This Is the 60s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

Copyright: © 2018 Warner Music Group - X5 Music Group
℗ 2018 Warner Music Group - X5 Music Group

Annotazione modificata l'ultima volta il 2024-11-19 20:18 UTC.

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#TitoloArtistaValutazioneDurata
1Goldfinger
tecnico:
John Richards (engineer)
produttore:
John Barry (English score composer) e George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
voce:
Shirley Bassey (Welsh singer) (nel 1964-07)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Goldfinger (nel 1964-07)
paroliere:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
compositore:
John Barry (English score composer)
editore:
EMI United Partnership Ltd. e Sony/ATV Songs LLC
parte di:
James Bond themes
parte di:
Goldfinger
Shirley Bassey4.252:49
2Born Free
produttore:
John Barry (English score composer)
voce principale:
Matt Monro
direttore d'orchestra e esecutore:
John Barry (English score composer)
arrangiatore:
John Barry (English score composer)
registrazione di:
Born Free
paroliere:
Don Black (English lyricist)
compositore:
John Barry (English score composer)
editore:
Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music Ltd.
parte di:
The 39th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1966 winner)
parte di:
Born Free
Matt Monro32:49
3Windmills of Your Mind
Noel Harrison2:21
4There Must Be a Way
registrazione di:
There Must Be a Way
paroliere:
Sammy Gallop
compositore:
David Saxon
Frankie Vaughan2:53
5Can’t Take My Eyes Off You
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 151)
registrazione di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Frankie Valli3.753:20
6(Sittin’ on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:44
7When a Man Loves a Woman
registrata a:
Muscle Shoals, Alabama, Stati Uniti (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
registrazione di:
When a Man Loves a Woman
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge2:54
8Cry to Me
registrata a:
New York, New York, Stati Uniti (il 1961-12-06)
tecnico:
Tom Dowd e Phil Iehle
produttore:
Bert Berns e Jerry Wexler
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1961-12-06)
chitarra :
Don Arnone (il 1961-12-06), Everett Barksdale (il 1961-12-06), Al Caiola (il 1961-12-06) e Bucky Pizzarelli (il 1961-12-06)
contrabbasso [bass] :
Art Davis (US jazz double bassist) (il 1961-12-06)
organo :
Robert Mosely (US rhythm & blues singer/songwriter) (il 1961-12-06)
pianoforte :
Hank Jones (piano) (il 1961-12-06)
sassofono contralto :
Leon Cohen (woodwind player) (il 1961-12-06)
sassofono tenore :
Jesse Powell (US jazz saxophonist) (il 1961-12-06)
vibrafono [vibes] :
Phil Kraus (il 1961-12-06)
voce:
Solomon Burke (il 1961-12-06)
voce di accompagnamento:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1961-12-06)
direttore d'orchestra:
Klaus Ogerman (il 1961-12-06)
arrangiatore:
Klaus Ogerman
registrazione di:
Cry to Me
paroliere e compositore:
Bert Russell
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sloopy II Music, Sony/ATV Songs LLC e Unichappell Music, Inc.
Solomon Burke2.052:31
9Sweet Soul Music
tecnico:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
produttore:
Otis Redding
chitarra :
Moses Dillard (il 1967-01-20)
voce:
Arthur Conley (il 1967-01-20)
registrata presso:
FAME Studios in Muscle Shoals, Alabama, Stati Uniti (il 1967-01-20)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 351)
registrazione di:
Sweet Soul Music (il 1967-01-20)
autore:
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) e Otis Redding
editore:
ABKCO Music e Rondor
si basa su:
Yeah Man
Arthur Conley42:19
10Respect
tecnico di registrazione:
Tom Dowd (il 1967-02-14)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin3.92:28
11Finger Poppin’
registrazione di:
Fingerpoppin’
paroliere e compositore:
Ike Turner
editore:
Fanfare Music Co. Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ike & Tina Turner2:49
12Run Out of Time
produttore:
John Court
The Paul Butterfield Blues Band3:05
13Get Ready
registrazione cover di:
Get Ready
paroliere e compositore:
William “Smokey” Robinson
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Ella Fitzgerald2:32
14Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:58
15I Remember You
registrazione cover di:
I Remember You
paroliere:
Johnny Mercer (nel 1941)
compositore:
Victor Schertzinger (nel 1941)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation e Sony/ATV Music Publishing Australia Pty Ltd.
