Easy Rock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1What a Fool Believes
Techniker(in):
Donn Landee
zusätzliche(r) Techniker(in):
Loyd Clifft
Produzent(in):
Ted Templeman
Bassgitarre:
Tiran Porter (in 1978-08)
Gitarre:
Jeff “Skunk” Baxter (in 1978-08) und Patrick Simmons (in 1978-08)
Keyboard und Sologesang:
Michael McDonald (R&B & soul singer) (in 1978-08)
Schlagzeug:
John Hartman (drummer for the Doobie Brothers) (in 1978-08)
Synthesizer:
Michael McDonald (R&B & soul singer) (in 1978-08) und Bill Payne (in 1978-08)
zusätzlich Conga und zusätzlich vocals:
Bobby LaKind (in 1978-08)
zusätzlich Synthesizer:
Bill Payne (in 1978-08)
vocals:
Patrick Simmons (in 1978-08)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
aufgenommen bei:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-08)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 147) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 343)
recording of:
What a Fool Believes (in 1978-08)
Verfasser(in):
Ken Loggins und Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) und Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:44
2Biggest Part of Me
Produzent(in):
Ambrosia (L.A. prog rock band) und Freddie Piro
Bass:
Joe Puerta
Chamberlin, Clavinet, elektronische Orgel und Minimoog:
Christopher North
Gitarre:
David Pack
Perkussion:
Burleigh Drummond und Royce Jones
Schlagzeug:
Burleigh Drummond
vocals:
Burleigh Drummond, Royce Jones, David Pack und Joe Puerta
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 16)
recording of:
Biggest Part of Me
Texter und Komponist(in):
David Pack
publisher:
David Pack Music, EMI Longitude Music, Spirit One Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Ambrosia5:28
3Just the Two of Us
Produzent(in):
Ralph MacDonald und Grover Washington, Jr.
E-Bass:
Marcus Miller (jazz musician) (von 1980-06 bis 1980-07)
E-Gitarre:
Eric Gale (von 1980-06 bis 1980-07)
Perkussion:
Ralph MacDonald (von 1980-06 bis 1980-07)
Rhodes Piano:
Richard Tee (von 1980-06 bis 1980-07)
Saxophon:
Grover Washington, Jr. (von 1980-06 bis 1980-07)
Schlagzeug:
Steve Gadd (drummer) (von 1980-06 bis 1980-07)
Sologesang:
Bill Withers (von 1980-06 bis 1980-07)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1980), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1980) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
Bearbeitung von:
Just the Two of Us (original studio mix) von Bill Withers & Grover Washington, Jr.
recording of:
Just the Two of Us (Bill Withers song) (von 1980-06 bis 1980-07)
Verfasser(in):
Ralph MacDonald, William Salter (songwriter, bassist, producer) und Bill Withers
publisher:
Antisia Music Inc. und Bleunig Music
Grover Washington, Jr. and Bill Withers2.654:00
4Kiss You All Over
phonographisches Urheberrecht (℗) von:
Curb Records (in 1978), RAK Records (copyrights holder) (in 1978), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1993)
Bearbeitung von:
Kiss You All Over von Exile (American country band)
recording of:
Kiss You All Over
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation), BMG Songs, Inc., Downtown DLJ Songs, Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Exile53:30
5Lost in Love
Techniker(in) und Mix:
William Wittman
Produzent(in):
Rick Chertoff, Charles Fisher (Australian producer) und Robie Porter
Bassgitarre:
Criston Barker
Gitarre [lead guitar]:
David Moyse
Gitarre [rhythm guitar]:
Graham Russell (Air Supply)
Keyboard:
Frank Esler‐Smith und Sam McNally
Schlagzeug:
Ralph Cooper (drummer)
Hintergrundgesang:
Criston Barker, Tommy Dassalo (percussionist and backing vocalist for Air Supply), Russell Hitchcock, David Moyse, Nancy Nash und Graham Russell (Air Supply)
Sologesang:
Russell Hitchcock
vocals:
Graham Russell (Air Supply)
arranger:
Air Supply und Robie Porter
Orchestrator(in):
Frank Esler‐Smith und Robie Porter
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980) und Wizard Records Pty. Ltd. (holding company - file no releases here!) (in 1980)
aufgenommen bei:
Trafalgar Studios in Annandale, Sydney, New South Wales, Australien
mixed at:
Soundmixers in Midtown Manhattan, New York, New York, Vereinigte Staaten
Teil von:
The Downloader’s Music Source Book (Nummer: 295)
recording of:
Lost in Love
Texter und Komponist(in):
Graham Russell (Air Supply)
publisher:
Nottsongs, Universal Music Careers und Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply53:54
6After the Love Has Gone
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
Bearbeitung von:
After the Love Has Gone von Earth, Wind & Fire
recording of:
After the Love Has Gone
Verfasser(in):
Bill Champlin, David Foster (Canadian music producer, arranger and composer) und Jay Graydon
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music (BMI), Irving Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Ninth Music und Noted for the Record
sub-publisher:
Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Earth, Wind & Fire4.653:58
7Sara Smile
Produzent(in):
Chris Bond (producer, active circa 1970s) und Daryl Hall & John Oates
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1975)
recording of:
Sara Smile
Texter:
Daryl Hall und John Oates
Komponist(in):
Daryl Hall
publisher:
Unichappell Music, Inc.
Daryl Hall and John Oates4.253:13
8Love Will Find a Way
phonographisches Urheberrecht (℗) von:
A&M Records, Inc.
recording of:
Love Will Find a Way
Verfasser(in):
David Jenkins (US guitarist for Pablo Cruise & Southern Pacific) und Cory Lerios
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), Irving Music, Inc., Pablo Cruise Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Pablo Cruise4:01
9Escape (The Pina Colada Song)
Techniker(in) und Mix:
Jim Boyer (producer/engineer)
Produzent(in):
Jim Boyer (producer/engineer) und Rupert Holmes
Bass [electric bass]:
Frank Gravis
Schlagzeug:
Leo Adamian
phonographisches Urheberrecht (℗) von:
Geffen Records, Infinity Records Inc. und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
recording of:
Escape (The Piña Colada Song)
Texter und Komponist(in):
Rupert Holmes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes3.554:40
10Hearts
recording of:
Hearts
Texter und Komponist(in):
Jesse Barish
publisher:
Great Pyramid Music, Mercury Shoes Music, Painted Desert Music Corporation, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Marty Balin4:19
11What You Won't Do for Love
recording of:
What You Won’t Do for Love
Verfasser(in):
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) und Alfons Kettner
publisher:
EMI Longitude Music, Lindseyanne Music, Sherlyn Publishing Co., Inc., The Music Force, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Bobby Caldwell3:33
12The Theme From "The Greatest American Hero" (Believe It or Not)
vocals:
Joey Scarbury
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1981) und Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 2004)
recording of:
Believe It or Not (theme from “The Greatest American Hero”)
Texter:
Stephen Geyer
Komponist(in):
Mike Post
publisher:
Darjen Music, EMI April Music Inc., EMI Blackwood Music Inc., Lokey Publishing und Stephen Cannell Music
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Joey Scarbury43:16
13Let Me Love You Tonight
assistierende(r) Techniker(in):
Doug Pakes
Techniker(in):
Bill Drescher (Producer and sound engineer)
Produzent(in):
John Ryan (producer a/k/a “The Chicago Kid”)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980)
aufgenommen bei:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
recording of:
Let Me Love You Tonight
Verfasser(in):
George Greer (Metric man musician), Jeff Wilson (Pure Prairie League guitarist) und Steve Woodard (Bass player with Feather)
publisher:
Kentucky Wonder Music
Pure Prairie League52:43
14Couldn't Get It Right
recording of:
Couldn’t Get It Right
Verfasser(in):
Colin Cooper, John Cuffley, Pete Haycock, Derek Holt und Richard Jones (Climax Blues Band)
publisher:
AIR Music (London) Ltd., Bleu-Disque-Music Co. Inc. (publisher), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Germany GmbH (2008–today) und Neue Welt Musikverlag
Climax Blues Band3:20
15Sad Eyes
phonographisches Urheberrecht (℗) von:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1979) und EMI Records (a J-Pop division of Universal Music Japan, 2014–present. Do not use for American/European music!) (in 2002)
recording of:
Sad Eyes
Texter und Komponist(in):
Robert John (US singer‐songwriter)
publisher:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Robert John4:14
16Bluer Than Blue
Assistent recording engineer:
Rich Schirmer
recording engineer:
Brent Maher
Produzent(in):
Steve Gibson (US country vocalist and guitarist) und Brent Maher
Bassgitarre [bass]:
Jack Williams (US multi-instrumentalist and arranger)
Klavier:
Shane Keister
Perkussion:
Farrell Morris
Schlagzeug:
Kenny Malone (session drummer/percussion)
Sologesang:
Michael Johnson (singer, songwriter & guitarist)
arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
phonographisches Urheberrecht (℗) von:
EMI America Records, Inc. (holding – file NO releases here!) (in 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1978) und EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1978)
aufgenommen bei:
Creative Workshop in Nashville, Tennessee, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 81)
recording of:
Bluer Than Blue
Texter und Komponist(in):
Randy Goodrum
publisher:
Let There Be Music und Springcreek Music, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Michael Johnson2:54

Nennungen

Veröffentlichung

gedruckt in:Vereinigte Staaten
Produzent(in):Michael Anderson (Vice president of Project Development at Razor & Tie)
Craig Balsam
Cliff Chenfeld
mastering:Elliott Federman (mastering engineer)
design:Dan Levine (designer)
hergestellt von:Warner Special Products
urheberrechtlich geschützt (©) von:Razor & Tie Direct, LLC (not for release label use!) (in 2001)
phonographisches Urheberrecht (℗) von:Warner Special Products (in 2001)
produced for und hergestellt für:Razor & Tie
mastered at:SAJE Sound (mastering studio founded by Elliott Federman in 1989) in Long Beach, New York, Vereinigte Staaten
Discogs:https://www.discogs.com/release/3122559 [Info]
ASIN:US: B00005IBTB [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/1283484 [Info]