60s Psychedelic Rock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1White Room
recording engineer:
Adrian Barber (producer/engineer) (von 1967-07 bis 1968-06) und Tom Dowd (von 1967-07 bis 1968-06)
Techniker(in):
Adrian Barber (producer/engineer) und Tom Dowd
Produzent(in):
Felix Pappalardi
Bass:
Jack Bruce (von 1967-07 bis 1968-06)
Bratsche / Viola:
Felix Pappalardi (von 1967-07 bis 1968-06)
Gitarre:
Eric Clapton (von 1967-07 bis 1968-06)
Pauke und Schlagzeug und Perkussion:
Ginger Baker (von 1967-07 bis 1968-06)
vocals:
Jack Bruce (von 1967-07 bis 1968-06)
phonographisches Urheberrecht (℗) von:
Robert Stigwood Group Ltd. (in 1968), Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968) und Robert Stigwood Organisation Ltd. (in 1969)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (von 1967-07 bis 1967-08) und Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1967-09 bis 1967-10, von 1968-02 bis 1968-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 368)
recording of:
White Room (von 1967-07 bis 1968-06)
Verfasser(in):
Pete Brown (UK poet & producer, with Cream and Jack Bruce) und Jack Bruce
publisher:
BG Publishing, Casserole Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner Chappell Music, Inc.
sub-publisher:
Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Cream4.24:58
2Mama Told Me (Not to Come)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 11)
cover recording of:
Mama Told Me (Not to Come)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music, January Music Corp., Supersongs Unlimited, Unichappell Music, Inc. und Warner/Chappell North America
Three Dog Night4.653:20
3Venus in Furs
recording engineer:
Omi Haden
Produzent(in):
Andy Warhol (American artist)
recording of:
Venus in Furs
Texter und Komponist(in):
Lou Reed
The Velvet Underground4.455:08
4Just Dropped In (to See What Condition My Condition Was in)
The First Edition3:21
5Magic Carpet Ride
Produzent(in):
Gabriel Mekler
recording of:
Magic Carpet Ride
Verfasser(in):
John Kay (lead singer of Steppenwolf) und Rushton Moreve
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Music Pool, Inc., Trousdale Music Publishers, Inc., Universal Duchess Music Corp. und Universal/MCA Music Publishing Pty Ltd
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.454:27
6Dear Mr. Fantasy
Produzent(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (von 1967-04 bis 1967-11)
recording of:
Dear Mr. Fantasy (in 1967)
Texter:
Jim Capaldi
Komponist(in):
Steve Winwood und Chris Wood (rock musician, member of Traffic)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Traffic55:37
7Run Through the Jungle
Produzent(in):
John Fogerty
E-Bass:
Stu Cook (in 1969)
E-Gitarre:
John Fogerty (in 1969) und Tom Fogerty (in 1969)
Schlagzeug:
Doug Clifford (in 1969)
Sologesang:
John Fogerty (in 1969)
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
recording of:
Run Through the Jungle (in 1970-03)
Texter und Komponist(in):
John Fogerty
publisher:
Creeping Ritual, Jondora Music, Prestige Music (US drum & bass) und Prestige Music ltd.
Creedence Clearwater Revival4.153:04
8Good Vibrations
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
recording of:
Good Vibrations (Love/Wilson lyrics, common version)
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) und Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Version von:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.63:39
9Can’t Find My Way Home
Produzent(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
Bass:
Ric Grech (in 1969-06)
Gitarre:
Eric Clapton (in 1969-06) und Steve Winwood (in 1969-06)
Schlagzeug:
Ginger Baker (in 1969-06)
vocals:
Steve Winwood (in 1969-06)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2001)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1969-06)
recording of:
Can’t Find My Way Home (in 1969-06)
Texter und Komponist(in):
Steve Winwood
publisher:
F.S. Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Ltd. (1996–2019)
Blind Faith43:16
10Incense and Peppermints
Produzent(in):
Frank Slay
recording of:
Incense and Peppermints
Verfasser(in):
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) und Tim Gilbert
zusätzliche(r) Verfasser(in):
Ed King (US guitarist, bassist & songwriter) und Mark Weitz (keyboardist)
publisher:
MCA Music Ltd.
