Late Night Cannonball Adderley

~ Release by Cannonball Adderley (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Lonely Dreams
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Lonely Dreams (on 1955-10-28)
composer:
Terry Gibbs (jazz vibraphonist)
Cannonball Adderley2:32
2A Sleepin' Bee
recorded in:
New York, New York, United States (from 1961-06-27 until 1961-06-29)
producer:
Tom Morgan (producer) and Andy Wiswell
alto saxophone:
Cannonball Adderley (from 1961-06-27 until 1961-06-29)
cornet:
Nat Adderley (from 1961-06-27 until 1961-06-29)
double bass:
Sam Jones (US jazz bassist) (from 1961-06-27 until 1961-06-29)
drums (drum set):
Louis Hayes (from 1961-06-27 until 1961-06-29)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1961-06-27 until 1961-06-29)
vocals:
Nancy Wilson (jazz/blues/soul singer) (from 1961-06-27 until 1961-06-29)
remixer:
Larry Walsh
phonographic copyright (℗) by:
Dobre Records (in 2010)
remixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
A Sleepin’ Bee (House of Flowers)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music and S.A. Music Co.
part of:
House of Flowers
Nancy Wilson2:35
3Street Of Dreams
recorded in:
New York, United States (on 1955-10-27)
alto saxophone:
Cannonball Adderley (on 1955-10-27)
conductor:
Richard Hayman (on 1955-10-27)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Street of Dreams (on 1955-10-27)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1932)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
publisher:
EMI Miller Catalog, Inc. and Miller Music Corp.
Cannonball Adderley2:16
4I Cover The Waterfront
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I Cover the Waterfront (on 1955-10-28)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music, Inc.
Cannonball Adderley2:29
5I've Never Been In Love Before
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
I’ve Never Been in Love Before (on 1955-10-28)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
Cannonball Adderley2:23
6Never Will I Marry
recorded in:
New York, New York, United States (from 1961-06-27 until 1961-06-29)
producer:
Tom Morgan (producer) and Andy Wiswell
alto saxophone:
Cannonball Adderley (from 1961-06-27 until 1961-06-29)
cornet:
Nat Adderley (from 1961-06-27 until 1961-06-29)
double bass:
Sam Jones (US jazz bassist) (from 1961-06-27 until 1961-06-29)
drums (drum set):
Louis Hayes (from 1961-06-27 until 1961-06-29)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1961-06-27 until 1961-06-29)
vocals:
Nancy Wilson (jazz/blues/soul singer) (from 1961-06-27 until 1961-06-29)
remixer:
Larry Walsh
phonographic copyright (℗) by:
Dobre Records (in 2010)
remixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
Never Will I Marry (from “Green Willow”)
orchestrator:
Don Walker (orchestrator)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
Cannonball Adderley2:19
7Happy Talk
recorded in:
New York, New York, United States (from 1961-06-27 until 1961-06-29)
producer:
Tom Morgan (producer) and Andy Wiswell
alto saxophone:
Cannonball Adderley (from 1961-06-27 until 1961-06-29)
cornet:
Nat Adderley (from 1961-06-27 until 1961-06-29)
double bass:
Sam Jones (US jazz bassist) (from 1961-06-27 until 1961-06-29)
drums (drum set):
Louis Hayes (from 1961-06-27 until 1961-06-29)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1961-06-27 until 1961-06-29)
vocals:
Nancy Wilson (jazz/blues/soul singer) (from 1961-06-27 until 1961-06-29)
remixer:
Larry Walsh
phonographic copyright (℗) by:
Dobre Records (in 2010)
remixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
Happy Talk (South Pacific)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd.
part of:
South Pacific (Rodgers & Hammerstein musical)
Nancy Wilson2:26
8Minha Saudades (24-Bit Mastering)
Cannonball Adderley2:23
9Hoppin' John
recorded in:
New York, New York, United States (on 1956-07-12)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-12)
cornet:
Nat Adderley (on 1956-07-12)
double bass:
Sam Jones (US jazz bassist) (on 1956-07-12)
drums (drum set):
Charles “Specs” Wright (on 1956-07-12)
piano:
Junior Mance (on 1956-07-12)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recording of:
Filet of Soul (a.k.a. Hoppin' John) (on 1956-07-12)
composer:
Lee Morgan (jazz trumpeter / composer)
Nat Adderley2:18
10Island Blues (Remastered)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003)
Cannonball Adderley2:24
11I'm Glad There Is You
recorded in:
New York, New York, United States (on 1956-06-18)
alto saxophone:
Julian “Cannonball” Adderley (on 1956-06-18)
baritone saxophone:
Danny Bank (reeds) (on 1956-06-18)
cornet:
Nat Adderley (on 1956-06-18)
double bass:
Keeter Betts (on 1956-06-18)
drums (drum set):
Specs Wright (on 1956-06-18)
flute and tenor saxophone:
Jerome Richardson (on 1956-06-18)
piano:
Junior Mance (on 1956-06-18)
trombone:
Bobby Byrne (on 1956-06-18) and Jimmy Cleveland (US jazz trombonist) (on 1956-06-18)
trumpet:
Ernie Royal (on 1956-06-18)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1956-06-18)
instrumental cover recording of:
I’m Glad There Is You (on 1956-06-18)
writer:
Jimmy Dorsey and Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. and Mayfair Music Corp.
