Rhythm & Blues Formidable

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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2▼CD
Nr.TitelKünstlerBewertungLänge
1Think
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1968-04-15) und Floyd Newman (am 1968-04-15)
Bassgitarre:
Jerry Jemmott (am 1968-04-15)
Gitarre:
Tommy Cogbill (am 1968-04-15) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1968-04-15)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-15)
Orgel:
Spooner Oldham (am 1968-04-15)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-15)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-15) und Andrew Love (am 1968-04-15)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1968-04-15)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-15)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-15)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 6) (Nummer: 10)
recording of:
Think (am 1968-04-15)
Verfasser(in):
Aretha Franklin und Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Aretha Franklin3.652:19
2Wrap It Up
Produzent(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
recording of:
Wrap It Up
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Sam & Dave52:32
3Mustang Sally
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1966-10-13)
Techniker(in):
Tom Dowd und Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) und Jerry Wexler
E-Bass [electric bass]:
Tommy Cogbill (von 1966-10-13 bis 1966-10-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1966-10-13 bis 1966-10-14)
Gitarre [lead guitar]:
Lincoln "Chips" Moman (von 1966-10-13 bis 1966-10-14)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (von 1966-10-13 bis 1966-10-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1966-10-13 bis 1966-10-14)
Tenorsaxophon:
Gilbert Caples (von 1966-10-13 bis 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1966-10-13 bis 1966-10-14) und Eddie Logan (von 1966-10-13 bis 1966-10-14)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1966-10-13 bis 1966-10-14)
vocals:
Wilson Pickett (von 1966-10-13 bis 1966-10-14)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1966-10-13 bis 1966-10-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 434)
cover recording of:
Mustang Sally (von 1966-10-13 bis 1966-10-14)
Texter und Komponist(in):
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Wilson Pickett43:07
4Fa-Fa-Fa-Fa-Fa (Sad Song)
recording of:
Fa‐Fa‐Fa‐Fa‐Fa (Sad Song)
Verfasser(in):
Steve Cropper und Otis Redding
Otis Redding2:44
5Never Like This Before
recording of:
Never Like This Before
Verfasser(in):
Isaac Hayes, Booker T. Jones und David Porter (US soul musician, producer & songwriter)
publisher:
Irving Music, Inc.
William Bell3:04
6Looking for a Fox
recording of:
Looking for a Fox
Verfasser(in):
Clarence Carter, Marcus Daniel, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) und Wilbur Terrell
Clarence Carter2:19
7B.A.B.Y.
recording of:
B-A-B-Y (in 1966)
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner/Chappell North America
Carla Thomas4.252:57
8Neighbor, Neighbor
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1966-04-18)
Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
vocals:
Jimmy Hughes (60s US funk/soul vocalist) (am 1966-04-18)
recording of:
Neighbor, Neighbor (am 1966-04-18)
Texter und Komponist(in):
Billy Gibbons
publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Burlington Music Co., Ltd., Fujipacific Music, Inc., Glad Music, Hamstein Music (publisher), Music of Stage Three und Stage Three Songs
Jimmy Hughes2:41
9Love Sickness
Sir Mack Rice2:26
10Toe Hold
Johnnie Taylor2:40
11Don't Play That Song
recorded in:
New York, New York, Vereinigte Staaten (am 1962-03-03)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Al Caiola (am 1962-03-03), Charles Macey (am 1962-03-03) und Art Ryerson (am 1962-03-03)
Klavier:
Robert Mosely (US rhythm & blues singer/songwriter) (am 1962-03-03)
Kontrabass [bass]:
Jack Lesberg (am 1962-03-03)
Posaune:
Eddie Bert (am 1962-03-03)
Saiteninstrumente [eight strings] und Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1962-03-03)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1962-03-03)
vocals:
Ben E. King (am 1962-03-03)
conductor:
Jimmy Haskell (am 1962-03-03)
arranger:
Jimmy Haskell
recording of:
Don’t Play That Song (You Lied) (am 1962-03-03)
Verfasser(in):
Ahmet Ertegun (US songwriter/producer) und Betty Nelson
publisher:
Carlin Music Corporation und Unichappell Music, Inc.
Ben E. King52:50
12When Something Is Wrong With My Babe
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-11-15)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Keyboard:
Isaac Hayes (am 1966-11-15)
vocals:
Dave Prater (soul artist) (am 1966-11-15) und Sam Moore (singer, ex “Sam and Dave”) (am 1966-11-15)
recording of:
When Something Is Wrong With My Baby (am 1966-11-15)
Komponist(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Rondor, Rondor Music, Rondor Music (Australia) Pty Ltd, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Sam & Dave43:19
13I've Been Loving You Too Long (To Stop Now)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 25)
recording of:
I’ve Been Loving You Too Long
Verfasser(in):
Jerry Butler (soul singer) (in 1965) und Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) und Wildwood Music Ltd.
Otis Redding32:57
14Thin Line Between Love & Hate
The Persuaders3:26
15Born Under a Bad Sign
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1967)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1967)
Gitarre:
Steve Cropper (in 1967) und Albert King (well‐known US blues guitarist & singer) (in 1967)
Horn:
Joe Arnold (in 1967), Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1967) und Andrew Love (in 1967)
Klavier:
Isaac Hayes (in 1967) und Booker T. Jones (in 1967)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1967)
Sologesang:
Albert King (well‐known US blues guitarist & singer) (in 1967)
Interpret(in):
Booker T. & the MG’s (in 1967) und The Memphis Horns (in 1967)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1988)
recording of:
Born Under a Bad Sign (in 1967)
Texter:
William Bell
Komponist(in):
Booker T. Jones
publisher:
Cotillion Music Inc. (BMI), Irving Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music, Inc.
Albert King32:50
16I'm a Big Girl Now
Mable John2:30
17Just One Look
recorded in:
New York, New York, Vereinigte Staaten (am 1963-03-05)
Produzent(in):
Artie Ripp
Bass:
Barney Richmond (am 1963-03-05)
Gitarre:
Napoleon "Snags" Allen (am 1963-03-05)
Klavier:
Horace Ott (am 1963-03-05)
Schlagzeug:
Bruno Carr (am 1963-03-05)
Hintergrundgesang [harmony vocals] und Sologesang:
Doris Troy (am 1963-03-05)
vocals:
Doris Troy (am 1963-03-05)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 7) und Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 29)
recording of:
Just One Look (am 1963-03-05)
Verfasser(in):
Gregory Carroll und Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Troy2:32
18Shake
cover recording of:
Shake (Sam Cooke song)
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd.
Otis Redding2:42
19Hallelujah, I Love Her So
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
baritone saxophone [baritone sax]:
Cecil Payne (am 1955-11-30)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1955-11-30)
Kontrabass [bass]:
Paul West (bass) (am 1955-11-30)
Schlagzeug:
David "Panama" Francis (US swing jazz drummer) (am 1955-11-30)
Solo-Tenorsaxophon [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (am 1955-11-30)
Trompete:
Joe Bridgewater (am 1955-11-30) und Joshua "Jack" Willis (trumpet) (am 1955-11-30)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1955-11-30)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-11-30)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Hallelujah, I Love Her So (am 1955-11-30)
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Progressive Music (publisher), Unichappell Music und Unichappell Music, Inc.
Ray Charles3.352:38
20You Don't Miss Your Water ('Till Your Well Runs Dry)
recording of:
You Don’t Miss Your Water
Texter und Komponist(in):
William Bell
publisher:
Irving Music, Inc.
William Bell2:43
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