Frank Ifield2:13
16Tears
Ken Dodd22:52
17Tell Laura I Love Her
voce:
Ricky Valance
registrazione cover di:
Tell Laura I Love Her
paroliere:
Ben Raleigh
compositore:
Jeff Barry
editore:
E.B. Marks Music Corp. e Steeplechase Music
Ricky Valance2:40
18Release Me
registrazione cover di:
Release Me
autore:
Harris (James Pebworth; Guitarist - songwriter Wrote the standard "Release Me" along with Eddie Miller (3) and Robert Yount. In most cases one or both of his pseudonyms Dub Williams and Robert Harris are credited on the releases.), Miller (US country music songwriter), Williams (pseudonym used by James Pebworth) e Young (songwriter)
autore aggiunto:
W.S. Stevenson
editore:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing e Sony/ATV Music Publishing Ltd.
Esther Phillips3:19
19Where Are You?
registrazione cover di:
Where Are You?
paroliere:
Harold Adamson
autore:
Harold Adamson e Jimmy McHugh (songwriter)
compositore:
Jimmy McHugh (songwriter)
editore:
Cotton Club Publishing, Harold Adamson Music e Leo Feist, Inc.
Dinah Washington2:16
20Groovin’
registrazione di:
Groovin’
autore:
Eddie Brigati e Felix Cavaliere (American singer, songwriter, record producer, and musician)
editore:
Slacsar
The Rascals2:31
21In‐A‐Gadda‐Da‐Vida
tecnico di registrazione e produttore:
Jim Hilton
batteria :
Ron Bushy
chitarra :
Erik Brann (guitarist for Iron Butterfly)
chitarra basso :
Lee Dorman
organo :
Doug Ingle
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti e Ultrasonic Studios in Hempstead, New York, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 24) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
In‐A‐Gadda‐Da‐Vida
paroliere e compositore:
Douglas Lloyd Ingle
editore:
Ten East‐Cotillion‐Itasca
Iron Butterfly4.2517:04
22Tobacco Road
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 40)
registrazione cover di:
Tobacco Road
paroliere e compositore:
John D. Loudermilk
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Nashville Teens2:28
23Kites (stereo)
registrazione di:
Kites
compositore:
Hal Hackady e Lee Pockriss
editore:
Campbell Connelly & Co. Ltd.
Simon Dupree & the Big Sound3:45
24Hello It’s Me (single version)
tecnico di registrazione e tecnico di missaggio:
Billy Sherwood
produttore:
Bob Kulick e Billy Sherwood
chitarra :
Edgar Winter
chitarra [rhythm guitar] :
Bob Kulick
chitarra basso , membranofono , percussione e voce di accompagnamento:
Billy Sherwood
voce:
Todd Rundgren
voce principale:
Todd Rundgren
registrata presso e mixata presso:
Office Studios in Van Nuys, California, Stati Uniti
registrazione di:
Hello, It’s Me
paroliere e compositore:
Todd Rundgren
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren44:20
25Laugh at Me (single version)
registrazione di:
Laugh at Me
paroliere e compositore:
Sonny Bono
editore:
Cotillion e West (publisher)
Sonny Bono33:00
26Got to Get You Into My Life
Cliff Bennett & the Rebel Rousers2:34
27Trains and Boats and Planes
registrazione cover di:
Trains and Boats and Planes
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Warner/Chappell Music Ltd. (1996–2019)
Billy J. Kramer and The Dakotas2:50
28Turn Around and Look at Me
The Vogues2:47
2959th Street Bridge Song (Feelin’ Groovy)
produttore:
Lenny Waronker
registrazione cover di:
The 59th Street Bridge Song (Feelin’ Groovy)
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
Harpers Bizarre2:31
30Thank U Very Much
registrazione di:
Thank U Very Much
paroliere e compositore:
Mike McGear (Paul McCartney’s brother)
The Scaffold2:33
31Ha! Ha! Said the Clown
registrazione di:
Ha! Ha! Said the Clown
autore:
Tony Hazzard (songwriter)
