Jazz Standards

~ Release by Mark Murphy (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1The Lady Who Sang the Blues
engineer:
Tim Geelan and A.T. Michael MacDonald (engineer)
executive producer:
Joe Fields (American jazz producer)
producer:
Bill Mays
double bass:
Michael Formanek (US jazz bassist)
drums (drum set):
Joey Baron (American jazz drummer)
flugelhorn and trumpet:
Brian Lynch (American jazz trumpeter)
keyboard:
Bill Mays
violin:
Lou Lausche
vocals:
Mark Murphy (US jazz singer)
conductor:
Bill Mays
arranger:
Bill Mays
recorded at:
Classic Sound Studio in New York, New York, United States (from 1985-09-10 until 1985-09-11)
recording of:
The Lady Who Sang the Blues
lyricist and composer:
Edwin Duff
5:30
2Memphis Blues
engineer:
Tim Geelan and A.T. Michael MacDonald (engineer)
executive producer:
Joe Fields (American jazz producer)
producer:
Bill Mays
double bass:
Michael Formanek (US jazz bassist)
drums (drum set):
Joey Baron (American jazz drummer)
flugelhorn and trumpet:
Brian Lynch (American jazz trumpeter)
keyboard:
Bill Mays
violin:
Lou Lausche
vocals:
Mark Murphy (US jazz singer)
conductor:
Bill Mays
arranger:
Bill Mays
recorded at:
Classic Sound Studio in New York, New York, United States (from 1985-09-10 until 1985-09-11)
recording of:
The Memphis Blues
lyricist:
George A. Norton (in 1913)
composer:
William Christopher Handy (in 1912)
6:12
3Charleston Alley
engineer:
Rudy van Gelder (from 1984-12-20 until 1984-12-21)
producer:
David Braham (keyboards) and Mark Murphy (US jazz singer)
drums (drum set):
Ed Caccavale (drummer) (in 1984-12)
flugelhorn and trumpet:
Ted Curson (in 1984-12)
flute and tenor saxophone:
Gerry Niewood (in 1984-12)
guitar:
Harry Leahey (in 1984-12)
keyboard:
David Braham (keyboards) (in 1984-12)
percussion:
Lawrence Killian (percussionist) (in 1984-12)
vocals:
Mark Murphy (US jazz singer) (in 1984-12)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1984-12-20 until 1984-12-21)
recording of:
Charleston Alley
writer:
Hamish Henderson, Jon Hendricks and Leroy Kirkland
2:42
4Farmer’s Market
engineer:
Elvin Campbell
producer:
Mitch Farber and production coordinator
alto saxophone:
Richie Cole
double bass:
Chuck Metcalf
drums (drum set):
Vince Lateano (drummer)
guitar:
Jim Nichols (jazz guitarist & bassist)
percussion:
Jack Gobbetti
piano:
Smith Dobson (pianist)
trombone:
Mark Levine (US jazz pianist, trombonist, composer, author and educator)
trumpet:
Warren Gale
vocals:
Mark Murphy (US jazz singer)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (on 1978-06-01)
recording of:
Farmer's Market
composer:
Art Farmer and Annie Ross
2:53
5Bijou
engineer:
Malcolm Addey
producer:
Mitch Farber
alto saxophone:
Richie Cole
baritone saxophone:
Ronnie Cuber
double bass:
Mark Egan (US jazz bassist & trumpeter)
drums (drum set):
Jimmy Madison
instruments:
Gene Bertoncini (guitar player)
piano:
Mike Renzi
trombone:
Slide Hampton
trumpet:
Tom Harrell
vocals:
Mark Murphy (US jazz singer)
arranger:
Steve Bramson (soundtrack composer)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1979-11-21 to present)
recording of:
Bijou
lyricist:
Jon Hendricks
composer:
Ralph Burns
3:33
6Misty/Midnight Sun
engineer:
Rudy van Gelder (from 1984-12-20 until 1984-12-21)
producer:
David Braham (keyboards) and Mark Murphy (US jazz singer)
bass:
Jimmy Lewis (jazz bassist)
drums (drum set):
Grady Tate (in 1984-12)
flugelhorn and trumpet:
Ted Curson (in 1984-12)
flute and tenor saxophone:
Gerry Niewood (in 1984-12)
guitar:
Harry Leahey (in 1984-12)
keyboard:
David Braham (keyboards) (in 1984-12)
percussion:
Lawrence Killian (percussionist) (in 1984-12)
vocals:
Grady Tate and Mark Murphy (US jazz singer) (in 1984-12)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1984-12-20 until 1984-12-21)
medley including a recording of:
Midnight Sun (in 1984-12)
lyricist:
Johnny Mercer (in 1954)
composer:
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) and Lionel Hampton (in 1947)
medley including a recording of:
Misty (in 1984-12)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
6:02
7Living Room
engineer:
Rudy van Gelder (from 1984-12-20 until 1984-12-21)
producer:
David Braham (keyboards) and Mark Murphy (US jazz singer)
drums (drum set):
Ed Caccavale (drummer) (in 1984-12)
flugelhorn and trumpet:
Ted Curson (in 1984-12)
