Meister Singer

~ Release by Reinhard J. Brembeck (see all versions of this release, 1 available)

Annotation

ISBN: 978-3-86615-741-5

Annotation last modified on 2011-09-05 19:39 UTC.

Tracklist

1▶CD: Lebenswelten
2▶CD: Möglichkeiten
3▶CD: Frauenbilder
4▶CD: Leidenschaft
5▶CD: Schurken
6▶CD: Außenseiter
7▶CD: Landschaften
8▶CD: Liebesnächte
9▶CD: Bekenntnisse
10▼CD: Visionen
#TitleArtistRatingLength
1Adelaide, op. 46
piano:
Harry Ebert (pianist) (in 1939)
tenor vocals:
Jussi Björling (tenor) (in 1939)
recording of:
Adelaide, op. 46 (in 1939)
lyricist:
Friedrich von Matthisson
composer:
Ludwig van Beethoven (German composer) (from 1794 until 1796)
dedicated to:
Friedrich von Matthisson
part of:
Works of Ludwig van Beethoven by opus number (number: op. 46)
Ludwig van Beethoven6:47
2Manon, Akt II: "Instant charmant/En fermant les yeux"
tenor vocals:
Ramón Vargas (tenor) (in 1999)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra) (in 1999)
conductor:
Marcello Viotti (conductor) (in 1999)
recording of:
Manon : Acte II. « Instant charmant » … « En fermant les yeux » (des Grieux) (le rêve de Des Grieux) (in 1999)
composer:
Jules Massenet (French Romantic composer) (in 1884)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte II
Jules Massenet3:25
3Sechs Gesänge aus dem Arabischen, Nr. 6: "Im Paradies"
piano:
Julius Drake (pianist) (in 2000)
tenor vocals:
Ian Bostridge (tenor) (in 2000)
recording of:
Sechs Gesänge aus dem Arabischen: VI. Das Paradies (in 2000)
lyricist:
حافظ (Hafez, Persian poet and mystic)
composer:
Hans Werner Henze (German composer) (from 1997 until 1998)
translator:
Friedrich Rückert (German poet)
part of:
Sechs Gesänge aus dem Arabischen
Hans Werner Henze5:55
4Glöckchenarie aus Lakmé, Akt II: "Où va la jeune Hindoue"
soprano vocals:
Mado Robin (in 1952, in 1955)
orchestra:
Orchestre du Théâtre National de l’Opéra‐Comique
conductor:
Georges Sébastian (conductor) (in 1952)
performer:
Orchestre du Théâtre National de l’Opéra‐Comique (in 1952)
recording of:
Lakmé : Acte II. No. 10 Scène & légende de la fille du Paria (Air des clochettes) « Ah !… Par les dieux inspirée » … « Où va la jeune indoue » (Lakmé, Nilakantha) (in 1952)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
part of:
Lakmé : Acte II
recording of:
Lakmé : Acte II. No. 10 Scène & légende de la fille du Paria (Air des clochettes) « Ah !… Par les dieux inspirée » … « Où va la jeune indoue » (Lakmé, Nilakantha) (in 1955)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
part of:
Lakmé : Acte II
Léo Delibes5:25
5Werther, Akt III: "Pourquoi me reveiller"
choir vocals:
Chœurs du Théâtre National de l’Opéra‐Comique (in 1931)
tenor vocals:
Georges Thill (French tenor) (in 1931)
conductor:
Élie Cohen (conductor) (in 1931)
performer:
Orchestre du Théâtre National de l’Opéra‐Comique (in 1931)
recording of:
Werther : Acte III. « Toute mon âme est là ! » – « Pourquoi me réveiller ? » (Werther) (in 1931)
composer:
Jules Massenet (French Romantic composer)
librettist:
Édouard Blau (Librettist), Georges Hartmann (librettist) and Paul Milliet (Librettist)
part of:
Werther : Acte III (Charlotte et Werther)
Jules Massenet2:10
6Aïda, Akt III: "Oh, patria mia"
soprano vocals:
Elisabeth Rethberg (soprano) (in 1924)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1924)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi4:36
7Mélodies Persanes op. 26 Nr. 6: Tournoiement „Songe d’Opium“
executive producer:
Alain Lanceron
producer:
Étienne Collard
piano:
Jérôme Ducros (pianist) (from 2008-07-07 until 2008-07-13)
countertenor vocals:
Philippe Jaroussky (countertenor) (in 2008, from 2008-07-07 until 2008-07-13)
balance engineer:
Michel Pierre (audio engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2009) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 2009)
recorded at:
Chambre Syndicale Typographique Parisienne: Salle Akustica (ex-Studio Blanqui, Philips) in Paris, Île-de-France, France (from 2008-07-07 until 2008-07-13)
recording of:
Mélodies persanes, op. 26: No. 6. Tournoiement (Songe d'opium) (from 2008-07-07 until 2008-07-13)
lyricist:
Armand Renaud
composer:
Camille Saint‐Saëns (composer)
publisher:
Éditions Durand (1947–present)
part of:
Mélodies persanes, op. 26
recording of:
Mélodies persanes, op. 26: No. 6. Tournoiement (Songe d'opium) (in 2008)
lyricist:
Armand Renaud
composer:
Camille Saint‐Saëns (composer)
publisher:
Éditions Durand (1947–present)
part of:
Mélodies persanes, op. 26
Camille Saint‐Saëns2:36
8Tristan und Isolde, Akt III: "Mild und leise"
soprano vocals:
Kirsten Flagstad (soprano) (in 1936)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1936-05-18 until 1936-06-02)
conductor:
Fritz Reiner (conductor) (from 1936-05-18 until 1936-06-02)
live recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt” (from 1936-05-18 until 1936-06-02)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner7:06
9Winterreise, Nr. 11: "Frühlingstraum"
tenor vocals:
Christoph Prégardien (tenor) (in 1996)
orchestra:
Orchestre Lamoureux (Lamoureux Orchestra) (in 1996)
conductor:
Jean Fournet (conductor) (in 1996)
recording of:
Winterreise, op. 89, D. 911: XI. Frühlingstraum (in 1996)
lyricist:
Wilhelm Müller (German poet)
composer:
Franz Schubert (composer) (in 1827-02)
part of:
Winterreise, op. 89, D. 911
Franz Schubert4:27
10Les pêcheurs de perles, Akt I: "À cette voix"
tenor vocals:
Léopold Simoneau (tenor) (in 1953)
orchestra:
Orchestre Lamoureux (Lamoureux Orchestra) (in 1953)
conductor:
Jean Fournet (conductor) (in 1953)
recording of:
Les Pêcheurs de perles : Acte I. No. 4 Récit « À cette voix quel trouble » (Nadir) (in 1953)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet1:45
11Les pêcheurs de perles, Akt I: "Je crois entendre encore"
recorded in:
Paris, Île-de-France, France (in 1953-10)
tenor vocals and tenor vocals [Nadir]:
Léopold Simoneau (tenor) (in 1953-10)
orchestra:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra) (in 1953-10)
conductor:
Jean Fournet (conductor) (in 1953-10)
recording of:
Les Pêcheurs de perles : Acte I. No. 4 Romance « Je crois entendre encore » (Nadir) (in 1953-10)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet3:32
12Pli selon pli, Nr. 2: "Improvisation sur Mallarmé I"
soprano vocals:
Christine Schäfer (soprano) (in 2001, from 2001-01 until 2001-02)
orchestra:
Ensemble intercontemporain (from 2001-01 until 2001-02)
conductor:
Pierre Boulez (composer and conductor) (in 2001, from 2001-01 until 2001-02)
performer:
Ensemble intercontemporain (in 2001)
recorded at:
Musée de la musique (Cité de la musique) in Paris, Île-de-France, France (from 2001-01 until 2001-02)
recording of:
Pli selon pli: Improvisation I sur Mallarmé (from 2001-01 until 2001-02)
composer:
Pierre Boulez (composer and conductor) (from 1957 until 1962)
version of:
Improvisation I sur Mallarmé: "Le vierge, le vivace et le bel aujourd'hui" for Soprano and 7 Instrumentalists (Original version from 1957)
part of:
Pli selon pli
recording of:
Pli selon pli: Improvisation I sur Mallarmé (in 2001)
composer:
Pierre Boulez (composer and conductor) (from 1957 until 1962)
version of:
Improvisation I sur Mallarmé: "Le vierge, le vivace et le bel aujourd'hui" for Soprano and 7 Instrumentalists (Original version from 1957)
part of:
Pli selon pli
Pierre Boulez4:59
13Lohengrin, Akt III: "In fernem Land"
tenor vocals:
Franz Völker (tenor) (in 1936)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1936)
conductor:
Heinz Tietjen (in 1936)
recording of:
Excerpt from Lohengrin, WWV 75: Akt III, Scene III. “In fernem Land, unnahbar euren Schritten” (Gralserzählung) (in 1936)
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III, Scene III. “Heil, König Heinrich!”
Richard Wagner4:32
14Après un rêve, op. 7 Nr. 1
piano:
Godefroy Andolfi (French pianist, composer and conductor) (in 1932)
soprano vocals:
Ninon Vallin (in 1932)
recording of:
Après un rêve, op. 7 no. 1 (original; for voice and piano) (in 1932)
lyricist:
[anonymous] (special purpose artist)
composer:
Gabriel Fauré (French composer) (in 1877)
translator:
Romain Bussine
publisher:
Choudens (in 1878)
premiered at:
Société nationale de musique in Paris, Île-de-France, France (on 1879-01-11)
part of:
Trois mélodies, op. 7
Gabriel Fauré2:37
15Altenberglieder op. 4: "Seele, wie bist du schöner"
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
soprano vocals:
Margaret Price (soprano) (in 1970-12)
orchestra:
London Symphony Orchestra (in 1970-12)
conductor:
Claudio Abbado (conductor) (in 1970-12)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1970-12)
recording of:
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: I. "Seele, wie bist du schöner" (in 1970-12)
lyricist:
Peter Altenberg
composer:
Alban Berg (Austrian composer) (from 1911 until 1912)
part of:
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4
Alban Berg2:52
16Altenberglieder op. 4: "Sahst du nach dem Gewitterregen den Wald"
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
soprano vocals:
Margaret Price (soprano) (in 1970-12)
orchestra:
London Symphony Orchestra (in 1970-12)
conductor:
Claudio Abbado (conductor) (in 1970-12)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1970-12)
recording of:
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: II. "Sahst du nach dem Gewitterregen den Wald" (in 1970-12)
lyricist:
Peter Altenberg
composer:
Alban Berg (Austrian composer) (from 1911 until 1912)
premiered by:
Arnold Schönberg (Arnold Schoenberg, composer) (on 1913-03-31)
premiered at:
Skandalkonzert (1913-03-31)
part of:
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4
Alban Berg1:08
17Altenberglieder op. 4: "Über die Grenzen des All"
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
soprano vocals:
Margaret Price (soprano) (in 1970-12)
orchestra:
London Symphony Orchestra (in 1970-12)
conductor:
Claudio Abbado (conductor) (in 1970-12)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1970-12)
recording of:
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: III. "Über die Grenzen des All" (in 1970-12)
lyricist:
Peter Altenberg
composer:
Alban Berg (Austrian composer) (from 1911 until 1912)
premiered by:
Arnold Schönberg (Arnold Schoenberg, composer) (on 1913-03-31)
premiered at:
Skandalkonzert (1913-03-31)
part of:
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4
Alban Berg1:37
18Altenberglieder op. 4: "Nichts ist gekommen"
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
soprano vocals:
Margaret Price (soprano) (in 1970-12)
orchestra:
London Symphony Orchestra (in 1970-12)
conductor:
Claudio Abbado (conductor) (in 1970-12)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1970-12)
recording of:
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: IV. "Nichts ist gekommen" (in 1970-12)
lyricist:
Peter Altenberg
composer:
Alban Berg (Austrian composer) (from 1911 until 1912)
part of:
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4
Alban Berg1:31
19Altenberglieder op. 4: "Hier ist Friede"
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
soprano vocals:
Margaret Price (soprano) (in 1970-12)
orchestra:
London Symphony Orchestra (in 1970-12)
conductor:
Claudio Abbado (conductor) (in 1970-12)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1970-12)
recording of:
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: V. "Hier ist Friede" (in 1970-12)
lyricist:
Peter Altenberg
composer:
Alban Berg (Austrian composer) (from 1911 until 1912)
part of:
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4
Alban Berg4:27
20Beautiful Dreamer
flute:
Michael Parloff (US flautist) (in 1992)
guitar:
Molly Mason (in 1992)
piano:
David Alpher (in 1992)
violin:
Jay Ungar (in 1992)
baritone vocals:
Thomas Hampson (baritone) (in 1992)
recording of:
Beautiful Dreamer (in 1992)
orchestrator:
Herbert Spencer (Production music composer)
lyricist and composer:
Stephen Foster (composer) (in 1864)
Stephen Foster3:55
11▶CD: Todesahnung
12▶CD: Grenzerfahrung
13▶CD: Gegenspieler
14▶CD: Paare
15▶CD: Reisen
16▶CD: Gewässer
17▶CD: Verwirrung
18▶CD: Abschied

Credits

Release group

creative direction:Stefan Dimitrov (operatic bass)
Eberhard Wolf