The Yardbirds2:29
32For What It’s Worth
produttore:
Charles Greene (producer) e Brian Stone (producer)
voce:
Stephen Stills
voce di accompagnamento:
Richie Furay e Dewey Martin
diritti fonografici (℗) detenuti da:
Warner Music International (trademark of Warner Music International the company) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1969)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 63)
registrazione di:
For What It’s Worth (il 1966-12-05)
paroliere e compositore:
Stephen Stills
editore:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East e Ten‐East Music (BMI)
Buffalo Springfield4.252:41
33No Milk Today
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1966) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1966)
registrazione di:
No Milk Today (nel 1966-10)
paroliere e compositore:
Graham Gouldman
editore:
Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hournew Music Ltd.
Herman’s Hermits4.652:54
34End of the Road
produttore:
Gerald Chevin e Eddy Offord
registrazione di:
End of the Road
autore:
Jeff Lynne
The Idle Race2:09
35Excerpt From a Teenage Opera
registrazione di:
Theme From “A Teenage Opera”
paroliere e compositore:
Keith Hopkins e Mark Wirtz
Keith West4:42
36Walkin’ Back to Happiness
Helen Shapiro2:30
37Ferry Cross the Mersey
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964)
registrazione di:
Ferry Cross the Mersey
paroliere e compositore:
Gerry Marsden
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e PolyGram Music Publishing
Gerry & the Pacemakers2:24
38I’m a Believer
registrata a:
New York, New York, Stati Uniti (dal 1966-10-15 al 1966-10-23)
produttore:
Jeff Barry
basso :
Dick Romoff (dal 1966-10-15 al 1966-10-23)
batteria :
Buddy Salzman (dal 1966-10-15 al 1966-10-23)
chitarra :
Al Gorgoni (guitarist, composer, arranger, and producer) (dal 1966-10-15 al 1966-10-23) e Sal Ditroia (dal 1966-10-15 al 1966-10-23)
chitarra acustica :
Neil Diamond (dal 1966-10-15 al 1966-10-23)
organo :
Artie Butler (dal 1966-10-15 al 1966-10-23)
pianoforte e tamburello :
Jeff Barry (dal 1966-10-15 al 1966-10-23)
voce di accompagnamento:
Davy Jones (The Monkees member) (dal 1966-10-15 al 1966-10-23) e Peter Tork (dal 1966-10-15 al 1966-10-23)
voce di accompagnamento e voce principale:
Micky Dolenz (dal 1966-10-15 al 1966-10-23)
arrangiatore:
Jeff Barry
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1966) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966, nel 1967)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 65) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 341)
registrazione cover di:
I’m a Believer (dal 1966-10-15 al 1966-10-23)
paroliere e compositore:
Neil Diamond (nel 1966)
editore:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. e Stonebridge Music (publisher)
registrazione di:
I’m a Believer
paroliere e compositore:
Neil Diamond (nel 1966)
editore:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. e Stonebridge Music (publisher)
The Monkees4.652:46
39Poor Me
produttore:
John Burgess (British record producer)
voce:
Adam Faith
arrangiatore:
John Barry (English score composer)
Adam Faith1:47
40Just a Little (single version)
The Beau Brummels2:27
41Windy
produttore:
Bones Howe
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 310)
registrazione di:
Windy
paroliere e compositore:
Ruthann Friedman
editore:
Irving Music (BMI), Welbeck Music Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Association52:57
42Shakin’ All Over
registrazione di:
Shakin’ All Over
paroliere e compositore:
Frederick Heath e Johnny Kidd
editore:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