Strawberry Alarm Clock4.52:47
11Wild Thing
Produzent(in):
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
E-Gitarre:
Chris Britton (The Troggs) (in 1966)
Okarina und Sologesang:
Reg Presley (in 1966)
Schlagzeug:
Ronnie Bond (The Troggs) (in 1966)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 257)
cover recording of:
Wild Thing (in 1966)
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH und April Music (in 1981)
The Troggs4.42:35
12Psychotic Reaction
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1966)
Produzent(in):
Joe Hooven und Hal Winn
Bass:
Roy Chaney (in 1966)
Gitarre:
John “Sean” Byrne (in 1966) und John “Mouse” Michalski (in 1966)
Mundharmonika:
Kenn Ellner (in 1966)
Schlagzeug:
Craig “Butch” Atkinson (in 1966)
Sologesang:
John “Sean” Byrne (in 1966)
Interpret(in):
Count Five und The Countdown Singers (sound-alike cover band associated with the Madacy labels)
recording of:
Psychotic Reaction (in 1966)
Komponist(in):
Craig “Butch” Atkinson, John “Sean” Byrne, Roy Chaney, Kenn Ellner und John “Mouse” Michalski
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Lovolar Music
Count Five53:05
13Sunshine of Your Love
recording engineer:
Tom Dowd (von 1967-04 bis 1967-05)
Produzent(in):
Felix Pappalardi
Bass:
Jack Bruce (von 1967-04 bis 1967-05)
Gitarre:
Eric Clapton (von 1967-04 bis 1967-05)
Schlagzeug:
Ginger Baker (von 1967-04 bis 1967-05)
vocals:
Jack Bruce (von 1967-04 bis 1967-05) und Eric Clapton (von 1967-04 bis 1967-05)
phonographisches Urheberrecht (℗) von:
Robert Stigwood Group Ltd. (in 1967), Robert Stigwood Organisation Ltd. (in 1967, in 1969) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1967-04 bis 1967-05)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 65) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Sunshine of Your Love (von 1967-04 bis 1967-05)
Verfasser(in):
Pete Brown (UK poet & producer, with Cream and Jack Bruce), Jack Bruce und Eric Clapton
publisher:
Casserole Music Corp., Dratleaf Music Ltd., E.C. Music (UK work publisher for Eric Clapton), Nemperor Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell Music, Inc.
Cream4.14:10
14Baby Blue
The Chocolate Watch Band3:12
15Nights in White Satin (single version)
leitende(r) Produzent(in):
Hugh Mendl
Produzent(in):
Tony Clark (engineer, Abbey Road)
phonographisches Urheberrecht (℗) von:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1967)
recording of:
Nights in White Satin (in 1967)
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. und Tyler Music Ltd.
The Moody Blues4.44:25
16(We Ain’t Got) Nothing Yet (album version)
Produzent(in):
Art Polhemus und Bob Wyld (independent producer based in New York City)
recording of:
(We Ain’t Got) Nothin’ Yet
Verfasser(in):
Emil Thielhelm, Mike Esposito (guitarist in the Blues Magoos), Ronnie Gilbert (bass player for the Blues Magoos) und Ralph Scala
publisher:
Musicville Ltd.
Blues Magoos42:16
17The Old Man’s Back Again (Dedicated to the Neo‐Stalinist Regime)
Techniker(in):
Keith Grant (classical recording engineer) und Adrian Kerridge
Produzent(in):
John Franz
recording of:
The Old Man’s Back Again (Dedicated to the Neo‐Stalinist Regime)
Verfasser(in):
Scott Engel (singer‐songwriter, musician and producer)
Scott Walker33:43
18San Francisco Girls (Return of the Native)
Fever Tree4:02
19The Other Song
Spirit5:30
20Sunday Morning
recording engineer:
Omi Haden
Produzent(in):
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
Hintergrundgesang:
Nico (Christa Päffgen, German singer, fashion model, actress)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1967)
recording of:
Sunday Morning
Texter:
Lou Reed
Komponist(in):
John Cale (The Velvet Underground founder) und Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground4.152:53
21Spirit in the Sky
Produzent(in):
Erik Jacobsen
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1969), Seven Arts Records, Inc. (not a label) (in 1969), Transtone Productions (in 1970) und Craft Recordings (US jazz label; reissue division of Concord) (in 2023)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 5), Billboard Year-End Hot 100 singles of 1970 (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 333)
recording of:
Spirit in the Sky (in 1969)
Texter und Komponist(in):
Norman Greenbaum
publisher:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) und Westminster Music Ltd.
