Acis & Galatea

~ Veröffentlichung von Handel; Jill Gomez, Robert Tear, Philip Langridge, Benjamin Luxon, Academy of St Martin in the Fields, Neville Marriner (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1Acis and Galatea: Act II: Consider, Fond Shepherd
Produzent(in):
Chris Hazell
Tenor-Gesang [Damon]:
Philip Langridge (tenor) (in 1978-01)
Orchester:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
Tonmeister(in):
Stanley Goodall (engineer) (in 1978-01)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 16. Aria "Consider, fond shepherd, how fleeting's the pleasure" (Damon)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1718)
Librettist:
John Gay (English poet and dramatist) (in 1718)
Teil von:
Acis and Galatea, HWV 49: Act II
George Frideric Handel6:31
2Acis and Galatea: Act II: Cease, oh Cease, Thou Gentle Youth
Produzent(in):
Chris Hazell
Soprangesang [Galatea]:
Jill Gomez (soprano) (in 1978-01)
Orchester:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
Tonmeister(in):
Stanley Goodall (engineer) (in 1978-01)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 16a. Recitativo "Cease, oh cease, thou gentle youth" (Galatea)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1718)
Librettist:
John Gay (English poet and dramatist) (in 1718)
Teil von:
Acis and Galatea, HWV 49: Act II
George Frideric Handel0:32
3Acis and Galatea: Act II: The Flocks Shall Leave the Mountains
Produzent(in):
Chris Hazell
Baritongesang [Polyphemus]:
Benjamin Luxon (baritone) (in 1978-01)
Soprangesang [Galatea]:
Jill Gomez (soprano) (in 1978-01)
Tenor-Gesang [Acis]:
Robert Tear (tenor) (in 1978-01)
Orchester:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
Tonmeister(in):
Stanley Goodall (engineer) (in 1978-01)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 17. Trio "The flocks shall leave the mountains" (Galatea, Acis, Polyphemus)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1718)
Librettist:
John Gay (English poet and dramatist) (in 1718)
Teil von:
Acis and Galatea, HWV 49: Act II
George Frideric Handel2:51
4Acis and Galatea: Act II: Help, Galatea! Help, Ye Parent Gods!
Produzent(in):
Chris Hazell
Tenor-Gesang [Acis]:
Robert Tear (tenor) (in 1978-01)
Orchester:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
Tonmeister(in):
Stanley Goodall (engineer) (in 1978-01)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 18. Recitativo "Help, Galatea!" (Acis)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1718)
Librettist:
John Gay (English poet and dramatist) (in 1718)
Teil von:
Acis and Galatea, HWV 49: Act II
George Frideric Handel1:15
5Acis and Galatea: Act II: Mourn, All Ye Muses!
Produzent(in):
Chris Hazell
Orchester:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
Tonmeister(in):
Stanley Goodall (engineer) (in 1978-01)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 19. Choir "Mourn, all ye muses!"
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1718)
Librettist:
John Gay (English poet and dramatist) (in 1718)
Teil von:
Acis and Galatea, HWV 49: Act II
George Frideric Handel4:14
6Acis and Galatea: Act II: Must I My Acis Still Bemoan
Produzent(in):
Chris Hazell
Soprangesang [Galatea]:
Jill Gomez (soprano) (in 1978-01)
Orchester:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
Tonmeister(in):
Stanley Goodall (engineer) (in 1978-01)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 20a. Solo with Choir "Must I my Acis still bemoan" (Galatea, choir)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1718)
Librettist:
John Gay (English poet and dramatist) (in 1718)
Teil von:
Acis and Galatea, HWV 49: Act II
George Frideric Handel4:17
7Acis and Galatea: Act II: 'Tis Done: Thus I Exert My Pow'r Divine
Produzent(in):
Chris Hazell
Soprangesang [Galatea]:
Jill Gomez (soprano) (in 1978-01)
Orchester:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
Tonmeister(in):
Stanley Goodall (engineer) (in 1978-01)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 20c. Recitativo "'Tis done" (Galatea)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1718)
Librettist:
John Gay (English poet and dramatist) (in 1718)
Teil von:
Acis and Galatea, HWV 49: Act II
George Frideric Handel0:28
8Acis and Galatea: Act II: Heart, the Seat of Soft Delight
Produzent(in):
Chris Hazell
Soprangesang [Galatea]:
Jill Gomez (soprano) (in 1978-01)
Orchester:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