Cannonball Adderley2:35
12I Got It Bad (And That Ain't Good)
recorded in:
New York, New York, United States (on 1958-08-20)
alto saxophone:
Cannonball Adderley (on 1958-08-20)
cello:
George Ricci (on 1958-08-20)
double bass [bass]:
Milt Hinton (on 1958-08-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-20)
guitar:
Barry Galbraith (on 1958-08-20)
piano:
Bill Evans (pianist) (on 1958-08-20)
trumpet:
Emmett Berry (on 1958-08-20)
viola:
Dave Schwartz (violist) (on 1958-08-20)
violin:
Leo Kruczek (on 1958-08-20) and Gene Orloff (on 1958-08-20)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I Got It Bad (and That Ain’t Good) (on 1958-08-20)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, volume I)
Cannonball Adderley2:39
13Little Unhappy Boy
recorded in:
New York, New York, United States (from 1961-06-27 until 1961-06-29)
producer:
Tom Morgan (producer) and Andy Wiswell
vocals:
Nancy Wilson (jazz/blues/soul singer)
remixer:
Larry Walsh
phonographic copyright (℗) by:
Dobre Records (in 2010)
remixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
recording of:
Little Unhappy Boy
lyricist and composer:
Curtis Lewis (US songwriter)
Nancy Wilson2:16
14Chocolate Shake
recorded in:
New York, New York, United States (on 1958-08-21)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-21)
cello:
George Ricci (on 1958-08-21)
double bass [bass]:
Milt Hinton (on 1958-08-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-21)
guitar:
Barry Galbraith (on 1958-08-21)
piano:
Bill Evans (pianist) (on 1958-08-21)
trumpet:
Emmett Berry (on 1958-08-21)
viola:
Dave Schwartz (violist) (on 1958-08-21)
violin:
Leo Kruczek (on 1958-08-21) and Gene Orloff (on 1958-08-21)
conductor:
William Russo (on 1958-08-21)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recording of:
Chocolate Shake (on 1958-08-21)
writer:
Duke Ellington (US composer, pianist & jazz bandleader) and Paul Francis Webster
Cannonball Adderley2:43
15Little Girl Blue
alto saxophone:
Julian “Cannonball” Adderley (on 1956-06-08)
baritone saxophone:
Danny Bank (reeds) (on 1956-06-08)
cornet:
Nat Adderley (on 1956-06-08)
double bass:
Keeter Betts (on 1956-06-08)
drums (drum set):
Specs Wright (on 1956-06-08)
flute and tenor saxophone:
Jerome Richardson (on 1956-06-08)
piano:
Junior Mance (on 1956-06-08)
trombone:
Bobby Byrne (on 1956-06-08) and Jimmy Cleveland (US jazz trombonist) (on 1956-06-08)
trumpet:
Ernie Royal (on 1956-06-08)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999) and Monaco Entertainment Corporation (in 2010)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1956-06-08)
instrumental cover recording of:
Little Girl Blue (on 1956-06-08)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
instrumental recording of:
Little Girl Blue
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
Cannonball Adderley2:42
16A Foggy Day
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
A Foggy Day (in London Town) (on 1955-10-28)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
Cannonball Adderley2:44
17Falling In Love With Love
recorded in:
New York, United States (on 1955-10-27)
alto saxophone:
Cannonball Adderley (on 1955-10-27)
conductor:
Richard Hayman (on 1955-10-27)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Falling in Love With Love (on 1955-10-27)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, volume I)
Cannonball Adderley2:34
18Save Your Love For Me
recorded in:
New York, New York, United States (from 1961-06-27 until 1961-06-29)
producer:
Tom Morgan (producer) and Andy Wiswell
alto saxophone:
Cannonball Adderley (from 1961-06-27 until 1961-06-29)
cornet:
Nat Adderley (from 1961-06-27 until 1961-06-29)
double bass:
Sam Jones (US jazz bassist) (from 1961-06-27 until 1961-06-29)
drums (drum set):
Louis Hayes (from 1961-06-27 until 1961-06-29)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1961-06-27 until 1961-06-29)
vocals:
Nancy Wilson (jazz/blues/soul singer) (from 1961-06-27 until 1961-06-29)
remixer:
Larry Walsh
phonographic copyright (℗) by:
Dobre Records (in 2010)
remixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
Save Your Love for Me
lyricist:
Buddy Johnson
composer:
Woodrow Buddy Johnson
publisher:
Embassy Music Corporation and Lou Levy Music Co.
