The Complete EMI Recordings 1946-1984, Volume 2: Opera & Vocal (discs 1-10) (editable pseudo-release)

~ Uitgave van Herbert von Karajan (Bekijk alle versies van deze uitgave, 7 beschikbaar)

Aantekening

editable pseudo-release

Aantekening het laatst bewerkt op 2014-03-27 12:08 UTC.

Nummerlijst

1▶cd
2▶cd
3▶cd: Die Zauberflöte (Wiener Philharmoniker)
4▶cd: Die Zauberflöte (Wiener Philharmoniker)
5▶cd: Le Nozze di Figaro, Acts 1 and 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
6▼cd: Le Nozze di Figaro, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
#TitelArtiestWaarderingDuur
1Le nozze di Figaro, K. 492: Act III, Scene II. No. 17 Duetto "Crudel! Perché finora farmi languir così?" (Il Conte, Susanna)
producent:
Walter Legge (British classical producer)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (van 1950-06-17 tot 1950-10-31)
was dirigent:
Herbert von Karajan (conductor) (van 1950-06-17 tot 1950-10-31)
balanstechnicus:
Anthony Griffith (engineer) (van 1950-06-17 tot 1950-10-31) en Robert Becket (classical recording engineer, EMI mainly) (van 1950-06-17 tot 1950-10-31)
opgenomen bij:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Oostenrijk (van 1950-06-17 tot 1950-10-31)
is een opname van:
Le nozze di Figaro, K. 492: Atto III, Scena II. (no. 17) Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:44
2Le nozze di Figaro, K. 492: Act III, Scene IV. No. 18 Recitativo "Hai già vinta la causa" (Il Conte) / No. 18 Aria "Vedrò, mentre io sospiro" (Il Conte)
producent:
Walter Legge (British classical producer)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (van 1950-06-17 tot 1950-10-31)
was dirigent:
Herbert von Karajan (conductor) (van 1950-06-17 tot 1950-10-31)
balanstechnicus:
Anthony Griffith (engineer) (van 1950-06-17 tot 1950-10-31) en Robert Becket (classical recording engineer, EMI mainly) (van 1950-06-17 tot 1950-10-31)
opgenomen bij:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Oostenrijk (van 1950-06-17 tot 1950-10-31)
is een opname van:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Aria “Vedrò, mentre io sospiro” (Il Conte)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
is een opname van:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:58
3Le nozze di Figaro, K. 492: Act III, Scene V. No. 19 Sestetto "Riconosci in questo amplesso" (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro)
producent:
Walter Legge (British classical producer)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (van 1950-06-17 tot 1950-10-31)
was dirigent:
Herbert von Karajan (conductor) (van 1950-06-17 tot 1950-10-31)
balanstechnicus:
Anthony Griffith (engineer) (van 1950-06-17 tot 1950-10-31) en Robert Becket (classical recording engineer, EMI mainly) (van 1950-06-17 tot 1950-10-31)
opgenomen bij:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Oostenrijk (van 1950-06-17 tot 1950-10-31)
is een opname van:
Le nozze di Figaro, K. 492: Atto III, Scena V. (no. 19) Sestetto “Riconosci in questo amplesso” (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:59
4Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Recitativo "E Susanna non vien!" (La Contessa) / No. 20 Aria "Dove sono i bei momenti" (La Contessa)
producent:
Walter Legge (British classical producer)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (van 1950-06-17 tot 1950-10-31)
was dirigent:
Herbert von Karajan (conductor) (van 1950-06-17 tot 1950-10-31)
balanstechnicus:
Anthony Griffith (engineer) (van 1950-06-17 tot 1950-10-31) en Robert Becket (classical recording engineer, EMI mainly) (van 1950-06-17 tot 1950-10-31)
opgenomen bij:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Oostenrijk (van 1950-06-17 tot 1950-10-31)
is een opname van:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
is een opname van:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart7:10
5Le nozze di Figaro, K. 492: Act III, Scene X. No. 21 Duettino "Che soave zeffiretto (La Contessa, Susanna)
producent:
Walter Legge (British classical producer)
sopraanvocalen [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (van 1950-06-17 tot 1950-10-31)
sopraanvocalen [Susanna]:
Irmgard Seefried (soprano) (van 1950-06-17 tot 1950-10-31)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (van 1950-06-17 tot 1950-10-31)
was dirigent:
Herbert von Karajan (conductor) (van 1950-06-17 tot 1950-10-31)
balanstechnicus:
Anthony Griffith (engineer) (van 1950-06-17 tot 1950-10-31) en Robert Becket (classical recording engineer, EMI mainly) (van 1950-06-17 tot 1950-10-31)
opgenomen bij:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Oostenrijk (van 1950-06-17 tot 1950-10-31)
is een opname van:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria) (van 1950-06-17 tot 1950-10-31)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:48
6Le nozze di Figaro, K. 492: Act III, Scene XI. No. 22 Coro "Ricevete, oh padroncina" (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze)
producent:
Walter Legge (British classical producer)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (van 1950-06-17 tot 1950-10-31)
was dirigent:
Herbert von Karajan (conductor) (van 1950-06-17 tot 1950-10-31)
balanstechnicus:
Anthony Griffith (engineer) (van 1950-06-17 tot 1950-10-31) en Robert Becket (classical recording engineer, EMI mainly) (van 1950-06-17 tot 1950-10-31)
opgenomen bij:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Oostenrijk (van 1950-06-17 tot 1950-10-31)
is een opname van:
Le nozze di Figaro, K. 492: Atto III, Scena XI. (no. 22) Coro “Ricevete, oh padroncina” (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze)
componist:
Wolfgang Amadeus Mozart (classical composer)
deel van:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:07
7Le nozze di Figaro, K. 492: Act IV, Scenes XII-XIV. No. 23 Finale "Ecco la marcia, Andiamo" (Barbarina, Coro)
producent:
Walter Legge (British classical producer)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (van 1950-06-17 tot 1950-10-31)
was dirigent:
Herbert von Karajan (conductor) (van 1950-06-17 tot 1950-10-31)