Tonmeister(in):
Stanley Goodall (engineer) (in 1978-01)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 21. Aria "Heart, the seat of soft delight" (Galatea)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1718)
Librettist:
John Gay (English poet and dramatist) (in 1718)
Teil von:
Acis and Galatea, HWV 49: Act II
George Frideric Handel3:39
9Acis and Galatea: Act II: Galatea, Dry Thy Tears
Produzent(in):
Chris Hazell
Orchester:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Sir Neville Marriner (conductor) (in 1978-01)
Tonmeister(in):
Stanley Goodall (engineer) (in 1978-01)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1978-01)
recording of:
Acis and Galatea, HWV 49: Act II, no. 22. Choir "Galatea, dry thy tears"
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1718)
Librettist:
John Gay (English poet and dramatist) (in 1718)
Teil von:
Acis and Galatea, HWV 49: Act II
George Frideric Handel3:00
10Il Pastor Fido: Hunting Scene
Produzent(in):
Michael Bremner (producer/engineer)
Orchester:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Sir Neville Marriner (conductor) (in 1970-12)
Tonmeister(in):
Stanley Goodall (engineer) (in 1970-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
teilweise recording of:
Il pastor fido, HWV 8a (in 1970-12)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (bis 1712-10-24)
Librettist:
Giacomo Rossi
Premiere bei:
His Majesty’s Theatre (Haymarket, London) in London (Greater London), England, Vereinigtes Königreich (am 1712-11-22)
Teil von:
Händel-Werke-Verzeichnis (Nummer: HWV 8a)
George Frideric Handel5:41
11Look Down, Harmonious Saint: Recitative: Look Down, Look Down
Produzent(in):
Michael Bremner (producer/engineer)
vocals:
Robert Tear (tenor) (in 1969-11)
Orchester:
Academy of St Martin in the Fields (in 1969-11)
conductor:
Sir Neville Marriner (conductor) (in 1969-11)
Tonmeister(in):
Stanley Goodall (engineer) (in 1969-11)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1969-11)
teilweise recording of:
Look down, harmonious saint, HWV 124
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1736)
Librettist:
Newburgh Hamilton
Premiere bei:
Covent Garden Theatre (1732-1808) in London (Greater London), England, Vereinigtes Königreich (in 1736-02)
Teil von:
Händel-Werke-Verzeichnis (Nummer: HWV 124)
George Frideric Handel1:20
12Look Down, Harmonious Saint: Aria: Sweet Accents all Your Numbers Grace
Produzent(in):
Michael Bremner (producer/engineer)
vocals:
Robert Tear (tenor) (in 1969-11)
Orchester:
Academy of St Martin in the Fields (in 1969-11)
conductor:
Sir Neville Marriner (conductor) (in 1969-11)
Tonmeister(in):
Stanley Goodall (engineer) (in 1969-11)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1969-11)
teilweise recording of:
Look down, harmonious saint, HWV 124
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1736)
Librettist:
Newburgh Hamilton
Premiere bei:
Covent Garden Theatre (1732-1808) in London (Greater London), England, Vereinigtes Königreich (in 1736-02)
Teil von:
Händel-Werke-Verzeichnis (Nummer: HWV 124)
George Frideric Handel10:00
13Meine Seele Hört Im Sehen
Produzent(in):
Michael Bremner (producer/engineer)
vocals:
Robert Tear (tenor) (in 1969-11)
Orchester:
Academy of St Martin in the Fields (in 1969-11)
conductor:
Sir Neville Marriner (conductor) (in 1969-11)
Tonmeister(in):
Stanley Goodall (engineer) (in 1969-11)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1969-11)
recording of:
Meine Seele hört im Sehen, HWV 207
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1724 bis 1726)
Librettist:
Barthold Heinrich Brockes (poet)
Teil von:
Händel-Werke-Verzeichnis (Nummer: HWV 207)
Teil von:
Neun deutsche Arien, HWV 202-210
George Frideric Handel4:10
14Süße Stille
Produzent(in):
Michael Bremner (producer/engineer)
vocals:
Robert Tear (tenor) (in 1969-11)
Orchester:
Academy of St Martin in the Fields (in 1969-11)
conductor:
Sir Neville Marriner (conductor) (in 1969-11)
Tonmeister(in):
Stanley Goodall (engineer) (in 1969-11)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1969-11)
recording of:
Süsse Stille, sanfte Quelle ruhiger Gelassenheit, HWV 205
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1724 bis 1726)
Librettist:
Barthold Heinrich Brockes (poet)
Teil von:
Händel-Werke-Verzeichnis (Nummer: HWV 205)
George Frideric Handel3:51
15Bacchus and Ariadne: Recitative: The faithless Theseus...
