Guillermo del Toro’s Pinocchio (Soundtrack From the Netflix Film)

~ Pubblicazione di Alexandre Desplat (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Better Tomorrows
Ewan McGregor4:16
2Carlo’s Theme
tecnico di registrazione:
Daniel Hayden (UK based engineer) e John Prestage (engineer)
assistente tecnico:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) e Jedidiah Rimell (assistant engineer)
produttore:
Alexandre Desplat (French score composer) e Dominique Lemonnier
tecnico di missaggio:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Eric Caudieux
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Netflix Music, LLC
registrazione di:
Carlo’s Theme
orchestratore:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) e Conrad Pope
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat2:10
3Going to Town
tecnico di registrazione:
Daniel Hayden (UK based engineer) e John Prestage (engineer)
assistente tecnico:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) e Jedidiah Rimell (assistant engineer)
produttore:
Alexandre Desplat (French score composer) e Dominique Lemonnier
tecnico di missaggio:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Eric Caudieux
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Netflix Music, LLC
registrazione di:
Going to Town
orchestratore:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) e Conrad Pope
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat1:10
4The Pine Cone
tecnico di registrazione:
Daniel Hayden (UK based engineer) e John Prestage (engineer)
assistente tecnico:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) e Jedidiah Rimell (assistant engineer)
produttore:
Alexandre Desplat (French score composer) e Dominique Lemonnier
tecnico di missaggio:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Eric Caudieux
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Netflix Music, LLC
registrazione di:
The Pine Cone
orchestratore:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) e Conrad Pope
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat2:07
5My Son
David Bradley2:48
6Spazzatura
tecnico di registrazione:
Daniel Hayden (UK based engineer) e John Prestage (engineer)
assistente tecnico:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) e Jedidiah Rimell (assistant engineer)
produttore:
Alexandre Desplat (French score composer) e Dominique Lemonnier
tecnico di missaggio:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Eric Caudieux
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Netflix Music, LLC
registrazione di:
Spazzatura
orchestratore:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) e Conrad Pope
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat2:56
7Geppetto’s Creature
tecnico di registrazione:
Daniel Hayden (UK based engineer) e John Prestage (engineer)
assistente tecnico:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) e Jedidiah Rimell (assistant engineer)
produttore:
Alexandre Desplat (French score composer) e Dominique Lemonnier
tecnico di missaggio:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Eric Caudieux
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Netflix Music, LLC
registrazione di:
Geppetto’s Creature
orchestratore:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) e Conrad Pope
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat4:48
8Sebastian J Cricket
tecnico di registrazione:
Daniel Hayden (UK based engineer) e John Prestage (engineer)
assistente tecnico:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) e Jedidiah Rimell (assistant engineer)
produttore:
Alexandre Desplat (French score composer) e Dominique Lemonnier
tecnico di missaggio:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Eric Caudieux
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Netflix Music, LLC
registrazione di:
Sebastian J Cricket
orchestratore:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) e Conrad Pope
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat3:38
9A Wooden Boy
tecnico di registrazione:
Daniel Hayden (UK based engineer) e John Prestage (engineer)
assistente tecnico:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) e Jedidiah Rimell (assistant engineer)
produttore:
Alexandre Desplat (French score composer) e Dominique Lemonnier
tecnico di missaggio:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Eric Caudieux
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Netflix Music, LLC
registrazione di:
A Wooden Boy
orchestratore:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) e Conrad Pope
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat2:21
10Everything Is New to Me
Gregory Mann & David Bradley2:19
11Pinocchio
tecnico di registrazione:
Daniel Hayden (UK based engineer) e John Prestage (engineer)
assistente tecnico:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) e Jedidiah Rimell (assistant engineer)
produttore:
Alexandre Desplat (French score composer) e Dominique Lemonnier
tecnico di missaggio:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Eric Caudieux
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Netflix Music, LLC
registrazione di:
Pinocchio
orchestratore:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) e Conrad Pope
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat1:42
12We Were a King Once
Christoph Waltz2:34
13Paint Battle
tecnico di registrazione:
Daniel Hayden (UK based engineer) e John Prestage (engineer)
assistente tecnico:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) e Jedidiah Rimell (assistant engineer)
produttore:
Alexandre Desplat (French score composer) e Dominique Lemonnier
tecnico di missaggio:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Eric Caudieux
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Netflix Music, LLC
registrazione di:
Paint Battle
orchestratore:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) e Conrad Pope
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat2:37
14The Sphinx
tecnico di registrazione:
Daniel Hayden (UK based engineer) e John Prestage (engineer)
assistente tecnico:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) e Jedidiah Rimell (assistant engineer)
produttore:
Alexandre Desplat (French score composer) e Dominique Lemonnier
tecnico di missaggio:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Eric Caudieux
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Netflix Music, LLC
registrazione di:
The Sphinx
orchestratore:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) e Conrad Pope
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat1:39
15Memory of Carlo
tecnico di registrazione:
Daniel Hayden (UK based engineer) e John Prestage (engineer)
assistente tecnico:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) e Jedidiah Rimell (assistant engineer)
produttore:
Alexandre Desplat (French score composer) e Dominique Lemonnier
tecnico di missaggio:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Eric Caudieux
