Easy Rock

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1What a Fool Believes
tecnico:
Donn Landee
tecnico aggiunto:
Loyd Clifft
produttore:
Ted Templeman
batteria :
John Hartman (drummer for the Doobie Brothers) (nel 1978-08)
chitarra :
Jeff “Skunk” Baxter (nel 1978-08) e Patrick Simmons (nel 1978-08)
chitarra basso :
Tiran Porter (nel 1978-08)
congas aggiunto e voce aggiuntiva:
Bobby LaKind (nel 1978-08)
sintetizzatore :
Michael McDonald (R&B & soul singer) (nel 1978-08) e Bill Payne (nel 1978-08)
sintetizzatore aggiunto:
Bill Payne (nel 1978-08)
tastiera e voce principale:
Michael McDonald (R&B & soul singer) (nel 1978-08)
voce:
Patrick Simmons (nel 1978-08)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1978)
registrata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti (nel 1978-08)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 147) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 343)
registrazione di:
What a Fool Believes (nel 1978-08)
autore:
Ken Loggins e Mike McDonald (R&B & soul singer)
editore:
Milk Money Music (nel 1978) e Snug Music (nel 1978)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:44
2Biggest Part of Me
produttore:
Ambrosia (L.A. prog rock band) e Freddie Piro
basso :
Joe Puerta
batteria :
Burleigh Drummond
chamberlin , clavinet , minimoog e organo elettrico :
Christopher North
chitarra :
David Pack
percussione :
Burleigh Drummond e Royce Jones
voce:
Burleigh Drummond, Royce Jones, David Pack e Joe Puerta
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1980)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 16)
registrazione di:
Biggest Part of Me
paroliere e compositore:
David Pack
editore:
David Pack Music, EMI Longitude Music, Spirit One Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Ambrosia5:28
3Just the Two of Us
produttore:
Ralph MacDonald e Grover Washington, Jr.
basso elettrico :
Marcus Miller (jazz musician) (dal 1980-06 al 1980-07)
batteria :
Steve Gadd (drummer) (dal 1980-06 al 1980-07)
chitarra elettrica :
Eric Gale (dal 1980-06 al 1980-07)
percussione :
Ralph MacDonald (dal 1980-06 al 1980-07)
piano Rhodes :
Richard Tee (dal 1980-06 al 1980-07)
sassofono :
Grover Washington, Jr. (dal 1980-06 al 1980-07)
voce principale:
Bill Withers (dal 1980-06 al 1980-07)
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1980), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1980) e Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1980)
edit di:
Just the Two of Us (original studio mix) di Bill Withers & Grover Washington, Jr.
registrazione di:
Just the Two of Us (Bill Withers song) (dal 1980-06 al 1980-07)
autore:
Ralph MacDonald, William Salter e Bill Withers
editore:
Antisia Music Inc. e Bleunig Music
Grover Washington, Jr. and Bill Withers3.354:00
4Kiss You All Over
diritti fonografici (℗) detenuti da:
Curb Records (nel 1978), RAK Records (copyrights holder) (nel 1978), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1993)
edit di:
Kiss You All Over di Exile (American country band)
registrazione di:
Kiss You All Over
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation), BMG Songs, Inc., Downtown DLJ Songs, Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Exile53:30
5Lost in Love
tecnico e tecnico di missaggio:
William Wittman
produttore:
Rick Chertoff, Charles Fisher (Australian producer) e Robie Porter
batteria :
Ralph Cooper (drummer)
chitarra [lead guitar] :
David Moyse
chitarra [rhythm guitar] :
Graham Russell (Air Supply)
chitarra basso :
Criston Barker
tastiera :
Frank Esler‐Smith e Sam McNally
voce:
Graham Russell (Air Supply)
voce di accompagnamento:
Criston Barker, Tommy Dassalo (percussionist and backing vocalist for Air Supply), Russell Hitchcock, David Moyse, Nancy Nash e Graham Russell (Air Supply)
voce principale:
Russell Hitchcock
arrangiatore:
Air Supply e Robie Porter
orchestratore:
Frank Esler‐Smith e Robie Porter
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1980) e Wizard Records Pty. Ltd. (holding company - file no releases here!) (nel 1980)
registrata presso:
Trafalgar Studios in Annandale, Sydney, New South Wales, Australia
mixata presso:
Soundmixers in Midtown Manhattan, New York, New York, Stati Uniti
parte di:
The Downloader’s Music Source Book (numero: 295)
registrazione di:
Lost in Love
paroliere e compositore:
Graham Russell (Air Supply)
editore:
Nottsongs, Universal Music Careers e Warner/Chappell Music Ltd. (1996–2019)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply53:54
6After the Love Has Gone
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1979)
edit di:
After the Love Has Gone di Earth, Wind & Fire
registrazione di:
After the Love Has Gone
autore:
Bill Champlin, David Foster (Canadian music producer, arranger and composer) e Jay Graydon
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music (BMI), Irving Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Ninth Music e Noted for the Record
sub-editore:
Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Earth, Wind & Fire4.653:58
7Sara Smile
produttore:
Chris Bond (producer, active circa 1970s) e Daryl Hall & John Oates
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1975)
registrazione di:
Sara Smile
paroliere:
