The Complete Recordings

~ Veröffentlichung von Elgar; Sir Adrian Boult (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Packaging: box with booklet and 19CDs (each in cardboard sleeve)

Status: All 19 discs now have tracklists entered. All records I could find shared/merged. All ARs entered.

Still to do: Some editing for consistency. Linking (and creating if needed) works.

Anmerkung zuletzt geändert am 2017-09-16 05:02 UTC.

Titelliste

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Nr.TitelKünstlerBewertungLänge
1The Music Makers op. 69 (Moderato e nobilmente)
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1966-12-21 bis 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (von 1966-12-21 bis 1966-12-23)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 1967, in 1986)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-12-21 bis 1966-12-23)
recording of:
The Music Makers, op. 69: Moderato e nobilmente (von 1966-12-21 bis 1966-12-23)
Komponist(in):
Edward Elgar (composer)
Teil von:
The Music Makers, op. 69
Edward Elgar3:29
2The Music Makers op. 69: We are the music makers
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
London Philharmonic Choir (von 1966-12-21 bis 1966-12-23)
Solo Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (von 1966-12-21 bis 1966-12-23)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1966-12-21 bis 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (von 1966-12-21 bis 1966-12-23)
chorus master:
Frederic Jackson
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 1967, in 1986)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-12-21 bis 1966-12-23)
recording of:
The Music Makers, op. 69: Larghetto. "We are the music makers" (von 1966-12-21 bis 1966-12-23)
Texter:
Arthur William Edgar O'Shaughnessy
Komponist(in):
Edward Elgar (composer)
Teil von:
The Music Makers, op. 69
Edward Elgar1:57
3The Music Makers op. 69: With wonderful deathless ditties
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
London Philharmonic Choir (von 1966-12-21 bis 1966-12-23)
Solo Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (von 1966-12-21 bis 1966-12-23)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1966-12-21 bis 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (von 1966-12-21 bis 1966-12-23)
chorus master:
Frederic Jackson
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 1967, in 1986)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-12-21 bis 1966-12-23)
recording of:
The Music Makers, op. 69: Allegro. "With wonderful deathless ditties" (von 1966-12-21 bis 1966-12-23)
Texter:
Arthur William Edgar O'Shaughnessy
Komponist(in):
Edward Elgar (composer)
Teil von:
The Music Makers, op. 69
Edward Elgar1:41
4The Music Makers op. 69: We, in the ages lying
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
London Philharmonic Choir (von 1966-12-21 bis 1966-12-23)
Solo Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (von 1966-12-21 bis 1966-12-23)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1966-12-21 bis 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (von 1966-12-21 bis 1966-12-23)
chorus master:
Frederic Jackson
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 1967, in 1986)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-12-21 bis 1966-12-23)
recording of:
The Music Makers, op. 69: Allegretto. "We, in the ages lying" (von 1966-12-21 bis 1966-12-23)
Texter:
Arthur William Edgar O'Shaughnessy
Komponist(in):
Edward Elgar (composer)
Teil von:
The Music Makers, op. 69
Edward Elgar3:58
5The Music Makers op. 69: A breath of our inspiration
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
London Philharmonic Choir (von 1966-12-21 bis 1966-12-23)
Solo Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (von 1966-12-21 bis 1966-12-23)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1966-12-21 bis 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (von 1966-12-21 bis 1966-12-23)
chorus master:
Frederic Jackson
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 1967, in 1986)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-12-21 bis 1966-12-23)
recording of:
The Music Makers, op. 69: Molto tranquillo. "A breath of our inspiration" (von 1966-12-21 bis 1966-12-23)
Texter:
Arthur William Edgar O'Shaughnessy
Komponist(in):
Edward Elgar (composer)
Teil von:
The Music Makers, op. 69
Edward Elgar4:01
6The Music Makers op. 69: They had no vision amazing
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
London Philharmonic Choir (von 1966-12-21 bis 1966-12-23)