Nancy Wilson2:45
19I'll Never Stop Loving You
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
I’ll Never Stop Loving You (on 1955-10-28)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
part of:
The 28th Academy Award for Best Original Song (number: 2)
Cannonball Adderley2:44
20Walk Tall (Live In Hollywood, CA/1967)
recorded in:
Los Angeles, California, United States (on 1967-06-12)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1991)
recording of:
Walk Tall
composer:
Queen Esther Marrow, James Rein and Joe Zawinul (jazz and fusion keyboard player)
The Cannonball Adderley Quintet2:37
21Walk Tall (Baby, That's What I Need) (Remastered 2008)
recorded in:
Los Angeles, California, United States (on 1967-06-12)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1991)
recording of:
Walk Tall
composer:
Queen Esther Marrow, James Rein and Joe Zawinul (jazz and fusion keyboard player)
The Cannonball Adderley Quintet2:40
22Cancer (Remastered)
cornet:
Nat Adderley (in 1972)
double bass:
Walter Booker (in 1972)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1972)
electric piano:
George Duke (in 1972)
flute and tenor saxophone:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1972)
guitar:
Mike Deasy (in 1972)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2008)
Cannonball Adderley2:48
23I Don't Care
recorded in:
New York, New York, United States (on 1956-06-18)
alto saxophone:
Julian “Cannonball” Adderley (on 1956-06-18)
baritone saxophone:
Danny Bank (reeds) (on 1956-06-18)
cornet:
Nat Adderley (on 1956-06-18)
double bass:
Keeter Betts (on 1956-06-18)
drums (drum set):
Specs Wright (on 1956-06-18)
flute and tenor saxophone:
Jerome Richardson (on 1956-06-18)
piano:
Junior Mance (on 1956-06-18)
trombone:
Bobby Byrne (on 1956-06-18) and Jimmy Cleveland (US jazz trombonist) (on 1956-06-18)
trumpet:
Ernie Royal (on 1956-06-18)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2001) and Monaco Entertainment Corporation (in 2010)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1956-06-18)
cover recording of:
I Don't Care (on 1956-06-18)
composer:
Ray Bryant (US jazz pianist, composer, and arranger)
recording of:
I Don't Care
composer:
Ray Bryant (US jazz pianist, composer, and arranger)
Cannonball Adderley2:44
24Room #251
recorded in:
New York, New York, United States (on 1956-07-18)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-18)
cornet:
Nat Adderley (on 1956-07-18)
double bass:
Al McKibbon (double bassist) (on 1956-07-18)
drums (drum set):
Charles Wright (on 1956-07-18)
piano:
Junior Mance (on 1956-07-18)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
Cannonball Adderley2:43
25Clouds (Single Version/24-Bit Mastering)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999)
Cannonball Adderley2:42
26Cobbweb
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-06)
cornet:
Nat Adderley (on 1957-02-06)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-06)
piano:
Junior Mance (on 1957-02-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-06)
Cannonball Adderley2:42
27Surrey With The Fringe On Top
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
The Surrey With the Fringe on Top (on 1955-10-28)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, volume I)
Cannonball Adderley2:34
28Somewhere
alto saxophone:
Cannonball Adderley (on 1966-04-06)
cornet:
Nat Adderley (on 1966-04-06)
double bass:
Herbie Lewis (on 1966-04-06)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (on 1966-04-06)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1966-04-06)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1966-04-06)
arranger:
Ray Ellis (US producer, arranger and conductor)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1966-04-06)
instrumental recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (on 1966-04-06)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story: Ballet Sequence
The Cannonball Adderley Quintet2:55
29Polka Dots And Moonbeams (Around A Pug-Nosed Dream)
recorded in:
New York, United States (on 1955-10-27)
alto saxophone:
Cannonball Adderley (on 1955-10-27)
conductor:
Richard Hayman (on 1955-10-27)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
Polka Dots and Moonbeams (on 1955-10-27)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Cannonball Adderley3:07
30You Are Too Beautiful
recorded in:
New York, United States (on 1955-10-27)
alto saxophone:
Cannonball Adderley (on 1955-10-27)
conductor:
Richard Hayman (on 1955-10-27)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
You Are Too Beautiful (on 1955-10-27)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Cannonball Adderley2:59
31Two Sleepy People
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Two Sleepy People (from the 1938 film "Thanks for the Memory") (on 1955-10-28)
lyricist:
Frank Loesser
composer:
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
Cannonball Adderley3:04
32Leo (Remastered)
cornet:
Nat Adderley (in 1972)
double bass:
Walter Booker (in 1972)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1972)
electric piano:
George Duke (in 1972)
flute and tenor saxophone:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1972)
guitar:
Mike Deasy (in 1972)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2008)
Cannonball Adderley2:59
33Marabi
recorded in:
Hollywood, Los Angeles, California, United States (on 1968-06-14)
orchestra:
H.B. Barnum's Orchestra
conductor:
H.B. Barnum
arranger:
H.B. Barnum
The Cannonball Adderley Quintet2:45
34The Old Country
recorded in:
New York, New York, United States (from 1961-06-27 until 1961-06-29)
producer:
Tom Morgan (producer) and Andy Wiswell
alto saxophone:
Cannonball Adderley (from 1961-06-27 until 1961-06-29)
cornet:
Nat Adderley (from 1961-06-27 until 1961-06-29)
double bass:
Sam Jones (US jazz bassist) (from 1961-06-27 until 1961-06-29)
drums (drum set):
Louis Hayes (from 1961-06-27 until 1961-06-29)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1961-06-27 until 1961-06-29)
vocals:
Nancy Wilson (jazz/blues/soul singer) (from 1961-06-27 until 1961-06-29)
remixer:
Larry Walsh
remixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
The Old Country
writer:
Nat Adderley and Curtis Lewis (US songwriter)
recording of:
The Old Country
writer:
Nat Adderley and Curtis Lewis (US songwriter)
Nancy Wilson3:01
35Yesterdays
recorded in:
New York, New York, United States (on 1956-07-23)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-23)
cornet:
Nat Adderley (on 1956-07-23)
double bass:
Al McKibbon (double bassist) (on 1956-07-23)
drums (drum set):
Charles Wright (on 1956-07-23)
piano:
Junior Mance (on 1956-07-23)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
Yesterdays (on 1956-07-23)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Nat Adderley2:48
36Brown-Skin Gal In The Calico Gown
recorded in:
New York, New York, United States (on 1958-08-20)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-20)
cello:
George Ricci (on 1958-08-20)
double bass [bass]:
Milt Hinton (on 1958-08-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-20)
guitar:
Barry Galbraith (on 1958-08-20)
piano:
Bill Evans (pianist) (on 1958-08-20)
trumpet:
Emmett Berry (on 1958-08-20)
viola:
Dave Schwartz (violist) (on 1958-08-20)
violin:
Leo Kruczek (on 1958-08-20) and Gene Orloff (on 1958-08-20)
conductor:
William Russo (on 1958-08-20)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
The Brown-Skin Gal (in the Calico Gown) (on 1958-08-20)
writer:
Duke Ellington (US composer, pianist & jazz bandleader) and Paul Francis Webster
Cannonball Adderley2:52
37It Happened In Monterey
alto saxophone:
Cannonball Adderley (on 1962-01-22) and Earle Warren (on 1962-01-22)
baritone saxophone:
Jerome Richardson (on 1962-01-22)
bass:
Ray Brown (jazz bassist) (on 1962-01-22)
cornet:
Nat Adderley (on 1962-01-22)
drums (drum set):
Osie Johnson (on 1962-01-22)
flute:
Yusef Lateef (on 1962-01-22) and Jerome Richardson (on 1962-01-22)
piano:
Tommy Flanagan (on 1962-01-22)
tenor saxophone:
Budd Johnson (on 1962-01-22), Yusef Lateef (on 1962-01-22) and Seldon Powell (on 1962-01-22)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-01-22), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1962-01-22), Melba Liston (US jazz trombonist) (on 1962-01-22) and Britt Woodman (on 1962-01-22)
trumpet:
Joe Newman (US jazz trumpeter) (on 1962-01-22), Ernie Royal (on 1962-01-22) and Clark Terry (American swing trumpeter) (on 1962-01-22)
vibraphone:
Milt Jackson (on 1962-01-22)
conductor:
Ernie Wilkins (on 1962-01-22)
arranger:
Ernie Wilkins
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1962-01-22)
live instrumental recording of:
It Happened in Monterey (on 1962-01-22)
lyricist:
Billy Rose (lyricist and Broadway producer)
composer:
Mabel Wayne
publisher:
CBS Feist Catalog, Inc. and EMI United Partnership Ltd.
