101 Dinner Party Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD: Pre-Dinner
2CD: Starters
3CD: Main Course
4CD: Dessert
5CD: After Dinner
#TitleArtistRatingLength
1You’ll Always Find Me in the Kitchen at Parties
phonographic copyright (℗) by:
Stiff Records (in 1980)
recording of:
(You’ll Always Find Me in the) Kitchen at Parties
writer:
Jona Lewie and Keith Trussell
publisher:
Imagem London Ltd. and Street Music Ltd.
Jona Lewie33:01
2Not Fair
recording engineer, programming, audio engineer, producer and mixer:
Greg Kurstin
bass, guitar and keyboard:
Greg Kurstin
lead vocals:
Lily Allen
mixed for:
SK1 Productions
recorded at:
Kingsize Soundlabs in Eagle Rock, Los Angeles, California, United States, Lypiatt Park in Gloucestershire, England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Premises Studios in Hoxton, Hackney, London (Greater London), England, United Kingdom
mixed at:
Echo Studio in Los Feliz, Los Angeles, California, United States
music videos:
Not Fair (promo video) by Lily Allen
recording of:
Not Fair
lyricist and composer:
Lily Allen and Greg Kurstin
publisher:
EMI April Music Inc., Kurstin Music and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lily Allen43:22
3Milkshake
producer:
The Neptunes (US producer duo Chad Hugo & Pharrell Williams)
vocals:
Kelis
recording of:
Milkshake
writer:
Chad Hugo and Pharrell Williams
Kelis3.83:02
4Cantaloop (Flip Fantasia)
programming, producer and mixer:
Mel Simpson (Member of Us3) and Geoff Wilkinson
engineer:
Mel Simpson (Member of Us3)
keyboard [keyboards]:
Mel Simpson (Member of Us3)
sampler [samples] and turntable [scratches]:
Geoff Wilkinson
trumpet:
Gerard Presencer
other vocals [rap]:
Rahsaan (Rahsaan Kelly, appears on “Cantaloop” by Us3)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at and mixed at:
Flame Studios in London (Greater London), England, United Kingdom
samples:
Cantaloupe Island by Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Everything I Do Gonna Be Funky (From Now On) by Lou Donaldson
recording of:
Cantaloop (Flip Fantasia)
writer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer), Rahsaan Kelly (Rahsaan Kelly, appears on “Cantaloop” by Us3), Mel Simpson (Member of Us3) and Geoff Wilkinson
publisher:
Us3 Music
is based on:
Cantaloupe Island
Us3 feat. Rahsaan & Gerard Presencer44:34
5I Got The…
engineer:
Dick Plant (engineer)
producer:
Derek Lawrence (British producer) and Big Jim Sullivan
acoustic guitar and electric piano:
Labi Siffre
bass:
Dave Peacock (English bass guitarist, Chas & Dave)
drums (drum set):
Ian Wallace (drummer, ex‐King Crimson)
electric guitar:
Chas Hodges
electric guitar [Lead Guitar]:
Big Jim Sullivan
instruments:
Chas Hodges
percussion:
Alan Branscombe
strings:
Rock 'n' Roll Gypsies
background vocals:
Chas Hodges and Dave Peacock (English bass guitarist, Chas & Dave)
vocals:
Gordon Neville (british singer) and Labi Siffre
arranger:
Big Jim Sullivan
recording of:
I Got The
lyricist and composer:
Labi Siffre
Labi Siffre56:33
6You’ll Never Find Another Love Like Mine
vocals:
Lou Rawls
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976)
recording of:
You’ll Never Find Another Love Like Mine
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lou Rawls54:27
7Private Number
producer:
Booker T. Jones
performer:
Judy Clay (American soul and gospel singer)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (in 1968)
recording of:
Private Number (in 1968)
writer:
William Bell and Booker T. Jones
publisher:
Irving Music, Inc. and Music for Africa (South Africa)
Judy Clay & William Bell22:39
8I Can’t Stand the Rain
part of:
Cachitos Nochevieja 2022 (number: 24) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 197)
recording of:
I Can’t Stand the Rain (in 1973)
writer:
Don Bryant (R&B singer/songwriter), Bernard Miller (US 1970s songwriter) and Ann Peebles
publisher:
Irving Music, Inc. and JEC Publishing (in 1977)
Ann Peebles4.252:28
9Private Dancer
producer:
Carter
solo guitar:
Jeff Beck (English rock guitarist)
lead vocals:
Tina Turner
remixer:
Humberto Gatica
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Private Dancer
lyricist and composer:
Mark Knopfler
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., Shinko Music Entertainment Co., Ltd., Straitjacket Songs Ltd., Universal Music Publishing France (not for release label use!) and Universal Music Publishing, Synch Division
Tina Turner3.54:04
10The Pretender
cover recording of:
The Pretender
lyricist and composer:
Jackson Browne (American singer-songwriter)
publisher:
Swallow Turn Music and WB Music Corp. (1929–2019)
Gary “U.S.” Bonds6:15
11It Don’t Mean a Thing (If It Ain’t Got That Swing)
Dr. John5:26
12Everybody’s Talkin’
recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
Fred Neil32:42
13Black Coffee
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1960-08)
cover recording of:
Black Coffee (1948 song) (in 1960-08)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Julie London42:58
14How D’Ya Like Your Eggs in the Morning (From the “Tropicana” Ad)Dean Martin & Helen O’Connell2:45
15One for My Baby (and One More for the Road)
recording of:
One for My Baby (and One More for the Road)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
Johnny Mercer3:07
16Avalon
producer:
Rhett Davies and Roxy Music
mixer:
Bob Clearmountain
bass guitar:
Alan Spenner (from 1981 until 1982)
drums (drum set):
Andy Newmark (from 1981 until 1982)
guitar:
Neil Hubbard (from 1981 until 1982) and Phil Manzanera (from 1981 until 1982)
keyboard and lead vocals:
Bryan Ferry (from 1981 until 1982)
percussion:
Jimmy Maelen (percussion) (from 1981 until 1982)
saxophone:
Andy Mackay (of Roxy Music) (from 1981 until 1982)
background vocals:
Yannick Etienne (from 1981 until 1982) and Fonzi Thornton (from 1981 until 1982)
performer:
Roxy Music (from 1981 until 1982)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (from 1982 to present, in 1982), Virgin EG Records Ltd. (in 1982) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1999, in 2003)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1981 until 1982)
recording of:
Avalon (from 1981 until 1982)
lyricist and composer:
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. and E.G. Music Ltd. (publisher) (in 1982)
Roxy Music4.154:14
17Brown Sugar
drums (drum set) programming:
Ali Shaheed Muhammad
additional engineer:
Tim Latham
assistant engineer:
G-Spot (engineer)
producer:
D’Angelo (US soul singer, songwriter & producer) and Ali Shaheed Muhammad
mixer:
Bob Power
vocals:
D’Angelo (US soul singer, songwriter & producer)
arranger and vocals arranger:
D’Angelo (US soul singer, songwriter & producer)
recording of:
Brown Sugar
writer:
D’Angelo (US soul singer, songwriter & producer) and Ali Shaheed Muhammad
publisher:
1200 Music, Ah Choo Music Publishing, Jazz Merchant Music (Publishing company related to Q-Tip), Universal Music–Z Tunes LLC and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
D’Angelo34:23
18The Look of Love (full length version)
producer:
Isaac Hayes
arranger:
Isaac Hayes and Dale Warren (US arranger & songwriter)
cover recording of:
The Look of Love
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
Isaac Hayes2.511:13