Solo Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (von 1966-12-21 bis 1966-12-23)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1966-12-21 bis 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (von 1966-12-21 bis 1966-12-23)
chorus master:
Frederic Jackson
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 1967, in 1986)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-12-21 bis 1966-12-23)
recording of:
The Music Makers, op. 69: Contralto solo, lento, quasi recitativo. "They had no vision amazing" (von 1966-12-21 bis 1966-12-23)
Texter:
Arthur William Edgar O'Shaughnessy
Komponist(in):
Edward Elgar (composer)
Teil von:
The Music Makers, op. 69
Edward Elgar3:21
7The Music Makers op. 69: And therefore to-day is thrilling
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
London Philharmonic Choir (von 1966-12-21 bis 1966-12-23)
Solo Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (von 1966-12-21 bis 1966-12-23)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1966-12-21 bis 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (von 1966-12-21 bis 1966-12-23)
chorus master:
Frederic Jackson
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 1967, in 1986)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-12-21 bis 1966-12-23)
recording of:
The Music Makers, op. 69: Allegro molto. "And therefor today is thrilling" (von 1966-12-21 bis 1966-12-23)
Texter:
Arthur William Edgar O'Shaughnessy
Komponist(in):
Edward Elgar (composer)
Teil von:
The Music Makers, op. 69
Edward Elgar4:27
8The Music Makers op. 69: But we, with our dreaming and singing
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
London Philharmonic Choir (von 1966-12-21 bis 1966-12-23)
Solo Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (von 1966-12-21 bis 1966-12-23)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1966-12-21 bis 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (von 1966-12-21 bis 1966-12-23)
chorus master:
Frederic Jackson
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 1967, in 1986)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-12-21 bis 1966-12-23)
recording of:
The Music Makers, op. 69: Andantino. "But we, with our dreaming and singing" (von 1966-12-21 bis 1966-12-23)
Texter:
Arthur William Edgar O'Shaughnessy
Komponist(in):
Edward Elgar (composer)
Teil von:
The Music Makers, op. 69
Edward Elgar3:32
9The Music Makers op. 69: For we are afar with the dawning
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
London Philharmonic Choir (von 1966-12-21 bis 1966-12-23)
Solo Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (von 1966-12-21 bis 1966-12-23)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1966-12-21 bis 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (von 1966-12-21 bis 1966-12-23)
chorus master:
Frederic Jackson
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 1967, in 1986)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-12-21 bis 1966-12-23)
recording of:
The Music Makers, op. 69: Come prima. "For we are afar with the dawning" (von 1966-12-21 bis 1966-12-23)
Texter:
Arthur William Edgar O'Shaughnessy
Komponist(in):
Edward Elgar (composer)
Teil von:
The Music Makers, op. 69
Edward Elgar2:38
10The Music Makers op. 69: Great hail! we cry to the comers
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
London Philharmonic Choir (von 1966-12-21 bis 1966-12-23)
Solo Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (von 1966-12-21 bis 1966-12-23)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1966-12-21 bis 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (von 1966-12-21 bis 1966-12-23)
chorus master:
Frederic Jackson
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 1967, in 1986)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-12-21 bis 1966-12-23)
recording of:
The Music Makers, op. 69: Allegro. "Great hail! we cry to the comers" (von 1966-12-21 bis 1966-12-23)
Texter:
Arthur William Edgar O'Shaughnessy
Komponist(in):
Edward Elgar (composer)
Teil von:
The Music Makers, op. 69
Edward Elgar8:58
11The Dream of Gerontius op. 38: Part 1: Prelude (Lento, mistico — Moderato — Andantino — Come prima)
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1975-05-18 bis 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (von 1975-05-18 bis 1975-07-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 1976, in 1986)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1975-05-18, am 1975-07-18, am 1975-07-21, am 1975-07-24, am 1975-07-27, am 1975-07-31)
recording of:
The Dream of Gerontius, op. 38: Part I, I. Prelude (cues 1–21) (von 1975-05-18 bis 1975-07-31)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar9:38
