagzeug:
Osie Johnson (am 1962-01-22)
Tenorsaxophon:
Budd Johnson (am 1962-01-22), Yusef Lateef (am 1962-01-22) und Seldon Powell (am 1962-01-22)
Trompete:
Joe Newman (US jazz trumpeter) (am 1962-01-22), Ernie Royal (am 1962-01-22) und Clark Terry (American swing trumpeter) (am 1962-01-22)
Vibraphon:
Milt Jackson (am 1962-01-22)
conductor:
Ernie Wilkins (am 1962-01-22)
arranger:
Ernie Wilkins
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1962-01-22)
Ray Brown All‐Star Big Band3:34
65Baubles, Bangles And Beads
Interpret(in):
Milt Jackson
Ray Brown All‐Star Big Band3:29
66Bimini
recorded in:
New York, New York, Vereinigte Staaten (am 1956-07-12)
alto saxophone:
Julian Cannonball Adderley (am 1956-07-12)
Klavier:
Junior Mance (am 1956-07-12)
Kontrabass:
Sam Jones (US jazz bassist) (am 1956-07-12)
Kornett:
Nat Adderley (am 1956-07-12)
Schlagzeug:
Charles Wright (am 1956-07-12)
arranger:
Ernie Wilkins
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
Cannonball Adderley3:42
67Devastatement (Live In Los Angeles/1970)
alto saxophone:
Cannonball Adderley (am 1970-09-19)
E-Bass:
Bob West (US session bassist, producer & songwriter) (am 1970-09-19)
Gitarre:
Nat Adderley, Jr. (am 1970-09-19)
Hybrid-Piano und Klavier:
Nat Adderley, Jr. (am 1970-09-19) und Joe Zawinul (jazz and fusion keyboard player) (am 1970-09-19)
Kontrabass:
Walter Booker (am 1970-09-19)
Kornett:
Nat Adderley (am 1970-09-19)
Schlagzeug:
Roy McCurdy (jazz drummer for Cannonball Adderly) (am 1970-09-19)
string synthesizer:
Joe Zawinul (jazz and fusion keyboard player) (am 1970-09-19)
vocals:
Cannonball Adderley (am 1970-09-19), Nat Adderley (am 1970-09-19) und Nat Adderley, Jr. (am 1970-09-19)
aufgenommen bei:
Monterey Jazz Festival 1970 (1970-09-18 – 1970-09-20)
aufgenommen bei:
Monterey County Fairgrounds in Monterey, California (Kalifornien), Vereinigte Staaten (am 1970-09-19)
live recording of:
Devastatement (Nat Adderley composition)
Verfasser(in):
Nat Adderley
The Cannonball Adderley Quintet3:35
68I've Told Ev'ry Little Star
recorded in:
New York, New York, Vereinigte Staaten (am 1959-04-12)
alto saxophone:
Cannonball Adderley (am 1959-04-12)
Klavier:
Wynton Kelly (am 1959-04-12)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-04-12)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-04-12)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002), Count Records (in 2013) und Swanley (in 2014)
instrumental recording of:
I’ve Told Ev’ry Little Star (am 1959-04-12)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
Teil von:
Music in the Air
Cannonball Adderley Quartet3:39
69Another Kind Of Soul
recorded in:
New York, New York, Vereinigte Staaten (am 1957-02-11)
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-11)
Klavier:
Junior Mance (am 1957-02-11)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-11)
Kornett:
Nat Adderley (am 1957-02-11)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1957-02-11)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Gralin Music (in 2012)
Cannonball Adderley3:41
70Two Brothers
Cannonball Adderley3:31
71Fallen Feathers
recorded in:
New York, New York, Vereinigte Staaten (am 1955-08-05)
alto saxophone:
Julian “Cannonball” Adderley (am 1955-08-05)
baritone saxophone:
Cecil Payne (am 1955-08-05)
flute und Tenorsaxophon:
Jerome Richardson (am 1955-08-05)
Klavier:
John Williams (American jazz pianist) (am 1955-08-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1955-08-05)
Kornett:
Nat Adderley (am 1955-08-05)
Posaune:
J. Johnson (jazz/bop trombonist/session leader) (am 1955-08-05)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1955-08-05)
arranger:
Quincy Jones
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955) und Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2001)
recording of:
Fallen Feathers (am 1955-08-05)
Komponist(in):
Quincy Jones
Cannonball Adderley3:48
72Spring Is Here
recorded in:
New York, New York, Vereinigte Staaten (am 1957-02-11)
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-11)
Klavier:
Junior Mance (am 1957-02-11)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-11)
Kornett:
Nat Adderley (am 1957-02-11)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1957-02-11)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recording of:
Spring Is Here (am 1957-02-11)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und United Partnership Ltd.
instrumental recording of:
Spring Is Here
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und United Partnership Ltd.
