Movie Romance

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Missing: Theme From Missing
Orchester:
The City of Prague Philharmonic Orchestra (Prager Philharmoniker)
conductor:
Nic Raine
recording of:
Missing
Komponist(in):
Vangelis (Greek composer of electronic, new age and classical)
Vangelis4:01
2An Officer & a Gentleman: Up Where We Belong
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer) und Bobby Lyle
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1982) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1982 winner)
Jennifer Warnes & Joe Cocker3.53:49
3Licence to Kill: Licence to Kill
Partner-Produzent(in):
Walter "Babylove" Afanasieff*
Produzent(in):
Narada Michael Walden
Interpret(in):
Gladys Knight (soul and r&b music singer-songwriter)
arranger:
Narada Michael Walden
co-arranger:
Walter "Babylove" Afanasieff*
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1989)
Bearbeitung von:
Licence to Kill (extended version) von Gladys Knight (soul and r&b music singer-songwriter)
recording of:
Licence to Kill
Verfasser(in):
Walter Afanasieff, Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) und Narada Michael Walden
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und SBK Songs Ltd. (in 1989)
Teil von:
James Bond themes
quotes music from:
Goldfinger
Gladys Knight & the Pips44:11
4Ghost: Unchained Melody
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
Solo Sologesang:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographisches Urheberrecht (℗) von:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1965-03)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 269) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing und Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
The Righteous Brothers33:38
5Peter’s Friends: I Guess That’s Why They Call It the Blues
recording engineer:
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Akustikgitarre und E-Gitarre:
Davey Johnstone
E-Bass:
Dee Murray
Klavier, Synthesizer und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Mundharmonika:
Stevie Wonder
Schlagzeug:
Nigel Olsson
Hintergrundgesang:
Davey Johnstone, Dee Murray und Nigel Olsson
phonographisches Urheberrecht (℗) von:
Happenstance Ltd. (record and publishing company) (in 1983)
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat (am 1983-03-07)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Musikvideos:
I Guess That’s Why They Call It the Blues von Elton John (English singer, songwriter, pianist, and composer)
recording of:
I Guess That’s Why They Call It the Blues
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer) und Davey Johnstone
publisher:
Big Pig Music Ltd. (publisher) und Universal–Songs of PolyGram International, Inc.
Elton John3.54:43
6Jack and Sarah: Ocean Drive
recording of:
Ocean Drive
Texter und Komponist(in):
Paul Tucker
publisher:
PolyGram Music Publishing
was commissioned by:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Lighthouse Family2.353:56
7Priscilla Queen of the Desert: I’ve Never Been to Me
recording of:
I’ve Never Been to Me
Verfasser(in):
Ken Hirsch (American pop songwriter, composer, pianist, producer, and arranger) und Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Stone Diamond Music Corporation
Charlene3:50
8Flashdance: Flashdance… What a Feeling
Produzent(in):
Giorgio Moroder
vocals:
Irene Cara
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) und Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 38) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 492)
recording of:
Flashdance… What a Feeling
Texter:
Irene Cara und Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1983 winner)
Irene Cara3.653:57
9American Gigolo: Call Me
Techniker(in):
Harold Faltermeyer
Produzent(in):
Giorgio Moroder
Bassgitarre [bass]:
Nigel Harrison (in 1980-01)
Gitarre:
Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
Hybrid-Piano:
Jimmy Destri (in 1980-01)
Schlagzeug [drums]:
Clem Burke (in 1980-01)
zusätzlich Synthesizer:
Giorgio Moroder (in 1980-01)
Sologesang:
Debbie Harry (in 1980-01)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
aufgenommen bei:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979) und The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 157)
recording of:
Call Me (in 1980-01)
Texter:
Deborah Harry
Komponist(in):
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Blondie4.23:27
10My Girl: My Girl
recording of:
My Girl
Texter:
Smokey Robinson
Komponist(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations2:41
11Pulp Fiction: Son of a Preacher Man
Techniker(in):
Ed Kollis
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bassgitarre:
Tommy Cogbill (in 1968-09)
Gitarre und Sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
Hybrid-Piano und Orgel:
Bobby Emmons (in 1968-09)
Schlagzeug:
Gene Chrisman (in 1968-09)
Hintergrundgesang:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
Blechblasinstrumente arranger:
Tom Dowd
Blechblasinstrumente und Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1968)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 168) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 240)
recording of:
Son of a Preacher Man (in 1968-09)
Verfasser(in):
John Hurley und Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Dusty Springfield4.452:27
12First Wives Club: You Don’t Own Me
recording of:
You Don’t Own Me
Verfasser(in):
John Madara (in 1963) und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors) (in 1963)
publisher:
Merjoda Music Inc. und Unichappell Music, Inc. (in 1963)
Lesley Gore2:32
13The Crying Game: The Crying Game
recording of:
The Crying Game
Texter und Komponist(in):
Geoff Stephens
publisher:
Peermusic (UK) Limited und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Dave Berry2:44
14Good Morning Vietnam: The Game of Love
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (not for release label use!) (in 1965)
cover recording of:
Game of Love
Texter und Komponist(in):
Clint Ballard, Jr.
Wayne Fontana & The Mindbenders4.52:06
15Sea of Love: Sea of Love
cover recording of:
Sea of Love
publisher:
Fort Knox Music Co und Tek Publishing
recording of:
Sea of Love
publisher:
Fort Knox Music Co und Tek Publishing
Marty Wilde2:25
16Mona Lisa: Mona Lisa
recording of:
Mona Lisa
Texter:
Raymond B. Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
BMG Unisong Music Publishers BV
Teil von:
The 23rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1950 winner)
Nat King Cole3:27
17Breaking Glass: Will You?
Produzent(in):
Tony Visconti
vocals:
Hazel O’Connor
arranger:
Tony Visconti
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1980)
aufgenommen bei und mixed at:
Good Earth Studios (recording studio in Soho, London, UK, 1977–1989) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Will You?
Texter und Komponist(in):
Hazel O’Connor
publisher:
Albion Music Ltd.
Hazel O’Connor4:47
18The Big Easy: Tell It Like It Is
recording of:
Tell It Like It Is
Verfasser(in):
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) und Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) und Olrap Publishing Co., Inc.
Aaron Neville3:06
19Local Hero: Going HomeMark Knopfler4:59
20Chariots of Fire: Chariots of Fire
recording of:
Chariots of Fire (title theme of the 1981 film)
Komponist(in):
Vangelis (Greek composer of electronic, new age and classical)
publisher:
EMI Music Publishing (do not use as a release label!) und WB Music Corp. (1929–2019)
Vangelis3:28

Nennungen

Veröffentlichung

hergestellt in:the U.K.
liner notes:Michael Heatley (in 1997)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Marks and Spencer PLC (in 1997)
Discogs:https://www.discogs.com/release/6050638 [Info]