Fetenkult: Disco 80, Folge 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Brother Louie
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Ltd., Ariola Eurodisc GmbH (not for release label use!) (in 1986) und BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1986)
recording of:
Brother Louie (Deep love is a burnin' fire stay... 'cause then the flame grows higher babe)
Texter und Komponist(in):
Dieter Bohlen
publisher:
Hanseatic (publisher) und Intersong Music Ltd.
Modern Talking3.53:43
2C.C. Catch Megamix ’98 (short version)
Krayzee feat. C.C. Catch4:56
3Flames of Love
recording of:
Flames of Love
Verfasser(in):
Fancy (Manfred Alois Segieth, Italo / Eurodisco singer), Sabrina Lorenz und Alfons Weindorf
Fancy3:28
4Do You Really Want to Hurt Me
Techniker(in) und Produzent(in):
Steve Levine (producer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recording of:
Do You Really Want to Hurt Me
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd.
Culture Club3:38
5Never Ending Story
Produzent(in):
Giorgio Moroder
Hintergrundgesang:
Beth Andersen (US pop vocalist)
Sologesang:
Limahl
vocals:
Beth Anderson (US pop vocalist) und Limahl
Interpret(in):
Limahl
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) und Neue Constantin Film Productions GmbH
Teil von:
Cachitos Nochevieja 2022 (Nummer: 51)
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
Texter:
Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Limahl3.353:30
6Cruel Summer
Produzent(in):
Steve Jolley und Tony Swain (songwriter, producer)
Sologesang:
Sara Dallin (in 1983-04), Siobhan Fahey (in 1983-04) und Keren Woodward (in 1983-04)
Interpret(in):
Bananarama (in 1983-04)
phonographisches Urheberrecht (℗) von:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1983) und London Records Ltd. (not release label) (in 1984)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 44) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 414)
recording of:
Cruel Summer (in 1983-04)
Texter:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) und Keren Woodward
Komponist(in):
Leo Birenberg (soundtrack composer), Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) und Keren Woodward
publisher:
In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama43:30
7Flashdance… What a Feeling
Produzent(in):
Giorgio Moroder
vocals:
Irene Cara
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) und Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 38) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 492)
recording of:
Flashdance… What a Feeling
Texter:
Irene Cara und Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1983 winner)
Irene Cara3.653:53
8No Doubt About It
recording of:
No Doubt About It
Verfasser(in):
Mike Burns (songwriter Michael Gerard Burns), Steve Glen und David Most
publisher:
EMI Music Publishing (PRS‐affiliated)
Hot Chocolate3.54:28
9Blame It on the Rain
Produzent(in):
Frank Farian
produced for:
Far Music Production
recording of:
Blame It on the Rain
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Realsongs
Milli Vanilli34:09
10Gimme Gimme Gimme Your Love
recording of:
Gimme Gimme Gimme Your Love
Texter und Komponist(in):
Norman Ascot
The Teens3:35
11I Can’t Stand the Rain (remix ’94)
cover recording of:
I Can’t Stand the Rain
Verfasser(in):
Don Bryant (R&B singer/songwriter), Bernard Miller (US 1970s songwriter) und Ann Peebles
publisher:
Irving Music, Inc. und JEC Publishing (in 1977)
Eruption3:08
12Voyage, Voyage
recording engineer:
Antoine Cambourakis (engineer) und Gilbert Courtois (engineer)
Produzent(in):
Jean‐Michel Rivat
Mix:
Dominique Blanc-Francard
Synthesizer:
Jean‐Michel Rivat
Hintergrundgesang:
Claudie Fritsch-Mentrop und Daniel Glikmans (guitarist, singer and songwriter)
phonographisches Urheberrecht (℗) von:
Rivat Music (production company and copyrights holder) (in 1986)
aufgenommen bei:
Studio d'Aguesseau in Boulogne, Vendée, Pays-de-la-Loire, Frankreich
mixed at:
Studio Marcadet in Saint-Denis, Seine-Saint-Denis, Île-de-France, Frankreich
recording of:
Voyage, voyage
Texter:
Jean‐Michel Rivat
Verfasser(in) und Komponist(in):
Dominique Dubois und Jean‐Michel Rivat
publisher:
Jean‐Michel Franck Rivat und Editions Rivat Music (publisher) (in 1986)
Desireless4.354:23
13Send Me an Angel
recorded in:
Australien
Techniker(in):
Andrew Scott (Australian producer/engineer)
leitende(r) Produzent(in):
Mike Curb und Jack Schwartzman
Produzent(in):
Ross Cockle und Glenn Wheatley
phonographisches Urheberrecht (℗) von:
Curb Records, Inc. (holding company - do not use as release label) (in 1983)
aufgenommen bei:
Rhinoceros Studios in Sydney, New South Wales, Australien
mixed at:
Fast Forward Studios in Warranwood, Melbourne, Victoria, Australien
recording of:
Send Me an Angel
Texter:
David Sterry
Komponist(in):
Richard Zatorski
publisher:
Chappell & Co. GmbH (Publisher, do not use as a release label!), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd. und Wheatley Music Pty Ltd. (in 1983)
Real Life4.53:54
14Touch Me (I Want Your Body)
Produzent(in):
Jon Astrop (British musician, songwriter and painter)
phonographisches Urheberrecht (℗) von:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1986), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1986) und Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recording of:
Touch Me (I Want Your Body) (Full moon in the city and the night was young... I was hungry for love)
Verfasser(in):
Jon Astrop (British musician, songwriter and painter), Peter Brian Harris und Mark Shreeve
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Imagem London Ltd.
Samantha Fox3.653:43
15Kids in America
recording engineer:
Jeo (von 1980 bis 1981)
Programmierung:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Gitarre:
Thomas Hahn (von 1980 bis 1981), Charlotte Hatherley (von 1980 bis 1981), Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981), Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981), Derek von Krogh (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Bernhard Hahn (von 1980 bis 1981), Chris North (UK drummer of The Enid) (von 1980 bis 1981) und Tobias Wörner (von 1980 bis 1981)
zusätzlich Keyboard:
Nick Priessnitz (von 1980 bis 1981)
Hintergrundgesang:
D. Janz (von 1980 bis 1981), M. Janz (von 1980 bis 1981), N. Janz (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Sologesang:
Charlotte Hatherley (von 1980 bis 1981) und Kim Wilde (von 1980 bis 1981)
vocals:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
aufgenommen bei:
Amira Studio (von 1980 bis 1981), RAK Studios in London (Greater London), England, Vereinigtes Königreich (von 1980 bis 1981), Soundmastaz Studios (von 1980 bis 1981), Studio 77 in Stuttgart, Baden-Württemberg, Deutschland (von 1980 bis 1981) und The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen, Deutschland, RAK Studios in London (Greater London), England, Vereinigtes Königreich und Studio 77 in Stuttgart, Baden-Württemberg, Deutschland
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 55)
recording of:
Kids in America (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Rickim Music Ltd.
Kim Wilde4.13:25
16Shilly Shally
Fritz Brause7:07
17Pump Up the Jam
recording of:
Pump Up the Jam
Texter:
Manuela Kamosi (Belgian‐Congolese singer Manuela Kamosi)
Komponist(in):
Patrick de Meyer (Belgian electronic music producer) und Thomas de Quincey (Belgian producer Jo Bogaert [Technotronic])
basiert auf:
Technotronic
Technotronic3:51
18Saddle Up
recording of:
Saddle Up
Texter:
Philo Jack Robinson (disco songwriter, producer, composer)
Komponist(in):
James Bolden (French singer and songwriter)
publisher:
Robin Song Music (affiliated to SACEM), Baierle Music (in 1982) und ROBA (publisher) (in 1982)
David Christie5:41
19Blue Monday 88
Produzent(in):
Quincy Jones und New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
recording of:
Blue Monday
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) und Zomba Music Publishing Ltd.
New Order44:07
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Teil von:Fetenkult (Reihenfolge: 7)