Ray Brown All‐Star Big Band3:06
38Casa De Marcel
recorded in:
New York, New York, United States (on 1956-06-18)
alto saxophone:
Julian “Cannonball” Adderley (on 1956-06-18)
baritone saxophone:
Danny Bank (reeds) (on 1956-06-18)
cornet:
Nat Adderley (on 1956-06-18)
double bass:
Keeter Betts (on 1956-06-18)
drums (drum set):
Specs Wright (on 1956-06-18)
flute and tenor saxophone:
Jerome Richardson (on 1956-06-18)
piano:
Junior Mance (on 1956-06-18)
trombone:
Bobby Byrne (on 1956-06-18) and Jimmy Cleveland (US jazz trombonist) (on 1956-06-18)
trumpet:
Ernie Royal (on 1956-06-18)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999) and Monaco Entertainment Corporation (in 2010)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1956-06-18)
Cannonball Adderley2:51
39Day In, Day Out
alto saxophone:
Cannonball Adderley (on 1962-01-22) and Earle Warren (on 1962-01-22)
baritone saxophone:
Jerome Richardson (on 1962-01-22)
bass:
Ray Brown (jazz bassist) (on 1962-01-22)
cornet:
Nat Adderley (on 1962-01-22)
drums (drum set):
Osie Johnson (on 1962-01-22)
flute:
Yusef Lateef (on 1962-01-22) and Jerome Richardson (on 1962-01-22)
piano:
Tommy Flanagan (on 1962-01-22)
tenor saxophone:
Budd Johnson (on 1962-01-22), Yusef Lateef (on 1962-01-22) and Seldon Powell (on 1962-01-22)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-01-22), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1962-01-22), Melba Liston (US jazz trombonist) (on 1962-01-22) and Britt Woodman (on 1962-01-22)
trumpet:
Joe Newman (US jazz trumpeter) (on 1962-01-22), Ernie Royal (on 1962-01-22) and Clark Terry (American swing trumpeter) (on 1962-01-22)
vibraphone:
Milt Jackson (on 1962-01-22)
conductor:
Ernie Wilkins (on 1962-01-22)
arranger:
Ernie Wilkins
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1962-01-22)
instrumental recording of:
Day In, Day Out (on 1962-01-22)
lyricist:
Johnny Mercer (in 1939)
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
Ray Brown All‐Star Big Band2:49
40Hayseed
recorded in:
New York, New York, United States (on 1956-07-12)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-12)
cornet:
Nat Adderley (on 1956-07-12)
double bass:
Sam Jones (US jazz bassist) (on 1956-07-12)
drums (drum set):
Charles Wright (on 1956-07-12)
piano:
Junior Mance (on 1956-07-12)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
Nat Adderley3:03
41Stella By Starlight
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-11)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-11)
piano:
Junior Mance (on 1957-02-11)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-11)
instrumental recording of:
Stella by Starlight (on 1957-02-11)
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Real Book (compilation of jazz standards, volume I)
Cannonball Adderley3:18
42Cynthia's In Love
recorded in:
New York, New York, United States (on 1955-07-21)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-21)
baritone saxophone:
Cecil Payne (on 1955-07-21)
cornet:
Nat Adderley (on 1955-07-21)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-21)
drums (drum set):
Kenny Clarke (on 1955-07-21)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-21)
piano:
John Williams (American jazz pianist) (on 1955-07-21)
trombone:
James Cleveland (US jazz trombonist) (on 1955-07-21)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
cover recording of:
Cynthia’s in Love (on 1955-07-21)
writer:
Billy Gish, Jack Owens (singer/songwriter "The Cruising Crooner") and Earl White (US songwriter)
Cannonball Adderley3:10
43The Masquerade Is Over
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I’m Afraid the Masquerade Is Over (on 1955-10-28)
lyricist:
Herb Magidson
composer:
Allie Wrubel (US composer and songwriter)
publisher:
Chappell Morris Ltd. and Crawford Music Corp.