flute and tenor saxophone:
Gerry Niewood (in 1984-12)
guitar:
Harry Leahey (in 1984-12)
keyboard:
David Braham (keyboards) (in 1984-12)
percussion:
Lawrence Killian (percussionist) (in 1984-12)
vocals:
Mark Murphy (US jazz singer) (in 1984-12)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1984-12-20 until 1984-12-21)
recording of:
Living Room (in 1984-12)
writer:
Abbey Lincoln and Max Roach (20th century US jazz drummer & composer)
5:36
8Along Came Betty
engineer:
Tim Geelan and A.T. Michael MacDonald (engineer)
executive producer:
Joe Fields (American jazz producer)
producer:
Bill Mays
double bass:
Steve LaSpina
drums (drum set):
Joey Baron (American jazz drummer)
flugelhorn and trumpet:
Brian Lynch (American jazz trumpeter)
keyboard:
Bill Mays
violin:
Lou Lausche
vocals:
Mark Murphy (US jazz singer)
conductor:
Bill Mays
arranger:
Bill Mays
recorded at:
Classic Sound Studio in New York, New York, United States (from 1985-09-10 until 1985-09-11)
recording of:
Along Came Betty
composer:
Benny Golson (American jazz saxophonist and composer)
publisher:
Time Step Music (publisher for Benny Golson)
4:46
9I Remember Clifford
recorded in:
Sear Sound, NYC, New York, United States (from 1982-04-02 until 1982-04-03)
engineer:
Chuck Irwin
producer:
Dave Matthews (recording engineer)
drums (drum set):
Jimmy Madison
flugelhorn and trumpet:
Tom Harrell
guitar:
Gene Bertoncini (guitar player)
instruments:
Ben Aronov (Benjamin James Aronov; American jazz pianist, Born October 16, 1932 in Gary, Indiana. Died May 23, 2015 in Aux-en-Provence, France.)
percussion:
Sue Evans
saxophone:
Gerry Niewood
vocals:
Mark Murphy (US jazz singer) (from 1982-04-02 until 1982-04-03)
arranger:
Dave Matthews (jazz saxophonist)
recording of:
I Remember Clifford
lyricist:
Jon Hendricks
composer:
Benny Golson (American jazz saxophonist and composer)
version of:
I Remember Clifford (instrumental original)
3:39
10Goodbye Porkpie Hat
engineer:
Jim Mooney
producer:
Bill Mays
guitar:
Bruce Forman (on 1981-03-12)
keyboard:
Bill Mays (on 1981-03-12)
percussion:
Michael Spiro (percussion) (on 1981-03-12)
saxophone:
Richie Cole (on 1981-03-12)
vocals:
Mark Murphy (US jazz singer) (on 1981-03-12)
conductor:
Bill Mays (on 1981-03-12)
arranger:
Bill Mays
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (on 1981-03-12)
recording of:
Goodbye Porkpie Hat (Joni Mitchell lyrics)
lyricist:
Joni Mitchell
composer:
Charles Mingus
publisher:
Crazy Crow Music (in 1979) and Jazz Workshop, Inc. (in 1979)
version of:
Goodbye Pork Pie Hat (instrumental)
4:52
11Ask Me Now
engineer:
Tim Geelan
producer:
Bill Mays
bass:
John Goldsby
drums (drum set):
Adam Nussbaum
vocals:
Mark Murphy (US jazz singer)
arranger:
Bill Mays
phonographic copyright (℗) by:
Muse Records
recorded at:
Hillside Sound Studio in Englewood, New Jersey, United States (in 1986-11)
recording of:
Ask Me Now (English language version)
lyricist:
Ben Sidran
composer:
Thelonious Monk
publisher:
Thelonious Music Corporation (publisher, affiliated to BMI)
version of:
Ask Me Now
3:39
12The Bird/Tribute (Quasimodo)/Embraceable You
engineer:
Michael MacDonald (Producer & Engineer from Aberdeen, Scotland)
producer:
Sheila Jordan and Mark Murphy (US jazz singer)
double bass:
Harvie Swartz
drums (drum set):
Ben Riley (American jazz drummer)
piano:
Kenny Barron and Bill Mays
synthesizer:
Bill Mays
vocals:
Sheila Jordan and Mark Murphy (US jazz singer)
recorded at:
Sear Sound in New York, New York, United States (on 1991-09-24)
recording of:
Embraceable You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
recording of:
Quasimodo
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
7:07
13Ain’t Nobody Here but Us Chickens
engineer:
Rudy van Gelder (from 1984-12-20 until 1984-12-21)
producer:
David Braham (keyboards) and Mark Murphy (US jazz singer)
drums (drum set):
Grady Tate (in 1984-12)
flugelhorn and trumpet:
Ted Curson (in 1984-12)
flute and tenor saxophone:
Gerry Niewood (in 1984-12)
guitar:
Harry Leahey (in 1984-12)
keyboard:
David Braham (keyboards) (in 1984-12)
percussion:
Lawrence Killian (percussionist) (in 1984-12)
vocals:
Mark Murphy (US jazz singer) (in 1984-12)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1984-12-20 until 1984-12-21)
cover recording of:
Ain’t Nobody Here but Us Chickens (in 1984-12)
writer:
Alex Kramer and Joan Whitney
5:22