Classical Collection, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Der Winter, op. 8/1: Allegro
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name) und Nils‐Erik Sparf (Swedish viol(in)ist)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Drottningholms Barockensemble (Drottningholm Baroque Ensemble), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi53:36
2Concerto, op. 6/8: Vivace/Grave
Orchester:
Orchestre radio Symphonique de S (Radio-Sinfonieorchester Stuttgart des SWR)
conductor:
Garcia Navarro (conductor)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: I. Vivace - Grave
Komponist(in):
Arcangelo Corelli (Italian baroque composer and violinist)
Teil von:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli1:11
3Tocca d-Moll, BWV 565
Orgel:
Hans-Christoph Becker-Foss (organist and choir leader)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Classic 100: Piano (2025) (Nummer: 30)
Teil von:
Toccata und Fuge d-Moll, BWV 565
Johann Sebastian Bach2:26
4Hornkonzert Nr. 2, KV 417: Rondo
Horn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym) und K. Sreter (an Alfred Scholz pseudonym)
Waldhorn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym)
Orchester:
Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym) und Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) und Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
Interpret(in):
Kamil Streter (an Alfred Scholz pseudonym)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1783)
Teil von:
Concerto for Horn no. 2 in E-flat major, K. 417
Wolfgang Amadeus Mozart4:04
5Violinkonzert: Finale
Geige / Violine:
Helena Spitkova (Alfred Scholz pseudonym, violinist)
Orchester:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
teilweise recording of:
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace (Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (von 1838 bis 1844-09-16)
überarbeitet von:
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1845)
Teil von:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn2:22
6Nußknacker: Ouvertüre
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Gerhard Bosse (as used for an Alfred Scholz release - NOT the real artist), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (bis 1892)
Teil von:
The Nutcracker (suite from the ballet), op. 71a
Pjotr Iljitsch Tschaikowski3:17
7Streicher-Serenade: Moderato
Orchester:
Hungarian State Orchestra (probably fictitious, or Alfred Scholz related), Nemzeti Filharmonikus Zenekar (Ungarische Nationalphilharmonie), ORF Radio‐Symphonieorchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) und Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Reinhardt Lutz und Martin Sieghart (Austrian conductor and cellist)
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993)
recording of:
Serenade for Strings in E major, op. 22, B. 52: I. Moderato
Komponist(in):
Antonín Dvořák (composer) (von 1875-05-03 bis 1875-05-14)
überarbeitet von:
Antonín Dvořák (composer) (in 1878)
Teil von:
Smyčcová serenáda E dur, op. 22, B. 52 (Serenade für Streichorchester E-Dur, op. 22, B. 52)
Antonín Dvořák4:31
8Leichte Kavallerie: Ouvertüre, Coda
Orchester:
Orchestre philharmonique de l’ORTF
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Leichte Kavallerie: Ouvertüre (Light Cavalry: Overture)
Komponist(in):
Franz von Suppé (Franz von Suppè, composer)
Teil von:
Leichte Kavallerie (Light Cavalry)
Franz von Suppé1:28
9Childrens Corner: Cake-walk
Klavier:
Peter Schmalfuss (pianist)
recording of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake‐Walk (original piano version)
Komponist(in):
Claude Debussy (French composer) (von 1906 bis 1908-07)
Teil von:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:39
10Minuten-Walzer
Klavier:
Peter Schmalfuss (pianist) und Sylvia Caprova (pianist)
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz” (Walzer Nr. 6 Des-Dur "Minutenwalter", op. 64 Nr.1, BI. 164 Nr. 1)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1846 bis 1847)
Teil von:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 212)
Teil von:
Waltzes, op. 64
Fryderyk Chopin1:50
11Brandenburg Konzert Nr. 1: Allegro
Geige / Violine:
J. Brezina (violinist)
Orchester:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) und Gabor Ötvös
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I.
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:00
12Kaiser-Quartett: Adagio (Thema)
Saiteninstrumente:
Caspar da Salo Quartet (string quartet, Alfred Scholz related)
teilweise recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: II. Poco Adagio. Cantabile
Komponist(in):
Joseph Haydn (composer)
Version von:
Gott erhalte Franz, den Kaiser
Teil von:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn1:48
13Romantische Orgelwerke: Choral
Orgel:
Szabó Imre (organist)
teilweise recording of:
Trois chorals pour orgue
Komponist(in):
César Franck (Belgian‐born French composer) (in 1890)
publisher:
Durand et Cie (1909–1947) (in 1892)
César Franck4:18
14Elvira Madigan KV 467: Andante
Instrumente:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
Klavier:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) und Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
Orchester:
Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym) und Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym), Hubert Kraus (conductor) und Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1785-03-09)
Teil von:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart35:36
159. Symphony: Finale (Coda)
Chorgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1822 bis 1824)
Librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
Teil von:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven10:15
16Klavierwerke: Waldesrauschen
Klavier:
Dieter Goldmann (pianist, Alfred Scholz related)
recording of:
Zwei Konzertetüden, S. 145, Nr. 1: Waldesrauschen
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor) (von 1862 bis 1863)
Teil von:
Zwei Konzertetüden, S. 145
Franz Liszt4:04
17Polowetzer Tänze: Allegro
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
teilweise recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
Komponist(in):
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arranger:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) und Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer)
Alexander Borodin2:20
18Die Moldau: Die Quellen
Orchester:
London Symphony Orchestra
conductor:
Alfred Scholz
teilweise recording of:
Má vlast: II. Vltava, JB 1:112/2 (Mein Vaterland JB 1:112: II. Vltava - Die Moldau, Die Moldau)
Komponist(in):
Bedřich Smetana (composer) (von 1874-11-20 bis 1874-12-08)
Teil von:
B. number catalogue by František Bartoš (Nummer: B. 111)
basiert auf:
La Mantovana
Teil von:
Má vlast, JB 1:112 (Mein Vaterland, My Country / My Fatherland)
Bedřich Smetana4:18
19Der Titan: Stürmisch (Finale)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt
Komponist(in):
Gustav Mahler (composer) (von 1884 bis 1888)
Teil von:
Symphony no. 1 in D major “Titan”
Gustav Mahler4:23
20Tritsch-Tratsch: Polka, op. 214
Orchester:
People's Opera Orchestra, Vienna und Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz) und Alfred Scholz
Interpret(in):
Orchester der Wiener Volksoper
recording of:
Tritsch–Tratsch Polka, op. 214
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (bis 1858)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 214)
Johann Strauss II22:41