Produzent(in):
Michael Bremner (producer/engineer)
Tenor-Gesang:
Robert Tear (tenor) (in 1969-11)
Orchester:
Academy of St Martin in the Fields (in 1969-11)
conductor:
Sir Neville Marriner (conductor) (in 1969-11)
Tonmeister(in):
Stanley Goodall (engineer) (in 1969-11)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1969-11)
teilweise recording of:
Bacchus and Ariadne (from Six English Cantatas, 1755) (in 1969-11)
Komponist(in):
Thomas Arne (composer)
Thomas Arne1:15
16Bacchus and Ariadne: Aria: Ah Theseus, Theseus stay
Produzent(in):
Michael Bremner (producer/engineer)
Tenor-Gesang:
Robert Tear (tenor) (in 1969-11)
Orchester:
Academy of St Martin in the Fields (in 1969-11)
conductor:
Sir Neville Marriner (conductor) (in 1969-11)
Tonmeister(in):
Stanley Goodall (engineer) (in 1969-11)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1969-11)
teilweise recording of:
Bacchus and Ariadne (from Six English Cantatas, 1755) (in 1969-11)
Komponist(in):
Thomas Arne (composer)
Thomas Arne2:04
17Bacchus and Ariadne: Recit: The jolly God who rules
Produzent(in):
Michael Bremner (producer/engineer)
Tenor-Gesang:
Robert Tear (tenor) (in 1969-11)
Orchester:
Academy of St Martin in the Fields (in 1969-11)
conductor:
Sir Neville Marriner (conductor) (in 1969-11)
Tonmeister(in):
Stanley Goodall (engineer) (in 1969-11)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1969-11)
teilweise recording of:
Bacchus and Ariadne (from Six English Cantatas, 1755) (in 1969-11)
Komponist(in):
Thomas Arne (composer)
Thomas Arne0:41
18Bacchus and Ariadne: Aria: Cease lovely Nymph to weep
Produzent(in):
Michael Bremner (producer/engineer)
Tenor-Gesang:
Robert Tear (tenor) (in 1969-11)
Orchester:
Academy of St Martin in the Fields (in 1969-11)
conductor:
Sir Neville Marriner (conductor) (in 1969-11)
Tonmeister(in):
Stanley Goodall (engineer) (in 1969-11)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1969-11)
teilweise recording of:
Bacchus and Ariadne (from Six English Cantatas, 1755) (in 1969-11)
Komponist(in):
Thomas Arne (composer)
Thomas Arne2:04
19Bacchus and Ariadne: Recitative: With soft reluctance
Produzent(in):
Michael Bremner (producer/engineer)
Tenor-Gesang:
Robert Tear (tenor) (in 1969-11)
Orchester:
Academy of St Martin in the Fields (in 1969-11)
conductor:
Sir Neville Marriner (conductor) (in 1969-11)
Tonmeister(in):
Stanley Goodall (engineer) (in 1969-11)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1969-11)
teilweise recording of:
Bacchus and Ariadne (from Six English Cantatas, 1755) (in 1969-11)
Komponist(in):
Thomas Arne (composer)
Thomas Arne1:30
20Bacchus and Ariadne: Aria: Learn hence ye fond maidens
Produzent(in):
Michael Bremner (producer/engineer)
Tenor-Gesang:
Robert Tear (tenor) (in 1969-11)
Orchester:
Academy of St Martin in the Fields (in 1969-11)
conductor:
Sir Neville Marriner (conductor) (in 1969-11)
Tonmeister(in):
Stanley Goodall (engineer) (in 1969-11)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1969-11)
teilweise recording of:
Bacchus and Ariadne (from Six English Cantatas, 1755) (in 1969-11)
Komponist(in):
Thomas Arne (composer)
Thomas Arne2:49
21Fair Caelia Love Pretended: Recit: Fair Caelia love pretented
Produzent(in):
Michael Bremner (producer/engineer)
vocals:
Robert Tear (tenor) (in 1969-11)
Orchester:
Academy of St Martin in the Fields (in 1969-11)
conductor:
Sir Neville Marriner (conductor) (in 1969-11)
