| # | Title | Artist | Rating | Length |
|---|
| 1 | Goldfinger | Shirley Bassey | 4.25 | 2:49 |
| 2 | Born Free | Matt Monro | 3 | 2:49 |
| 3 | Windmills of Your Mind | Noel Harrison | | 2:21 |
| 4 | There Must Be a Way | Frankie Vaughan | | 2:53 |
| 5 | Can’t Take My Eyes Off You | Frankie Valli | 3.75 | 3:20 |
| 6 | (Sittin’ on) The Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- WEA International Inc. and Atlantic Recording Corporation (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music , Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. , Warner Bros. Music Ltd. , Warner Chappell Music , Warner/Chappell Music Japan, Synch division , Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
- recording of:
- (Sittin’ on) The Dock of the Bay
- composer:
- Steve Cropper and Otis Redding
- arranger:
- Oliver Lake
- arrangement of:
- (Sittin’ on) the Dock of the Bay
| Otis Redding | 4.3 | 2:44 |
| 7 | When a Man Loves a Woman- recorded in:
- Muscle Shoals, Alabama, United States (on 1966-02-17)
- vocals:
- Percy Sledge (on 1966-02-17)
- recording of:
- When a Man Loves a Woman
- writer:
- Calvin Lewis, Percy Sledge and Andrew Wright
- publisher:
- Mijac Music, Warner Bros. Music Ltd. , Warner Chappell, Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell North America, Warner/Chappell , Pronto Music, Inc. (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
| Percy Sledge | | 2:54 |
| 8 | Cry to Me | Solomon Burke | 2.05 | 2:31 |
| 9 | Sweet Soul Music | Arthur Conley | 4 | 2:19 |
| 10 | Respect- recording engineer:
- Tom Dowd (on 1967-02-14)
- producer:
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (on 1967-02-14)
- bass guitar:
- Tommy Cogbill (on 1967-02-14)
- cornet:
- Melvin Lastie (on 1967-02-14)
- drums (drum set):
- Roger Hawkins (on 1967-02-14)
- guitar:
- Jimmy Johnson (on 1967-02-14)
- organ:
- Spooner Oldham (on 1967-02-14)
- piano:
- Aretha Franklin (on 1967-02-14)
- tenor saxophone:
- Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
- background vocals:
- Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
- vocals:
- Aretha Franklin (on 1967-02-14)
- conductor:
- Tom Dowd (on 1967-02-14)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (on 1967-02-14)
- lyricist and composer:
- Otis Redding
- publisher:
- Cotillion Music Inc. , East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
| Aretha Franklin | 3.9 | 2:28 |
| 11 | Finger Poppin’ | Ike & Tina Turner | | 2:49 |
| 12 | Run Out of Time | The Paul Butterfield Blues Band | | 3:05 |
| 13 | Get Ready | Ella Fitzgerald | | 2:32 |
| 14 | Stand by Me- recorded in:
- New York, New York, United States (on 1960-10-27)
- producer:
- Leiber and Stoller
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- HHO Ltd. , WEA International Inc. (in 1960, in 1961), Atlantic Recording Corporation (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) and Trio Music Co., Inc. (in 1981)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music , Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt , Melodie der Welt GmbH & Co. KG , Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music , Trio Music Co., Inc., Unichappell Music and Universal Music Publishing
| Ben E. King | 4.65 | 2:58 |
| 15 | I Remember You | Frank Ifield | | 2:13 |
| 16 | Tears | Ken Dodd | 2 | 2:52 |
| 17 | Tell Laura I Love Her | Ricky Valance | | 2:40 |
| 18 | Release Me | Esther Phillips | | 3:19 |
| 19 | Where Are You? | Dinah Washington | | 2:16 |
| 20 | Groovin’ | The Rascals | | 2:31 |
| 21 | In‐A‐Gadda‐Da‐Vida | Iron Butterfly | 4.25 | 17:04 |
| 22 | Tobacco Road | The Nashville Teens | | 2:28 |
| 23 | Kites (stereo) | Simon Dupree & the Big Sound | | 3:45 |
| 24 | Hello It’s Me (single version) | Todd Rundgren | 4 | 4:20 |
| 25 | Laugh at Me (single version) | Sonny Bono | 3 | 3:00 |
| 26 | Got to Get You Into My Life | Cliff Bennett & the Rebel Rousers | | 2:34 |
| 27 | Trains and Boats and Planes | Billy J. Kramer and The Dakotas | | 2:50 |
| 28 | Turn Around and Look at Me | The Vogues | | 2:47 |
