Blues Story

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Crazy Blues
Mamie Smith3:27
2Match Box Blues
Gitarre:
Blind Lemon Jefferson (American blues and gospel singer‐songwriter) (in 1927-04)
vocals:
Blind Lemon Jefferson (American blues and gospel singer‐songwriter) (in 1927-04)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2010)
recording of:
Match Box Blues
Texter und Komponist(in):
Blind Lemon Jefferson (American blues and gospel singer‐songwriter)
Blind Lemon Jefferson3:03
3Police Dog Blues
Blind Blake2:54
4Yonder Comes the Blues
Banjo:
Charlie Dixon (Jazz banjoist) (in 1925-12)
bass saxophone:
Coleman Hawkins (in 1925-12)
Klarinette:
Buster Bailey (clarinetist) (in 1925-12)
Klavier:
Fletcher Henderson (in 1925-12)
Kornett:
Joe Smith (American jazz trumpeter/cornetist) (in 1925-12)
Posaune:
Charlie Green (Trombonist) (in 1925-12)
vocals:
Ma Rainey (in 1925-12)
Ma Rainey53:05
5Screamin' and Hollerin' Blues
recorded in:
Richmond, Indiana, Vereinigte Staaten (am 1929-06-14)
Gitarre:
Charley Patton (American Delta blues musician) (am 1929-06-14)
vocals:
Charley Patton (American Delta blues musician) (am 1929-06-14)
Charley Patton3:09
6Canned Heat Blues
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1928-08-31)
Gitarre:
Tommy Johnson (American Delta blues musician) (am 1928-08-31)
Sologesang:
Tommy Johnson (American Delta blues musician)
vocals:
Tommy Johnson (American Delta blues musician) (am 1928-08-31)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2013)
Tommy Johnson53:39
7St. Louis Blues
Bessie Smith3:13
8Walking Blues
recorded in:
Clark Store, Lake Cormorant, Mississippi, Vereinigte Staaten (am 1941-09-03)
Produzent(in):
John W. Work (John Wesley Work III), Lewis Jones (worked with Alan Lomax) und Alan Lomax (US ethnomusicologist)
Gitarre:
Willie Brown (Mississippi blues guitarist/vocalist "Future Blues" "M&O Blues") (von 1941-08-28 bis 1941-08-31, am 1941-09-03)
Mandoline:
Fiddlin’ Joe Martin (von 1941-08-28 bis 1941-08-31, am 1941-09-03)
Mundharmonika:
Leroy Williams (Mississippi blues musician) (von 1941-08-28 bis 1941-08-31, am 1941-09-03)
Sologesang:
Son House (von 1941-08-28 bis 1941-08-31)
Sprecher [spoken comments]:
Fiddlin’ Joe Martin (am 1941-09-03)
vocals:
Eddie "Son" House (am 1941-09-03)
field recordings:
John W. Work (John Wesley Work III) (am 1941-09-03), Lewis Jones (worked with Alan Lomax) (am 1941-09-03) und Alan Lomax (US ethnomusicologist) (am 1941-09-03)
aufgenommen bei:
Clack Store in Lake Cormorant, Mississippi, Vereinigte Staaten (am 1941-09-03)
recording of:
Walking Blues (von 1941-08-28 bis 1941-08-31)
Verfasser(in):
Son House
Son House6:46
9How Long
recording engineer:
Matt Block (am 1996-10-25)
Produzent(in):
Matt Block
Hybrid-Piano:
Pinetop Perkins (am 1996-10-25)
vocals:
Pinetop Perkins (am 1996-10-25)
cover recording of:
How Long, How Long Blues (am 1996-10-25)
Texter und Komponist(in):
Leroy Carr
publisher:
Compact Music und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Pinetop Perkins4:26
10Take a Walk With Me
Robert Lockwood Jr.2:22
11She Brought Life Back to the Dead
recorded in:
Jackson, Mississippi, Vereinigte Staaten (am 1951-12-04)
recording engineer:
Bill Holford
Produzent(in):
Lillian McMurry
Gitarre:
Joe Willie Wilkins
Mundharmonika:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965)
Perkussion [broom] und Bass-Gesang:
Cliff Givens
vocals:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965)
recording of:
She Brought Life Back to the Dead
Texter und Komponist(in):
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965)
Sonny Boy Williamson2:31
12Reconsider Baby
phonographisches Urheberrecht (℗) von:
Stony Plain Rights Management (in 2001)
Lowell Fulson3:39
13Caldonia
Louis Jordan2:45
14Shake, Rattle and Roll
recorded in:
New York, New York, Vereinigte Staaten (am 1954-02-15)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1954-02-15)
Gitarre:
Mickey Baker (am 1954-02-15)
Klavier:
Jesse Stone (am 1954-02-15)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1954-02-15)
Posaune:
Wilbur DeParis (am 1954-02-15)
Schlagzeug [drums]:
Connie Kay (am 1954-02-15)
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1954-02-15)
vocals:
Big Joe Turner (am 1954-02-15)
arranger:
Jesse Stone
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2001)
cover recording of:
Shake, Rattle and Roll (am 1954-02-15)
zusätzlicher Texter:
Daryl Bosteels
Verfasser(in):
Charles Calhoun und Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music und Unichappell Music, Inc.