balanstechnicus:
Anthony Griffith (engineer) (van 1950-06-17 tot 1950-10-31) en Robert Becket (classical recording engineer, EMI mainly) (van 1950-06-17 tot 1950-10-31)
opgenomen bij:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Oostenrijk (van 1950-06-17 tot 1950-10-31)
is een opname van:
Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Ecco la marcia, Andiamo” (Barbarina, Coro)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart6:35
8Le nozze di Figaro, K. 492: Act IV, Scene I. No. 24 Aria "L'ho perduta... me meschina" (Marcellina)
producent:
Walter Legge (British classical producer)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (van 1950-06-17 tot 1950-10-31)
was dirigent:
Herbert von Karajan (conductor) (van 1950-06-17 tot 1950-10-31)
balanstechnicus:
Anthony Griffith (engineer) (van 1950-06-17 tot 1950-10-31) en Robert Becket (classical recording engineer, EMI mainly) (van 1950-06-17 tot 1950-10-31)
opgenomen bij:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Oostenrijk (van 1950-06-17 tot 1950-10-31)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena I. (no. 24) Cavatina “L’ho perduta… me meschina” (Barbarina)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart1:48
9Le nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Recitativo "Tutto è disposto" (Susanna)
producent:
Walter Legge (British classical producer)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (van 1950-06-17 tot 1950-10-31)
was dirigent:
Herbert von Karajan (conductor) (van 1950-06-17 tot 1950-10-31)
balanstechnicus:
Anthony Griffith (engineer) (van 1950-06-17 tot 1950-10-31) en Robert Becket (classical recording engineer, EMI mainly) (van 1950-06-17 tot 1950-10-31)
opgenomen bij:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Oostenrijk (van 1950-06-17 tot 1950-10-31)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Recitativo “Tutto è disposto” (Figaro)
componist:
Wolfgang Amadeus Mozart (classical composer)
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:16
10Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Finale "Giunse alfin il momento" (Cherubino, La Contessa, Il Conte, Susanna, Figaro)
producent:
Walter Legge (British classical producer)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (van 1950-06-17 tot 1950-10-31)
was dirigent:
Herbert von Karajan (conductor) (van 1950-06-17 tot 1950-10-31)
balanstechnicus:
Anthony Griffith (engineer) (van 1950-06-17 tot 1950-10-31) en Robert Becket (classical recording engineer, EMI mainly) (van 1950-06-17 tot 1950-10-31)
opgenomen bij:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Oostenrijk (van 1950-06-17 tot 1950-10-31)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement van:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:44
11Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pian pianin le andrò più presso" (Il Conte, Tutti)
producent:
Walter Legge (British classical producer)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (van 1950-06-17 tot 1950-10-31)
was dirigent:
Herbert von Karajan (conductor) (van 1950-06-17 tot 1950-10-31)
balanstechnicus:
Anthony Griffith (engineer) (van 1950-06-17 tot 1950-10-31) en Robert Becket (classical recording engineer, EMI mainly) (van 1950-06-17 tot 1950-10-31)
opgenomen bij:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Oostenrijk (van 1950-06-17 tot 1950-10-31)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pian pianin le andrò più presso” (Cherubino, La Contessa, Il Conte, Susanna, Figaro)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:25
12Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Tutto è tranquillo e placido" (Il Conte, Tutti)
producent:
Walter Legge (British classical producer)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (van 1950-06-17 tot 1950-10-31)
was dirigent:
Herbert von Karajan (conductor) (van 1950-06-17 tot 1950-10-31)
balanstechnicus:
Anthony Griffith (engineer) (van 1950-06-17 tot 1950-10-31) en Robert Becket (classical recording engineer, EMI mainly) (van 1950-06-17 tot 1950-10-31)
opgenomen bij:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Oostenrijk (van 1950-06-17 tot 1950-10-31)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Tutto è tranquillo e placido” (Figaro, Susanna)
componist:
Wolfgang Amadeus Mozart (classical composer)
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart3:01
13Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pace pace, mio dolce tesoro" (Il Conte, Tutti)
producent:
Walter Legge (British classical producer)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (van 1950-06-17 tot 1950-10-31)
was dirigent:
Herbert von Karajan (conductor) (van 1950-06-17 tot 1950-10-31)
balanstechnicus:
Anthony Griffith (engineer) (van 1950-06-17 tot 1950-10-31) en Robert Becket (classical recording engineer, EMI mainly) (van 1950-06-17 tot 1950-10-31)
opgenomen bij:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Oostenrijk (van 1950-06-17 tot 1950-10-31)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pace pace, mio dolce tesoro” (Figaro, Susanna, Il Conte)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart1:50
14Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Gente gente, all'armi all'armi!" (Il Conte, Tutti)
producent:
Walter Legge (British classical producer)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (van 1950-06-17 tot 1950-10-31)
was dirigent:
Herbert von Karajan (conductor) (van 1950-06-17 tot 1950-10-31)
balanstechnicus:
Anthony Griffith (engineer) (van 1950-06-17 tot 1950-10-31) en Robert Becket (classical recording engineer, EMI mainly) (van 1950-06-17 tot 1950-10-31)
opgenomen bij:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Oostenrijk (van 1950-06-17 tot 1950-10-31)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Gente gente, all’armi all’armi!” (Il Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:21
7▶cd: Salome (Wiener Philharmoniker)
9▶cd: Aida, Act 1 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
10▶cd: Aida, Act 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)