Johnny Kidd and the Pirates3.752:21
43You Keep Me Hangin’ On (single version)
supporto a vario titolo:
Shadow Morton (incarico: directed by)
produttore:
Shadow Morton
registrazione cover di:
You Keep Me Hangin’ On (nel 1967)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division e Jobete Music Co., Inc. (nel 1986)
sub-editore:
EMI Music Publishing Japan C.F. division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Vanilla Fudge3:00
44Talk About Your Baby
John Lee Hooker2:35
45I Think We’re Alone Now
registrazione di:
I Think We’re Alone Now
paroliere e compositore:
Ritchie Cordell
editore:
EMI Longitude Music
Tommy James & the Shondells52:13
46My White Bicycle
produttore:
Mark Wirtz
tastiera :
Mark Wirtz
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1967)
registrazione di:
My White Bicycle
autore:
Ken Burgess e Keith Hopkins
editore:
Carlin Music Corporation, Getaway Songs Ltd., Intersong Music e Sony Music (global brand, excluding JP, owned by Sony Music Entertainment)
Tomorrow43:18
47Breakout
registrazione di:
Breakout
autore:
Herb Bernstein e Gary A. Knight
Mitch Ryder & The Detroit Wheels3:16
48Cool Jerk
The Capitols2:47
49A World Without Love
registrazione di:
A World Without Love
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
EMI Music Publishing (do not use as a release label!) e Northern Songs Ltd.
registrazione cover di:
A World Without Love
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
EMI Music Publishing (do not use as a release label!) e Northern Songs Ltd.
Peter & Gordon2:45
50A Lover’s Concerto
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrazione di:
A Lover’s Concerto (nel 1965)
autore:
Sandy Linzer e Denny Randell
editore:
EMI Music Publishing (do not use as a release label!)
si basa su:
Minuet in G major, BWV Anh. 114 (for keyboard)
The Toys2:40
51Have I the Right
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrazione di:
Have I the Right (nel 1964)
autore:
Alan Blaikley e Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Ivy Music Ltd.
The Honeycombs32:58
52I’m the Urban Spaceman
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1968)
registrazione di:
I’m the Urban Spaceman
paroliere e compositore:
Neil Innes
editore:
J. Albert & Son Pty. Ltd.
The Bonzo Dog Band4.52:25
53Where Do You Go To (My Lovely)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1969) e United Artists (nel 1969)
registrazione di:
Where Do You Go To (My Lovely)?
paroliere e compositore:
Peter Sarstedt
editore:
EMI Catalogue Partnership
Peter Sarstedt54:45
54What Now My Love (single version)
registrazione di:
What Now My Love
paroliere:
Pierre Delanoë
compositore:
Gilbert Bécaud
traduttore:
Carl Sigman
editore:
BMG Songs, Inc., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music Corp. e Warner Chappell Music, Inc.
versione tradotta di:
Et maintenant
Sonny & Cher3:37
55Mona Lisa
Anita Kerr2:58
56Strangers in the Night
The Mike Sammes Singers3:37
57All or Nothing at All
registrazione cover di:
All or Nothing at All
paroliere:
Jack Lawrence (US songwriter)
compositore:
Arthur Altman e Jack Lawrence (US songwriter)
editore:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. e Universal‐MCA Music Publishing (US)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sarah Vaughan3:13
58Hurt So Bad
Little Anthony & the Imperials22:18
59I Know Better
The Flamingos2:37
60Touch ’Em With Love
registrazione di:
Touch ’em With Love
autore:
John Hurley e Ronnie Wilkins
Brook Benton2:19
61Sweet Inspiration
registrazione di:
Sweet Inspiration
autore:
Spooner Oldham e Dan Penn (songwriter, soul singer)
editore:
Press Music Co.