recording of:
Shake, Rattle and Roll
zusätzlicher Texter:
Daryl Bosteels
Verfasser(in):
Charles Calhoun und Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music und Unichappell Music, Inc.
Big Joe Turner53:01
15Mama, He Treats Your Daughter Mean
recorded in:
New York, New York, Vereinigte Staaten (am 1952-12-19)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Gitarre:
Mickey Baker (am 1952-12-19)
Schlagzeug [drums]:
Connie Kay (am 1952-12-19)
Tamburin:
Hal Jackson (broadcaster) (am 1952-12-19)
Tenorsaxophon:
Willis Jackson (tenor saxophonist) (am 1952-12-19)
Trompete:
Taft Jordan (am 1952-12-19)
vocals:
Ruth Brown (am 1952-12-19)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2020/2021)
recording of:
(Mama) He Treats Your Daughter Mean (am 1952-12-19)
Verfasser(in):
Herb Lance (Herbert J. Lance) (in 1952), Charlie Singleton (Jazz saxophone player) (in 1952) und John Wallace (bass player for Harry Chapin) (in 1952)
Ruth Brown3:00
16Okie Dokie Stomp
Techniker(in) und Mix:
David Farrell (engineer)
Produzent(in):
Jim Bateman und Clarence Brown
baritone saxophone:
Bill Samuel (saxophone) (von 1985-09-04 bis 1985-09-07)
Bass:
Harold Floyd (von 1985-09-04 bis 1985-09-07)
Gitarre:
Luther Wamble (von 1985-09-04 bis 1985-09-07)
Keyboard:
Dan Matrazzo (von 1985-09-04 bis 1985-09-07)
membranophone:
Lloyd Herman (drummer) (von 1985-09-04 bis 1985-09-07)
Saiteninstrumente:
Clarence “Gatemouth” Brown (von 1985-09-04 bis 1985-09-07)
Saxophon:
Dennis Taylor (US saxophonist) (von 1985-09-04 bis 1985-09-07)
Trompete:
Mark Wells (trumpet) (von 1985-09-04 bis 1985-09-07)
Ventilposaune:
Ernie Gautreau (von 1985-09-04 bis 1985-09-07)
vocals:
Clarence “Gatemouth” Brown (von 1985-09-04 bis 1985-09-07)
aufgenommen bei:
Caravan of Dreams in Fort Worth, Texas, Vereinigte Staaten (von 1985-09-04 bis 1985-09-07)
mixed at:
Studio Solo in Slidell, Louisiana, Vereinigte Staaten
Clarence “Gatemouth” Brown4:11
17Call It Stormy Monday
T‐Bone Walker3:03
18Everyday I Have the Blues
cover recording of:
Everyday I Have the Blues
Texter, Komponist(in) und überarbeitet von:
Peter Chatman
Verfasser(in):
Memphis Slim, Aaron ‘Pinetop’ Sparks (1930s blues & boogie-woogie pianist) (in 1935) und Milton Sparks (in 1935)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label), Trio Music Co., Inc., Trio Music Company und Tristan Music Ltd.
B.B. King2:50
19St. James Infirmary
Bobby “Blue” Bland2:25
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