Blues Story

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Crazy Blues
Mamie Smith3:27
2Match Box Blues
guitar:
Blind Lemon Jefferson (American blues and gospel singer‐songwriter) (in 1927-04)
vocals:
Blind Lemon Jefferson (American blues and gospel singer‐songwriter) (in 1927-04)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2010)
recording of:
Match Box Blues
lyricist and composer:
Blind Lemon Jefferson (American blues and gospel singer‐songwriter)
Blind Lemon Jefferson3:03
3Police Dog Blues
Blind Blake2:54
4Yonder Comes the Blues
banjo:
Charlie Dixon (Jazz banjoist) (in 1925-12)
bass saxophone:
Coleman Hawkins (in 1925-12)
clarinet:
Buster Bailey (clarinetist) (in 1925-12)
cornet:
Joe Smith (American jazz trumpeter/cornetist) (in 1925-12)
piano:
Fletcher Henderson (in 1925-12)
trombone:
Charlie Green (Trombonist) (in 1925-12)
vocals:
Ma Rainey (in 1925-12)
Ma Rainey53:05
5Screamin' and Hollerin' Blues
recorded in:
Richmond, Indiana, United States (on 1929-06-14)
guitar:
Charley Patton (American Delta blues musician) (on 1929-06-14)
vocals:
Charley Patton (American Delta blues musician) (on 1929-06-14)
Charley Patton3:09
6Canned Heat Blues
recorded in:
Memphis, Tennessee, United States (on 1928-08-31)
guitar:
Tommy Johnson (American Delta blues musician) (on 1928-08-31)
lead vocals:
Tommy Johnson (American Delta blues musician)
vocals:
Tommy Johnson (American Delta blues musician) (on 1928-08-31)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2013)
Tommy Johnson53:39
7St. Louis Blues
Bessie Smith3:13
8Walking Blues
recorded in:
Clark Store, Lake Cormorant, Mississippi, United States (on 1941-09-03)
producer:
John W. Work (John Wesley Work III), Lewis Jones (worked with Alan Lomax) and Alan Lomax (US ethnomusicologist)
guitar:
Willie Brown (Mississippi blues guitarist/vocalist "Future Blues" "M&O Blues") (from 1941-08-28 until 1941-08-31, on 1941-09-03)
harmonica:
Leroy Williams (Mississippi blues musician) (from 1941-08-28 until 1941-08-31, on 1941-09-03)
mandolin:
Fiddlin’ Joe Martin (from 1941-08-28 until 1941-08-31, on 1941-09-03)
lead vocals:
Son House (from 1941-08-28 until 1941-08-31)
spoken vocals [spoken comments]:
Fiddlin’ Joe Martin (on 1941-09-03)
vocals:
Eddie "Son" House (on 1941-09-03)
field recordings:
John W. Work (John Wesley Work III) (on 1941-09-03), Lewis Jones (worked with Alan Lomax) (on 1941-09-03) and Alan Lomax (US ethnomusicologist) (on 1941-09-03)
recorded at:
Clack Store in Lake Cormorant, Mississippi, United States (on 1941-09-03)
recording of:
Walking Blues (from 1941-08-28 until 1941-08-31)
writer:
Son House
Son House6:46
9How Long
recording engineer:
Matt Block (on 1996-10-25)
producer:
Matt Block
electric piano:
Pinetop Perkins (on 1996-10-25)
vocals:
Pinetop Perkins (on 1996-10-25)
cover recording of:
How Long, How Long Blues (on 1996-10-25)
lyricist and composer:
Leroy Carr
publisher:
Compact Music and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Pinetop Perkins4:26
10Take a Walk With Me
Robert Lockwood Jr.2:22
11She Brought Life Back to the Dead
recorded in:
Jackson, Mississippi, United States (on 1951-12-04)
recording engineer:
Bill Holford
producer:
Lillian McMurry
guitar:
Joe Willie Wilkins
harmonica:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965)
percussion [broom] and bass vocals:
Cliff Givens