The Sweet Inspirations2:56
62Alfie
registrazione di:
Alfie (nel 1965)
paroliere:
Hal David (nel 1965)
compositore:
Burt Bacharach (nel 1965)
editore:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell e Sony/ATV Harmony
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The 39th Academy Award for Best Original Song (numero: 2)
Cilla Black2:39
63Love Is Blue
registrazione cover di:
Love Is Blue
paroliere:
Pierre Cour
compositore:
André Popp
traduttore:
Bryan Blackburn
editore:
Intersong U.S.A. (publisher), Radio-Tele-Music GmbH e Radmus Publishing Inc.
versione tradotta di:
El amor es triste
versione tradotta di:
L’amour est bleu
Jeff Beck2:57
64Sabre Dance
arrangiatore:
Dave Edmunds
registrazione cover di:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
compositore:
Aram Khachaturian (Aram Chačaturjan, Soviet-Armenian composer) (nel 1942)
arrangiamento di:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
Love Sculpture11:31
65You Were Made for Me
registrazione di:
You Were Made for Me
paroliere e compositore:
Mitch Murray
Freddie & the Dreamers2:19
66Better by Far
Terry Reid3:30
67Cathy’s Clown
registrazione di:
Cathy’s Clown
paroliere e compositore:
Don Everly
autore:
Don Everly e Phil Everly
editore:
Acuff-Rose (BMI) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers22:26
68Hello Stranger
registrazione di:
Hello Stranger
paroliere e compositore:
Barbara Lewis
Barbara Lewis2:47
69The House of the Rising Sun
produttore:
Mickie Most (English record producer)
batteria :
John Steel (English musician)
chitarra basso :
Chas Chandler
chitarra elettrica :
Hilton Valentine
organo :
Alan Price
voce principale:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1964), Columbia Pictures Industries, Inc. (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964, nel 2002)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 122), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 471)
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4.24:30
70My Clown
tecnico di registrazione:
Mike Ross‐Trevor (engineer)
produttore:
Tommy Scott (producer)
registrazione di:
My Clown
compositore:
Tom Newman (producer, guitarist)
July3:27
71Kentucky Woman
tecnico:
Barry Ainsworth (engineer)
produttore e tecnico di missaggio:
Derek Lawrence (British producer)
basso elettrico :
Nick Simper (il 1968-08-19)
batteria :
Ian Paice (il 1968-08-19)
chitarra elettrica :
Ritchie Blackmore (il 1968-08-19)
organo Hammond e voce di accompagnamento:
Jon Lord (il 1968-08-19)
voce principale:
Rod Evans (il 1968-08-19)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) e HEC Enterprises Ltd. (nel 1968)
registrata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (il 1968-08-19)
registrazione cover di:
Kentucky Woman (il 1968-08-19)
scritta a:
Paducah, Kentucky, Stati Uniti
paroliere:
Neil Diamond
compositore:
Neil Diamond (nel 1967)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Deep Purple3.554:43
72Looking at You
registrazione di:
Looking at You
autore:
Michael Davis (MC5 bassist), Wayne Kramer (former MC5 guitarist), Fred “Sonic” Smith, Dennis Thompson (drummer for MC5, New Race and The New Order) e Rob Tyner
editore:
Warner/Chappell Music Ltd. (1996–2019)
MC53:04
73I Wanna Be Your Dog
produttore:
John Cale (The Velvet Underground founder)
batteria :
Scott Asheton
chitarra basso :
Dave Alexander (bassist for The Stooges)
chitarra elettrica :
Ron Asheton
voce principale:
Iggy Stooge
parte di:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 37), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 314) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 438)
registrazione di:
I Wanna Be Your Dog
autore:
Dave Alexander (bassist for The Stooges), Ron Asheton, Scott Asheton e Iggy Pop
editore:
Productions et Éditions Cinématographiques Françaises, Stooge Staffel Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
The Stooges3.63:11
74The Road to Cairo
David Ackles5:16
75Both Sides Now
registrazione di:
Both Sides Now
paroliere e compositore:
Joni Mitchell
arrangiatore:
Benedikt Jahnel
editore:
Crazy Crow Music, Essex Music of Australia Pty. Ltd., Siquomb Pub. Corp., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Judy Collins43:16
76Morning Glory
tecnico:
Bruce Botnick
produttore:
Jerry Yester
archi e flauto :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
basso :
Jimmy Bond (nel 1967-05)
chitarra e voce principale:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (nel 1967-05)
membranofono :
John Clauder (nel 1967-05)
pianoforte :
Don Randi (nel 1967-05)
voce di accompagnamento:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (nel 1967-05) e Jerry Yester (nel 1967-05)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (nel 1967-05)
registrazione di:
Morning Glory
paroliere e compositore:
Larry Beckett e Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
editore:
Third Story Music, Inc.