Cannonball Adderley3:14
44Libra (Remastered)
cornet:
Nat Adderley (in 1972)
double bass:
Walter Booker (in 1972)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1972)
electric piano:
George Duke (in 1972)
flute and tenor saxophone:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1972)
guitar:
Mike Deasy (in 1972)
soprano saxophone:
Cannonball Adderley (in 1972)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2008)
Cannonball Adderley3:22
45T's Tune
recorded in:
New York, New York, United States (on 1956-06-18)
alto saxophone:
Julian “Cannonball” Adderley (on 1956-06-18)
baritone saxophone:
Danny Bank (reeds) (on 1956-06-18)
cornet:
Nat Adderley (on 1956-06-18)
double bass:
Keeter Betts (on 1956-06-18)
drums (drum set):
Specs Wright (on 1956-06-18)
flute and tenor saxophone:
Jerome Richardson (on 1956-06-18)
piano:
Junior Mance (on 1956-06-18)
trombone:
Bobby Byrne (on 1956-06-18) and Jimmy Cleveland (US jazz trombonist) (on 1956-06-18)
trumpet:
Ernie Royal (on 1956-06-18)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2001) and Monaco Entertainment Corporation (in 2010)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1956-06-18)
Cannonball Adderley3:19
46Just Squeeze Me (But Don't Tease Me)
recorded in:
New York, New York, United States (on 1958-08-21)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-21)
cello:
George Ricci (on 1958-08-21)
double bass [bass]:
Milt Hinton (on 1958-08-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-21)
guitar:
Barry Galbraith (on 1958-08-21)
piano:
Bill Evans (pianist) (on 1958-08-21)
trumpet:
Emmett Berry (on 1958-08-21)
viola:
Dave Schwartz (violist) (on 1958-08-21)
violin:
Leo Kruczek (on 1958-08-21) and Gene Orloff (on 1958-08-21)
conductor:
William Russo (on 1958-08-21)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
Just Squeeze Me (but Don’t Tease Me) (on 1958-08-21)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
Cannonball Adderley3:19
47Jump For Joy
recorded in:
New York, New York, United States (on 1958-08-20)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-20)
bass and double bass [bass]:
Milt Hinton (on 1958-08-20)
cello:
George Ricci (on 1958-08-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-20)
guitar:
Barry Galbraith (on 1958-08-20)
piano:
Bill Evans (pianist) (on 1958-08-20)
trumpet:
Emmett Berry (on 1958-08-20)
viola:
Dave Schwartz (violist) (on 1958-08-20)
violin:
Leo Kruczek (on 1958-08-20) and Gene Orloff (on 1958-08-20)
conductor:
William Russo (on 1958-08-20)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001)
instrumental recording of:
Jump for Joy (on 1958-08-20)
writer:
Duke Ellington (US composer, pianist & jazz bandleader), Sid Kuller and Paul Francis Webster
cover recording of:
Jump for Joy (on 1958-08-20)
writer:
Duke Ellington (US composer, pianist & jazz bandleader), Sid Kuller and Paul Francis Webster
Cannonball Adderley3:23
48Joyce's Samba (24-Bit Mastering)
recorded in:
New York, New York, United States (on 1962-12-11)
alto saxophone:
Cannonball Adderley (on 1962-12-11) and Paulo Moura (on 1962-12-11)
double bass:
Octavio Bailly Jr. (on 1962-12-11)
guitar:
Durval Ferreira (on 1962-12-11)
membranophone:
Dom Um Romão (on 1962-12-11)
piano:
Sérgio Mendes (on 1962-12-11)
trumpet:
Pedro Paulo (on 1962-12-11)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999) and Essential Media Group LLC (in 2009)
Cannonball Adderley3:13
49Two Left Feet
recorded in:
New York, New York, United States (on 1958-08-21)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-21)
cello:
George Ricci (on 1958-08-21)
double bass [bass]:
Milt Hinton (on 1958-08-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-21)
guitar:
Barry Galbraith (on 1958-08-21)
piano:
Bill Evans (pianist) (on 1958-08-21)
trumpet:
Emmett Berry (on 1958-08-21)
viola:
Dave Schwartz (violist) (on 1958-08-21)
violin:
Leo Kruczek (on 1958-08-21) and Gene Orloff (on 1958-08-21)
conductor:
William Russo (on 1958-08-21)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
cover recording of:
Two Left Feet (on 1958-08-21)
writer:
Hal Borne and Paul Francis Webster
Cannonball Adderley3:15
50Tribute To Brownie
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-06)
cornet:
Nat Adderley (on 1957-02-06)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-06)
piano:
Junior Mance (on 1957-02-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Gralin Music (in 2012)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-06)
Cannonball Adderley3:32
51Jeannie
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-08)
cornet:
Nat Adderley (on 1957-02-08)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-08)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-08)
piano:
Junior Mance (on 1957-02-08)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-08)
recording of:
Jeannine
writer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago) and Duke Pearson
Cannonball Adderley3:29
52Rattler's Groove
recorded in:
New York, New York, United States (on 1956-07-18)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-18)
cornet:
Nat Adderley (on 1956-07-18)
double bass:
Sam Jones (US jazz bassist) (on 1956-07-18)
drums (drum set):
Charles Wright (on 1956-07-18)
piano:
Junior Mance (on 1956-07-18)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
Cannonball Adderley3:26
53Tune Of The Hickory Stick
recorded in:
New York, New York, United States (on 1958-08-21)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-21)
cello:
George Ricci (on 1958-08-21)
double bass [bass]:
Milt Hinton (on 1958-08-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-21)