12The Dream of Gerontius op. 38: Part 1: Jesu Maria — I am near to death (Gerontius)
Produzent(in):
Christopher Bishop (conductor/producer)
Solo Tenor-Gesang:
Nicolai Gedda (tenor) (von 1975-05-18 bis 1975-07-31)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1975-05-18 bis 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (von 1975-05-18 bis 1975-07-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 1976, in 1986)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1975-05-18, am 1975-07-18, am 1975-07-21, am 1975-07-24, am 1975-07-27, am 1975-07-31)
teilweise recording of:
The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death (cues 22–32) (von 1975-05-18 bis 1975-07-31)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar3:05
13The Dream of Gerontius op. 38: Part 1: Kyrie eleison…Holy Mary, pray for him (Chorus)
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
John Alldis Choir (The John Alldis Choir) (von 1975-05-18 bis 1975-07-31) und London Philharmonic Choir (von 1975-05-18 bis 1975-07-31)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1975-05-18 bis 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (von 1975-05-18 bis 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (von 1975-05-18 bis 1975-07-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 1976, in 1986)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1975-05-18, am 1975-07-18, am 1975-07-21, am 1975-07-24, am 1975-07-27, am 1975-07-31)
teilweise recording of:
The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death (cues 22–32) (von 1975-05-18 bis 1975-07-31)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar2:07
14The Dream of Gerontius op. 38: Part 1: Rouse thee, my fainting soul (Gerontius)
Produzent(in):
Christopher Bishop (conductor/producer)
Solo Tenor-Gesang:
Nicolai Gedda (tenor) (von 1975-05-18 bis 1975-07-31)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1975-05-18 bis 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (von 1975-05-18 bis 1975-07-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 1976, in 1986)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1975-05-18, am 1975-07-18, am 1975-07-21, am 1975-07-24, am 1975-07-27, am 1975-07-31)
teilweise recording of:
The Dream of Gerontius, op. 38: Part I, III. Rouse thee, my fainting soul (cues 33–39) (von 1975-05-18 bis 1975-07-31)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar0:52
15The Dream of Gerontius op. 38: Part 1: Be merciful, be gracious (Chorus)
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
John Alldis Choir (The John Alldis Choir) (von 1975-05-18 bis 1975-07-31) und London Philharmonic Choir (von 1975-05-18 bis 1975-07-31)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1975-05-18 bis 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (von 1975-05-18 bis 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (von 1975-05-18 bis 1975-07-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 1976, in 1986)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1975-05-18, am 1975-07-18, am 1975-07-21, am 1975-07-24, am 1975-07-27, am 1975-07-31)
teilweise recording of:
The Dream of Gerontius, op. 38: Part I, III. Rouse thee, my fainting soul (cues 33–39) (von 1975-05-18 bis 1975-07-31)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar2:59
16The Dream of Gerontius op. 38: Part 1: Sanctus fortis, Sanctus Deus (Gerontius)
Produzent(in):
Christopher Bishop (conductor/producer)
Solo Tenor-Gesang:
Nicolai Gedda (tenor) (von 1975-05-18 bis 1975-07-31)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1975-05-18 bis 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (von 1975-05-18 bis 1975-07-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 1976, in 1986)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1975-05-18, am 1975-07-18, am 1975-07-21, am 1975-07-24, am 1975-07-27, am 1975-07-31)
teilweise recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (von 1975-05-18 bis 1975-07-31)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar5:20
17The Dream of Gerontius op. 38: Part 1: I can no more (Gerontius)
Produzent(in):
Christopher Bishop (conductor/producer)
Solo Tenor-Gesang:
Nicolai Gedda (tenor) (von 1975-05-18 bis 1975-07-31)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1975-05-18 bis 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (von 1975-05-18 bis 1975-07-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 1976, in 1986)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1975-05-18, am 1975-07-18, am 1975-07-21, am 1975-07-24, am 1975-07-27, am 1975-07-31)
