1964-1969, Plus

~ Release by Lester Flatt & Earl Scruggs (see all versions of this release, 1 available)

Annotation

Unlike most Bear Family collections, this doesn't follow a strictly chronological order.
Discs 1-3 and tracks 1-17 on disc 4 constitute the "main" studio albums from 1964-1969.
The remainder of disc 4 is the "Bonnie and Clyde" album.(recorded 1968).
Disc 5 has the "Strictly Instrumental" album with Doc Watson (1966) and the "Live at Vanderbilt" album (1963).
Disc 6 has Gordon Terry's square dance album from 1961 (previously released with overdubbed dance calls) and the "Beverly Hillbillies" album on which Flatt & Scruggs, but not the rest of the band, provide backup for the cast of the TV show.

Annotation last modified on 2025-08-20 20:45 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Petticoat Junction
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1964-01-17)
double bass:
Jake Tullock (country stand-up bass) (on 1964-01-17)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1964-01-17)
fiddle:
Paul Warren (US fiddler) (on 1964-01-17)
guitar:
Lester Flatt (on 1964-01-17) and Billy E. Powers (American bluegrass guitarist) (on 1964-01-17)
resonator guitar:
Josh Graves (on 1964-01-17)
lead vocals:
Lester Flatt (on 1964-01-17)
tenor vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1964-01-17)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-01-17)
recording of:
Petticoat Junction (on 1964-01-17)
writer:
Paul Henning (TV screenwriter and songwriter) and Curt Massey
2:33
2Have You Seen My Dear Companion
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1964-01-17)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1964-01-17)
guitar:
Lester Flatt (on 1964-01-17) and Billy E. Powers (American bluegrass guitarist) (on 1964-01-17)
guitar [lead guitar] and baritone vocals:
Earl Scruggs (on 1964-01-17)
resonator guitar:
Josh Graves (on 1964-01-17)
lead vocals:
Lester Flatt (on 1964-01-17)
tenor vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1964-01-17)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-01-17)
2:16
3The Good Things (Outweigh the Bad)
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1964-06-03)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1964-06-03)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1964-06-03)
guitar and lead vocals:
Lester Flatt (on 1964-06-03)
mandolin and tenor vocals:
Monroe Fields (on 1964-06-03)
resonator guitar:
Josh Graves (on 1964-06-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-06-03)
recording of:
The Good Things Out Weigh the Bad (on 1964-06-03)
writer:
Burkett H Graves and Jake Lambert (US bluegrass/country songwriter)
3:30
4Working It Out
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1964-06-03)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1964-06-03)
guitar and lead vocals:
Lester Flatt (on 1964-06-03)
guitar [lead guitar] and baritone vocals:
Earl Scruggs (on 1964-06-03)
mandolin and tenor vocals:
Monroe Fields (on 1964-06-03)
resonator guitar:
Josh Graves (on 1964-06-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-06-03)
recording of:
Workin’ It Out (on 1964-06-03)
lyricist and composer:
Shel Silverstein
2:08
5Amber Tresses (Tied in Blue)
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
12 string guitar:
Earl Scruggs (on 1964-06-03)
double bass:
Jake Tullock (country stand-up bass) (on 1964-06-03)
fiddle:
Paul Warren (US fiddler) (on 1964-06-03)
guitar and lead vocals:
Lester Flatt (on 1964-06-03)
mandolin:
Monroe Fields (on 1964-06-03)
resonator guitar:
Josh Graves (on 1964-06-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-06-03)
recording of:
Amber Tresses (on 1964-06-03)
lyricist and composer:
A.P. Carter
2:47
6Jimmie Brown the Newsboy
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
double bass:
Jake Tullock (country stand-up bass) (on 1964-06-03)
fiddle:
Paul Warren (US fiddler) (on 1964-06-03)
guitar and lead vocals:
Lester Flatt (on 1964-06-03)
guitar [lead guitar]:
Earl Scruggs (on 1964-06-03)
mandolin:
Monroe Fields (on 1964-06-03)
resonator guitar:
Josh Graves (on 1964-06-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-06-03)
recording of:
Jimmy Brown the Newsboy (on 1964-06-03)
lyricist and composer:
A.P. Carter
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
2:29
7When Papa Played the Dobro
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1964-06-03)
double bass:
Jake Tullock (country stand-up bass) (on 1964-06-03)
fiddle:
Paul Warren (US fiddler) (on 1964-06-03)
guitar and lead vocals:
Lester Flatt (on 1964-06-03)
mandolin:
Monroe Fields (on 1964-06-03)
resonator guitar:
Josh Graves (on 1964-06-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-06-03)
recording of:
When Papa Played the Dobro (on 1964-06-03)
lyricist and composer:
Johnny Cash (country music legend)
2:02
8Fireball (instrumental)
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1964-06-03)
double bass:
Jake Tullock (country stand-up bass) (on 1964-06-03)
fiddle:
Paul Warren (US fiddler) (on 1964-06-03)
guitar:
Lester Flatt (on 1964-06-03)
mandolin:
Monroe Fields (on 1964-06-03)
resonator guitar:
Josh Graves (on 1964-06-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-06-03)
recording of:
Fireball (on 1964-06-03)
composer:
Lester Flatt, Josh Graves and Earl Scruggs
2:00
9Father’s Table Grace
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
12 string guitar:
Earl Scruggs (on 1964-06-03)
double bass:
Jake Tullock (country stand-up bass) (on 1964-06-03)
fiddle:
Paul Warren (US fiddler) (on 1964-06-03)
guitar and spoken vocals:
Lester Flatt (on 1964-06-03)
mandolin:
Monroe Fields (on 1964-06-03)
