RCO 125 Radio Legacy - Anniversary Edition

~ Release by Royal Concertgebouw Orchestra, Amsterdam (see all versions of this release, 1 available)

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#TitleArtistRatingLength
1Piano Concerto no. 2 in A major S. 125: I. Adagio sostenuto assai - Allegro agitato assai
solo piano:
Joseph Pembaur (the younger, 1875-1950)
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra)
conductor:
Eduard van Beinum (conductor)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
Franz Liszt7:41
2Piano Concerto no. 2 in A major S. 125: II. Allegro moderato
solo piano:
Joseph Pembaur (the younger, 1875-1950)
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra)
conductor:
Eduard van Beinum (conductor)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
Franz Liszt6:35
3Piano Concerto no. 2 in A major S. 125: III. Allegro deciso - Marziale un poco meno allegro
solo piano:
Joseph Pembaur (the younger, 1875-1950)
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra)
conductor:
Eduard van Beinum (conductor)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
Franz Liszt6:53
4Piano Concerto no. 2 in A major S. 125: IV. Allegro animato
solo piano:
Joseph Pembaur (the younger, 1875-1950)
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra)
conductor:
Eduard van Beinum (conductor)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
Franz Liszt2:08
5Cantata no. 56 BWV 56: I. Aria: Ich will den Kreuzstab gerne tragen
bass vocals:
Mack Harrell (US baritone)
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra)
conductor:
Eduard van Beinum (conductor)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach8:28
6Cantata no. 56 BWV 56: II. Recitative: Mein Wandel auf der Welt
bass vocals:
Mack Harrell (US baritone)
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra)
conductor:
Eduard van Beinum (conductor)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach3:18
7Cantata no. 56 BWV 56: III. Aria: Endlich wird mein Joch
bass vocals:
Mack Harrell (US baritone)
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra)
conductor:
Eduard van Beinum (conductor)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach7:52
8Cantata no. 56 BWV 56: IV. Recitative: Ich stehe fertig und bereit
bass vocals:
Mack Harrell (US baritone)
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra)
conductor:
Eduard van Beinum (conductor)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach2:26
9Cantata no. 56 BWV 56: V. Choral: Komm, o Tod, du Schlafes Bruder
bass vocals:
Mack Harrell (US baritone)
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra)
conductor:
Eduard van Beinum (conductor)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
John Franck (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 72)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach2:35
10Romeo and Juliet; fantasy overture after Shakespeare [1869, rev. 1880]
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra)
conductor:
Eduard van Beinum (conductor)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Pyotr Ilyich Tchaikovsky20:34
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