teilweise recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (von 1975-05-18 bis 1975-07-31)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar2:41
18The Dream of Gerontius op. 38: Part 1: Rescue him, O Lord (Chorus/Gerontius)
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
John Alldis Choir (The John Alldis Choir) (von 1975-05-18 bis 1975-07-31) und London Philharmonic Choir (von 1975-05-18 bis 1975-07-31)
Solo Tenor-Gesang:
Nicolai Gedda (tenor) (von 1975-05-18 bis 1975-07-31)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1975-05-18 bis 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (von 1975-05-18 bis 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (von 1975-05-18 bis 1975-07-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 1976, in 1986)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1975-05-18, am 1975-07-18, am 1975-07-21, am 1975-07-24, am 1975-07-27, am 1975-07-31)
teilweise recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (von 1975-05-18 bis 1975-07-31)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar1:56
19The Dream of Gerontius op. 38: Part 1: Novissima hora est (Gerontius)
Produzent(in):
Christopher Bishop (conductor/producer)
Solo Tenor-Gesang:
Nicolai Gedda (tenor) (von 1975-05-18 bis 1975-07-31)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1975-05-18 bis 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (von 1975-05-18 bis 1975-07-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 1976, in 1986)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1975-05-18, am 1975-07-18, am 1975-07-21, am 1975-07-24, am 1975-07-27, am 1975-07-31)
teilweise recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (von 1975-05-18 bis 1975-07-31)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar1:23
20The Dream of Gerontius op. 38: Part 1: Proficiscere, anima Christiana (Priest)
Produzent(in):
Christopher Bishop (conductor/producer)
Solo Bass-Gesang:
Robert Lloyd (operatic bass) (von 1975-05-18 bis 1975-07-31)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1975-05-18 bis 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (von 1975-05-18 bis 1975-07-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 1976, in 1986)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1975-05-18, am 1975-07-18, am 1975-07-21, am 1975-07-24, am 1975-07-27, am 1975-07-31)
teilweise recording of:
The Dream of Gerontius, op. 38: Part I, V. Proficiscere, anima Christiana (cues 68–78) (von 1975-05-18 bis 1975-07-31)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar2:02
21The Dream of Gerontius op. 38: Part 1: Go in the name of Angels (Chorus/Priest)
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
John Alldis Choir (The John Alldis Choir) (von 1975-05-18 bis 1975-07-31) und London Philharmonic Choir (von 1975-05-18 bis 1975-07-31)
Solo Bass-Gesang:
Robert Lloyd (operatic bass) (von 1975-05-18 bis 1975-07-31)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1975-05-18 bis 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (von 1975-05-18 bis 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (von 1975-05-18 bis 1975-07-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 1976, in 1986)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1975-05-18, am 1975-07-18, am 1975-07-21, am 1975-07-24, am 1975-07-27, am 1975-07-31)
teilweise recording of:
The Dream of Gerontius, op. 38: Part I, V. Proficiscere, anima Christiana (cues 68–78) (von 1975-05-18 bis 1975-07-31)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar5:02
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Nennungen

Veröffentlichung

hergestellt in:EU (Europa)
gedruckt in:EU (Europa)
Fotografie:Derek Allen (photographer)
liner notes:Martin Cotton (in 2013)
liner notes Übersetzer:Dennis Collins (liner notes translator) (in 2013)
Leandra Rhoese (liner notes translator) (in 2013)
Zusammensteller:Richard J. Bradburn (compiler)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Warner Classics (in 2013)
ASIN:UK: B00C68FJ0K [Info]

Veröffentlichungsgruppe

enthält:Choral Works
Enigma Variations / Pomp & Circumstance Marches Nos. 1–5 von Elgar (Edward Elgar, composer); London Symphony Orchestra, London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
Symphony no. 1 in A-flat / Serenade for Strings / Chanson de nuit / Chanson de matin von Sir Edward Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
Symphony no. 2 in E-flat / Cockaigne Overture von Sir Edward Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)