Nina Simone

~ Release by Nina Simone (see all versions of this release, 1 available)

Annotation

no release date

Annotation last modified on 2022-01-30 12:47 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Just in Time
double bass:
Gene Taylor (US jazz bassist) (on 1968-06-16)
drums (drum set) [drums]:
Buck Clarke (on 1968-06-16)
guitar:
Henry Young (Chinese-Ukrainian guitarist from Vancouver, B.C.; toured with Nina Simone) (on 1968-06-16)
organ and percussion:
Sam Waymon (on 1968-06-16)
piano:
Nina Simone (on 1968-06-16)
lead vocals:
Nina Simone
vocals:
Nina Simone (on 1968-06-16)
phonographic copyright (℗) by:
Colpix Records (a/k/a Colpix Records) (in 1962)
recorded at:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Canton of Vaud), Switzerland (on 1968-06-16)
live cover recording of:
Just in Time (Bells Are Ringing) (on 1968-06-16)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
34:43
2House of the Rising Sun
lead vocals:
Nina Simone
arranger:
Nina Simone
phonographic copyright (℗) by:
Colpix Records (a/k/a Colpix Records) (in 1962)
recorded at:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Canton of Vaud), Switzerland (on 1968-06-16)
edit of:
The House of the Rising Sun (live, 1968‐06‐16: Montreux Jazz Festival, Montreux, Switzerland) by Nina Simone
live cover recording of:
House of the Rising Sun (on 1968-06-16)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music and Sonet Publishing Ltd.
27:02
3I Dont’ Mean a Thing
lead vocals:
Nina Simone (in 1962)
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (in 1962)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
42:25
4I Loves You Porgy
recorded in:
Philadelphia, Pennsylvania, United States (from 1954 until 1955)
recording engineer:
Frank Clark
piano:
Nina Simone
vocals:
Nina Simone
arranger:
Monk Higgins (in 1970)
recorded at:
Tangerine / RPM Studios in Los Angeles, California, United States (in 1970: strings)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (from 1954 until 1955)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
4:05
5Gin House Blues
recorded at:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Canton of Vaud), Switzerland (on 1968-06-16)
edit of:
Gin House Blues (live, 1968‐06‐16: Montreux Jazz Festival, Montreux, Switzerland) by Nina Simone
live cover recording of:
Gin House Blues (on 1968-06-16)
composer:
Fletcher Henderson (in 1925) and Henry Troy (in 1925)
publisher:
Carlin Music Corp
6:09
6Assignment Song
lead vocals:
Nina Simone
phonographic copyright (℗) by:
BMG Entertainment (in 1969)
recorded at:
University of California, Berkeley in Berkeley, California, United States (on 1969-04-26)
edit of:
The Assignment Song (live, 1969‐04‐26: University of California, Berkeley, CA, USA, with Simone speaking at the end) by Nina Simone
live recording of:
The Assignment Song (on 1969-04-26)
writer:
Jan Hendin
publisher:
EMI Tunes Ltd
14:57
7Solitude
choir vocals:
The Malcom Dodds Singers (in 1962)
lead vocals:
Nina Simone (in 1962)
conductor:
Ralph Burns (in 1962)
arranger:
Ralph Burns
cover recording of:
(In My) Solitude (in 1962)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
53:41
8Sea Lion Woman
recorded at:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Canton of Vaud), Switzerland (on 1968-06-16)
live cover recording of:
See‐Line Woman (on 1968-06-16)
writer:
George Bass and Nina Simone
is based on:
Sea Lion Woman
3:57
9No Opportunity Necessary, No Experience Needed
lead vocals:
Nina Simone
recorded at:
University of California, Berkeley in Berkeley, California, United States (on 1969-04-26)
edit of:
No Opportunity Necessary, No Experience Needed (live, 1969‐04‐26: University of California, Berkeley, CA, USA) by Nina Simone
live cover recording of:
No Opportunity Necessary, No Experience Needed (on 1969-04-26)
lyricist and composer:
Richie Havens
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Nicklewhistle Music
4:22
10Black Is the Colour
recorded in:
Philadelphia, Pennsylvania, United States (from 1954 until 1955)
recording engineer:
Frank Clark
piano:
Nina Simone
vocals:
Nina Simone
arranger:
Monk Higgins (in 1970)
recorded at:
Tangerine / RPM Studios in Los Angeles, California, United States (in 1970: strings)
cover recording of:
Black Is the Color of My True Love’s Hair (Arranged by Nina Simone)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label)
arrangement of:
Black Is the Colour (of My True Love’s Hair)
3:10
11Wild Is the Wind
double bass:
James E. Bond (on 1959-09-12)
drums (drum set):
Albert “Tootie” Heath (on 1959-09-12)
piano:
Nina Simone (on 1959-09-12)
vocals:
Nina Simone (on 1959-09-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1959-09-12)
live cover recording of:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”) (on 1959-09-12)
lyricist:
Ned Washington
composer:
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (USA) (in 1957), Largo Music Inc. (in 1957, in 1985) and Patti Washington Music (in 1957, in 1985)
part of:
The 30th Academy Award for Best Original Song (number: 2)
6:00
12Nobody
cover recording of:
Nobody
lyricist:
Alex Rogers (songwriter, 1876-1930)
composer:
Bert Williams
part of:
Abyssinia (1906 musical)
5:09
13Don’t Let Me Be Misunderstood
lead vocals:
Nina Simone
recorded at:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Canton of Vaud), Switzerland (on 1968-06-16)
edit of:
Don’t Let Me Be Misunderstood (live, 1968‐06‐16: Montreux Jazz Festival, Montreux, Switzerland) by Nina Simone
live recording of:
Don’t Let Me Be Misunderstood (on 1968-06-16)
writer:
Bennie Benjamin, Gloria Caldwell, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
4:05
14Do Nothin’ ’til You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
3.52:49
15I Got It Bad & That Ain’t Good
lead vocals:
Nina Simone (in 1962)
vocals:
Nina Simone
cover recording of:
I Got It Bad (and That Ain’t Good) (in 1962)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, volume I)
44:05