guitar:
Barry Galbraith (on 1958-08-21)
piano:
Bill Evans (pianist) (on 1958-08-21)
trumpet:
Emmett Berry (on 1958-08-21)
viola:
Dave Schwartz (violist) (on 1958-08-21)
violin:
Leo Kruczek (on 1958-08-21) and Gene Orloff (on 1958-08-21)
conductor:
Bill Russo (on 1958-08-21)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
cover recording of:
The Tune of the Hickory Stick (on 1958-08-21)
writer:
Hal Borne and Paul Francis Webster
Cannonball Adderley3:24
54Sam's Tune
recorded in:
New York, New York, United States (on 1956-07-23)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-23)
cornet:
Nat Adderley (on 1956-07-23)
double bass:
Al McKibbon (double bassist) (on 1956-07-23)
drums (drum set):
Charles Wright (on 1956-07-23)
piano:
Junior Mance (on 1956-07-23)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
Nat Adderley3:08
55Purple Shades
recorded in:
New York, New York, United States (on 1955-07-21)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-21)
baritone saxophone:
Cecil Payne (on 1955-07-21)
cornet:
Nat Adderley (on 1955-07-21)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-21)
drums (drum set):
Kenny Clarke (on 1955-07-21)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-21)
piano:
John Williams (American jazz pianist) (on 1955-07-21)
trombone:
James Cleveland (US jazz trombonist) (on 1955-07-21)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
recording of:
Purple Shades (on 1955-07-21)
writer:
Phil Dooley, Lew Douglas and Frank LaVere
Cannonball Adderley3:32
56Batida Diferente
recorded in:
New York, New York, United States (on 1962-12-11)
alto saxophone:
Cannonball Adderley (on 1962-12-11) and Paulo Moura (on 1962-12-11)
double bass:
Octavio Bailly Jr. (on 1962-12-11)
guitar:
Durval Ferreira (on 1962-12-11)
membranophone:
Dom Um Romão (on 1962-12-11)
piano:
Sérgio Mendes (on 1962-12-11)
trumpet:
Pedro Paulo (on 1962-12-11)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999) and Essential Media Group LLC (in 2009)
Cannonball Adderley3:27
57The Fat Man
recorded in:
New York, New York, United States (on 1956-07-23)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-23)
cornet:
Nat Adderley (on 1956-07-23)
double bass:
Al McKibbon (double bassist) (on 1956-07-23)
drums (drum set):
Charles Wright (on 1956-07-23)
piano:
Junior Mance (on 1956-07-23)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
Cannonball Adderley3:28
58Sambop
recorded in:
New York, New York, United States (on 1962-12-10)
alto saxophone:
Cannonball Adderley (on 1962-12-10) and Paulo Moura (on 1962-12-10)
double bass:
Octavio Bailly Jr. (on 1962-12-10)
guitar:
Durval Ferreira (on 1962-12-10)
membranophone:
Dom Um Romão (on 1962-12-10)
piano:
Sérgio Mendes (on 1962-12-10)
trumpet:
Pedro Paulo (on 1962-12-10)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999) and Essential Media Group LLC (in 2009)
Cannonball Adderley3:34
59Hamba Nami
recorded in:
Hollywood, Los Angeles, California, United States (on 1968-06-14)
orchestra:
H.B. Barnum's Orchestra
conductor:
H.B. Barnum
arranger:
H.B. Barnum
The Cannonball Adderley Quintet3:31
60Sermonette
recorded in:
New York, New York, United States (on 1956-07-12)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-12)
cornet:
Nat Adderley (on 1956-07-12)
double bass:
Sam Jones (US jazz bassist) (on 1956-07-12)
drums (drum set):
Charles Wright (on 1956-07-12)
piano:
Junior Mance (on 1956-07-12)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
Sermonette (on 1956-07-12)
lyricist:
Jon Hendricks
composer:
Julian Adderley
Nat Adderley3:38
61Up And At It
recorded in:
Hollywood, Los Angeles, California, United States (on 1968-06-13)
orchestra:
H.B. Barnum's Orchestra
conductor:
H.B. Barnum
arranger:
H.B. Barnum
The Cannonball Adderley Quintet3:40
62Lehadima
recorded in:
Hollywood, Los Angeles, California, United States (on 1968-06-13)
orchestra:
H.B. Barnum's Orchestra
conductor:
H.B. Barnum
arranger:
H.B. Barnum
The Cannonball Adderley Quintet3:37
63Between The Devil And The Deep Blue Sea
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
recording of:
Between the Devil and the Deep Blue Sea
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
Cannonball Adderley3:30
64Cannon Bilt
alto saxophone:
Cannonball Adderley (on 1962-01-22) and Earle Warren (on 1962-01-22)
baritone saxophone:
Jerome Richardson (on 1962-01-22)
bass:
Ray Brown (jazz bassist) (on 1962-01-22)
cornet:
Nat Adderley (on 1962-01-22)
drums (drum set):
Osie Johnson (on 1962-01-22)
flute:
Yusef Lateef (on 1962-01-22) and Jerome Richardson (on 1962-01-22)
piano:
Tommy Flanagan (on 1962-01-22)
tenor saxophone:
Budd Johnson (on 1962-01-22), Yusef Lateef (on 1962-01-22) and Seldon Powell (on 1962-01-22)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-01-22), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1962-01-22), Melba Liston (US jazz trombonist) (on 1962-01-22) and Britt Woodman (on 1962-01-22)
trumpet:
Joe Newman (US jazz trumpeter) (on 1962-01-22), Ernie Royal (on 1962-01-22) and Clark Terry (American swing trumpeter) (on 1962-01-22)
vibraphone:
Milt Jackson (on 1962-01-22)
conductor:
Ernie Wilkins (on 1962-01-22)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1962-01-22)
Ray Brown All‐Star Big Band3:34
65Baubles, Bangles And Beads
performer:
Milt Jackson
Ray Brown All‐Star Big Band3:29
66Bimini
recorded in:
New York, New York, United States (on 1956-07-12)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-12)
cornet:
Nat Adderley (on 1956-07-12)
double bass:
Sam Jones (US jazz bassist) (on 1956-07-12)
drums (drum set):
