101 Dinner Party Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Pre-Dinner
2▶CD: Starters
3▶CD: Main Course
4▶CD: Dessert
5▼CD: After Dinner
Nr.TitelKünstlerBewertungLänge
1You’ll Always Find Me in the Kitchen at Parties
phonographisches Urheberrecht (℗) von:
Stiff Records (in 1980)
recording of:
(You’ll Always Find Me in the) Kitchen at Parties
Verfasser(in):
Jona Lewie und Keith Trussell
publisher:
Imagem London Ltd. und Street Music Ltd.
Jona Lewie33:01
2Not Fair
recording engineer, Programmierung, Audio-Engineering, Produzent(in) und Mix:
Greg Kurstin
Bass, Gitarre und Keyboard:
Greg Kurstin
Sologesang:
Lily Allen
gemixt für:
SK1 Productions
aufgenommen bei:
Kingsize Soundlabs in Eagle Rock, Los Angeles, California (Kalifornien), Vereinigte Staaten, Lypiatt Park in Gloucestershire, England, Vereinigtes Königreich, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich und The Premises Studios in Hoxton, Hackney, London (Greater London), England, Vereinigtes Königreich
mixed at:
Echo Studio in Los Feliz, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Not Fair (promo video) von Lily Allen
recording of:
Not Fair
Texter und Komponist(in):
Lily Allen und Greg Kurstin
publisher:
EMI April Music Inc., Kurstin Music und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lily Allen43:22
3Milkshake
Produzent(in):
The Neptunes (US producer duo Chad Hugo & Pharrell Williams)
vocals:
Kelis
recording of:
Milkshake
Verfasser(in):
Chad Hugo und Pharrell Williams
Kelis3.83:02
4Cantaloop (Flip Fantasia)
Programmierung, Produzent(in) und Mix:
Mel Simpson (Member of Us3) und Geoff Wilkinson
Techniker(in):
Mel Simpson (Member of Us3)
Keyboard [keyboards]:
Mel Simpson (Member of Us3)
Sampler [samples] und turntable [scratches]:
Geoff Wilkinson
Trompete:
Gerard Presencer
sonstiger Gesang [rap]:
Rahsaan (Rahsaan Kelly, appears on “Cantaloop” by Us3)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
aufgenommen bei und mixed at:
Flame Studios in London (Greater London), England, Vereinigtes Königreich
Samples:
Cantaloupe Island von Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Everything I Do Gonna Be Funky (From Now On) von Lou Donaldson
recording of:
Cantaloop (Flip Fantasia)
Verfasser(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer), Rahsaan Kelly (Rahsaan Kelly, appears on “Cantaloop” by Us3), Mel Simpson (Member of Us3) und Geoff Wilkinson
publisher:
Us3 Music
basiert auf:
Cantaloupe Island
Us3 feat. Rahsaan & Gerard Presencer44:34
5I Got The…
Techniker(in):
Dick Plant (engineer)
Produzent(in):
Derek Lawrence (British producer) und Big Jim Sullivan
Akustikgitarre und Hybrid-Piano:
Labi Siffre
Bass:
Dave Peacock (English bass guitarist, Chas & Dave)
E-Gitarre:
Chas Hodges
E-Gitarre [Lead Guitar]:
Big Jim Sullivan
Instrumente:
Chas Hodges
Perkussion:
Alan Branscombe
Saiteninstrumente:
Rock 'n' Roll Gypsies
Schlagzeug:
Ian Wallace (drummer, ex‐King Crimson)
Hintergrundgesang:
Chas Hodges und Dave Peacock (English bass guitarist, Chas & Dave)
vocals:
Gordon Neville (british singer) und Labi Siffre
arranger:
Big Jim Sullivan
recording of:
I Got The
Texter und Komponist(in):
Labi Siffre
Labi Siffre56:33
6You’ll Never Find Another Love Like Mine
vocals:
Lou Rawls
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976)
recording of:
You’ll Never Find Another Love Like Mine
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lou Rawls54:27
7Private Number
Produzent(in):
Booker T. Jones
Interpret(in):
Judy Clay (American soul and gospel singer)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (in 1968)
recording of:
Private Number (in 1968)
Verfasser(in):
William Bell und Booker T. Jones
publisher:
Irving Music, Inc. und Music for Africa (South Africa)
Judy Clay & William Bell22:39
8I Can’t Stand the Rain
Teil von:
Cachitos Nochevieja 2022 (Nummer: 24) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 197)
recording of:
I Can’t Stand the Rain (in 1973)
Verfasser(in):
Don Bryant (R&B singer/songwriter), Bernard Miller (US 1970s songwriter) und Ann Peebles
publisher:
Irving Music, Inc. und JEC Publishing (in 1977)
Ann Peebles4.252:28
9Private Dancer
Produzent(in):
Carter
Solo-Gitarre:
Jeff Beck (English rock guitarist)
Sologesang:
Tina Turner
remixer:
Humberto Gatica
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Private Dancer
Texter und Komponist(in):
Mark Knopfler
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., Shinko Music Entertainment Co., Ltd., Straitjacket Songs Ltd., Universal Music Publishing France (not for release label use!) und Universal Music Publishing, Synch Division
Tina Turner3.54:04
10The Pretender
cover recording of:
The Pretender
Texter und Komponist(in):
Jackson Browne (American singer-songwriter)
publisher:
Swallow Turn Music und WB Music Corp. (1929–2019)
Gary “U.S.” Bonds6:15
11It Don’t Mean a Thing (If It Ain’t Got That Swing)
Dr. John5:26
12Everybody’s Talkin’
recording of:
Everybody’s Talkin’
Texter und Komponist(in):
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music und Third Story Music, Inc.