Tim Buckley32:53
77Candy Man
registrazione cover di:
Candy Man
autore:
Fred Neil e Beverly Ross (musician (piano) and songwriter)
editore:
Unichappell Music, Inc.
Fred Neil2:29
78Green Onions
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1962-06)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
batteria [drums] :
Al Jackson (Booker T & The MGs drummer) (nel 1962-06)
chitarra :
Steve Cropper (nel 1962-06)
chitarra basso [bass] :
Lewie Steinberg (nel 1962-06)
organo Hammond :
Booker T. Jones (nel 1962-06)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 181) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 418)
registrazione di:
Green Onions (nel 1962-06)
compositore:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones e Lewie Steinberg
editore:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. e Irving Music (BMI)
Booker T. & the MG’s3.852:47
79Do Your Thing (single version, mono)
Charles Wright & the Watts 103rd Street Rhythm Band2:57
80Soul Man
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-08-10)
produttore:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) e Jim Stewart (US producer, founder for Stax & Volt Records)
strumenti:
Booker T. & the MG’s (nel 1967) e The Mar‐Keys Horns (nel 1967)
voce principale:
Sam Moore (singer, ex “Sam and Dave”) (nel 1967) e David Prater (soul artist) (nel 1967)
diritti fonografici (℗) detenuti da:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 458)
registrazione di:
Soul Man (il 1967-08-10)
autore:
Isaac Hayes (nel 1967) e David Porter (US soul musician, producer & songwriter) (nel 1967)
editore:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (nel 1986) e Walden Music Corp. (publisher) (nel 1986)
Sam & Dave4.52:37
81Just One Look
registrata a:
New York, New York, Stati Uniti (il 1963-03-05)
produttore:
Artie Ripp
basso :
Barney Richmond (il 1963-03-05)
batteria :
Bruno Carr (il 1963-03-05)
chitarra :
Napoleon "Snags" Allen (il 1963-03-05)
pianoforte :
Horace Ott (il 1963-03-05)
voce:
Doris Troy (il 1963-03-05)
voce di accompagnamento [harmony vocals] e voce principale:
Doris Troy (il 1963-03-05)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 7) e Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 29)
registrazione di:
Just One Look (il 1963-03-05)
autore:
Gregory Carroll e Doris Payne
editore:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Troy2:29
82Knock on Wood
registrazione di:
Knock on Wood
autore:
Steve Cropper e Eddie Floyd
editore:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
adattamenti:
Potkraj na les
Eddie Floyd3:04
83Soul Finger
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1967)
produttore:
The Stax Staff
basso elettrico [electric bass] :
James Alexander (US soul bassist, singer and songwriter) (nel 1967)
batteria :
Carl Cunningham (drummer for The Bar‐Kays) (nel 1967)
chitarra :
Jimmy King (US guitarist for The Bar‐Kays) (nel 1967)
organo :
Ronnie Caldwell (nel 1967)
sassofono tenore :
Phalon Jones (nel 1967)
tromba :
Ben Cauley (nel 1967)
registrazione di:
Soul Finger (nel 1967)
autore:
Ronnie Caldwell, Ben Cauley, Carl Cunningham (drummer for The Bar‐Kays), James Alexander (US soul bassist, singer and songwriter), Phalon Jones e Jimmy King (US guitarist for The Bar‐Kays)
The Bar‐Kays4.52:21
84Under the Boardwalk
registrata a:
New York, New York, Stati Uniti (il 1964-05-21)
produttore:
Bert Berns e Mike Leander
archi [nine strings] :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1964-05-21)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1964-05-21)