resonator guitar:
Josh Graves (on 1964-06-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-06-03)
recording of:
Father’s Table Grace (on 1964-06-03)
writer:
Otho Jones and Homer Sewell
2:28
10I’m Walking With Him
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1964-06-03)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1964-06-03)
guitar and lead vocals:
Lester Flatt (on 1964-06-03)
guitar [lead guitar] and baritone vocals:
Earl Scruggs (on 1964-06-03)
mandolin and tenor vocals:
Monroe Fields (on 1964-06-03)
resonator guitar:
Josh Graves (on 1964-06-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-06-03)
2:14
11My Wandering Boy
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1964-07-02)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1964-07-02)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1964-07-02)
guitar and lead vocals:
Lester Flatt (on 1964-07-02)
mandolin and tenor vocals:
Monroe Fields (on 1964-07-02)
resonator guitar:
Josh Graves (on 1964-07-02)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-07-02)
recording of:
The Wandering Boy (on 1964-07-02)
composer:
R. S. Hanna
arranger:
A.P. Carter
publisher:
Peer International Corporation (BMI)
2:39
12Sally Don’t You Grieve
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1964-07-02)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1964-07-02)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1964-07-02)
guitar and lead vocals:
Lester Flatt (on 1964-07-02)
mandolin and tenor vocals:
Monroe Fields (on 1964-07-02)
resonator guitar:
Josh Graves (on 1964-07-02)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-07-02)
recording of:
Sally Don't You Grieve (on 1964-07-02)
writer:
Woody Guthrie (American singer-songwriter)
2:37
13A Faded Red Ribbon
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1964-07-02)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1964-07-02)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1964-07-02)
guitar and lead vocals:
Lester Flatt (on 1964-07-02)
mandolin and tenor vocals:
Monroe Fields (on 1964-07-02)
resonator guitar:
Josh Graves (on 1964-07-02)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-07-02)
2:35
14Bummin’ an Old Freight Train
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1964-07-02)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1964-07-02)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1964-07-02)
guitar and lead vocals:
Lester Flatt (on 1964-07-02)
mandolin and tenor vocals:
Monroe Fields (on 1964-07-02)
resonator guitar:
Josh Graves (on 1964-07-02)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-07-02)
recording of:
Bummin' an Old Freight Train (on 1964-07-02)
writer:
Lester Flatt and Earl Scruggs
publisher:
Peermusic III, Ltd. (BMI)
is based on:
Danville Girl
2:42
15Georgia Buck
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
double bass and double bass [string bass]:
Jake Tullock (country stand-up bass) (on 1964-07-02)
fiddle:
Paul Warren (US fiddler) (on 1964-07-02)
guitar:
Lester Flatt (on 1964-07-02) and Earl Scruggs (on 1964-07-02)
guitar [lead guitar]:
Earl Scruggs (on 1964-07-02)
mandolin:
Monroe Fields (on 1964-07-02)
resonator guitar and resonator guitar [dobro]:
Josh Graves (on 1964-07-02)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-07-02)
recording of:
Georgie Buck
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 3428)
2:55
16Hello Stranger
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1964-07-02)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1964-07-02)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1964-07-02)
guitar and lead vocals:
Lester Flatt (on 1964-07-02)
mandolin and tenor vocals:
Monroe Fields (on 1964-07-02)
resonator guitar:
Josh Graves (on 1964-07-02)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-07-02)
recording of:
Hello Stranger (on 1964-07-02)
lyricist and composer:
A.P. Carter
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
2:19
17Please Don’t Wake Me
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1964-07-02)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1964-07-02)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1964-07-02)
guitar and lead vocals:
Lester Flatt (on 1964-07-02)
mandolin and tenor vocals:
Monroe Fields (on 1964-07-02)
resonator guitar:
Josh Graves (on 1964-07-02)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-07-02)
3:04
18You’re Gonna Miss Me When I’m Gone
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1964-12-15)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1964-12-15)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1964-12-15)
guitar and lead vocals:
Lester Flatt (on 1964-12-15)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-12-15)
resonator guitar and tenor vocals:
Josh Graves (on 1964-12-15)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-12-15)
recording of:
You’re Gonna Miss Me When I’m Gone (on 1964-12-15)
lyricist and composer:
Utah Phillips
2:20
19I Still Miss Someone
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1964-12-15)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1964-12-15)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1964-12-15)
guitar and lead vocals:
Lester Flatt (on 1964-12-15)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-12-15)
resonator guitar and tenor vocals:
Josh Graves (on 1964-12-15)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-12-15)
recording of:
I Still Miss Someone (on 1964-12-15)
lyricist:
Roy Cash Jr.
composer:
Johnny Cash (country music legend) and Roy Cash Jr.
publisher:
Aberbach (London) (publisher), House of Cash Southwind Music and Unichappell Music, Inc.