Fred Neil32:42
13Black Coffee
Techniker(in):
John Kraus (1950s US engineer)
Produzent(in):
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1960-08)
cover recording of:
Black Coffee (1948 song) (in 1960-08)
Texter:
Paul Francis Webster (in 1948)
Komponist(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. und Webster Music Co.
Julie London42:58
14How D’Ya Like Your Eggs in the Morning (From the “Tropicana” Ad)
recording of:
How D’Ya Like Your Eggs in the Morning?
Texter:
Sammy Cahn
Komponist(in):
Nicholas Brodzsky
Dean Martin & Helen O’Connell2:45
15One for My Baby (and One More for the Road)
recording of:
One for My Baby (and One More for the Road)
Texter:
Johnny Mercer (in 1943)
Komponist(in):
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. und Harwin Music
Teil von:
The Sky’s the Limit (1943 film)
Johnny Mercer3:07
16Avalon
Produzent(in):
Rhett Davies und Roxy Music
Mix:
Bob Clearmountain
Bassgitarre:
Alan Spenner (von 1981 bis 1982)
Gitarre:
Neil Hubbard (von 1981 bis 1982) und Phil Manzanera (von 1981 bis 1982)
Keyboard und Sologesang:
Bryan Ferry (von 1981 bis 1982)
Perkussion:
Jimmy Maelen (percussion) (von 1981 bis 1982)
Saxophon:
Andy Mackay (of Roxy Music) (von 1981 bis 1982)
Schlagzeug:
Andy Newmark (von 1981 bis 1982)
Hintergrundgesang:
Yannick Etienne (von 1981 bis 1982) und Fonzi Thornton (von 1981 bis 1982)
Interpret(in):
Roxy Music (von 1981 bis 1982)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (vom 1982 bis heute, in 1982), Virgin EG Records Ltd. (in 1982) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1999, in 2003)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1981 bis 1982)
recording of:
Avalon (von 1981 bis 1982)
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. und E.G. Music Ltd. (publisher) (in 1982)
Roxy Music4.154:14
17Brown Sugar
Schlagzeug-Programmierung:
Ali Shaheed Muhammad
assistierende(r) Techniker(in):
G-Spot (engineer)
zusätzliche(r) Techniker(in):
Tim Latham
Produzent(in):
D’Angelo (US soul singer, songwriter & producer) und Ali Shaheed Muhammad
Mix:
Bob Power
vocals:
D’Angelo (US soul singer, songwriter & producer)
arranger und vocals arranger:
D’Angelo (US soul singer, songwriter & producer)
recording of:
Brown Sugar
Verfasser(in):
D’Angelo (US soul singer, songwriter & producer) und Ali Shaheed Muhammad
publisher:
1200 Music, Ah Choo Music Publishing, Jazz Merchant Music (Publishing company related to Q-Tip), Universal Music–Z Tunes LLC und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
D’Angelo34:23
18The Look of Love (full length version)
Produzent(in):
Isaac Hayes
arranger:
Isaac Hayes und Dale Warren (US arranger & songwriter)
cover recording of:
The Look of Love
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 40th Academy Award for Best Original Song (Nummer: 2)
Isaac Hayes2.511:13

Nennungen