| 29 | 59th Street Bridge Song (Feelin’ Groovy) | Harpers Bizarre | | 2:31 |
| 30 | Thank U Very Much | The Scaffold | | 2:33 |
| 31 | Ha! Ha! Said the Clown | The Yardbirds | | 2:29 |
| 32 | For What It’s Worth | Buffalo Springfield | 4.25 | 2:41 |
| 33 | No Milk Today | Herman’s Hermits | 4.65 | 2:54 |
| 34 | End of the Road | The Idle Race | | 2:09 |
| 35 | Excerpt From a Teenage Opera | Keith West | | 4:42 |
| 36 | Walkin’ Back to Happiness | Helen Shapiro | | 2:30 |
| 37 | Ferry Cross the Mersey | Gerry & the Pacemakers | | 2:24 |
| 38 | I’m a Believer- recorded in:
- New York, New York, United States (from 1966-10-15 until 1966-10-23)
- producer:
- Jeff Barry
- acoustic guitar:
- Neil Diamond (from 1966-10-15 until 1966-10-23)
- bass:
- Dick Romoff (from 1966-10-15 until 1966-10-23)
- drums (drum set):
- Buddy Salzman (from 1966-10-15 until 1966-10-23)
- guitar:
- Al Gorgoni (from 1966-10-15 until 1966-10-23) and Sal Ditroia (from 1966-10-15 until 1966-10-23)
- organ:
- Artie Butler (from 1966-10-15 until 1966-10-23)
- piano and tambourine:
- Jeff Barry (from 1966-10-15 until 1966-10-23)
- background vocals:
- Davy Jones (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
- background vocals and lead vocals:
- Micky Dolenz (from 1966-10-15 until 1966-10-23)
- arranger:
- Jeff Barry
- phonographic copyright (℗) by:
- Rhino Entertainment Company (in 1966) and WEA International Inc. (in 1966, in 1967)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 65) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 341)
- cover recording of:
- I’m a Believer (from 1966-10-15 until 1966-10-23)
- lyricist and composer:
- Neil Diamond (in 1966)
- publisher:
- Colgems-EMI Music Inc., Copyright Control , EMI Music Publishing , Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music
- recording of:
- I’m a Believer
- lyricist and composer:
- Neil Diamond (in 1966)
- publisher:
- Colgems-EMI Music Inc., Copyright Control , EMI Music Publishing , Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music
| The Monkees | 4.65 | 2:46 |
| 39 | Poor Me | Adam Faith | | 1:47 |
| 40 | Just a Little (single version) | The Beau Brummels | | 2:27 |
| 41 | Windy | The Association | 5 | 2:57 |
| 42 | Shakin’ All Over | Johnny Kidd and the Pirates | 3.75 | 2:21 |
| 43 | You Keep Me Hangin’ On (single version) | Vanilla Fudge | | 3:00 |
| 44 | Talk About Your Baby | John Lee Hooker | | 2:35 |
| 45 | I Think We’re Alone Now | Tommy James & the Shondells | 5 | 2:13 |
| 46 | My White Bicycle | Tomorrow | 4 | 3:18 |
| 47 | Breakout | Mitch Ryder & The Detroit Wheels | | 3:16 |
| 48 | Cool Jerk | The Capitols | | 2:47 |
| 49 | A World Without Love | Peter & Gordon | | 2:45 |
| 50 | A Lover’s Concerto | The Toys | | 2:40 |
| 51 | Have I the Right | The Honeycombs | 3 | 2:58 |
| 52 | I’m the Urban Spaceman | The Bonzo Dog Band | 4.5 | 2:25 |
| 53 | Where Do You Go To (My Lovely) | Peter Sarstedt | 5 | 4:45 |
| 54 | What Now My Love (single version) | Sonny & Cher | | 3:37 |
| 55 | Mona Lisa | Anita Kerr | | 2:58 |
| 56 | Strangers in the Night | The Mike Sammes Singers | | 3:37 |
| 57 | All or Nothing at All | Sarah Vaughan | | 3:13 |
| 58 | Hurt So Bad | Little Anthony & the Imperials | 2 | 2:18 |
| 59 | I Know Better | The Flamingos | | 2:37 |
| 60 | Touch ’Em With Love | Brook Benton | | 2:19 |
| 61 | Sweet Inspiration | The Sweet Inspirations | | 2:56 |
| 62 | Alfie | Cilla Black | | 2:39 |
| 63 | Love Is Blue | Jeff Beck | | 2:57 |
| 64 | Sabre Dance | Love Sculpture | | 11:31 |
| 65 | You Were Made for Me | Freddie & the Dreamers | | 2:19 |
| 66 | Better by Far | Terry Reid | | 3:30 |
| 67 | Cathy’s Clown | The Everly Brothers | 2 | 2:26 |
| 68 | Hello Stranger | Barbara Lewis | | 2:47 |
| 69 | The House of the Rising Sun | The Animals | 4.2 | 4:30 |
| 70 | My Clown | July | | 3:27 |
| 71 | Kentucky Woman | Deep Purple | 3.55 | 4:43 |
| 72 | Looking at You | MC5 | | 3:04 |
| 73 | I Wanna Be Your Dog- producer:
- John Cale
- bass guitar:
- Dave Alexander
- drums (drum set):
- Scott Asheton
