Fetenkult: Disco 80, Folge 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Brother Louie
phonographic copyright (℗) by:
BMG Eurodisc Ltd., Ariola Eurodisc GmbH (not for release label use!) (in 1986) and BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1986)
recording of:
Brother Louie (Deep love is a burnin' fire stay... 'cause then the flame grows higher babe)
lyricist and composer:
Dieter Bohlen
publisher:
Hanseatic (publisher) and Intersong Music Ltd.
Modern Talking3.253:43
2C.C. Catch Megamix ’98 (short version)
Krayzee feat. C.C. Catch4:56
3Flames of Love
recording of:
Flames of Love
writer:
Fancy (Manfred Alois Segieth, Italo / Eurodisco singer), Sabrina Lorenz and Alfons Weindorf
Fancy3:28
4Do You Really Want to Hurt Me
engineer and producer:
Steve Levine (producer)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd.
Culture Club3:38
5Never Ending Story
producer:
Giorgio Moroder
background vocals:
Beth Andersen (US pop vocalist)
lead vocals:
Limahl
vocals:
Beth Anderson (US pop vocalist) and Limahl
performer:
Limahl
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) and Neue Constantin Film Productions GmbH
part of:
Cachitos Nochevieja 2022 (number: 51)
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
lyricist:
Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Limahl3.353:30
6Cruel Summer
producer:
Steve Jolley and Tony Swain (songwriter, producer)
lead vocals:
Sara Dallin (in 1983-04), Siobhan Fahey (in 1983-04) and Keren Woodward (in 1983-04)
performer:
Bananarama (in 1983-04)
phonographic copyright (℗) by:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1983) and London Records Ltd. (not release label) (in 1984)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 44) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 414)
recording of:
Cruel Summer (in 1983-04)
lyricist:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) and Keren Woodward
composer:
Leo Birenberg (soundtrack composer), Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) and Keren Woodward
publisher:
In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama43:30
7Flashdance… What a Feeling
producer:
Giorgio Moroder
vocals:
Irene Cara
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) and Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 38) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 492)
recording of:
Flashdance… What a Feeling
lyricist:
Irene Cara and Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1983 winner)
Irene Cara3.653:53
8No Doubt About It
recording of:
No Doubt About It
writer:
Mike Burns (songwriter Michael Gerard Burns), Steve Glen and David Most
publisher:
EMI Music Publishing (PRS‐affiliated)
Hot Chocolate3.54:28
9Blame It on the Rain
producer:
Frank Farian
produced for:
Far Music Production
recording of:
Blame It on the Rain
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Realsongs
Milli Vanilli34:09
10Gimme Gimme Gimme Your Love
recording of:
Gimme Gimme Gimme Your Love
lyricist and composer:
Norman Ascot
The Teens3:35
11I Can’t Stand the Rain (remix ’94)
cover recording of:
I Can’t Stand the Rain
writer:
Don Bryant (R&B singer/songwriter), Bernard Miller (US 1970s songwriter) and Ann Peebles
publisher:
Irving Music, Inc. and JEC Publishing (in 1977)
Eruption3:08
12Voyage, Voyage
recording engineer:
Antoine Cambourakis (engineer) and Gilbert Courtois (engineer)
producer:
Jean‐Michel Rivat
mixer:
Dominique Blanc-Francard
synthesizer:
Jean‐Michel Rivat
background vocals:
Claudie Fritsch-Mentrop and Daniel Glikmans (guitarist, singer and songwriter)
phonographic copyright (℗) by:
Rivat Music (production company and copyrights holder) (in 1986)
recorded at:
Studio d'Aguesseau in Boulogne, Vendée, Pays-de-la-Loire, France
mixed at:
Studio Marcadet in Saint-Denis, Seine-Saint-Denis, Île-de-France, France
recording of:
Voyage, voyage
lyricist:
Jean‐Michel Rivat
writer and composer:
Dominique Dubois and Jean‐Michel Rivat
publisher:
Jean‐Michel Franck Rivat and Editions Rivat Music (publisher) (in 1986)
Desireless44:23
13Send Me an Angel
recorded in:
Australia
engineer:
Andrew Scott (Australian producer/engineer)
executive producer:
Mike Curb and Jack Schwartzman
producer:
Ross Cockle and Glenn Wheatley
phonographic copyright (℗) by:
Curb Records, Inc. (holding company - do not use as release label) (in 1983)
recorded at:
Rhinoceros Studios in Sydney, New South Wales, Australia
mixed at:
Fast Forward Studios in Warranwood, Melbourne, Victoria, Australia
recording of:
Send Me an Angel
lyricist:
David Sterry
composer:
Richard Zatorski
publisher:
Chappell & Co. GmbH (Publisher, do not use as a release label!), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd. and Wheatley Music Pty Ltd. (in 1983)
Real Life4.53:54
14Touch Me (I Want Your Body)
producer:
Jon Astrop (British musician, songwriter and painter)
phonographic copyright (℗) by:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1986), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1986) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recording of:
Touch Me (I Want Your Body) (Full moon in the city and the night was young... I was hungry for love)
writer:
Jon Astrop (British musician, songwriter and painter), Peter Brian Harris and Mark Shreeve
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Imagem London Ltd.
Samantha Fox3.653:43
15Kids in America
recording engineer:
Jeo (from 1980 until 1981)
programming:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Ricky Wilde
additional keyboard:
Nick Priessnitz (from 1980 until 1981)
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
drums (drum set):
Bernhard Hahn (from 1980 until 1981), Chris North (UK drummer of The Enid) (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
guitar:
Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recorded at:
Amira Studio (from 1980 until 1981), RAK Studios in London (Greater London), England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germany, RAK Studios in London (Greater London), England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
Kim Wilde4.13:25
16Shilly Shally
Fritz Brause7:07
17Pump Up the Jam
recording of:
Pump Up the Jam
lyricist:
Manuela Kamosi (Belgian‐Congolese singer Manuela Kamosi)
composer:
Patrick de Meyer (Belgian electronic music producer) and Thomas de Quincey (Belgian producer Jo Bogaert [Technotronic])
is based on:
Technotronic
Technotronic3:51
18Saddle Up
recording of:
Saddle Up
lyricist:
Philo Jack Robinson (disco songwriter, producer, composer)
composer:
James Bolden (French singer and songwriter)
publisher:
Robin Song Music (affiliated to SACEM), Baierle Music (in 1982) and ROBA (publisher) (in 1982)
David Christie5:41
19Blue Monday 88
producer:
Quincy Jones and New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
recording of:
Blue Monday
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) and Zomba Music Publishing Ltd.
New Order44:07
2CD

Credits

Release group

part of:Fetenkult (order: 7)