Daryl Hall e John Oates
compositore:
Daryl Hall
editore:
Unichappell Music, Inc.
Daryl Hall and John Oates4.253:13
8Love Will Find a Way
diritti fonografici (℗) detenuti da:
A&M Records, Inc.
registrazione di:
Love Will Find a Way
autore:
David Jenkins (US guitarist for Pablo Cruise & Southern Pacific) e Cory Lerios
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), Irving Music, Inc., Pablo Cruise Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Pablo Cruise4:01
9Escape (The Pina Colada Song)
tecnico e tecnico di missaggio:
Jim Boyer (producer/engineer)
produttore:
Jim Boyer (producer/engineer) e Rupert Holmes
basso [electric bass] :
Frank Gravis
batteria :
Leo Adamian
diritti fonografici (℗) detenuti da:
Geffen Records, Infinity Records Inc. e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1979)
registrata presso:
Plaza Sound Studios in New York, New York, Stati Uniti
mixata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti
registrazione di:
Escape (The Piña Colada Song)
paroliere e compositore:
Rupert Holmes
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes3.554:40
10Hearts
registrazione di:
Hearts
paroliere e compositore:
Jesse Barish
editore:
Great Pyramid Music, Mercury Shoes Music, Painted Desert Music Corporation, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Marty Balin4:19
11What You Won't Do for Love
registrazione di:
What You Won’t Do for Love
autore:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) e Alfons Kettner
editore:
EMI Longitude Music, Lindseyanne Music, Sherlyn Publishing Co., Inc., The Music Force, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Bobby Caldwell3:33
12The Theme From "The Greatest American Hero" (Believe It or Not)
voce:
Joey Scarbury
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1981)
registrazione di:
Believe It or Not (theme from “The Greatest American Hero”)
paroliere:
Stephen Geyer
compositore:
Mike Post
editore:
Darjen Music, EMI April Music Inc., EMI Blackwood Music Inc., Lokey Publishing e Stephen Cannell Music
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
Joey Scarbury43:16
13Let Me Love You Tonight
assistente tecnico:
Doug Pakes
tecnico:
Bill Drescher (Producer and sound engineer)
produttore:
John Ryan (producer a/k/a “The Chicago Kid”)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1980)
registrata presso:
Sound City Studios in Van Nuys, California, Stati Uniti
registrazione di:
Let Me Love You Tonight
autore:
George Greer (Metric man musician), Jeff Wilson (Pure Prairie League guitarist) e Steve Woodard (Bass player with Feather)
editore:
Kentucky Wonder Music
Pure Prairie League52:43
14Couldn't Get It Right
registrazione di:
Couldn’t Get It Right
autore:
Colin Cooper, John Cuffley, Pete Haycock, Derek Holt e Richard Jones (Climax Blues Band)
editore:
AIR Music (London) Ltd., Bleu-Disque-Music Co. Inc. (publisher), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Germany GmbH (2008–today) e Neue Welt Musikverlag
Climax Blues Band3:20
15Sad Eyes
diritti fonografici (℗) detenuti da:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1979) e EMI Records (a J-Pop division of Universal Music Japan, 2014–present. Do not use for American/European music!) (nel 2002)
registrazione di:
Sad Eyes
paroliere e compositore:
Robert John (US singer‐songwriter)
editore:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Robert John4:14
16Bluer Than Blue
assistente tecnico di registrazione:
Rich Schirmer
tecnico di registrazione:
Brent Maher
produttore:
Steve Gibson (US country vocalist and guitarist) e Brent Maher
batteria :
Kenny Malone (session drummer/percussion)
chitarra basso [bass] :
Jack Williams (US multi-instrumentalist and arranger)
percussione :
Farrell Morris
pianoforte :
Shane Keister
voce principale:
Michael Johnson (singer, songwriter & guitarist)
arrangiatore:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
diritti fonografici (℗) detenuti da:
EMI America Records, Inc. (holding – file NO releases here!) (nel 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1978) e EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1978)
registrata presso:
Creative Workshop in Nashville, Tennessee, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 81)
registrazione di:
Bluer Than Blue
paroliere e compositore:
Randy Goodrum
editore:
Let There Be Music e Springcreek Music, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Michael Johnson2:54

Accreditamenti

Pubblicazione

stampata a:Stati Uniti
produttore:Michael Anderson (Vice president of Project Development at Razor & Tie)
Craig Balsam
Cliff Chenfeld
tecnico di mastering:Elliott Federman (mastering engineer)
design:Dan Levine (designer)
fabbricata da:Warner Special Products
copyright (©) detenuto da:Razor & Tie Direct, LLC (not for release label use!) (nel 2001)
diritti fonografici (℗) detenuti da:Warner Special Products (nel 2001)
è stato produttore per e fabbricata per:Razor & Tie
mastering effettuato presso:SAJE Sound (mastering studio founded by Elliott Federman in 1989) in Long Beach, New York, Stati Uniti
Discogs:https://www.discogs.com/release/3122559 [info]
ASIN:US: B00005IBTB [info]

Gruppo di pubblicazioni

Discogs:https://www.discogs.com/master/1283484 [info]