- electric guitar:
- Ron Asheton
- lead vocals:
- Iggy Stooge
- part of:
- NME: 50 Greatest Guitar Riffs of All Time (number: 37), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 314) and Rolling Stone: 500 Greatest Songs of All Time (number: 438)
- recording of:
- I Wanna Be Your Dog
- writer:
- Dave Alexander , Ron Asheton, Scott Asheton and Iggy Pop
- publisher:
- Productions et Éditions Cinématographiques Françaises, Stooge Staffel Music, Warner Bros. Music Ltd. , Warner–Tamerlane Publishing Corp. , Warner/Chappell Music Japan, Synch division , Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
| The Stooges | 3.6 | 3:11 |
| 74 | The Road to Cairo | David Ackles | | 5:16 |
| 75 | Both Sides Now | Judy Collins | 4 | 3:16 |
| 76 | Morning Glory | Tim Buckley | 3 | 2:53 |
| 77 | Candy Man | Fred Neil | | 2:29 |
| 78 | Green Onions | Booker T. & the MG’s | 3.85 | 2:47 |
| 79 | Do Your Thing (single version, mono) | Charles Wright & the Watts 103rd Street Rhythm Band | | 2:57 |
| 80 | Soul Man- recorded in:
- Memphis, Tennessee, United States (on 1967-08-10)
- producer:
- Isaac Hayes, David Porter and Jim Stewart
- instruments:
- Booker T. & the MG’s (in 1967) and The Mar‐Keys Horns (in 1967)
- lead vocals:
- Sam Moore (in 1967) and David Prater (in 1967)
- phonographic copyright (℗) by:
- HHO Recordings Ltd., WEA International Inc. (in 1966) and Atlantic Recording Corporation (in 1967)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 458)
- recording of:
- Soul Man (on 1967-08-10)
- writer:
- Isaac Hayes (in 1967) and David Porter (in 1967)
- publisher:
- EMI Music Publishing , Rondor Music (London) Ltd., Rondor Music Ltd. , Walden Music, Inc., Warner Chappell Music Ltd. , Warner Chappell North America, Almo Music Corp. (in 1986) and Walden Music Corp. (in 1986)
| Sam & Dave | 4.5 | 2:37 |
| 81 | Just One Look | Doris Troy | | 2:29 |
| 82 | Knock on Wood | Eddie Floyd | | 3:04 |
| 83 | Soul Finger | The Bar‐Kays | 4.5 | 2:21 |
| 84 | Under the Boardwalk | The Drifters | 4.35 | 2:41 |
| 85 | Fool for You | The Impressions | | 2:53 |
| 86 | Let the Good Times Roll | Ray Charles | | 2:52 |
| 87 | You Must Have Been a Beautiful Baby | Bobby Darin | | 2:16 |
| 88 | Last Night | The Mar‐Keys | 4 | 2:39 |
| 89 | Walking the Dog | Rufus Thomas | | 2:38 |
| 90 | Tighten Up | Archie Bell & the Drells | | 3:13 |
| 91 | Memphis Soul Stew | King Curtis | | 2:58 |
| 92 | Mustang Sally- recorded in:
- Muscle Shoals, Alabama, United States (on 1966-10-13)
- engineer:
- Tom Dowd and Rick Hall
- producer:
- Rick Hall and Jerry Wexler
- drums (drum set):
- Roger Hawkins (from 1966-10-13 until 1966-10-14)
- electric bass guitar [electric bass]:
- Tommy Cogbill (from 1966-10-13 until 1966-10-14)
- guitar:
- Jimmy Johnson (from 1966-10-13 until 1966-10-14)
- guitar [lead guitar]:
- Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
- keyboard [piano, organ]:
- Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
- tenor saxophone:
- Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
- trumpet:
- Gene “Bowlegs” Miller (from 1966-10-13 until 1966-10-14)
- vocals:
- Wilson Pickett (from 1966-10-13 until 1966-10-14)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1992) and WEA International Inc. (in 1992)
- recorded at:
- Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 434)
- cover recording of:
- Mustang Sally (from 1966-10-13 until 1966-10-14)
- lyricist and composer:
- Sir Mack Rice
- publisher:
- EMI Music Publishing Ltd. , EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部
| Wilson Pickett | 4 | 3:07 |
| 93 | Everybody Loves a Winner | William Bell | | 2:52 |
| 94 | Gee Whiz, Look at His Eyes | Carla Thomas | | 2:20 |
| 95 | Your Good Thing (Is About to End) | Mable John | | 2:59 |
| 96 | Darling Je Vous Aime Beaucoup | Eartha Kitt | | 2:28 |
| 97 | If I Should Lose You | Nina Simone | 3.65 | 3:59 |
| 98 | Big Girls Don’t Cry | The Four Seasons | | 2:18 |
| 99 | Little Egypt (Ying‐Yang) | The Coasters | 2.5 | 2:54 |
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