Movie Romance

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Missing: Theme From Missing
orchestra:
The City of Prague Philharmonic Orchestra
direttore d'orchestra:
Nic Raine
registrazione di:
Missing
compositore:
Vangelis (Greek composer of electronic, new age and classical)
Vangelis4:01
2An Officer & a Gentleman: Up Where We Belong
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Leon Ndugu Chancler
chitarra :
Louie Shelton
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Robbie Buchanan (Canadian producer) e Bobby Lyle
voce principale:
Joe Cocker e Jennifer Warnes
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1982) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1982)
registrazione di:
Up Where We Belong (An Officer and a Gentleman)
paroliere:
Will Jennings
compositore:
Jack Nitzsche (American musician and score composer) e Buffy Sainte‐Marie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 55th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1982 winner)
Jennifer Warnes & Joe Cocker3.53:49
3Licence to Kill: Licence to Kill
produttore:
Narada Michael Walden
produttore associato:
Walter "Babylove" Afanasieff*
esecutore:
Gladys Knight (soul and r&b music singer-songwriter)
arrangiatore:
Narada Michael Walden
co-arrangiatore:
Walter "Babylove" Afanasieff*
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1989)
edit di:
Licence to Kill (extended version) di Gladys Knight (soul and r&b music singer-songwriter)
registrazione di:
Licence to Kill
autore:
Walter Afanasieff, Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) e Narada Michael Walden
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) e SBK Songs Ltd. (nel 1989)
parte di:
James Bond themes
cita la musica di:
Goldfinger
Gladys Knight & the Pips44:11
4Ghost: Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:38
5Peter’s Friends: I Guess That’s Why They Call It the Blues
tecnico di registrazione:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
armonica (a bocca) :
Stevie Wonder
basso elettrico :
Dee Murray
batteria :
Nigel Olsson
chitarra acustica e chitarra elettrica :
Davey Johnstone
pianoforte , sintetizzatore e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
voce di accompagnamento:
Davey Johnstone, Dee Murray e Nigel Olsson
diritti fonografici (℗) detenuti da:
Happenstance Ltd. (record and publishing company) (nel 1983)
registrata presso:
AIR Studios Montserrat in Saint Peter, Montserrat (il 1983-03-07)
mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
video musicali:
I Guess That’s Why They Call It the Blues di Elton John (English singer, songwriter, pianist, and composer)
registrazione di:
I Guess That’s Why They Call It the Blues
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer) e Davey Johnstone
editore:
Big Pig Music Ltd. (publisher) e Universal–Songs of PolyGram International, Inc.
Elton John3.54:43
6Jack and Sarah: Ocean Drive
registrazione di:
Ocean Drive
paroliere e compositore:
Paul Tucker
editore:
PolyGram Music Publishing
è stata commissionata da:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Lighthouse Family2.353:56
7Priscilla Queen of the Desert: I’ve Never Been to Me
registrazione di:
I’ve Never Been to Me
autore:
Ken Hirsch (American pop songwriter, composer, pianist, producer, and arranger) e Ron Miller (Motown songwriter Ronald Norman Miller)
editore:
Stone Diamond Music Corporation
Charlene3:50
8Flashdance: Flashdance… What a Feeling
produttore:
Giorgio Moroder
voce:
Irene Cara
diritti fonografici (℗) detenuti da:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (nel 1983) e Universal Music TV (UK, a division of Universal Music Operations Limited) (nel 1995)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 38) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 492)
registrazione di:
Flashdance… What a Feeling
paroliere:
Irene Cara e Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1983 winner)
Irene Cara3.653:57
9American Gigolo: Call Me
tecnico:
Harold Faltermeyer
produttore:
Giorgio Moroder
batteria [drums] :
Clem Burke (nel 1980-01)
chitarra :
Frank Infante (nel 1980-01) e Chris Stein (nel 1980-01)
chitarra basso [bass] :
Nigel Harrison (nel 1980-01)
pianoforte elettrico :
Jimmy Destri (nel 1980-01)
sintetizzatore aggiunto:
Giorgio Moroder (nel 1980-01)
voce principale:
Debbie Harry (nel 1980-01)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980, nel 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980), Chrysalis Records, Inc. (not for release label use!) (nel 1980, nel 2002), Capitol Records (imprint of Capitol Records, Inc.) (nel 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1998) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2002)
registrata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (nel 1979) e The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (nel 1980-01)
mixata presso:
Allen Zentz Mastering in San Clemente, California, Stati Uniti
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 157)
registrazione di:
Call Me (nel 1980-01)
paroliere:
Deborah Harry
compositore:
Giorgio Moroder
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody e Sony/ATV Music Publishing Australia Pty Ltd.
sub-editore:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Blondie4.23:27
10My Girl: My Girl
registrazione di:
My Girl
paroliere:
Smokey Robinson
compositore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Temptations2:41
11Pulp Fiction: Son of a Preacher Man
tecnico:
Ed Kollis
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
batteria :
Gene Chrisman (nel 1968-09)
chitarra basso :
Tommy Cogbill (nel 1968-09)
chitarra e sitar :
Reggie Young (guitarist and songwriter) (nel 1968-09)
pianoforte elettrico e organo :
Bobby Emmons (nel 1968-09)
voce:
Dusty Springfield (nel 1968-09)
voce di accompagnamento:
The Sweet Inspirations (nel 1968-09)
direttore d'orchestra:
Gene Orloff (nel 1968-09)
arrangiatore ottoni :
Tom Dowd
arrangiatore ottoni e archi :
Arif Mardin
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1968)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 168) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 240)
registrazione di:
Son of a Preacher Man (nel 1968-09)
autore:
John Hurley e Ronnie Wilkins
editore:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Dusty Springfield4.452:27
12First Wives Club: You Don’t Own Me
registrazione di:
You Don’t Own Me
autore:
John Madara (nel 1963) e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors) (nel 1963)
editore:
Merjoda Music Inc. e Unichappell Music, Inc. (nel 1963)
Lesley Gore2:32
13The Crying Game: The Crying Game
registrazione di:
The Crying Game
paroliere e compositore:
Geoff Stephens
editore:
Peermusic (UK) Limited e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Dave Berry2:44
14Good Morning Vietnam: The Game of Love
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (not for release label use!) (nel 1965)
registrazione cover di:
Game of Love
paroliere e compositore:
Clint Ballard, Jr.
Wayne Fontana & The Mindbenders4.52:06
15Sea of Love: Sea of Love
registrazione cover di:
Sea of Love
editore:
Fort Knox Music Co e Tek Publishing
registrazione di:
Sea of Love
editore:
Fort Knox Music Co e Tek Publishing
Marty Wilde2:25
16Mona Lisa: Mona Lisa
registrazione di:
Mona Lisa
paroliere:
Raymond B. Evans (American songwriter)
compositore:
Jay Livingston
editore:
Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-editore:
BMG Unisong Music Publishers BV
parte di:
The 23rd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1950 winner)
Nat King Cole3:27
17Breaking Glass: Will You?
produttore:
Tony Visconti
voce:
Hazel O’Connor
arrangiatore:
Tony Visconti
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1980)
registrata presso e mixata presso:
Good Earth Studios (recording studio in Soho, London, UK, 1977–1989) in Soho, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Will You?
paroliere e compositore:
Hazel O’Connor
editore:
Albion Music Ltd.
Hazel O’Connor4:47
18The Big Easy: Tell It Like It Is
registrazione di:
Tell It Like It Is
autore:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) e Lee Diamond
editore:
Conrad Music (publisher; do NOT use as release label) e Olrap Publishing Co., Inc.
Aaron Neville3:06
19Local Hero: Going Home
registrazione di:
Going Home: Theme of the Local Hero
compositore:
Mark Knopfler
Mark Knopfler4:59
20Chariots of Fire: Chariots of Fire
registrazione di:
Chariots of Fire (title theme of the 1981 film)
compositore:
Vangelis (Greek composer of electronic, new age and classical)
editore:
EMI Music Publishing (do not use as a release label!) e WB Music Corp. (1929–2019)
Vangelis3:28

Accreditamenti

Pubblicazione

fabbricata a:the U.K.
note di libretto:Michael Heatley (nel 1997)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Marks and Spencer PLC (nel 1997)
Discogs:https://www.discogs.com/release/6050638 [info]