Tonmeister(in):
Stanley Goodall (engineer) (in 1969-11)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1969-11)
teilweise recording of:
Fair Caelia love pretented (in 1969-11)
Komponist(in):
Thomas Arne (composer)
Thomas Arne0:44
22Fair Caelia Love Pretended: Aria: To all the sex deceitfull
Produzent(in):
Michael Bremner (producer/engineer)
vocals:
Robert Tear (tenor) (in 1969-11)
Orchester:
Academy of St Martin in the Fields (in 1969-11)
conductor:
Sir Neville Marriner (conductor) (in 1969-11)
Tonmeister(in):
Stanley Goodall (engineer) (in 1969-11)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1969-11)
teilweise recording of:
Fair Caelia love pretented (in 1969-11)
Komponist(in):
Thomas Arne (composer)
Thomas Arne1:44
23Fair Caelia Love Pretended: Recit: But Caelia now repenting
Produzent(in):
Michael Bremner (producer/engineer)
vocals:
Robert Tear (tenor) (in 1969-11)
Orchester:
Academy of St Martin in the Fields (in 1969-11)
conductor:
Sir Neville Marriner (conductor) (in 1969-11)
Tonmeister(in):
Stanley Goodall (engineer) (in 1969-11)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1969-11)
teilweise recording of:
Fair Caelia love pretented (in 1969-11)
Komponist(in):
Thomas Arne (composer)
Thomas Arne0:42
24Fair Caelia Love Pretended: Aria: How engaging, how endearing
Produzent(in):
Michael Bremner (producer/engineer)
vocals:
Robert Tear (tenor) (in 1969-11)
Orchester:
Academy of St Martin in the Fields (in 1969-11)
conductor:
Sir Neville Marriner (conductor) (in 1969-11)
Tonmeister(in):
Stanley Goodall (engineer) (in 1969-11)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1969-11)
teilweise recording of:
Fair Caelia love pretented (in 1969-11)
Komponist(in):
Thomas Arne (composer)
Thomas Arne2:12
25Song of Momus to Mars
Produzent(in):
Michael Bremner (producer/engineer)
vocals:
Robert Tear (tenor) (in 1969-11)
Orchester:
Academy of St Martin in the Fields (in 1969-11)
conductor:
Sir Neville Marriner (conductor) (in 1969-11)
Tonmeister(in):
Stanley Goodall (engineer) (in 1969-11)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1969-11)
teilweise recording of:
Secular Masque (in 1969-11)
Komponist(in):
William Boyce (English baroque composer)
William Boyce2:45
26The Lass of Richmond Hill
Produzent(in):
Michael Bremner (producer/engineer)
vocals:
Robert Tear (tenor) (in 1969-11)
Orchester:
Academy of St Martin in the Fields (in 1969-11)
conductor:
Sir Neville Marriner (conductor) (in 1969-11)
Tonmeister(in):
Stanley Goodall (engineer) (in 1969-11)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1969-11)
recording of:
Lass of Richmond Hill (in 1969-11)
Texter:
Leonard McNally (Irish playwright and lyricist)
Komponist(in):
James Hook (composer and organist)
Teil von:
Roud Folk Song Index (Nummer: 1246)
James Hook2:37

Nennungen

Veröffentlichung

hergestellt in:Deutschland
gedruckt in:Deutschland
art direction:Jeremy Tilston (art director and designer)
artwork:Gustave Moreau (painter) (von 1880 bis 1881: Aufgabe: Cover "Galatea")
Verwertungsgesellschaft:BIEM (international rights organization representing member societies from 58 countries)
MCPS (UK rights society; do not use this as a label or work publisher!)
urheberrechtlich geschützt (©) von:The Decca Record Company Limited (not a release label; for copyrights use only) (in 1998)
Teil von:Double Decca (Reihenfolge: 94)
Discogs:https://www.discogs.com/release/26026006 [Info]