Norman Greenbaum4.054:02
22Walk Away
Techniker(in):
Kenneth Hamann (engineer), Bill Szymczyk und Eddie Youngblood
Produzent(in):
James Gang (US rock group) und Bill Szymczyk
Bass:
Dale Peters (in 1970)
Gitarre und Sologesang:
Joe Walsh (Eagles/James Gang) (in 1970)
Schlagzeug:
Jim Fox (American percussionist) (in 1970)
recording of:
Walk Away (in 1970)
Texter und Komponist(in):
Joe Walsh (Eagles/James Gang)
publisher:
Songs of Universal, Inc. (BMI) und Universal Duchess Music Corp.
James Gang23:34
23I Just Wasn’t Made for These Times
Techniker(in):
Larry Levine (am 1966-02-14) und Ralph Valentin (von 1966-03 bis 1966-04)
Produzent(in):
Mark Linett und Brian Wilson (Beach Boys co‐founder)
Mix:
Mark Linett
Bass-Mundharmonika:
Tommy Morgan (Harmonica player) (am 1966-02-14)
Bassklarinette:
Jay Migliori (am 1966-02-14)
Cembalo:
Mike Melvoin (am 1966-02-14)
E-Bass:
Ray Pohlman (am 1966-02-14)
Gitarre:
Glen Campbell (US country singer, guitarist & actor) (am 1966-02-14) und Barney Kessel (am 1966-02-14)
Klarinette:
Steve Douglas (American saxophonist, flautist and clarinetist) (am 1966-02-14) und Bobby Klein (am 1966-02-14)
Kontrabass:
Chuck Berghofer (Jazz bassist) (am 1966-02-14)
Pauke und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1966-02-14)
Perkussion [cups] und Templeblocks:
Frank Capp (am 1966-02-14)
Piccoloflöte:
Plas Johnson (am 1966-02-14)
tack piano:
Don Randi (am 1966-02-14)
Theremin [electro-theremin]:
Paul Tanner (am 1966-02-14)
Sologesang:
Brian Wilson (Beach Boys co‐founder) (von 1966-03 bis 1966-04)
arranger:
Brian Wilson (Beach Boys co‐founder)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-02-14) und Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-03 bis 1966-04)
Remix von:
I Just Wasn’t Made for These Times (mono) von The Beach Boys (American rock band)
recording of:
I Just Wasn’t Made for These Times (von 1966-03 bis 1966-04)
Texter:
Tony Asher (US lyricist, worked on Pet Sounds)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI)
The Beach Boys2.653:22
24Feelin’ Alright?