Relaties

Uitgavegroep

bevat:Ariadne auf Naxos (1954 studio cast) van Richard Strauss (German composer); Schwarzkopf (German-born Austrian/British soprano), Seefried (soprano), Streich (soprano), Schock (tenor), Prey (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Così fan tutte (1954 studio cast) van Mozart (Wolfgang Amadeus Mozart, classical composer); Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nan Merriman (mezzo-soprano), Léopold Simoneau (tenor), Rolando Panerai (baritone), Sesto Bruscantini (bass-baritone), Lisa Otto (German operatic soprano, 1919–2013), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Die Fledermaus (1955 studio cast) van Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Herbert von Karajan (conductor), Schwarzkopf (German-born Austrian/British soprano), Gedda (tenor), Streich (soprano), Krebs (tenor), Kunz (baritone), Christ (Austrian tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Die Zauberflöte (1950 studio cast) van Mozart (Wolfgang Amadeus Mozart, classical composer); Dermota (tenor), Seefried (soprano), Kunz (baritone), Lipp (soprano), Weber (Austrian bass), London (bass-baritone), Singverein Der Musikfreunde Wien, Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
Falstaff (1956 studio cast) van Verdi (Giuseppe Verdi, Italian opera composer); Tito Gobbi (baritone), Luigi Alva (tenor), Rolando Panerai (baritone), Tomaso Spataro (tenor), Renato Ercolani (tenor), Nicola Zaccaria (operatic bass), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Anna Moffo (soprano), Nan Merriman (mezzo-soprano), Fedora Barbieri (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Herbert von Karajan (conductor)
Hänsel und Gretel (1953 studio cast) van Humperdinck (German composer); Herbert von Karajan (conductor), Grümmer (soprano), Schwarzkopf (German-born Austrian/British soprano), Schürhoff (german operatic soprano), Metternich (baritone), von Ilosvay (contralto), Felbermayer (soprano), Choirs of Loughton High School & Bancroft’s School, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
Otello (1973-74 studio cast) van Giuseppe Verdi (Italian opera composer); Jon Vickers (tenor), Mirella Freni (soprano), Peter Glossop (baritone), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)