Charles Wright (on 1956-07-12)
piano:
Junior Mance (on 1956-07-12)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
Cannonball Adderley3:42
67Devastatement (Live In Los Angeles/1970)
alto saxophone:
Cannonball Adderley (on 1970-09-19)
cornet:
Nat Adderley (on 1970-09-19)
double bass:
Walter Booker (on 1970-09-19)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (on 1970-09-19)
electric bass guitar:
Bob West (US session bassist, producer & songwriter) (on 1970-09-19)
electric piano and piano:
Nat Adderley, Jr. (on 1970-09-19) and Joe Zawinul (jazz and fusion keyboard player) (on 1970-09-19)
guitar:
Nat Adderley, Jr. (on 1970-09-19)
string synthesizer:
Joe Zawinul (jazz and fusion keyboard player) (on 1970-09-19)
vocals:
Cannonball Adderley (on 1970-09-19), Nat Adderley (on 1970-09-19) and Nat Adderley, Jr. (on 1970-09-19)
recorded at:
Monterey Jazz Festival 1970 (1970-09-18 – 1970-09-20)
recorded at:
Monterey County Fairgrounds in Monterey, California, United States (on 1970-09-19)
live recording of:
Devastatement (Nat Adderley composition)
writer:
Nat Adderley
The Cannonball Adderley Quintet3:35
68I've Told Ev'ry Little Star
recorded in:
New York, New York, United States (on 1959-04-12)
alto saxophone:
Cannonball Adderley (on 1959-04-12)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-12)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-12)
piano:
Wynton Kelly (on 1959-04-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002), Count Records (in 2013) and Swanley (in 2014)
instrumental recording of:
I’ve Told Ev’ry Little Star (on 1959-04-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
part of:
Music in the Air
Cannonball Adderley Quartet3:39
69Another Kind Of Soul
recorded in:
New York, New York, United States (on 1957-02-11)
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-11)
cornet:
Nat Adderley (on 1957-02-11)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-11)
piano:
Junior Mance (on 1957-02-11)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Gralin Music (in 2012)
Cannonball Adderley3:41
70Two Brothers
Cannonball Adderley3:31
71Fallen Feathers
recorded in:
New York, New York, United States (on 1955-08-05)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-08-05)
baritone saxophone:
Cecil Payne (on 1955-08-05)
cornet:
Nat Adderley (on 1955-08-05)
double bass:
Paul Chambers (US jazz bassist) (on 1955-08-05)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1955-08-05)
flute and tenor saxophone:
Jerome Richardson (on 1955-08-05)
piano:
John Williams (American jazz pianist) (on 1955-08-05)
trombone:
J. Johnson (jazz/bop trombonist/session leader) (on 1955-08-05)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955) and Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2001)
recording of:
Fallen Feathers (on 1955-08-05)
composer:
Quincy Jones
Cannonball Adderley3:48
72Spring Is Here
recorded in:
New York, New York, United States (on 1957-02-11)
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-11)
cornet:
Nat Adderley (on 1957-02-11)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-11)
piano:
Junior Mance (on 1957-02-11)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recording of:
Spring Is Here (on 1957-02-11)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
instrumental recording of:
Spring Is Here
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
Cannonball Adderley3:48
73Fuller Bop Man (Short Version)
recorded in:
New York, New York, United States (on 1958-03-06)
alto saxophone:
Cannonball Adderley (on 1958-03-06)
bass:
Sam Jones (US jazz bassist) (on 1958-03-06)
cornet:
Nat Adderley (on 1958-03-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-03-06)
piano:
Junior Mance (on 1958-03-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Gralin Music (in 2012)
recording of:
Fuller Bop Man (on 1958-03-06)
writer:
Walter “Gil” Fuller (jazz composer & arranger)
Cannonball Adderley3:47
74Jackleg
recorded in:
New York, New York, United States (on 1956-07-18)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-18)
cornet:
Nat Adderley (on 1956-07-18)
double bass:
Sam Jones (US jazz bassist) (on 1956-07-18)
drums (drum set):
Charles Wright (on 1956-07-18)
piano:
Junior Mance (on 1956-07-18)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
Nat Adderley3:48
75Ndo Lima
recorded in:
Hollywood, Los Angeles, California, United States (on 1968-06-14)
orchestra:
H.B. Barnum's Orchestra
conductor:
H.B. Barnum
arranger:
H.B. Barnum
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2004)
The Cannonball Adderley Quintet3:48
76Ndo Lima (Remastered 2008)
recorded in:
Hollywood, Los Angeles, California, United States (on 1968-06-14)
orchestra:
H.B. Barnum's Orchestra
conductor:
H.B. Barnum
arranger:
H.B. Barnum
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2004)
Cannonball Adderley3:49
77Pisces (Remastered)
cornet:
Nat Adderley (in 1972)
double bass:
Walter Booker (in 1972)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1972)
electric piano:
George Duke (in 1972)
flute and tenor saxophone:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1972)
guitar:
Mike Deasy (in 1972)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2008)
Cannonball Adderley3:54
78Gemini (Remastered)
cornet:
Nat Adderley (in 1972)
double bass:
Walter Booker (in 1972)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1972)
electric piano:
George Duke (in 1972)
flute and tenor saxophone:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1972)
guitar:
Mike Deasy (in 1972)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2008)
