Guillermo del Toro’s Pinocchio (Soundtrack From the Netflix Film)

~ Release by Alexandre Desplat (see all versions of this release, 3 available)

Tracklist

1▼CD
#	Title	Artist	Rating	Length
1	Better Tomorrows	Ewan McGregor		4:16
2	Carlo’s Theme recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Carlo’s Theme orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		2:10
3	Going to Town recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Going to Town orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		1:10
4	The Pine Cone recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: The Pine Cone orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		2:07
5	My Son	David Bradley		2:48
6	Spazzatura recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Spazzatura orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		2:56
7	Geppetto’s Creature recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Geppetto’s Creature orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		4:48
8	Sebastian J Cricket recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Sebastian J Cricket orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		3:38
9	A Wooden Boy recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: A Wooden Boy orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		2:21
10	Everything Is New to Me	Gregory Mann & David Bradley		2:19
11	Pinocchio recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Pinocchio orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		1:42
12	We Were a King Once	Christoph Waltz		2:34
13	Paint Battle recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Paint Battle orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		2:37
14	The Sphinx recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: The Sphinx orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		1:39
15	Memory of Carlo recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Memory of Carlo orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		1:57
16	Fatherland March	Gregory Mann		1:36
17	The Circus recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: The Circus orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		2:23
18	Pinocchio Has Left recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Pinocchio Has Left orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		1:57
19	Ciao Papa	Gregory Mann		2:48
20	To Catania recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: To Catania orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		1:41
21	Pinocchio Soldier recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Pinocchio Soldier orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		2:17
22	The Late Lamented	Tim Blake Nelson		2:17
23	Big Lies recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Big Lies orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		2:19
24	The Dogfish recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: The Dogfish orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		0:46
25	Shoot the Puppet recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Shoot the Puppet orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		5:55
26	Big Baby II Duce March	Gregory Mann		1:36
27	The Mine recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: The Mine orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		2:15
28	My Bubblegum	Gregory Mann		1:44
29	Saving Geppetto recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Saving Geppetto orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		1:14
30	Pinocchio’s Choice recording engineer: Daniel Hayden (UK based engineer) and John Prestage (engineer) assistant engineer: Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) and Jedidiah Rimell (assistant engineer) producer: Alexandre Desplat (French score composer) and Dominique Lemonnier mixer: Kirsty Whalley (engineer and keyboardist) editor: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Eric Caudieux conductor: Alexandre Desplat (French score composer) phonographic copyright (℗) by: Netflix Music, LLC recording of: Pinocchio’s Choice orchestrator: Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) and Conrad Pope composer: Alexandre Desplat (French score composer)	Alexandre Desplat		1:37

Credits

Release group

IMDb:	https://www.imdb.com/title/tt1488589/ [info]
standalone website:	https://www.netflix.com/title/80218455 [info]
Wikidata:	Q73895818 [info] Q115824333 [info]

Guillermo del Toro’s Pinocchio (Soundtrack From the Netflix Film)

Tracklist

Credits

Release group

Release information

Additional details

Labels

Release events

Release group rating

Release group reviews

Tags

Genres

Other tags

Release group external links

Editing

Collections