Cannonball Adderley3:48
73Fuller Bop Man (Short Version)
recorded in:
New York, New York, Vereinigte Staaten (am 1958-03-06)
alto saxophone:
Cannonball Adderley (am 1958-03-06)
Bass:
Sam Jones (US jazz bassist) (am 1958-03-06)
Klavier:
Junior Mance (am 1958-03-06)
Kornett:
Nat Adderley (am 1958-03-06)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-03-06)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Gralin Music (in 2012)
recording of:
Fuller Bop Man (am 1958-03-06)
Verfasser(in):
Walter “Gil” Fuller (jazz composer & arranger)
Cannonball Adderley3:47
74Jackleg
recorded in:
New York, New York, Vereinigte Staaten (am 1956-07-18)
alto saxophone:
Julian Cannonball Adderley (am 1956-07-18)
Klavier:
Junior Mance (am 1956-07-18)
Kontrabass:
Sam Jones (US jazz bassist) (am 1956-07-18)
Kornett:
Nat Adderley (am 1956-07-18)
Schlagzeug:
Charles Wright (am 1956-07-18)
arranger:
Ernie Wilkins
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
Nat Adderley3:48
75Ndo Lima
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-06-14)
Orchester:
H.B. Barnum's Orchestra
conductor:
H.B. Barnum
arranger:
H.B. Barnum
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2004)
The Cannonball Adderley Quintet3:48
76Ndo Lima (Remastered 2008)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-06-14)
Orchester:
H.B. Barnum's Orchestra
conductor:
H.B. Barnum
arranger:
H.B. Barnum
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2004)
Cannonball Adderley3:49
77Pisces (Remastered)
flute und Tenorsaxophon:
Ernie Watts (jazz and blues saxophonist) (in 1972)
Gitarre:
Mike Deasy (in 1972)
Hybrid-Piano:
George Duke (in 1972)
Kontrabass:
Walter Booker (in 1972)
Kornett:
Nat Adderley (in 1972)
Schlagzeug:
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1972)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2008)
Cannonball Adderley3:54
78Gemini (Remastered)
flute und Tenorsaxophon:
Ernie Watts (jazz and blues saxophonist) (in 1972)
Gitarre:
Mike Deasy (in 1972)
Hybrid-Piano:
George Duke (in 1972)
Kontrabass:
Walter Booker (in 1972)
Kornett:
Nat Adderley (in 1972)
Schlagzeug:
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1972)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2008)
Cannonball Adderley3:42
79Bli-Blip
recorded in:
New York, New York, Vereinigte Staaten (am 1958-08-21)
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1958-08-21)
Bratsche / Viola:
Dave Schwartz (violist) (am 1958-08-21)
Cello:
George Ricci (am 1958-08-21)
Geige / Violine:
Leo Kruczek (am 1958-08-21) und Gene Orloff (am 1958-08-21)
Gitarre:
Barry Galbraith (am 1958-08-21)
Klavier:
Bill Evans (pianist) (am 1958-08-21)
Kontrabass [bass]:
Milt Hinton (am 1958-08-21)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-08-21)
Trompete:
Emmett Berry (am 1958-08-21)
conductor:
William Russo (am 1958-08-21)
arranger:
Bill Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
Bli-Blip (am 1958-08-21)
Texter:
Sid Kuller
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Cannonball Adderley3:51
80You'd Be So Nice To Come Home To
recorded in:
New York, New York, Vereinigte Staaten (am 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (am 1955-07-29)
baritone saxophone:
Cecil Payne (am 1955-07-29)
flute und Tenorsaxophon:
Jerome Richardson (am 1955-07-29)
Klavier:
John Williams (American jazz pianist) (am 1955-07-29)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1955-07-29)
Kornett:
Nat Adderley (am 1955-07-29)
Posaune:
J. Johnson (jazz/bop trombonist/session leader) (am 1955-07-29)
Schlagzeug:
Kenny Clarke (am 1955-07-29)
arranger:
Quincy Jones
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955), HHO Licensing (in 2005, in 2008) und Xelon Productions (in 2010)
instrumental cover recording of:
You’d Be So Nice to Come Home To (am 1955-07-29)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
recording of:
You’d Be So Nice to Come Home To
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Cannonball Adderley3:38
81Broadway At Basin Street
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
Cannonball Adderley3:56
82Everglade
recorded in:
New York, New York, Vereinigte Staaten (am 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (am 1955-07-29)
baritone saxophone:
Cecil Payne (am 1955-07-29)
flute und Tenorsaxophon:
Jerome Richardson (am 1955-07-29)
Klavier:
John Williams (American jazz pianist) (am 1955-07-29)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1955-07-29)
Kornett:
Nat Adderley (am 1955-07-29)
Posaune:
J. Johnson (jazz/bop trombonist/session leader) (am 1955-07-29)
Schlagzeug:
Kenny Clarke (am 1955-07-29)
arranger:
Quincy Jones
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
recording of:
Everglade (am 1955-07-29)
Komponist(in):
Quincy Jones und Julian “Cannonball” Adderley
Cannonball Adderley3:41
83Spectacular
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-06)
Klavier:
Junior Mance (am 1957-02-06)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-06)
Kornett:
Nat Adderley (am 1957-02-06)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1957-02-06)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-02-06)
recording of:
Spectacular (am 1957-02-06)
Komponist(in):
Jim Hall (US jazz guitarist, composer & arranger)
Cannonball Adderley3:57
84Tricrotism
alto saxophone:
Cannonball Adderley (am 1962-01-22) und Earle Warren (am 1962-01-22)
baritone saxophone:
Jerome Richardson (am 1962-01-22)
Bass:
Ray Brown (jazz bassist) (am 1962-01-22)
flute:
Yusef Lateef (am 1962-01-22) und Jerome Richardson (am 1962-01-22)
Klavier:
Tommy Flanagan (am 1962-01-22)
Kornett:
Nat Adderley (am 1962-01-22)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1962-01-22), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (am 1962-01-22), Melba Liston (US jazz trombonist) (am 1962-01-22) und Britt Woodman (am 1962-01-22)
Schlagzeug:
Osie Johnson (am 1962-01-22)
Tenorsaxophon:
Budd Johnson (am 1962-01-22), Yusef Lateef (am 1962-01-22) und Seldon Powell (am 1962-01-22)
Trompete:
Joe Newman (US jazz trumpeter) (am 1962-01-22), Ernie Royal (am 1962-01-22) und Clark Terry (American swing trumpeter) (am 1962-01-22)
Vibraphon:
Milt Jackson (am 1962-01-22)
conductor:
Ernie Wilkins (am 1962-01-22)
Interpret(in):
Milt Jackson
arranger:
Ernie Wilkins
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1962-01-22)
Ray Brown All‐Star Big Band3:54
8518th Century Ballroom
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-07)
Klavier:
Julian Mance (am 1957-02-07)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-07)
Kornett:
Nat Adderley (am 1957-02-07)
Schlagzeug:
Jim Cobb (Jimmy Cobb, US jazz drummer) (am 1957-02-07)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-02-07)
Cannonball Adderley4:00
86My One And Only Love
alto saxophone:
Cannonball Adderley (am 1962-01-23) und Earle Warren (am 1962-01-23)
baritone saxophone:
Jerome Richardson (am 1962-01-23)
Bass:
Sam Jones (US jazz bassist) (am 1962-01-23)
Cello:
Ray Brown (jazz bassist) (am 1962-01-23)
flute:
Yusef Lateef (am 1962-01-23) und Jerome Richardson (am 1962-01-23)
Klavier:
Hank Jones (piano) (am 1962-01-23)
Kornett:
Nat Adderley (am 1962-01-23)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1962-01-23), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (am 1962-01-23), Melba Liston (US jazz trombonist) (am 1962-01-23) und Britt Woodman (am 1962-01-23)
Schlagzeug:
Osie Johnson (am 1962-01-23)
Tenorsaxophon:
Budd Johnson (am 1962-01-23), Yusef Lateef (am 1962-01-23) und Seldon Powell (am 1962-01-23)
Trompete:
Joe Newman (US jazz trumpeter) (am 1962-01-23), Ernie Royal (am 1962-01-23) und Clark Terry (American swing trumpeter) (am 1962-01-23)
Vibraphon:
Milt Jackson (am 1962-01-23)
conductor:
Ernie Wilkins (am 1962-01-23)
Interpret(in):
Milt Jackson
arranger:
Ernie Wilkins
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1962-01-23)
instrumental recording of:
My One and Only Love (am 1962-01-23)
Texter:
Robert Mellin
Komponist(in):
Robert Mellin und Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. und ミュージカル・ライツ・東京 (Musical Lights Tokyo)
Version von:
Music from Beyond the Moon (My One and Only Love)
Ray Brown All‐Star Big Band3:56

Nennungen

Veröffentlichung

kostenlos streamen:https://open.spotify.com/album/5Nc0reEMkJ6Ar8FIB0zrdC [Info]