Cannonball Adderley3:42
79Bli-Blip
recorded in:
New York, New York, United States (on 1958-08-21)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-21)
cello:
George Ricci (on 1958-08-21)
double bass [bass]:
Milt Hinton (on 1958-08-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-21)
guitar:
Barry Galbraith (on 1958-08-21)
piano:
Bill Evans (pianist) (on 1958-08-21)
trumpet:
Emmett Berry (on 1958-08-21)
viola:
Dave Schwartz (violist) (on 1958-08-21)
violin:
Leo Kruczek (on 1958-08-21) and Gene Orloff (on 1958-08-21)
conductor:
William Russo (on 1958-08-21)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
Bli-Blip (on 1958-08-21)
lyricist:
Sid Kuller
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Cannonball Adderley3:51
80You'd Be So Nice To Come Home To
recorded in:
New York, New York, United States (on 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-29)
baritone saxophone:
Cecil Payne (on 1955-07-29)
cornet:
Nat Adderley (on 1955-07-29)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-29)
drums (drum set):
Kenny Clarke (on 1955-07-29)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-29)
piano:
John Williams (American jazz pianist) (on 1955-07-29)
trombone:
J. Johnson (jazz/bop trombonist/session leader) (on 1955-07-29)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955), HHO Licensing (in 2005, in 2008) and Xelon Productions (in 2010)
instrumental cover recording of:
You’d Be So Nice to Come Home To (on 1955-07-29)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Cannonball Adderley3:38
81Broadway At Basin Street
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
Cannonball Adderley3:56
82Everglade
recorded in:
New York, New York, United States (on 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-29)
baritone saxophone:
Cecil Payne (on 1955-07-29)
cornet:
Nat Adderley (on 1955-07-29)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-29)
drums (drum set):
Kenny Clarke (on 1955-07-29)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-29)
piano:
John Williams (American jazz pianist) (on 1955-07-29)
trombone:
J. Johnson (jazz/bop trombonist/session leader) (on 1955-07-29)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
recording of:
Everglade (on 1955-07-29)
composer:
Quincy Jones and Julian “Cannonball” Adderley
Cannonball Adderley3:41
83Spectacular
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-06)
cornet:
Nat Adderley (on 1957-02-06)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-06)
piano:
Junior Mance (on 1957-02-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-06)
recording of:
Spectacular (on 1957-02-06)
composer:
Jim Hall (US jazz guitarist, composer & arranger)
Cannonball Adderley3:57
84Tricrotism
alto saxophone:
Cannonball Adderley (on 1962-01-22) and Earle Warren (on 1962-01-22)
baritone saxophone:
Jerome Richardson (on 1962-01-22)
bass:
Ray Brown (jazz bassist) (on 1962-01-22)
cornet:
Nat Adderley (on 1962-01-22)
drums (drum set):
Osie Johnson (on 1962-01-22)
flute:
Yusef Lateef (on 1962-01-22) and Jerome Richardson (on 1962-01-22)
piano:
Tommy Flanagan (on 1962-01-22)
tenor saxophone:
Budd Johnson (on 1962-01-22), Yusef Lateef (on 1962-01-22) and Seldon Powell (on 1962-01-22)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-01-22), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1962-01-22), Melba Liston (US jazz trombonist) (on 1962-01-22) and Britt Woodman (on 1962-01-22)
trumpet:
Joe Newman (US jazz trumpeter) (on 1962-01-22), Ernie Royal (on 1962-01-22) and Clark Terry (American swing trumpeter) (on 1962-01-22)
vibraphone:
Milt Jackson (on 1962-01-22)
conductor:
Ernie Wilkins (on 1962-01-22)
performer:
Milt Jackson
arranger:
Ernie Wilkins
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1962-01-22)
Ray Brown All‐Star Big Band3:54
8518th Century Ballroom
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-07)
cornet:
Nat Adderley (on 1957-02-07)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-07)
drums (drum set):
Jim Cobb (Jimmy Cobb, US jazz drummer) (on 1957-02-07)
piano:
Julian Mance (on 1957-02-07)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-07)
Cannonball Adderley4:00
86My One And Only Love
alto saxophone:
Cannonball Adderley (on 1962-01-23) and Earle Warren (on 1962-01-23)
baritone saxophone:
Jerome Richardson (on 1962-01-23)
bass:
Sam Jones (US jazz bassist) (on 1962-01-23)
cello:
Ray Brown (jazz bassist) (on 1962-01-23)
cornet:
Nat Adderley (on 1962-01-23)
drums (drum set):
Osie Johnson (on 1962-01-23)
flute:
Yusef Lateef (on 1962-01-23) and Jerome Richardson (on 1962-01-23)
piano:
Hank Jones (piano) (on 1962-01-23)
tenor saxophone:
Budd Johnson (on 1962-01-23), Yusef Lateef (on 1962-01-23) and Seldon Powell (on 1962-01-23)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-01-23), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1962-01-23), Melba Liston (US jazz trombonist) (on 1962-01-23) and Britt Woodman (on 1962-01-23)
trumpet:
Joe Newman (US jazz trumpeter) (on 1962-01-23), Ernie Royal (on 1962-01-23) and Clark Terry (American swing trumpeter) (on 1962-01-23)
vibraphone:
Milt Jackson (on 1962-01-23)
conductor:
Ernie Wilkins (on 1962-01-23)
performer:
Milt Jackson
arranger:
Ernie Wilkins
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1962-01-23)
instrumental recording of:
My One and Only Love (on 1962-01-23)
lyricist:
Robert Mellin
composer:
Robert Mellin and Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. and ミュージカル・ライツ・東京 (Musical Lights Tokyo)
version of:
Music from Beyond the Moon (My One and Only Love)
Ray Brown All‐Star Big Band3:56