RCO 125 Radio Legacy - Anniversary Edition

~ Release by Royal Concertgebouw Orchestra, Amsterdam (see all versions of this release, 1 available)

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#	Title	Artist	Rating	Length
1	Piano Concerto no. 2 in A major S. 125: I. Adagio sostenuto assai - Allegro agitato assai solo piano: Joseph Pembaur (the younger, 1875-1950) orchestra: Concertgebouw Orchestra (Royal Concertgebouw Orchestra) conductor: Eduard van Beinum (conductor) partial recording of: Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) composer: Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861) dedicated to: Hans Bronsart Von Schellendorff (German composer) premiered at: [concert] (1857-01-07) publisher: Schott Music International (publisher; do not use as label) (in 1863) part of: The Music of Liszt (number: S. 125) is based on: Concerto sans orchestre, S. 524a	Franz Liszt		7:41
2	Piano Concerto no. 2 in A major S. 125: II. Allegro moderato solo piano: Joseph Pembaur (the younger, 1875-1950) orchestra: Concertgebouw Orchestra (Royal Concertgebouw Orchestra) conductor: Eduard van Beinum (conductor) partial recording of: Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) composer: Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861) dedicated to: Hans Bronsart Von Schellendorff (German composer) premiered at: [concert] (1857-01-07) publisher: Schott Music International (publisher; do not use as label) (in 1863) part of: The Music of Liszt (number: S. 125) is based on: Concerto sans orchestre, S. 524a	Franz Liszt		6:35
3	Piano Concerto no. 2 in A major S. 125: III. Allegro deciso - Marziale un poco meno allegro solo piano: Joseph Pembaur (the younger, 1875-1950) orchestra: Concertgebouw Orchestra (Royal Concertgebouw Orchestra) conductor: Eduard van Beinum (conductor) partial recording of: Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) composer: Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861) dedicated to: Hans Bronsart Von Schellendorff (German composer) premiered at: [concert] (1857-01-07) publisher: Schott Music International (publisher; do not use as label) (in 1863) part of: The Music of Liszt (number: S. 125) is based on: Concerto sans orchestre, S. 524a	Franz Liszt		6:53
4	Piano Concerto no. 2 in A major S. 125: IV. Allegro animato solo piano: Joseph Pembaur (the younger, 1875-1950) orchestra: Concertgebouw Orchestra (Royal Concertgebouw Orchestra) conductor: Eduard van Beinum (conductor) partial recording of: Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) composer: Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861) dedicated to: Hans Bronsart Von Schellendorff (German composer) premiered at: [concert] (1857-01-07) publisher: Schott Music International (publisher; do not use as label) (in 1863) part of: The Music of Liszt (number: S. 125) is based on: Concerto sans orchestre, S. 524a	Franz Liszt		2:08
5	Cantata no. 56 BWV 56: I. Aria: Ich will den Kreuzstab gerne tragen bass vocals: Mack Harrell (US baritone) orchestra: Concertgebouw Orchestra (Royal Concertgebouw Orchestra) conductor: Eduard van Beinum (conductor) recording of: Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1726) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"	Johann Sebastian Bach		8:28
6	Cantata no. 56 BWV 56: II. Recitative: Mein Wandel auf der Welt bass vocals: Mack Harrell (US baritone) orchestra: Concertgebouw Orchestra (Royal Concertgebouw Orchestra) conductor: Eduard van Beinum (conductor) recording of: Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1726) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"	Johann Sebastian Bach		3:18
7	Cantata no. 56 BWV 56: III. Aria: Endlich wird mein Joch bass vocals: Mack Harrell (US baritone) orchestra: Concertgebouw Orchestra (Royal Concertgebouw Orchestra) conductor: Eduard van Beinum (conductor) recording of: Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1726) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"	Johann Sebastian Bach		7:52
8	Cantata no. 56 BWV 56: IV. Recitative: Ich stehe fertig und bereit bass vocals: Mack Harrell (US baritone) orchestra: Concertgebouw Orchestra (Royal Concertgebouw Orchestra) conductor: Eduard van Beinum (conductor) recording of: Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1726) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"	Johann Sebastian Bach		2:26
9	Cantata no. 56 BWV 56: V. Choral: Komm, o Tod, du Schlafes Bruder bass vocals: Mack Harrell (US baritone) orchestra: Concertgebouw Orchestra (Royal Concertgebouw Orchestra) conductor: Eduard van Beinum (conductor) recording of: Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1726) librettist: John Franck (in 1653) part of: Breitkopf 389 Choralgesänge (number: 72) part of: Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"	Johann Sebastian Bach		2:35
10	Romeo and Juliet; fantasy overture after Shakespeare [1869, rev. 1880] orchestra: Concertgebouw Orchestra (Royal Concertgebouw Orchestra) conductor: Eduard van Beinum (conductor) recording of: Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed) composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869) revised by: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880) dedicated to: Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor) part of: The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39) revision of: Romeo and Juliet (1870, rarely performed)	Pyotr Ilyich Tchaikovsky		20:34

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Credits

Release

Discogs:	https://www.discogs.com/release/17724040 [info]

Play on ListenBrainz

Release information

Barcode:: 814337019006
Format:: 152×CD
Length:: 181:57:56

Additional details

Type:: Album + Compilation
Packaging:: Box
Status:: Official
Script:: Latin
Data quality:: Normal

Labels

RCO Live

Release events

Europe
2013-11-25

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Last updated on 2026-05-11 19:02 UTC