Produzent(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (von 1968-01 bis 1968-05) und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1968-01 bis 1968-05)
recording of:
Feelin’ Alright
Texter und Komponist(in):
Dave Mason (co‐founder of Traffic)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
Traffic34:18
25Fresh Air (remastered)
recording of:
Fresh Air
Texter und Komponist(in):
Jesse Oris Farrow
Verfasser(in):
Dino Valenti
Quicksilver Messenger Service5:19
26A Certain Kind
recording of:
A Certain Kind
Texter und Komponist(in):
Hugh Hopper (British bassist)
Soft Machine34:13
27The Pusher
Produzent(in):
Gabriel Mekler
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1968)
aufgenommen bei:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1967)
cover recording of:
The Pusher (in 1967)
Texter und Komponist(in):
Hoyt Axton
publisher:
Lady Jane Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf45:49
28Light Up or Leave Me Alone
Produzent(in):
Steve Winwood
recording of:
Light Up or Leave Me Alone
Verfasser(in):
Jim Capaldi
publisher:
Universal PolyGram International (SESAC)
Traffic4:48
29Rainy Day Mushroom Pillow
recording of:
Rainy Day Mushroom Pillow
Verfasser(in):
Steve Bartek und George Bunnell (bassist and singer)
Strawberry Alarm Clock43:07
30All Your Love
Techniker(in):
Gus Dudgeon
Produzent(in):
Mike Vernon
Bassgitarre:
John McVie (in 1966-04)
E-Gitarre:
Eric Clapton (in 1966-04)
Orgel:
John Mayall (in 1966-04)
Schlagzeug:
Hughie Flint (in 1966-04)
vocals:
John Mayall (in 1966-04)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1966)
cover recording of:
All Your Love (I Miss Loving) (in 1966)
Texter und Komponist(in):
Otis Rush
publisher:
BMG Platinum Songs US und Conrad Music (publisher; do NOT use as release label)
John Mayall & the Bluesbreakers33:33
31Why Are We Sleeping?
recording of:
Why Are We Sleeping? (Soft Machine song)
Texter:
Kevin Ayers
Komponist(in):
Kevin Ayers, Mike Ratledge und Robert Wyatt (Canterbury scene)
publisher:
Rough Trade Publishing
Soft Machine35:31
32Who Do You Love (Pt. 1)
Bass:
David Freiberg
Gitarre:
John Cipollina und Gary Duncan (guitarist with Quicksilver Messenger Service)
membranophone:
Greg Elmore (drummer for Quicksilver Messenger Service)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
live teilweise cover recording of:
Who Do You Love? (in 1968)
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (in 1956)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) und Tristan Music Ltd.
Quicksilver Messenger Service43:35
3330 Century Man
recording engineer:
Peter Olliff
Produzent(in):
John Franz
recording of:
30 Century Man
Texter und Komponist(in):
Scott Engel (singer‐songwriter, musician and producer)
Scott Walker3.51:26
34Presence of the Lord
Techniker(in):
Andy Johns
Produzent(in) und Mix:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
Bass:
Ric Grech (in 1969-02)
Gitarre:
Eric Clapton (in 1969-02)
Keyboard:
Steve Winwood (in 1969-02)
Schlagzeug:
Ginger Baker (in 1969-02)
vocals:
Steve Winwood (in 1969-02)
arranger:
Robert Stigwood
phonographisches Urheberrecht (℗) von:
RSO Records Ltd. (in 1969), Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1969) und Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2001)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1969-02)
recording of:
Presence of the Lord (in 1969-02)
Texter und Komponist(in):
Eric Clapton
publisher:
Casserole Music Corp., Throat Music Ltd., Warner/Chappell Music International Ltd. und Throat Music (in 1973)
Blind Faith2.754:47
35Hot Burrito #1
recording of:
Hot Burrito No.1
Komponist(in):
Chris Ethridge und Gram Parsons
publisher:
Irving Music, Inc.
The Flying Burrito Brothers3:37
36Who Knows Where the Time Goes?
Techniker(in):
John Wood (US sound engineer and producer)
Produzent(in):
Joe Boyd (US producer, founder of Hannibal Records), Fairport Convention (English folk rock band) und Simon Nicol (singer, multi-instrumentalist and producer from England)
Bass:
Ashley Hutchings
Schlagzeug:
Martin Lamble
vocals:
Sandy Denny
phonographisches Urheberrecht (℗) von:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2003)
recording of:
Who Knows Where the Time Goes? (von 1969-01 bis 1969-04)
Texter und Komponist(in):
Sandy Denny
publisher:
Irving Music (BMI), Strawberry Music (Strawbs) und Winckler Musikforlag
Fairport Convention4.35:08
37Wind Chimes
Techniker(in):
Chuck Britz und Jim Lockert (Enginear)
Produzent(in):
The Beach Boys (American rock band) und Mark Linett
Mix:
Mark Linett
recording of:
Wind Chimes
Verfasser(in):
Van Dyke Parks und Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI)
The Beach Boys2.52:38

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