2:26
20Wabash Cannonball
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1964-12-15)
double bass:
Jake Tullock (country stand-up bass) (on 1964-12-15)
fiddle:
Paul Warren (US fiddler) (on 1964-12-15)
guitar and lead vocals:
Lester Flatt (on 1964-12-15)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-12-15)
resonator guitar:
Josh Graves (on 1964-12-15)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-12-15)
recording of:
Wabash Cannonball (on 1964-12-15)
composer:
A.P. Carter and William Kindt
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
part of:
Roud Folk Song Index (number: 4228)
2:32
21Rose Conelly
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
double bass:
Jake Tullock (country stand-up bass) (on 1964-12-15)
fiddle:
Paul Warren (US fiddler) (on 1964-12-15)
guitar and lead vocals:
Lester Flatt (on 1964-12-15)
guitar [lead guitar]:
Earl Scruggs (on 1964-12-15)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-12-15)
resonator guitar:
Josh Graves (on 1964-12-15)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-12-15)
recording of:
The Willow Garden (on 1964-12-15)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 446)
2:40
22You’ve Been Fooling Me Baby
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1964-12-15)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1964-12-15)
guitar and lead vocals:
Lester Flatt (on 1964-12-15)
guitar [lead guitar] and baritone vocals:
Earl Scruggs (on 1964-12-15)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-12-15)
resonator guitar and tenor vocals:
Josh Graves (on 1964-12-15)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-12-15)
recording of:
You’ve Been Fooling Me, Baby (on 1964-12-15)
lyricist and composer:
A.P. Carter
2:41
23Will You Be Lonesome Too?
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1964-12-15)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1964-12-15)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1964-12-15)
guitar and lead vocals:
Lester Flatt (on 1964-12-15)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-12-15)
resonator guitar and tenor vocals:
Josh Graves (on 1964-12-15)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-12-15)
recording of:
Will You Be Lonesome Too (on 1964-12-15)
lyricist and composer:
Alton Delmore
2:32
24Big Shoes to Fill
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1964-12-15)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1964-12-15)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1964-12-15)
guitar and lead vocals:
Lester Flatt (on 1964-12-15)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-12-15)
resonator guitar and tenor vocals:
Josh Graves (on 1964-12-15)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-12-15)
2:09
25Branded Wherever I Go
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1964-12-15)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1964-12-15)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1964-12-15)
guitar and lead vocals:
Lester Flatt (on 1964-12-15)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-12-15)
resonator guitar and tenor vocals:
Josh Graves (on 1964-12-15)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-12-15)
recording of:
Branded Wherever I Go (on 1964-12-15)
lyricist and composer:
Roy Acuff
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
2:13
26Starlight on the Rails
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1965-02-16)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1965-02-16)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1965-02-16)
guitar and lead vocals:
Lester Flatt (on 1965-02-16)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-02-16)
resonator guitar and tenor vocals:
Josh Graves (on 1965-02-16)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-02-16)
recording of:
Starlight on the Rails (on 1965-02-16)
writer:
Utah Phillips
2:33
27Loafer’s Glory
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1965-02-16)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1965-02-16)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1965-02-16)
guitar and lead vocals:
Lester Flatt (on 1965-02-16)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-02-16)
resonator guitar and tenor vocals:
Josh Graves (on 1965-02-16)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-02-16)
recording of:
Loafer’s Glory (on 1965-02-16)
writer:
Ezra J. Carter, Mother Maybelle Carter and Dixie Hall (Songwriter)
2:20
28I’ll Be on That Good Road Some Day
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1965-02-16)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1965-02-16)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1965-02-16)
guitar and lead vocals:
Lester Flatt (on 1965-02-16)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-02-16)
resonator guitar and tenor vocals:
Josh Graves (on 1965-02-16)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-02-16)
recording of:
I'll Be on That Good Road Someday (on 1965-02-16)
lyricist and composer:
Bruce Phillips
publisher:
Scruggs Music, Inc.
2:32
29Confessing
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1965-02-16)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1965-02-16)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1965-02-16)
guitar and lead vocals:
Lester Flatt (on 1965-02-16)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-02-16)
resonator guitar and tenor vocals:
Josh Graves (on 1965-02-16)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-02-16)
2:19
30Gonna Have Myself a Ball
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1965-02-16)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1965-02-16)
guitar and lead vocals:
Lester Flatt (on 1965-02-16)
guitar [lead guitar] and baritone vocals:
Earl Scruggs (on 1965-02-16)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-02-16)
resonator guitar and tenor vocals:
Josh Graves (on 1965-02-16)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-02-16)
recording of:
Gonna Have Myself a Ball (on 1965-02-16)
lyricist and composer:
Lester Flatt
2:15
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