chitarra :
Everett Barksdale (il 1964-05-21), Bill Suyker (il 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1964-05-21) e Bob Bushnell (il 1964-05-21)
contrabbasso [bass] :
Milt Hinton (il 1964-05-21)
pianoforte :
Ernie Hayes (American pianist, organist and arranger) (il 1964-05-21)
vibrafono [vibes] :
George Devens (il 1964-05-21)
voce di baritono:
Gene Pearson (il 1964-05-21)
voce di basso:
Winifred Terry (il 1964-05-21)
voce di tenore:
Charlie Thomas (The Drifters) (il 1964-05-21)
voce principale:
Johnny Moore (soul/rnb vocalist for The Drifters) (il 1964-05-21)
direttore d'orchestra:
Gary Sherman (mid-20th century composer, arranger & conductor) (il 1964-05-21)
arrangiatore:
Gary Sherman (mid-20th century composer, arranger & conductor) e Teacho Wiltshire
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 304) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 487)
registrazione di:
Under the Boardwalk (il 1964-05-21)
autore:
Arthur Resnick (songwriter, producer) e Kenny Young
editore:
Alley Music Corp., Intersong (publisher), The Hudson Bay Music Co. (publisher), TM Music Ltd. e Trio Music Company
The Drifters4.352:41
85Fool for You
registrazione di:
Fool for You
paroliere e compositore:
Curtis Mayfield
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Camad Music Company (dal 1968 al ????)
The Impressions2:53
86Let the Good Times Roll
registrazione cover di:
Let the Good Times Roll
autore:
Fleecie Moore (nel 1946) e Sam Theard (nel 1946)
editore:
Rytvoc, Inc. (ASCAP), Theard Swanson Publishing e Warock Corp.
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Ray Charles2:52
87You Must Have Been a Beautiful Baby
Bobby Darin2:16
88Last Night
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1961-09)
produttore:
Chips Moman e Jim Stewart (US producer, founder for Stax & Volt Records)
basso [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1961-09)
batteria :
Terry Johnson (drums) (nel 1961-09)
chitarra :
Steve Cropper (nel 1961-09)
organo :
Booker T. Jones (nel 1961-09)
sassofono baritono :
Don Nix (nel 1961-09)
sassofono tenore :
Charles Axton (nel 1961-09)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (nel 1961-09)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 28)
registrazione di:
Last Night (nel 1961-09)
autore:
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith e Floyd Newman
compositore:
The Mar‐Keys
The Mar‐Keys42:39
89Walking the Dog
registrazione di:
Walking the Dog
paroliere e compositore:
Rufus Thomas (US blues & funk singer & songwriter)
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e East/Memphis Music
Rufus Thomas2:38
90Tighten Up
registrazione di:
Tighten Up
paroliere:
Billy Butler (60-70s R&B singer)
compositore:
Archie Bell (vocals, of Archie Bell & the Drells)
Archie Bell & the Drells3:13
91Memphis Soul Stew
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-07-05)
produttore:
King Curtis (saxophonist)
batteria [drums] :
Gene Chrisman (il 1967-07-05)
chitarra :
R.F. Taylor (guitarist) (il 1967-07-05) e Reggie Young (guitarist and songwriter) (il 1967-07-05)
chitarra basso [bass] :
Tommy Cogbill (il 1967-07-05)
organo :
Bobby Emmons (il 1967-07-05)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (il 1967-07-05)
sassofono baritono :
Floyd Newman (il 1967-07-05)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-07-05), King Curtis (saxophonist) (il 1967-07-05) e Jimmy Mitchell (saxophone) (il 1967-07-05)
tromba :
Bowlegs Miller (American trumpeter) (il 1967-07-05)
voce:
King Curtis (saxophonist) (il 1967-07-05)
registrazione di:
Memphis Soul Stew (il 1967-07-05)
autore:
Curtis Ousley
editore:
Kilynn Music Publishing, Inc. e Pronto Music (publisher)
King Curtis2:58
92Mustang Sally
registrata a:
Muscle Shoals, Alabama, Stati Uniti (il 1966-10-13)
tecnico:
Tom Dowd e Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
produttore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) e Jerry Wexler
basso elettrico [electric bass] :
Tommy Cogbill (dal 1966-10-13 al 1966-10-14)
batteria :
Roger Hawkins (drummer and producer) (dal 1966-10-13 al 1966-10-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-10-13 al 1966-10-14)
chitarra [lead guitar] :
Lincoln "Chips" Moman (dal 1966-10-13 al 1966-10-14)
sassofono tenore :
Gilbert Caples (dal 1966-10-13 al 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-10-13 al 1966-10-14) e Eddie Logan (dal 1966-10-13 al 1966-10-14)
tastiera [piano, organ] :
Dewey "Spooner" Oldham (dal 1966-10-13 al 1966-10-14)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (dal 1966-10-13 al 1966-10-14)
voce:
Wilson Pickett (dal 1966-10-13 al 1966-10-14)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-10-13 al 1966-10-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 434)
registrazione cover di:
Mustang Sally (dal 1966-10-13 al 1966-10-14)
paroliere e compositore:
Sir Mack Rice
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Wilson Pickett43:07
93Everybody Loves a Winner
registrazione di:
Everybody Loves a Winner
autore:
William Bell e Booker T. Jones
editore:
Irving Music, Inc.
William Bell2:52
94Gee Whiz, Look at His Eyes
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1960) e Nashville, Tennessee, Stati Uniti (nel 1960)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
voce:
Carla Thomas (nel 1960)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 29)
registrazione di:
Gee Whiz (Look at His Eyes) (nel 1960)
paroliere e compositore:
Carla Thomas
editore:
Irving Music, Inc.
Carla Thomas2:20
95Your Good Thing (Is About to End)
registrazione di:
Your Good Thing (Is About to End)
autore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Cotton Picking Soul Music, Irving Music, Inc., Primary Wave 3 Songs (BMI) e East/Memphis Music (nel 1967)
Mable John2:59
96Darling Je Vous Aime Beaucoup
Eartha Kitt2:28
97If I Should Lose You
produttore:
Hal Mooney
pianoforte :
Nina Simone
voce:
Nina Simone
arrangiatore:
Nina Simone
registrazione cover di:
If I Should Lose You (il 1965-05-20)
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Ralph Rainger
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Nina Simone3.653:59
98Big Girls Don’t Cry
The Four Seasons2:18
99Little Egypt (Ying‐Yang)
chitarra :
George Barnes (il 1961-02-09)
chitarra acustica :
Allen Hanlon (jazz guitarist) (il 1961-02-09)
chitarra elettrica :
Sammy Clarke (il 1961-02-09)
contrabbasso [bass] :
Wendell Marshall (il 1961-02-09)
pianoforte :
Mike Stoller (il 1961-02-09)
sassofono tenore :
King Curtis (saxophonist) (il 1961-02-09)
voce:
Earl Carroll (r&b vocalist) (il 1961-02-09), Carl Gardner (il 1961-02-09), Billy Guy (r&b vocalist) (il 1961-02-09) e Will “Dub” Jones (US R&B/doo wop vocalist) (il 1961-02-09)
arrangiatore:
Mike Stoller
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1961-02-09)
registrazione di:
Little Egypt (Ying Yang)
autore:
Jerry Leiber e Mike Stoller
editore:
Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music e Sony/ATV Songs LLC
The Coasters2.52:54

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