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Netflix Music, LLC
registrazione di:
Memory of Carlo
orchestratore:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) e Conrad Pope
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat1:57
16Fatherland March
Gregory Mann1:36
17The Circus
tecnico di registrazione:
Daniel Hayden (UK based engineer) e John Prestage (engineer)
assistente tecnico:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) e Jedidiah Rimell (assistant engineer)
produttore:
Alexandre Desplat (French score composer) e Dominique Lemonnier
tecnico di missaggio:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Eric Caudieux
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Netflix Music, LLC
registrazione di:
The Circus
orchestratore:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) e Conrad Pope
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat2:23
18Pinocchio Has Left
tecnico di registrazione:
Daniel Hayden (UK based engineer) e John Prestage (engineer)
assistente tecnico:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) e Jedidiah Rimell (assistant engineer)
produttore:
Alexandre Desplat (French score composer) e Dominique Lemonnier
tecnico di missaggio:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Eric Caudieux
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Netflix Music, LLC
registrazione di:
Pinocchio Has Left
orchestratore:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) e Conrad Pope
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat1:57
19Ciao Papa
Gregory Mann2:48
20To Catania
tecnico di registrazione:
Daniel Hayden (UK based engineer) e John Prestage (engineer)
assistente tecnico:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) e Jedidiah Rimell (assistant engineer)
produttore:
Alexandre Desplat (French score composer) e Dominique Lemonnier
tecnico di missaggio:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Eric Caudieux
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Netflix Music, LLC
registrazione di:
To Catania
orchestratore:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) e Conrad Pope
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat1:41
21Pinocchio Soldier
tecnico di registrazione:
Daniel Hayden (UK based engineer) e John Prestage (engineer)
assistente tecnico:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) e Jedidiah Rimell (assistant engineer)
produttore:
Alexandre Desplat (French score composer) e Dominique Lemonnier
tecnico di missaggio:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Eric Caudieux
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Netflix Music, LLC
registrazione di:
Pinocchio Soldier
orchestratore:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) e Conrad Pope
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat2:17
22The Late Lamented
Tim Blake Nelson2:17
23Big Lies
tecnico di registrazione:
Daniel Hayden (UK based engineer) e John Prestage (engineer)
assistente tecnico:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) e Jedidiah Rimell (assistant engineer)
produttore:
Alexandre Desplat (French score composer) e Dominique Lemonnier
tecnico di missaggio:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Eric Caudieux
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Netflix Music, LLC
registrazione di:
Big Lies
orchestratore:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) e Conrad Pope
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat2:19
24The Dogfish
tecnico di registrazione:
Daniel Hayden (UK based engineer) e John Prestage (engineer)
assistente tecnico:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) e Jedidiah Rimell (assistant engineer)
produttore:
Alexandre Desplat (French score composer) e Dominique Lemonnier
tecnico di missaggio:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Eric Caudieux
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Netflix Music, LLC
registrazione di:
The Dogfish
orchestratore:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) e Conrad Pope
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat0:46
25Shoot the Puppet
tecnico di registrazione:
Daniel Hayden (UK based engineer) e John Prestage (engineer)
assistente tecnico:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) e Jedidiah Rimell (assistant engineer)
produttore:
Alexandre Desplat (French score composer) e Dominique Lemonnier
tecnico di missaggio:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Eric Caudieux
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Netflix Music, LLC
registrazione di:
Shoot the Puppet
orchestratore:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) e Conrad Pope
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat5:55
26Big Baby II Duce March
Gregory Mann1:36
27The Mine
tecnico di registrazione:
Daniel Hayden (UK based engineer) e John Prestage (engineer)
assistente tecnico:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) e Jedidiah Rimell (assistant engineer)
produttore:
Alexandre Desplat (French score composer) e Dominique Lemonnier
tecnico di missaggio:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Eric Caudieux
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Netflix Music, LLC
registrazione di:
The Mine
orchestratore:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) e Conrad Pope
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat2:15
28My Bubblegum
Gregory Mann1:44
29Saving Geppetto
tecnico di registrazione:
Daniel Hayden (UK based engineer) e John Prestage (engineer)
assistente tecnico:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) e Jedidiah Rimell (assistant engineer)
produttore:
Alexandre Desplat (French score composer) e Dominique Lemonnier
tecnico di missaggio:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Eric Caudieux
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Netflix Music, LLC
registrazione di:
Saving Geppetto
orchestratore:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) e Conrad Pope
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat1:14
30Pinocchio’s Choice
tecnico di registrazione:
Daniel Hayden (UK based engineer) e John Prestage (engineer)
assistente tecnico:
Ben Creasey, Alex Ferguson (engineer), Gianluca Massimo (assistant engineer) e Jedidiah Rimell (assistant engineer)
produttore:
Alexandre Desplat (French score composer) e Dominique Lemonnier
tecnico di missaggio:
Kirsty Whalley (engineer and keyboardist)
editor:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) e Eric Caudieux
direttore d'orchestra:
Alexandre Desplat (French score composer)
diritti fonografici (℗) detenuti da:
Netflix Music, LLC
registrazione di:
Pinocchio’s Choice
orchestratore:
Jean-Pascal Beintus (composer), Alexandre Desplat (French score composer), Bill Newlin (orchestrator, composer) e Conrad Pope
compositore:
Alexandre Desplat (French score composer)
Alexandre Desplat1:37

Accreditamenti