vocals:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965)
recording of:
She Brought Life Back to the Dead
lyricist and composer:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965)
Sonny Boy Williamson2:31
12Reconsider Baby
phonographic copyright (℗) by:
Stony Plain Rights Management (in 2001)
Lowell Fulson3:39
13Caldonia
Louis Jordan2:45
14Shake, Rattle and Roll
recorded in:
New York, New York, United States (on 1954-02-15)
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1954-02-15)
double bass [bass]:
Lloyd Trotman (US jazz bassist) (on 1954-02-15)
drums (drum set) [drums]:
Connie Kay (on 1954-02-15)
guitar:
Mickey Baker (on 1954-02-15)
piano:
Jesse Stone (on 1954-02-15)
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1954-02-15)
trombone:
Wilbur DeParis (on 1954-02-15)
vocals:
Big Joe Turner (on 1954-02-15)
arranger:
Jesse Stone
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2001)
cover recording of:
Shake, Rattle and Roll (on 1954-02-15)
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
recording of:
Shake, Rattle and Roll
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
Big Joe Turner53:01
15Mama, He Treats Your Daughter Mean
recorded in:
New York, New York, United States (on 1952-12-19)
producer:
Ahmet Ertegun (US songwriter/producer) and Herb Abrahmson
drums (drum set) [drums]:
Connie Kay (on 1952-12-19)
guitar:
Mickey Baker (on 1952-12-19)
tambourine:
Hal Jackson (broadcaster) (on 1952-12-19)
tenor saxophone:
Willis Jackson (tenor saxophonist) (on 1952-12-19)
trumpet:
Taft Jordan (on 1952-12-19)
vocals:
Ruth Brown (on 1952-12-19)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2020/2021)
recording of:
(Mama) He Treats Your Daughter Mean (on 1952-12-19)
writer:
Herb Lance (Herbert J. Lance) (in 1952), Charlie Singleton (Jazz saxophone player) (in 1952) and John Wallace (bass player for Harry Chapin) (in 1952)
Ruth Brown3:00
16Okie Dokie Stomp
engineer and mixer:
David Farrell (engineer)
producer:
Jim Bateman and Clarence Brown
baritone saxophone:
Bill Samuel (saxophone) (from 1985-09-04 until 1985-09-07)
bass:
Harold Floyd (from 1985-09-04 until 1985-09-07)
guitar:
Luther Wamble (from 1985-09-04 until 1985-09-07)
keyboard:
Dan Matrazzo (from 1985-09-04 until 1985-09-07)
membranophone:
Lloyd Herman (drummer) (from 1985-09-04 until 1985-09-07)
saxophone:
Dennis Taylor (US saxophonist) (from 1985-09-04 until 1985-09-07)
strings:
Clarence “Gatemouth” Brown (from 1985-09-04 until 1985-09-07)
trumpet:
Mark Wells (trumpet) (from 1985-09-04 until 1985-09-07)
valve trombone:
Ernie Gautreau (from 1985-09-04 until 1985-09-07)
vocals:
Clarence “Gatemouth” Brown (from 1985-09-04 until 1985-09-07)
recorded at:
Caravan of Dreams in Fort Worth, Texas, United States (from 1985-09-04 until 1985-09-07)
mixed at:
Studio Solo in Slidell, Louisiana, United States
Clarence “Gatemouth” Brown4:11
17Call It Stormy Monday
T‐Bone Walker3:03
18Everyday I Have the Blues
cover recording of:
Everyday I Have the Blues
lyricist, composer and revised by:
Peter Chatman
writer:
Memphis Slim, Aaron ‘Pinetop’ Sparks (1930s blues & boogie-woogie pianist) (in 1935) and Milton Sparks (in 1935)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label), Trio Music Co., Inc., Trio Music Company and Tristan Music Ltd.
B.B. King2:50
19St. James Infirmary
Bobby “Blue” Bland2:25
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