Classical Collection, Volume 2

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Der Winter, op. 8/1: Allegro
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name) and Nils‐Erik Sparf (Swedish viol(in)ist)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Drottningholms Barockensemble (Drottningholm Baroque Ensemble), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi53:36
2Concerto, op. 6/8: Vivace/Grave
orchestra:
Orchestre radio Symphonique de S (Stuttgart Radio Symphony Orchestra)
conductor:
Garcia Navarro (conductor)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: I. Vivace - Grave
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli1:11
3Tocca d-Moll, BWV 565
organ:
Hans-Christoph Becker-Foss (organist and choir leader)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach2:26
4Hornkonzert Nr. 2, KV 417: Rondo
French horn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym)
horn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym) and K. Sreter (an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
performer:
Kamil Streter (an Alfred Scholz pseudonym)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Concerto for Horn no. 2 in E-flat major, K. 417
Wolfgang Amadeus Mozart4:04
5Violinkonzert: Finale
violin:
Helena Spitkova (Alfred Scholz pseudonym, violinist)
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
partial recording of:
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace (Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn2:22
6Nußknacker: Ouvertüre
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Gerhard Bosse (as used for an Alfred Scholz release - NOT the real artist), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (until 1892)
part of:
The Nutcracker (suite from the ballet), op. 71a
Pjotr Iljitsch Tschaikowski3:17
7Streicher-Serenade: Moderato
orchestra:
Hungarian State Orchestra (probably fictitious, or Alfred Scholz related), Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic), ORF Radio‐Symphonieorchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) and Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Reinhardt Lutz and Martin Sieghart (Austrian conductor and cellist)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993)
recording of:
Serenade for Strings in E major, op. 22, B. 52: I. Moderato
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52 (Serenade for Strings in E major, op. 22, B. 52)
Antonín Dvořák4:31
8Leichte Kavallerie: Ouvertüre, Coda
orchestra:
Orchestre philharmonique de l’ORTF
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Leichte Kavallerie: Ouvertüre (Light Cavalry: Overture)
composer:
Franz von Suppé (Franz von Suppè, composer)
part of:
Leichte Kavallerie (Light Cavalry)
Franz von Suppé1:28
9Childrens Corner: Cake-walk
piano:
Peter Schmalfuss (pianist)
recording of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake‐Walk (original piano version)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:39
10Minuten-Walzer
piano:
Peter Schmalfuss (pianist) and Sylvia Caprova (pianist)
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz”
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 212)
part of:
Waltzes, op. 64
Fryderyk Chopin1:50
11Brandenburg Konzert Nr. 1: Allegro
violin:
J. Brezina (violinist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Gabor Ötvös
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:00
12Kaiser-Quartett: Adagio (Thema)
strings:
Caspar da Salo Quartet (string quartet, Alfred Scholz related)
partial recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: II. Poco Adagio. Cantabile
composer:
Joseph Haydn (composer)
version of:
Gott erhalte Franz, den Kaiser
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn1:48
13Romantische Orgelwerke: Choral
organ:
Szabó Imre (organist)
partial recording of:
Trois chorals pour orgue
composer:
César Franck (Belgian‐born French composer) (in 1890)
publisher:
Durand et Cie (1909–1947) (in 1892)
César Franck4:18
14Elvira Madigan KV 467: Andante
instruments:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) and Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym), Hubert Kraus (conductor) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart35:36
159. Symphony: Finale (Coda)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven10:15
16Klavierwerke: Waldesrauschen
piano:
Dieter Goldmann (pianist, Alfred Scholz related)
recording of:
Zwei Konzertetüden, S. 145, Nr. 1: Waldesrauschen
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1862 until 1863)
part of:
Zwei Konzertetüden, S. 145
Franz Liszt4:04
17Polowetzer Tänze: Allegro
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
partial recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arranger:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
Alexander Borodin2:20
18Die Moldau: Die Quellen
orchestra:
London Symphony Orchestra
conductor:
Alfred Scholz
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana4:18
19Der Titan: Stürmisch (Finale)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler4:23
20Tritsch-Tratsch: Polka, op. 214
orchestra:
People's Opera Orchestra, Vienna and Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz) and Alfred Scholz
performer:
Orchester der Wiener Volksoper
recording of:
Tritsch–Tratsch Polka, op. 214
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (until 1858)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 214)
Johann Strauss II22:41